Atkins, Jed WBiblio.com
1002 resultados
ref. 1107043581.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1990ref. 024577Denton Texas: Panguitch Publications 1990. NOT a library discard. Very Good condition. Previous owner's name label on front inside cover. Pages are clean and unmarked. Autobiography of a Mormon college professor in Texas. First Edition. Softcover. Very Good condition. Illus. by NOT a library discard. viii 227pp. Great Packaging Fast Shipping. Panguitch Publications Paperback
ref. 46361469like new. unknown
ref. 1467044466.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 152837083X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2014ref. 03GW26-819-189Insight Editions. Very Good in Very Good dust jacket. 2014. Hardcover. 1608874362 . This book is in very good condition; no remainder marks. Dustjacket does have some shelfwear edge wear a few small edge tears. Inside pages are clean. ; 9.25 X 1.2 X 12.75 inches; 248 pages . Insight Editions hardcover
2014ref. 03GW26-821-180Insight Editions. New in New dust jacket. 2014. Hardcover. 1608874362 . Still in shrinkwrap. This book is new; never used or opened. No remainder marks. ; 9.25 X 1.2 X 12.75 inches; 248 pages . Insight Editions hardcover
ref. 0936608412.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. mon0004101210Rowman & Littlefield 6/15/2023 12:00:01 A. hardcover. Very Good. 0.7087 9.2520 6.2598. Rowman & Littlefield hardcover
ref. 43704907like new. unknown
2009ref. 200854Chicago IL: University of Chicago Press 2009. Hardcover. VG Ex art library with sticker on DJ spine and to rear endpaper; DJ and boards are lightly edgeworn/scratched; interior is in excellent condition; binding is solid. Grey pictorial DJ with white orange and grey lettering; black cloth over boards with stamped lettering; 132 pp.; chiefly illustrations. "Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image An in-depth pictorial study of blind schoolchildren in Mexico Look At Me draws attention to and distinctions between the activity of sight and the awareness of form." "Combining aspects of his acclaimed street work with an innovative approach to portraiture Chicago-based photographer Jed Fielding has concentrated closely on these children's features and gestures probing the enigmatic boundaries between surface and interior. Design composition and the play of light and shadow are central elements in these photographs but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding's sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative joyful participation with the children he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fielding's work achieves what only great art and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look At Me contains more than sixty arresting images from which we often want to look away but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer."-- Jacket. University of Chicago Press hardcover
2012ref. 180171New York: Eakins Press Foundation 2012. Hardcover. VG/VG. Black cloth boards with silver spine lettering; black dust jacket with white lettering; 358 pp illustrated throughout with 24 color and 5 duotone illustrations. "The Eakins Press Foundation is proud to announce the publication of Magicians & Charlatans by the art critic Jed Perl. In this collection of 26 essays Mr. Perl writes with great urgency about the art scene of the past decade. The poet John Ashbery has said that "For years Jed Perl has been covering the art world with tremendous empathy and unsparing accuracy. His ability to recognize the traditional forms of art behind their continual transmutation has made his an almost solitary essential voice." The essays range from highly controversial critiques of the painter Gerhard Richter the art dealer Leo Castelli and the Museum of Modern Art to appreciations of the art of Bernini and Chardin and the writings of Edmund Wilson and Meyer Schapiro."--Publisher's description. Chapters include: Our Dadaist : Robert Gober -- Summer madness : Balthus and "Encounters" at the National Gallery in London -- The variety show : Tony Oursler Bill Viola and contemporary art -- Saint Gerhard of the sorrows of painting : Gerhard Richter -- Firings : Noguchi Ken Price and ceramics -- The beauty trap : notes on the return to beauty -- MoMA Inc. : the Museum of Modern Art since reopening in 2004 -- Peep shows for poets : Jeremy Blake and experimental cinema -- Postcards from nowhere : new museums in Los Angeles and New York -- Private lives : the recession and the art world -- The opportunist : a life of Leo Castelli -- Extreme sensibility : Christian Marclay's The clock -- Ecstasy : reflections on Bernini -- Ordinary magic : Chardin at the Metropolitan Museum of Art -- Lyricist and empiricist : Gustave Le Gray at the J. Paul Getty Museum -- Philosophical furnishings : Thomas Hope and Jean-Michel Frank -- Everyday symbolist : Vuillard at the National Gallery of Art -- Apollo and Dionysus : Cézanne and Picasso -- Spiritual matters : Rouault and Chagall -- A defense of Dada : anti-art revisited -- The writer's eye : Edmund Wilson and the visual arts -- Maker and shaper : the life and literature of Lincoln Kirstein -- From Alabama to Manhattan : remembering David Daniel -- Half tame : Roger Shattuck from The banquet years to Forbidden knowledge -- Varieties of artistic experience : Meyer Schapiro on medieval and modern art. Eakins Press Foundation hardcover
1997ref. 174424Chicago: Museum of Contemporary Photography Columbia College 1997. Hardcover. VG/VG. Rust cloth boards with black stamped lettering. Glossy BW-photographic dust jacket with red and black lettering. 123 pp. Color illustrations. Catalogue of an exhibition from November 15 1997 through January 10 1998. Museum of Contemporary Photography, Columbia College hardcover
ref. 1764580206.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 3170308548.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1883ref. 9696Staunton VA: Printed by S. M. Yost & Son for Jed Hotchkiss 1883. Hard Cover. Good binding. Quarto. xi 1 196 192; 6 196; 1 iii 196 pp. maps illus. First edition. Volume 1 & 2 bound together in library buckram; Volume 3 in marbled boards with modern bonded leather spine and corners; Volume 4 in library buckram. Volume II is lacking volume title page and index. All volumes trimmed some closer than others. Ex-library with typical markings; bindings are a trifle worn but sturdy; contents are a bit brittle with some closed tears to the folds of the maps a couple of maps have cleanly separated along those tears; occasional early tape repairs to a few leaves and a few maps. Rogers’s geological map is quite crisp and bright. Relatively well-preserved volumes from this landmark publication. An important periodical that ran from 1880 through Volume VI 1885 before being merged into the Industrial South. Jedediah Hotchkiss the editor and publisher is perhaps most remembered as the staff officer of Stonewall Jackson and employed his topographical and cartographical skills to the great benefit of Jackson during the Civil War. After the war Hotchkiss established himself in Staunton VA as a consulting engineer and geologist among other endeavors eventually editing and publishing this present periodical. Given the wealth of information related to natural resources it's easy to imagine that these efforts brought significant funding into the commonwealth at a time it was greatly needed. While there are contributions by most significant geologists of the day as well as maps and sections by Hotchkiss J. Peter Lesley James P. Kimball R. O. Currey John L. Campell and others. But certainly the most notable inclusions is William Barton Rogers’s 1841 geological map of Virginia. This first systematic geological survey of Virginia began in 1835 when Rogers a recognized expert was engaged by the Virginia General Assembly to undertake the task. The manuscript of the map was largely complete when funding for the project was cut off in 1841. This map languished for decades until a version of it Marcou 592 was published in Virginia: A Geographical and Political Summary. Hotchkiss a friend and colleague of Rogers further added to the map and issued it in Vol. I No. 6 of The Virginias 1880. Of this map E. M. Sanchez-Saavedra writes: "The geological map of Virginia is modest in appearance but it contains more information than first meets the eye. Its topography was based on the 1827 Boye nine-sheet map altered to emphasize natural drainage and erosion patterns. The large patches of color representing different formations were the result of Rogers's years in the field—digging climbing and analyzing rock strata." Finally noting that this color coding seems to have been of Roger's invention it would be employed to some degree in subsequent years by John Wesley Powell as he embarked on his ambitious undertaking to map the entirety of the country. This map remains an important piece of Virginia geologic and cartographic history. Sanchez-Saavedra A Description of the Country: Virginia's Cartographers and Their Maps 1607-1881. pp. 103-118. Marcou 612. Printed by S. M. Yost & Son for Jed Hotchkiss unknown
ref. 0648681998.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011ref. 57852New York: Riverhead Books. Fine in Fine dust jacket. 2011. First Edition; First Printing. Hardcover. 1594487820 . A first Edition/First Printing that is barely shelfworn and housed in a like dust-jacket each Fine; A fast-paced thriller set in the world of high finance The Death Instinct is the story of a young Wall Street analyst whose life is turned upside down when she is accused of insider trading. With the help of her lawyer she must fight to clear her name while remaining one step ahead of the FBI.; 8vo; 464 pages . Riverhead Books hardcover
ref. 1387813692.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1989ref. SKU1081171University of Chicago Press 1989-01-03. hardcover. Good. 6x1x9. University of Chicago Press 1989. Hard cover first edition. Ex-library copy with the usual markings otherwise Good condition. University of Chicago Press hardcover
ref. 1019386347.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 1952685354.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 088048943X.Gspiral_bound. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
ref. 1426921284.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2014ref. 260205087Milan 2014. audioCD. Very Good. 5x5x0. Milan M2-36838; case shows only light shelf-wear; disc is mint/near mint; because we care that your order arrives in the condition stated we have additionally sealed the case in bubblewrap for added protection during shipment Milan unknown
