SIMEON Jean-PierreLivre Rare Book
2 861 résultats
2005réf. 124791Cheyne Cheyne Editeur, 2005. In-8 carré broché, sous jaquette verte. 186 pages. Réedition augmentée en parfait état
1933réf. C82595Bruxelles, Fondation Egyptologique Reine Elisabeth 1933 vii + 415pp., 20cm., br.orig., C82595
réf. 90766Bruxelles, Edition de la Fondation Egyptologique Reine Elisabeth 1933, 200x130mm, 414pages, broché.
1933réf. 100142474Fondation égyptologique reine élisabeth 1933 in8. 1933. Broché.
réf. 029203Paris, A. & G. MORNAY/ Les beaux livres (n° 2), 1920 0 un volume in-8° carré (205 x 150mm), 370 pp. (3) pp. Reliure en demi-maroquin brun à coins, dos à nerfs orné, auteur, titre et caissons encadrés de filets dorés, filet doré et filet noir sur les plats, tête dorée, dos et couvertures illustrées conservés, gardes de papier à la cuve. (frottis à la reliure). Couvertures imprimées en rouge et noir. Édition illustrée de bois par Fernand Siméon. Tirage limité, un des 928 exemplaires sur Rives numérotés (n° 983). Intérieur frais. Bel ouvrage.
1920réf. 71303Traduction d'Eugène Tardieu, bois gravés de Fernand Siméon, tirage à mille exemplaires, un des 928 exemplaires sur rives numérotés de 73 à 1000 (n° 940), 1 vol. petit in-8 br. sous couv. rempliée, coll. Les Beaux Livres, Chez Mornay, Libraire, Paris, 1920, 370 pp.
1946Pages 142 - 275. This listing consists of part 2 (only) of the three part work. Above-average wear. Hinges taped. Some markings. A worthy working copy. Book
1946434 pages. The complete version of the famous Lazarus clarinet method - all in one volume. Above-average external wear. Some markings to front cover and contents. Binding intact. A sound working copy of this important vintage work. Book
2012réf. DADAX3642872735Springer 2012-07-07. Softcover reprint of the original 2nd ed. 1998. paperback. New. 6.10x0.65x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
1998réf. BN500805Springer 1998. 1998. Laser-Assisted Microtechnology Springer Series in Materials Science 19 Laser-Assisted Microtechnology Springer Series in Materials Science 19 Osgood R.M. M. Metev Simeon und P. Veiko Vadim Springer unknown
1996réf. AME_9780387539256Springer 1996. N/A. Hardcover. New/New. _ Springer hardcover
2012réf. x-3642872735Springer 2012. Paperback. New. 2nd reprint edition. 282 pages. 9.25x6.10x0.65 inches. Springer paperback
réf. 658586580Springer . Papeback. New. pp. 288 Springer unknown
1804réf. 4307506Sydney: Government House 1804. Folded and a little aged yet very good condition. Vellum sheet measuring 330 x 230 mm. with manuscript notations to both faces including a site-sketch with measurements. Early Sydney lease signed by Governor Philip Gidley King for an allotment in the centre of Sydney Town with a sketch of the site executed and signed by colonial surveyor George William Evans. Simeon Lord emancipee and to become a prominent mercantile figure in the Colony was apparently keen to acquire this allotment for he paid the considerable sum of £325 for the remainder of the lease in 1807. The location of the lease in the immediate vicinity of the Dry Store on Spring Row later Castlereagh Street was ideal for a merchant. Earlier he had constructed his private residence in close proximity to the Dry Store allowing officers of merchant vessels docked in the harbour to stay in his house while remaining close to valuable cargo and merchandise held in the Dry Store. King was a pivotal figure in the early history of Australian settlement. His skill as a naval officer attracted the respect of Captain Arthur Phillip who selected him as second lieutenant of the First Fleet convict transport Sirius. Prior to assuming the position of Governor in 1800 King served in Sydney and Norfolk Island and was widely respected for his skilled leadership through the difficult early years of settlement. Governor King awarded the seven year lease to Thomas Randall in May 1804 for a ground rent of 10 shillings per year. The subsequent early history of the site is recorded in two manuscript notes detailing further sale contracts to the reverse of this lease. It was first sold on to Edward Wells who then on-sold the lease to Sydney merchant Simeon Lord the prominent colonial entrepreneur who rose from humble beginnings Lord was transported to New South Wales in 1791. He began his trading career selling rum outside the monopoly controlled by the officers of the New South Wales Corps and later invested in land shipping and manufacturing throughout the colony. This lease is noteworthy for the inclusion of the site sketch by George Evans the colony's surveyor from 1803 but also a notable early colonial artist and inland explorer. The grant is fully signed 'Philip Gidley King' and the sketch is likewise signed 'G.W. Evans acting surveyor'. Examples of Gidley King's signature are uncommon on the market and this grant is not listed in the standard reference Land Grants 1788-1809 edited by R.J. Ryan. . Government House unknown
réf. 0838612903New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
réf. 0838612903.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 2012979955.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1921réf. 85744Paris: Editions Mornay 1921. Fine. Editions Mornay Paris 1921 15 x 20.50 cm broché Illustrated edition with 111 original wood engravings by Siméon one of 940 numbered copies on Rives paper. A handsome copy despite the endpapers being lightly and partially shaded. Editions Mornay unknown
1927réf. 17912Braine-le-Comte; Paris: Maison-Mere des Peres des Sacres-Coeurs de Picpus Braine-le-Comte; Gabriel Beauchesne Paris 1927. First edition. Softcover. g to vg. Quarto 10 x 6 3/4". 204 4pp. Original printed wrappers. Half title inscribed and signed by the author. Illustrated with 34 b/w in-text maps illustrations and photographic reproductions this work documents the various rituals and the gods of the religion of the native people of the Marquesas Islands in French Polynesia. Wrappers age-toned and partly creased along edges. upper front corner of the very first pages creased and slightly chipped. Text in French. Wrappers in good interior in good to very good condition. Maison-Mere des Peres des Sacres-Coeurs de Picpus (Braine-le-Comte); Gabriel Beauchesne (Paris) unknown books
1927réf. 17912Braine-le-Comte; Paris: Maison-Mere des Peres des Sacres-Coeurs de Picpus Braine-le-Comte; Gabriel Beauchesne Paris 1927. First edition. Softcover. g to vg. Quarto 10 x 6 3/4". 204 4pp. Original printed wrappers. Half title inscribed and signed by the author. Illustrated with 34 b/w in-text maps illustrations and photographic reproductions this work documents the various rituals and the gods of the religion of the native people of the Marquesas Islands in French Polynesia. Wrappers age-toned and partly creased along edges. upper front corner of the very first pages creased and slightly chipped. Text in French. Wrappers in good interior in good to very good condition. Maison-Mere des Peres des Sacres-Coeurs de Picpus (Braine-le-Comte); Gabriel Beauchesne (Paris) unknown
1927réf. 7396CB1927. Braine-le-Comte Belgique und Paris Maison-mère des pères des Sacrés-coeurs de Picpus 1927. 8°. 207 S. Mit Textillustrationen. Halblederband der Zeit Orig.-Umschläge miteingebunden. O'Reilly / Reitman 5102. Siméon Delmas 18621939 war 53 Jahre Missionar auf den Marquesas-Inseln. unknown
1873réf. 20132Québec Quebec: Gouvernement de la Province de Québec 1873. Fine. Gouvernement de la Province de Québec Québec Quebec 1873 14 x 21 cm relié Second edition published anonymously. Half mouse-colored cloth binding smooth spine title-label with small lack of navy sheep name at foot marbled paper boards corners slightly bumped original wrappers preserved contemporary binding. Work complete with its map at beginning of volume. Rare worming otherwise handsome interior condition. Gouvernement de la Province de Québec hardcover
1946réf. 141998Geneva : Universite´ De Geneve Faculte Des Sciences Economiques Et Sociales 1946. First Edition. Paperback. Fine paperback copy. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 126 pages; Physical desc. : 126 p. ; 24 cm. Bibliography: p. 121-122. Subject: Tobacco -- Bulgaria -- Statistics. Tobacco industry -- Bulgaria. Exports -- Bulgaria. [Geneva] : Universite´ De Geneve, Faculte Des Sciences Economiques Et Sociales paperback
1921réf. 38999Paris: Lucien Vogel éditeur 1921. Fine. Lucien Vogel éditeur Paris 1921 19.50 x 25 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
2011réf. I-461-863SOLITAIRES INT 2011. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. SOLITAIRES INT paperback
