Forman, JedBiblio.com
975 risultati
rif. 0231215525.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2024rif. x-0231215533Columbia Univ Pr 2024. Paperback. New. 328 pages. 8.50x5.50x9.00 inches. Columbia Univ Pr paperback
2024rif. x-0231215525Columbia Univ Pr 2024. Hardcover. New. 328 pages. 9.00x6.00x9.00 inches. Columbia Univ Pr hardcover
rif. 0231215533.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2018rif. x-3319708384Springer Verlag 2018. Hardcover. New. 232 pages. 9.25x6.10x0.80 inches. Springer Verlag hardcover
rif. DADAX3319708384Springer 2018-07-18. 1st ed. 2018. hardcover. New. 6.14x0.56x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
1999rif. 124233FinnbogadÃttir, VigdÃs; Ashbery, John; Perl, Jed et al.: Louisa Matthiasdottir. New York: Hudson Hills, 1999. 198 pages, numerous colour and black and white illustrations. Hardback. 29x29cms.
1999rif. 124233FinnbogadÃttir, VigdÃs; Ashbery, John; Perl, Jed et al.: Louisa Matthiasdottir. New York: Hudson Hills, 1999. 198 pages, numerous colour and black and white illustrations. Hardback. 29x29cms.
rif. 124233New York: Hudson Hills 1999. 198 pages numerous colour and black and white illustrations. Hardback 29x29cms. ISBN: 9781555951979. Text in English. New York: Hudson Hills, 1999. hardcover
1999rif. 027553Hudson Hills Press Inc. New York 1999. Book. Near Fine. Cloth. 198 pages 220 illustrations with 137 in color. A large sticker with the books ISBN number placed on the back dustcover. Square format. An Appreciation by Vigdís Finnbogadóttir. Exhibitions. Bibliography by Lance Esplund. Collections. . Hudson Hills Press, Inc., New York Hardcover
1997rif. 174424Chicago: Museum of Contemporary Photography Columbia College 1997. Hardcover. VG/VG. Rust cloth boards with black stamped lettering. Glossy BW-photographic dust jacket with red and black lettering. 123 pp. Color illustrations. Catalogue of an exhibition from November 15 1997 through January 10 1998. Museum of Contemporary Photography, Columbia College hardcover books
2009rif. 185836Chicago IL: University of Chicago Press 2009. First edition and first printing. Hardcover. 132 pages. Features an introduction by Britt Salvesen and an essay by Vince Aletti. A powerful collection of black and white photographs of blind children from Mexico. Includes 68 duotone illustrations. A clean and tight near fine copy in black cloth boards with some bumping to the top of the spine in a close to near fine dust jacket with some bumping to the top of the spine and some other light wear. Signed and inscribed by Fielding to a New York gallerist in the year of publication. University of Chicago Press unknown books
2009rif. 200854Chicago IL: University of Chicago Press 2009. Hardcover. VG Ex art library with sticker on DJ spine and to rear endpaper; DJ and boards are lightly edgeworn/scratched; interior is in excellent condition; binding is solid. Grey pictorial DJ with white orange and grey lettering; black cloth over boards with stamped lettering; 132 pp.; chiefly illustrations. "Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image An in-depth pictorial study of blind schoolchildren in Mexico Look At Me draws attention to and distinctions between the activity of sight and the awareness of form." "Combining aspects of his acclaimed street work with an innovative approach to portraiture Chicago-based photographer Jed Fielding has concentrated closely on these children's features and gestures probing the enigmatic boundaries between surface and interior. Design composition and the play of light and shadow are central elements in these photographs but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding's sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative joyful participation with the children he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fielding's work achieves what only great art and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look At Me contains more than sixty arresting images from which we often want to look away but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer."-- Jacket. University of Chicago Press hardcover books
1997rif. 308221Chicago: Museum of Contemporary Photography 1997. First. hardcover. fine/fine. Jed Fielding. Foreword by Denise Miller and essays by Shirley Hazzard & Nan Richardson. Illustrated with 80 photographs. 124 pages. Slim oblong 4to orange cloth d.w. Chicago: Museum of Contemporary Photography 1997. First edition. A fine copy in a fine dust wrapper. Signed and inscribed by Fielding on halftitle page. Museum of Contemporary Photography unknown books
1997rif. 276227Chicago: Museum of Contemporary Photography 1997. First. hardcover. near fine/fine. Jed Fielding. Foreword by Denise Miller and essays by Shirley Hazzard & Nan Richardson. Illustrated with 80 photographs. 124 pages slim oblong 4to orange cloth d.w. Chicago: Museum of Contemporary Photography 1997. First edition. A near fine copy in a fine dust wrapper. A nice association copy inscribed by the author to Shirley Hazzard who wrote one of the essays. Museum of Contemporary Photography unknown books
2009rif. 276595Chicago: University of Chicago Press 2009. hardcover. fine/near fine. Fielding Jed. Introduction by Britt Salvesen. Essay by Vince Aletti. 67 full page black-and-white plates including several folding. 132 pages. Folio black cloth d.w. Chicago: University of Chicago Press 2009. A fine copy in a near fine dust wrapper. Presentation copy signed by Jed Fielding. University of Chicago Press unknown books
2009rif. 230317Chicago: University of Chicago Press 2009. First. hardcover. fine/near fine. Profusely illustrated with black-and-white photographs. 132 pages. Folio black cloth d.w. Chicago: University of Chicago Press 2009. A fine copy in near fine dust wrapper. University of Chicago Press unknown books
rif. ANAIS-0965888703Takarajimasha Inc. hardcover. Good. 12.6x0.8x10.6. Buy with confidence. Excellent Customer Service & Return policy. Takarajimasha Inc hardcover
1997rif. 308221Chicago: Museum of Contemporary Photography 1997. First. hardcover. fine/fine. Jed Fielding. Foreword by Denise Miller and essays by Shirley Hazzard & Nan Richardson. Illustrated with 80 photographs. 124 pages. Slim oblong 4to orange cloth d.w. Chicago: Museum of Contemporary Photography 1997. First edition. A fine copy in a fine dust wrapper. Signed and inscribed by Fielding on halftitle page. Museum of Contemporary Photography unknown
1998rif. Q-0965888703Takarajima Books Inc 1998-04-25. Hardcover. New. In shrink wrap. Looks like an interesting title! Takarajima Books, Inc hardcover
1997rif. 174424Chicago: Museum of Contemporary Photography Columbia College 1997. Hardcover. VG/VG. Rust cloth boards with black stamped lettering. Glossy BW-photographic dust jacket with red and black lettering. 123 pp. Color illustrations. Catalogue of an exhibition from November 15 1997 through January 10 1998. Museum of Contemporary Photography, Columbia College hardcover
1997rif. 276227Chicago: Museum of Contemporary Photography 1997. First. hardcover. near fine/fine. Jed Fielding. Foreword by Denise Miller and essays by Shirley Hazzard & Nan Richardson. Illustrated with 80 photographs. 124 pages slim oblong 4to orange cloth d.w. Chicago: Museum of Contemporary Photography 1997. First edition. A near fine copy in a fine dust wrapper. A nice association copy inscribed by the author to Shirley Hazzard who wrote one of the essays. Museum of Contemporary Photography unknown
1997rif. 32818Chicago: Museum of Contemporary Photography 1997. First Edition ~1st Printing. Hardcover. SIGNED and inscribed on half-title page by the author/photographer fine in near fine dust jacket; small tear at top of jacket back else a tight square unmarked copy in unclipped dust jacket Museum of Contemporary Photography hardcover
2009rif. 200854Chicago IL: University of Chicago Press 2009. Hardcover. VG Ex art library with sticker on DJ spine and to rear endpaper; DJ and boards are lightly edgeworn/scratched; interior is in excellent condition; binding is solid. Grey pictorial DJ with white orange and grey lettering; black cloth over boards with stamped lettering; 132 pp.; chiefly illustrations. "Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image An in-depth pictorial study of blind schoolchildren in Mexico Look At Me draws attention to and distinctions between the activity of sight and the awareness of form." "Combining aspects of his acclaimed street work with an innovative approach to portraiture Chicago-based photographer Jed Fielding has concentrated closely on these children's features and gestures probing the enigmatic boundaries between surface and interior. Design composition and the play of light and shadow are central elements in these photographs but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding's sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative joyful participation with the children he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fielding's work achieves what only great art and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look At Me contains more than sixty arresting images from which we often want to look away but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer."-- Jacket. University of Chicago Press hardcover
2009rif. 78289University of Chicago Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 132 pp. 5 foldout with 68 ills. 34 x 28 cm. -- with a bonus offer--; Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image An in-depth pictorial study of blind schoolchildren in Mexico Look at me draws attention to and distinctions between the activity of sight and the consciousness of form. Combining aspects of his earlier acclaimed street work with an innovative approach to portraiture Chicago-based photographer Jed Fielding has concentrated closely on these children’s features and gestures probing the enigmatic boundaries between surface and interior innocence and knowing beauty and grotesque. Design composition and the play of light and shadow are central elements in these photographs but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding’s sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative joyful participation with the children he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fielding’s work achieves what only great art and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look at me contains more than sixty arresting images from which we often want to look away but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer. . 2009. 0226248526 . University of Chicago Press hardcover
