Willette, Adolphe (1857-1926 )Biblio.com
117 résultats
réf. 51-4713Paris : Devambez 1918 . Original lithograph poster. 117 x 75 cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. . - French Revolution scene. In foreground a French general has his arm around a half-clothed Marianne. The French were victorious at Battle of Valmy in 1792 where they beat the Austrians. .Notes: - Translation of title: Banque de l'Union Parisienne. So that France will be victorious as in Valmy! For the liberation of the territory! Everyone subscribe to the 4th National Loan. - Signed: A. Willette 1892-1918. - Promotional goal: Fr. J8. 1918. - Item is no. 87 in a printed checklist available in the Library of Congress Prints and Photographs Reading Room. Paris : Devambez, [1918] hardcover
réf. 25974Paris H. Floury 1919. 19.7x26.4 cm. 183 pp. edition avec portrait en couleurs en frontispice de nombreuses illustrations hors et dans le texte 16 planches en n/b dont 2 a double-page et 15 planches en couleurs dont 1 a double-page par A. Willette relie demi-maroquin havane a coins signee par Laurent Peeters - Anvers. Filet dore cernant les plats de pap. dos a 5 nerfs et finnement fleuronnes dores decor floral tete doree couverture imprimee d'editeur. Tirage limite. Paris H. Floury 1919 unknown
1899réf. 74842Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Avril 1899 23.50 x 30 cm une feuille et une serpente Rare original lithograph executed by Adolphe Willette for L'Estampe Moderne after the drawing exhibited at the Luxembourg Museum series number 24 published in April 1899. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard captioned with the artist's name title and text. Lithograph inspired by a poem extracted from the collection Chatîments by Victor Hugo reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. A total of 100 prints were thus published covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This beautifully formatted print is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colours also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1916réf. 21547Paris: Imprimerie Devambez 1916. Very Good Plus. Large French patriotic anti-Boche poster with somewhat humorous allegorical caricature illustration by Willette. The illustration which has some tenebrous color shows an irate Bacchus between a contented Frenchman holding up a glass of wine and a cowering German soldier. The Journee de l'Herault was a one-time special event during the First World War to raise money for war victims and other charitable causes of the department of Herault located on the Mediterranean and whose capital is Montpelier. The poster with frame is 120 by 86 cm. Visible the poster is 113 by 79 cm. The poster has minor creasing and waviness. The few short closed tears along its edges are basically moot issues thanks to the framing. The frame has spots of rubbing and wear but remains handsome and serves the poster well we think. Imprimerie Devambez unknown
réf. 51-4726Paris : Devambez 1915 . Original lithograph poster. 118 x 80cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. . A poilu embracing a girl. Behind them is a sewing machine and a tipped chair; a little dog is in the left-hand corner. Caption: Enfin seuls . . .! Alone at last .Library of Congress Control Number99613767 Paris : Devambez, 1915 hardcover
réf. 51-3384Paris: Armand Magnier 1887. 40 unbound plates 34 x 25.5 cm. Engraved cover and 39 of 40 engraved plates. Lacking the preface page. Monod 11540. Carteret IV 410. Paris: Armand Magnier, 1887. unknown
réf. 16-4469Paris: 1898-1922. 11 ALS covering a 24 year period on copyright matters.Adolphe Léon Willette 30 July 1857 – 4 February 1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. .11 LASDatées entre 1898 et 1922Concernent des droits de reproductions des droits d’auteu.La fascinante épopée du droit d'auteur Pendant près d'un demi-siècle Jacques-Louis Duchemin 1895-1978 membre et juriste du Syndicat de la propriété artistique puis son fils Wladimir Duchemin 1941-2018 directeur de la Société de la propriété artistique des dessins et modèles Spadem se sont battus pour mettre sur pied et défendre les droits des peintres·ses. Rémunération contrefaçon diffusion exploitation. ce fonds épistolaire exceptionnel nous fait entrer dans l'intimité des plus grand·es créateur·rices du XXe siècle. Provenance:Fonds d’archives Duchemin par descendance Paris: 1898-1922 unknown
1888réf. 32574Paris 1888. Fine. Paris 1888 et 1889 29 x 40 cm en feuilles WILLETTE Adolphe & OTHERS Le Pierrot Paris 1888 and 1889 29 x 40 cm unbound. First edition. An almost complete set of this rare satirical literary journal headed and illustrated by Adolphe Willette. 49 issues from 6 July 1888 to 20 September 1889 each comprising two folio leaves the first page with a lithograph by Willette some with caricatures on page three. With Emile Goudeau as its editor-in-chief this journal nominally published on Fridays though not always actually published then includes poetry ads and news in brief but its real value lies in the illustrations done exclusively for it by Willette. A little light foxing and small tears to margin not touching images or text. Adolphe Willette was an inseparable part of Montmartre where he was responsible for the decoration of a number of cabarets bistrots and the famous Moulin Rouge. A painter first and foremost he exhibited at the Chat Noir having helped to found it. He later worked with a number of newspapers including le Rire and lAssiette au beurre before establishing le Pierrot. A divisive figure he stood as an Anti-Semitic candidate in the municipal elections in Paris in 1889. He proclaimed himself first President of the Republic of Montmartre a philanthropic association aimed at helping the children of that quartier. unknown
1888réf. 18782AB1888. 51 numbers all. Paris 1888 - 1891. 41 : 315 cm. With many illustrations by Willette. Contemporary half cloth with title on spine. The complete set of this rare journal with the always missing last two numbers of the third year no. 1 March 20th 1891 and special numb er from March 5th 1891. Satirical literary journal headed and illustrated by Adolphe Willette. Each issue consists of 2 folio-leaves with a lithograph by Willette on the first page and caricatures on the third page. The journal includes poetry advertisement news etc. but the real value lies in the illustrations done exclusively for it by Willette. - Adolphe Willette was an inseparable part of Montmatre where he was responsible for the decoration of a number of cabarets bistros and the famous Moulin Rouge. A painter first and foremost he exhibited at the Chat Noir having helped to found it. Later he worked with a nuber of newspapers including le rire and Assiette au beurre before establishing le PÜierrot. - Ocassionaly some light foxing. - Very rare with the last two issues. hardcover
2017réf. 129128Cambridge University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW FLAWLESS COPY NEVER OPENED - with a bonus offer--; Artistic Centers Of The Italian Renaissance . 2017. 0521780004 . Cambridge University Press hardcover
2011réf. 96809Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pp. ; 145 color illus. -- with a bonus offer-- . 2011. Museum paperback
1992réf. C94070Mondadori Electa. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 486 pages; 455 illustrations including 30 in color. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; Italian Edition . 1992. 8843537202 . Mondadori Electa hardcover
1919réf. 85897H. Floury Editeur. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 183 pages; well illustrated. -- with a bonus offer-- . 1919. H. Floury, Editeur paperback
1898réf. 75920Paris: Théophile Belin 1898. Fine. Théophile Belin Paris 1898 22 x 30 cm relié First edition printed with 200 copies on vellum illustrated with a frontispiece and 12 colour intaglio engraved plates by Willette printed in bistre in the text and in colour for the insets by Vigna-Vigneron comprising the frontispiece in 7 versions including 4 for the decomposition of the colour and 12 insets in 2 versions that is black and white and colour. Bound in pale pink suede spine in two false compartments multicoloured patchwork garland glued to the boards comb-patterned endpapers shimmering covers and spine preserved all leaves have been mounted on guards brown cloth slipcase binding signed D. M. and dated 2015. ""Belle publication côtée une des meilleures de l'artiste qui mérite plus d'attention. Vigna habile artiste restaurateur de gravures anciennes a innové un artistique procédé de reproduction en couleurs qui respecte l'original"" Carteret. Beautiful popular publication one of the artist's best which deserves more attention. Vigna a skilled artist restorer of old engraving invented an artistic colour reproduction process that respects the original Carteret. Théophile Belin hardcover
1916réf. 007546Paris: Devambrez 1916. Limited Edition. Full Vellum. Near Fine. A unique copy with one autographed manuscript page and two original watercolor compositions one on the front cover vellum and the other serviing as a frontis. These special features are over and above being one of 300 copies in the limitation. 4to. 23.5 by 18.5 cm. Unpaginated the notebook of which this is a facsimile reproduction had a few early leaves paginated. 54 leaves with content often front and back but sometimes just the recto. Virtually all the color illustration is on the rectos and almost every recto has a full page color illustration or a color illustration which dominates the page. The facing versos have most of the newspaper clippings shorter commentary sometimes letters an occasional vignette. Scarce -- OCLC First Search identified just two institutions with holdings of the hard copy of the book. Cover is soiled and foxed yet painting comes through still vibrant bright vivid. Devambrez unknown
1992réf. 94070Mondadori Electa. New. 1992. Hardcover. 8843537202 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 486 pages; 455 illustrations including 30 in color. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee Mondadori Electa hardcover
1893réf. 48437Paris. 1893 – 1894. Later burgundy cloth-backed marbled paper boards original publisher's printed illustrated wrappers preserved. 11 issues. Folio. 396 x 294 mm. Each issue with title and cover illustration printed text in French throughout and advertisements to rear cover and with 33 illustrations by Toulouse-Lautrec Bonnard Ibels Willette Vallotton Hermann-Paul and others. An excellent complete set of the very scarce fin-de-siècle illustrated revue 'L'Escarmouche' with additional important ephemera and original material.Directed by Georges Darien the writer satirist and artist the anarchist 'L'Escarmouche' was short-lived even by the standards of the day appearing weekly for only three short months from November 1893 to January 1894 a very rare final number included here was issued as an afterthought and without illustration apart from the cover by Ibels in March 1894. Noted rather more for its illustration than any literary merit 'LEscarmouche' featured covers by Henri-Gabriel Ibels 4 René Georges Hermann-Paul 5 and Félix Vallotton 1.The illustration fine and typical examples from the French fin-de-siècle features 12 lithographs by Henri de Toulouse-Lautrec. Artistic contributors to the revue also included Louis Anquetin Pierre Bonnard Henri-Gabriel Ibels René Georges Hermann-Paul Félix Vallotton and Adolphe Willette.Also included inserted loose is the following additional material:- the original 'affiche' for 'L'Escarmouche' by Ibels 650 x 485 mm a large colour lithograph showing the interior of a bar with the patrons turned to watch soldiers marching past outside the image was reduced and printed in black for the cover of issue no. 1; - the reproduction of the same from 'Les Maîtres de l'Affiche'; - the catalogue for Ibels' first exhibition in 1894 which includes many of the drawings that appeared in 'L'Escarmouche'; - Ibels' carte de visite with some lines in manuscript; - Ibels' letter dated Janvier 1906 to Achille Astre Gustave Geffroy's secretary; - the manuscript for Arsène Alexandre's article on Toulouse-Lautrec published in PAN in October 1893; - the original prospectus for the exhibition of lithographs by Henri de Toulouse-Lautrec at the Musée de Luxembourg Décembre 1904 - Janvier 1905 in many of the artist's lithographs from 'L'Escarmouche' were published.- Also included is a letter from Ibels dated 21 Fevrier 1906 Manuscript receipt from Hermann Paul Visiting card of Ibels Catalogue of an exhibition of Hermann Paul's drawings and printsat Bernheim Jeune c. 1905.'L'Escarmouche' is one of the scarcest of the periodicals from the French fin-de-siècle and this exceptional set includes the final number - almost always missing from sets - issued two months after the penultimate number. OCLC reports a single complete set that at the Bibliothèque Nationale in France; sets without the final number are also scarce and we can only trace those at the Swiss Bibliothèque d'Art et d'Archéologie the National Library of Canada the National Gallery of Australia and Iowa only.not in Ray. hardcover
