Delmas, Siméon:Livre Rare Book
2 861 résultats
1927réf. 7396CBBraine-le-Comte (Belgique) und Paris, Maison-mère des pères des Sacrés-coeurs de Picpus, 1927. 8°. 207 S. Mit Textillustrationen. Halblederband der Zeit (Orig.-Umschläge miteingebunden).
1927réf. 17912Braine-le-Comte; Paris: Maison-Mere des Peres des Sacres-Coeurs de Picpus Braine-le-Comte; Gabriel Beauchesne Paris 1927. First edition. Softcover. g to vg. Quarto 10 x 6 3/4". 204 4pp. Original printed wrappers. Half title inscribed and signed by the author. Illustrated with 34 b/w in-text maps illustrations and photographic reproductions this work documents the various rituals and the gods of the religion of the native people of the Marquesas Islands in French Polynesia. Wrappers age-toned and partly creased along edges. upper front corner of the very first pages creased and slightly chipped. Text in French. Wrappers in good interior in good to very good condition. Maison-Mere des Peres des Sacres-Coeurs de Picpus (Braine-le-Comte); Gabriel Beauchesne (Paris) unknown books
1927réf. 17912Braine-le-Comte; Paris: Maison-Mere des Peres des Sacres-Coeurs de Picpus Braine-le-Comte; Gabriel Beauchesne Paris 1927. First edition. Softcover. g to vg. Quarto 10 x 6 3/4". 204 4pp. Original printed wrappers. Half title inscribed and signed by the author. Illustrated with 34 b/w in-text maps illustrations and photographic reproductions this work documents the various rituals and the gods of the religion of the native people of the Marquesas Islands in French Polynesia. Wrappers age-toned and partly creased along edges. upper front corner of the very first pages creased and slightly chipped. Text in French. Wrappers in good interior in good to very good condition. Maison-Mere des Peres des Sacres-Coeurs de Picpus (Braine-le-Comte); Gabriel Beauchesne (Paris) unknown
1927réf. 7396CB1927. Braine-le-Comte Belgique und Paris Maison-mère des pères des Sacrés-coeurs de Picpus 1927. 8°. 207 S. Mit Textillustrationen. Halblederband der Zeit Orig.-Umschläge miteingebunden. O'Reilly / Reitman 5102. Siméon Delmas 18621939 war 53 Jahre Missionar auf den Marquesas-Inseln. unknown
réf. 69428P., L'Arabesque, Edition Rouffé, 1928, grand in 8° broché, 300 pages ; couverture crème rempliée (infime fente de 2 cm à un mors).
réf. 21804aafParis, Édition Rouffé, 1928, gr. in-8°, 300 p. + 3 p., illustré de bois en camaïeu de Siméon, un des 320 ex. sur vélin de rives, n° 309, avec signature de l’éditeur, brochure originale, coiffe lég. touchée.
réf. lc_3445Édition Rouffé, 1928
1928réf. LIQ-5455P. Edition Rouffé "L'Arabesque" 1928. In-8° demi chagrin havane à coins, dos à nerfs orné de fleurons dorés, couveture et dos conservés.
1928réf. YMX-2204L'arabesque,édition Rouffé 1928-Bois en camaïeu de Siméon-Un volume in 4° tiré à 325 exemplaires,1/320(123) sur vélin de Rives signéb par l'éditeur.Relié en1/2chagrin marron à coins,couverture conservée,tr dorée,travail de dorure entre les cinq nerfs représentant trois têtes de barbu avec un chapeau melon et deux lanternes allumées (chAl)
1873réf. 20132Gouvernement de la Province de Québec | Québec 1873 | 14 x 21 cm | relié
1873réf. 20132Québec Quebec: Gouvernement de la Province de Québec 1873. Fine. Gouvernement de la Province de Québec Québec Quebec 1873 14 x 21 cm relié Second edition published anonymously. Half mouse-colored cloth binding smooth spine title-label with small lack of navy sheep name at foot marbled paper boards corners slightly bumped original wrappers preserved contemporary binding. Work complete with its map at beginning of volume. Rare worming otherwise handsome interior condition. Gouvernement de la Province de Québec hardcover
1946réf. 141998Geneva : Universite´ De Geneve Faculte Des Sciences Economiques Et Sociales 1946. First Edition. Paperback. Fine paperback copy. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 126 pages; Physical desc. : 126 p. ; 24 cm. Bibliography: p. 121-122. Subject: Tobacco -- Bulgaria -- Statistics. Tobacco industry -- Bulgaria. Exports -- Bulgaria. [Geneva] : Universite´ De Geneve, Faculte Des Sciences Economiques Et Sociales paperback
réf. 518847P., Poussielgue, 1909. In-18 reliure de l'époque demi-chagrin vert bronze à larges coins, dos à 5 faux nerfs soulignés d'un filet doré, auteur et titre dorés, caissons ornés aux petits fers, double filet doré auxc plats, tête dorée, IV-200 pp.
1909réf. R51588Paris, Poussielgue 1909 iv + 200pp., br.orig., 19cm., cachet, bon état, R51588
1909réf. 500308225Librairie Vve Ch. Poussielgue 1909 1909.
1995réf. LFA-126712923Un ouvrage de 272 pages, format 160 x 240, broché couverture couleurs, illustré, publié en 1995, bon état
1969réf. M95136Bologna, Forni 1969 [iv] + [62] pp., 22cm., publisher's hardcover (spine bit sun-faded), in the series "Bibliotheca Musica Bononiensis" sezione II N.34, fac-simile edition of the original Padua-1549-edition, text in Italian, good condition, M95136
1921réf. 38999Lucien Vogel éditeur | Paris 1921 | 19.50 x 25 cm | une feuille
1921réf. 38999Paris: Lucien Vogel éditeur 1921. Fine. Lucien Vogel éditeur Paris 1921 19.50 x 25 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
2023réf. RO20274685"HUBERT LIVERSAIN IMPRIMEUR. VERS 2023. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 50 PAGES - Exemplaire N°32/70, numéroté et signé, voir e photo - Une page illustrée d'un dessin en noir/blanc - Format 10 x 20cm - ""La couture et l'ensemble du faconnage ont été entierement realises de maniere artisanale"" - 3 photos disponibles. . . . Classification Dewey : 94.4-Editions numérotées"
réf. 115450Chambon-sur-Lignon, Cheyne 1991, 218x130mm, broché. Couverture illustrée à rabats. Exemplaire à l'état de neuf.
1987réf. R200007348CHEYNE. 1987. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 39 pages illustrées de quelques dessins.. . . . Classification Dewey : 841-Poésie
2003réf. 155468Cheyne Cheyne 2003. In-8 broché, couverture illustrée à rabats de 39 pages. Avec des collages de Martine Mellinette. Tirage limité à 2500 exemplaires sur calypso ivoire. Très bon état
2009réf. 144847Librairie la Brèche éditions 2009 In-12 agrafé 18 cm sur 11. 30 pages. Bon état d’occasion.
2011réf. I-461-863SOLITAIRES INT 2011. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. SOLITAIRES INT paperback
