211 resultados
ref. 71-1122Paris: French Publisher circa 1824. . Lithograph. 16 x 12.2 cm. image. 19.8 x 14.7 cm. sheet. Very Good. Some light surface soiling. [Paris: French Publisher, circa 1824]. unknown
1822ref. 162001822 .Paris. .c.hez Gide, 1822. .in4, demi chagrin rouge, dos a nerfs, caissons ornés de fleurons dorés, tete dorée, 32 lithographies hors texte t. Rousseurs sur premières et dernières pages essentiellement,
ref. 11127Suite de 62 Lithographies et gravures sur acier numérotée 30 à 100, en deux albums, de format 24x26cm, pleine toile noire de l’éditeur, titre et décor dorés sur le premier plat, filets à froid;(petits raccommodages).62 Lithographies et gravures sur acier finement coloriées et gommées, par Melle Rose d’Ostervald, W.H Bartlett, Weber, Cognet, Himey, G Lory, Bettinger, Milbert, Salathé, Deroy, F Benoit….Toutes ces gravures sont finement coloriées et rehaussées à la gomme, certaines avec quelques rousseurs en marges, coloris très frais
ref. 5709Nogent-sur-Oise and Paris France. Ca. 1861-1864. Oblong 4to 11" x 16" original pebbled burgundy morocco raised Gothic Revival strapwork with applied brass ornaments and two brass clasps at fore edge title stamped in black at upper cover a.e.g. 20 original watercolors 6" x 9.25" to 6.5" x 9.75" 3 tinted lithographs 5.875" x 5.625"; 4" x 5.75"; 7.25" x 5.25" all plus margins. CONDITION: Very good light wear to cover extremities. A lovely and historically valuable "estate portrait" album of original watercolor views by painter and lithographer Isidore-Laurent Deroy depicting the grounds of the Parc de Nogent and its residence noted for its incorporation of the façade of a 16th century château rescued from demolition at the eleventh hour in 1833. Constructed in the 1500s as an expansion and modernization of a fortification dating back to the Roman invasion the Château de Sarcus boasted twenty-two arches in total. It was designed by Martin Chambiges who worked in the high Gothic style and is known for the façades of several cathedrals. In 1833 its owner elected to demolish it and-so the story goes-Armand-Gustave Houbigant the mayor of Nogent-sur-Oise and the son of a famous early perfumer rushed nearly fifty miles to save it arriving in time to prevent the last three arches as well as several other architectural elements from being destroyed. Houbigant integrated the arched façade into his residence and as a historian wrote an account of what he had rescued. The Gothic façade appears in two of Deroy's watercolors and is the subject of all three of the lithographs one of which is captioned in the lower margin: "Trois des arcades du château de Sarcus Transportées et relevées par Mr. Houbigant à Nogent les Vierges Oise et formant un des façades de son habitation." After the second world war the Houbigant residence was vandalized and the façade was moved to the nearby parc Hébert à Nogent. Deroy's charming watercolors painted over the course of several years provide a comprehensive record of the Parc's many picturesque views and are almost always populated by figures-presumably meant to represent members of Houbigant's household-strolling with parasols along paths or across meadows boating on gentle waterways resting on the steps of a castle ruin playing with children or enjoying the view together often accompanied by their dog. In addition to the many lush and finely detailed landscapes Deroy's views show the Houbigant residence the Church at Nogent-sur-Oise exterior and interior and two other buildings as well as the distant town from within an octagonal or hexagonal porch with stained glass Gothic arches. In the captioned lithograph two male figures standing before the arched façade-one holding an open sketch book-likely represent Houbigant and Deroy themselves who were evidently artistic collaborators and friends. Armand-Gustave Houbigant who did not follow his father into the perfume business was a historian and visual artist. After inheriting his fortune he established himself at Nogent-sur-Oise in 1812. He is best known for designing a new set of playing cards in 1816 but he also produced numerous watercolors and views several of which Deroy lithographed and at least one of which "Lescar. Ruines du Château des Évêques de Béarn" 1854 Deroy actually retouched-"but only a little" according to an ink note on the painting: "he only touched the trees." Isidore-Laurent Deroy 1797-1886 was a painter draftsman and lithographer from Paris. He studied painting under Louis-François Cassas and architectural drawing under an artist cited in several sources simply as "Félix." His lithographs were exhibited at the Paris Salon from 1827 to 1866 and he received third class medals for lithography in 1836 and 1861. Some sources suggest he traveled to North America but this seems to be based on various lithographs of American views to his credit after August Kollner Köllner and others. All of these were produced by French lithographic firms-Gouptil and Vibert in the case of Kollner's "Views of American Cities"-but were often published by New York London and sometimes Berlin firms as well. From 1860 into the 1880s Deroy appears in the Paris trade directory Bottins as an "artiste-lithographe." A splendid collection of watercolor views of an impressive French country house and its grounds. REFERENCES: Houbigant A.-G. Notice sur le portique dit de Sarcus existant a Nogent-les-Vierges et faisant partie de l'habitation de M. Houbigant Portique élevé au moyen de quelques débris provenant de l'ancien château de Sarcus abattu en 1833 Nogent-les-Vierges 1857; Karel David. Dictionnaire des artistes de langue française en Amérique du Nord Musée du Québec 1992 p. 231; Lescar. Restes du château et des fortifications des évêques Dessins du musée national du château de Pau online. Nogent-sur-Oise and Paris, France. Ca. 1861-1864 unknown
ref. 5709Nogent-sur-Oise and Paris France. Ca. 1861-1864. Oblong 4to 11" x 16" original pebbled burgundy morocco raised Gothic Revival strapwork with applied brass ornaments and two brass clasps at fore edge title stamped in black at upper cover a.e.g. 20 original watercolors 6" x 9.25" to 6.5" x 9.75" 3 tinted lithographs 5.875" x 5.625"; 4" x 5.75"; 7.25" x 5.25" all plus margins. CONDITION: Very good light wear to cover extremities. A lovely and historically valuable "estate portrait" album of original watercolor views by painter and lithographer Isidore-Laurent Deroy depicting the grounds of the Parc de Nogent and its residence noted for its incorporation of the façade of a 16th century château rescued from demolition at the eleventh hour in 1833. Constructed in the 1500s as an expansion and modernization of a fortification dating back to the Roman invasion the Château de Sarcus boasted twenty-two arches in total. It was designed by Martin Chambiges who worked in the high Gothic style and is known for the façades of several cathedrals. In 1833 its owner elected to demolish it and-so the story goes-Armand-Gustave Houbigant the mayor of Nogent-sur-Oise and the son of a famous early perfumer rushed nearly fifty miles to save it arriving in time to prevent the last three arches as well as several other architectural elements from being destroyed. Houbigant integrated the arched façade into his residence and as a historian wrote an account of what he had rescued. The Gothic façade appears in two of Deroy's watercolors and is the subject of all three of the lithographs one of which is captioned in the lower margin: "Trois des arcades du château de Sarcus Transportées et relevées par Mr. Houbigant à Nogent les Vierges Oise et formant un des façades de son habitation." After the second world war the Houbigant residence was vandalized and the façade was moved to the nearby parc Hébert à Nogent. Deroy's charming watercolors painted over the course of several years provide a comprehensive record of the Parc's many picturesque views and are almost always populated by figures-presumably meant to represent members of Houbigant's household-strolling with parasols along paths or across meadows boating on gentle waterways resting on the steps of a castle ruin playing with children or enjoying the view together often accompanied by their dog. In addition to the many lush and finely detailed landscapes Deroy's views show the Houbigant residence the Church at Nogent-sur-Oise exterior and interior and two other buildings as well as the distant town from within an octagonal or hexagonal porch with stained glass Gothic arches. In the captioned lithograph two male figures standing before the arched façade-one holding an open sketch book-likely represent Houbigant and Deroy themselves who were evidently artistic collaborators and friends. Armand-Gustave Houbigant who did not follow his father into the perfume business was a historian and visual artist. After inheriting his fortune he established himself at Nogent-sur-Oise in 1812. He is best known for designing a new set of playing cards in 1816 but he also produced numerous watercolors and views several of which Deroy lithographed and at least one of which "Lescar. Ruines du Château des Évêques de Béarn" 1854 Deroy actually retouched-"but only a little" according to an ink note on the painting: "he only touched the trees." Isidore-Laurent Deroy 1797-1886 was a painter draftsman and lithographer from Paris. He studied painting under Louis-François Cassas and architectural drawing under an artist cited in several sources simply as "Félix." His lithographs were exhibited at the Paris Salon from 1827 to 1866 and he received third class medals for lithography in 1836 and 1861. Some sources suggest he traveled to North America but this seems to be based on various lithographs of American views to his credit after August Kollner Köllner and others. All of these were produced by French lithographic firms-Gouptil and Vibert in the case of Kollner's "Views of American Cities"-but were often published by New York London and sometimes Berlin firms as well. From 1860 into the 1880s Deroy appears in the Paris trade directory Bottins as an "artiste-lithographe." A splendid collection of watercolor views of an impressive French country house and its grounds. REFERENCES: Houbigant A.-G. Notice sur le portique dit de Sarcus existant a Nogent-les-Vierges et faisant partie de l'habitation de M. Houbigant Portique élevé au moyen de quelques débris provenant de l'ancien château de Sarcus abattu en 1833 Nogent-les-Vierges 1857; Karel David. Dictionnaire des artistes de langue française en Amérique du Nord Musée du Québec 1992 p. 231; Lescar. Restes du château et des fortifications des évêques Dessins du musée national du château de Pau online. Nogent-sur-Oise and Paris, France. Ca. 1861-1864 unknown books
2000ref. Q-1582460299Tricycle Press 2000-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Tricycle Press paperback
1979ref. BN516913Lippincott 1979. 1979. Working cats Working cats Gruber Terry deRoy Lippincott unknown
1979ref. G0397013760I4N00Lippincott Williams & Wilkins 1979. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Lippincott Williams & Wilkins hardcover
ref. SONG0397013760Lippincott 0000-00-00. First Edition. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Lippincott hardcover
ref. ANAIS-0397013760Lippincott. hardcover. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. Lippincott hardcover
ref. 0397013760.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
