DeroyBiblio.com
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Best.-Nr. 59-0577Gallerie du Palais Royal Michallon ca. 1818. Lithograph. Image: 18.5 x 27 cm. Sheet: 36 x 55 cm. Some staining in upper and right margins. Lithographer: C. Motte. Under image: "J.P. Quénot direx." Platemark "J.P.Q. Gallerie Lithographiée de S.A.R. Mgr. le Duc D'Orleans" under image. Gallerie du Palais Royal (Michallon), ca. 1818. unknown
1861Best.-Nr. P2517Paris: L. Turgis c. 1861. Some discolouration of the margins otherwise in very good condition. Notes: View of Jerusalem taken from the Mount of Olives. Image Size : 380x498 mm 14.96x19.61 Inches Platemark Size : Paper Size : 458x628 mm 18.03x24.72 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Views Asia Middle East Holy Land & Palestine; L. Turgis unknown
Best.-Nr. B9781467062008Paperback / softback. New. paperback
Best.-Nr. ad48Gravure Reproduction d'une lithographie en noir et blanc de Deroy (27,2 x 15,4 cm sur support 31,5 x 24 cm), représentant une vue de Saint-Malo prise du tombeau de Chateaubriand ; très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Best.-Nr. 3819Suite de 11 lithographies (20 x 29cm)en sépia dessinées d’après Nature par DEROY dans un album pleine toile éditeur avec titre et entrelacs à froid sur plat.Légère décoloration en tête des plats sans gravité.Imprimerie Lemercier.
Best.-Nr. 50926aafParis, Hotel du Louvre, 1876, pt. in-8vo, XX p. + 304 p. ill. avec des xylogravures + 16 p. de pubicité ill., cachet sur titre, reliure en toile originale.
Best.-Nr. 006761Imp. Marie; Imprimerie Lemercier. Editeurs: Dutot; R. Lebrasseur;. Blindstamped Cloth. Very Good. N.d. circa 1860. Oblong 8vo 21 by 30 cm. 30 hand-colored plates of Paris and its surroundings. Basically two series of plates combined the first 24 drawn by Collette or Eichot and published by Imp. Marie with Dutot and R. Lebrasseur given as "editeurs" and the second group of six based on Deroy paintings and published by Lemercier. The collection of plates in this album were semi-standard with the binding itself and its title "Paris sous Napoleon III" being used for similar but not necessarily identical groups of plates. 30 plates in all was something of a standard number with some sets having a smaller number but obviouslly the binding is tailor-made for 30. Sets could be hand-colored or uncolored with colored plates the more desirable. It also appears quite common to combine plates from the Collette/Eichot series which are numbered 1 to 24 with Lemercier plates which are numbered but from the non-chronological numbering in this and other sets selected more randomly to reach a complement of 30. Plates are generally of the better known more magnificent sights in and around Paris with typically people horses coaches and other horse-drawn vehicles providing additional interest and perspective. Condition: some not all plates have darker age toning around the edges along with some foxing and thumb smudges. In our judgment half a dozen plates are marred by the soiling and/or ripples in the paper with the other plates clean or with non-disconcerting amounts of soil issues. The binding itself has some wear including rubbing some fading of the color and the like but remains more than passable and even attractive. Imp. Marie; Imprimerie Lemercier. Editeurs: Dutot; R. Lebrasseur; unknown books
Best.-Nr. 006761Imp. Marie; Imprimerie Lemercier. Editeurs: Dutot; R. Lebrasseur;. Blindstamped Cloth. Very Good. N.d. circa 1860. Oblong 8vo 21 by 30 cm. 30 hand-colored plates of Paris and its surroundings. Basically two series of plates combined the first 24 drawn by Collette or Eichot and published by Imp. Marie with Dutot and R. Lebrasseur given as "editeurs" and the second group of six based on Deroy paintings and published by Lemercier. The collection of plates in this album were semi-standard with the binding itself and its title "Paris sous Napoleon III" being used for similar but not necessarily identical groups of plates. 30 plates in all was something of a standard number with some sets having a smaller number but obviouslly the binding is tailor-made for 30. Sets could be hand-colored or uncolored with colored plates the more desirable. It also appears quite common to combine plates from the Collette/Eichot series which are numbered 1 to 24 with Lemercier plates which are numbered but from the non-chronological numbering in this and other sets selected more randomly to reach a complement of 30. Plates are generally of the better known more magnificent sights in and around Paris with typically people horses coaches and other horse-drawn vehicles providing additional interest and perspective. Condition: some not all plates have darker age toning around the edges along with some foxing and thumb smudges. In our judgment half a dozen plates are marred by the soiling and/or ripples in the paper with the other plates clean or with non-disconcerting amounts of soil issues. The binding itself has some wear including rubbing some fading of the color and the like but remains more than passable and even attractive. Imp. Marie; Imprimerie Lemercier. Editeurs: Dutot; R. Lebrasseur; unknown
1857Best.-Nr. 528301 vol. in-8 format à l'italienne cartonnage éditeur pleine percaline rouge, Chez Dusacq et Cie, Imp. Lemercier, Paris, s.d. [circa 1857], 1 f. de titre, avec 20 vues (dont 5 doubles) en lithographies en couleurs. Lucerne, vue prise de Gutch - Panorama du Lac de Lucerne (planche double) - Lucerne. Hôtel de Schweizerhof - Lucerne. Vue des Remparts - Le Lion de Lucerne - Vue du Lac de Lucerne prise du Kussnacht - Chapelle de Guillaume-Tell - Veggis, au Lac des Quatre-Cantons - Vue du Rigi, entre le Rigi Kulm et le Rigi Staffel - Les Bains Froids sur le Rigi - Le Rigi Culm - Rigi Staffel (planche double) - Rigi Kulm (planche double) - Panorama des Alpes Bernoises vue du Rigi (planche double) - Brunnen (planche double) - Le Grutli. Lac des 4 Cantons - Chapelle de Guillaume Tell sur le Lac des 4 Cantons - Fluelen Lac des 4 Cantons - Stanztadt. Lac des 4 Cantons - Am Ort Lac des 4 Cantons
Best.-Nr. 2327Alphonse Lemerre Editeur , Paris, 1881
Best.-Nr. 16712un volume, reliure pleine percale parme cartonnage éditeur à plaques spéciales pour les plats in-douze ( hard-back percale with special cover editor in-12) (11,5 x 17,2 cm), titre doré et ornementation en encadrement à froid, dos muet passé, orné de 130 gravures sur bois, d'apres les dessins de A. De Bar, H. Clerget, Deroy, G. Dore, Lancelot, Marie, Therond, Thiollet, etc..., xx + 302 pages + 1 feuillet de Table + 16 pages de Catalogue Hachette, 1876 Paris Hotel du Louvre Editeur,
Best.-Nr. 11127Suite de 62 Lithographies et gravures sur acier numérotée 30 à 100, en deux albums, de format 24x26cm, pleine toile noire de l’éditeur, titre et décor dorés sur le premier plat, filets à froid;(petits raccommodages).62 Lithographies et gravures sur acier finement coloriées et gommées, par Melle Rose d’Ostervald, W.H Bartlett, Weber, Cognet, Himey, G Lory, Bettinger, Milbert, Salathé, Deroy, F Benoit….Toutes ces gravures sont finement coloriées et rehaussées à la gomme, certaines avec quelques rousseurs en marges, coloris très frais
Best.-Nr. 71-0936Paris: 19th Century European Publisher 1825. Lithograph. 29 x 20.7 cm. sheet. Sheet mounted at corners to support sheet. Very Good. Margins trimmed. Paris: [19th Century European Publisher], 1825. unknown
Best.-Nr. 43012434-nnew. unknown
Best.-Nr. 43012434like new. unknown
2019Best.-Nr. x-1138506419Routledge 2019. Hardcover. New. 360 pages. 9.00x6.25x1.00 inches. Routledge hardcover
2021Best.-Nr. x-103209219XRoutledge 2021. Paperback. New. 354 pages. 8.75x6.00x1.00 inches. Routledge paperback
1840Best.-Nr. 17230Paris: V. Turgis editeur 10 rue Serpente 1840. Tinted lithograph with original hand colouring. Printed on wove paper. In excellent condition. Image size: 12 3/8 x 17 5/8 inches. A picturesque view of Lyon from the Guillotiere after a drawing by the celebrated French painter Nicolas-Marie Joseph Chapuy. Chapuy has chosen to depict Lyon from the Guillotiere neighborhood with the winding river running through the middle of the image. The docks next to the bridge are scattered with large stones and lumber and many small boats are moored along the banks. The bridge is crowded with pedestrians who make their way across the busy thoroughfare. Domes and spires crowd the horizon and two large boats hurry down the river. This sweeping view is a wonderful example of Chapuy's considerable talents and picturesque eye and a beautiful glimpse of Lyon in the early decades of the nineteenth century. Nicolas-Marie Joseph Chapuy was born in Paris in 1790 and in his early life became an officer in the Navy. An accomplished architect and landscape painter Chapuy is perhaps best known for his stunning lithographs. He exhibited regularly at the Salon and in 1833 won a third class medal for his lithography. He produced a wide array of lithographs which varied in subject from historical scenes to architectural views. Yet it was his landscape prints which received the most praise and garnered him his celebrated reputation. This impressive view of Lyon is a fantastic example of Chapuy's talents. The image includes a numbered key at the bottom of the sheet which lists all the principal buildings and monuments in the image and provides their exact location. Benezit. Dictionnaire Critique et Documentaire Des Peintres Sculpteurs Dessinateurs et Graveurs Vol. 3 p. 487. V. Turgis, editeur, 10 rue Serpente unknown books
1840Best.-Nr. 17230Paris: V. Turgis editeur 10 rue Serpente 1840. Tinted lithograph with original hand colouring. Printed on wove paper. In excellent condition. Image size: 12 3/8 x 17 5/8 inches. A picturesque view of Lyon from the Guillotiere after a drawing by the celebrated French painter Nicolas-Marie Joseph Chapuy. Chapuy has chosen to depict Lyon from the Guillotiere neighborhood with the winding river running through the middle of the image. The docks next to the bridge are scattered with large stones and lumber and many small boats are moored along the banks. The bridge is crowded with pedestrians who make their way across the busy thoroughfare. Domes and spires crowd the horizon and two large boats hurry down the river. This sweeping view is a wonderful example of Chapuy's considerable talents and picturesque eye and a beautiful glimpse of Lyon in the early decades of the nineteenth century. Nicolas-Marie Joseph Chapuy was born in Paris in 1790 and in his early life became an officer in the Navy. An accomplished architect and landscape painter Chapuy is perhaps best known for his stunning lithographs. He exhibited regularly at the Salon and in 1833 won a third class medal for his lithography. He produced a wide array of lithographs which varied in subject from historical scenes to architectural views. Yet it was his landscape prints which received the most praise and garnered him his celebrated reputation. This impressive view of Lyon is a fantastic example of Chapuy's talents. The image includes a numbered key at the bottom of the sheet which lists all the principal buildings and monuments in the image and provides their exact location. Benezit. Dictionnaire Critique et Documentaire Des Peintres Sculpteurs Dessinateurs et Graveurs Vol. 3 p. 487. V. Turgis, editeur, 10 rue Serpente unknown
Best.-Nr. 71-3389Paris: H. Jeannin circa 1832. Lithograph. 75.3 x 36.5 cm. sheet. Good some of foxing in margins tears along sheet edges. Paris: H. Jeannin, circa 1832. unknown
1952Best.-Nr. 1202812PN. New. 1952. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
Best.-Nr. 0692905316.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1943Best.-Nr. E41951Paris, Berger-Levrault 1943 xiv + 276pp., br.orig., 26cm.
Best.-Nr. 101356Haarlem, de Toorts, 1963.
1869Best.-Nr. 18641Paris, Alphonse Lemerre, 1869. In-8 de [4]-109-[7] pages, demi-maroquin lie-de-vin à coins, dos à nerfs, tranches dorées, couvertures et dos conservés. Reliure signée Semet & Plumelle.
