117 résultats
2002réf. 96246Cambridge UK: Cambridge University Press 2002. First Edition. Hardcover. Fine/Fine. Scarce first edition hardcover book in dust jacket in Fine As New condition clean crisp unmarked unused and solidly bound. Shallow scratch on jacket front. A collection of essays about Giovan Pietro Bellori an important intellectual and critic of seventeenth-century Italy. Illustrated. Large 8vo. 396 pp. including notes selected bibliography and index. Scarce. Cambridge University Press hardcover
1959réf. 8701Elizabeth New Jersey/Cleveland Ohio: Elizabeth Printing Service/National Consumers Committee for Research and Education Inc 1959. Very good . 9” x 6”. Stapled wrappers. pp. Very good plus: minimal wear and light toning. This book tells the story of the Freehold New Jersey center for migratory farm workers and their families. It's notable because its author and illustrator were both African American women. Per the introduction the author Lenora B. Willette was “a Southerner by birth and she first became interested in the plight of the migrants displaced from the plantations through the mechanization of cotton. Active in civic affairs and in the Consumers League of New Jersey she worked to secure the Migrant Labor Law and was appointed one of the five public members to the first Board by Governor Walter E. Edge. She was chosen to make a study of migrant education in the southern and western states as the official representative of the State. Her recommendations were used as a guide in setting up a school of education for children—the Freehold Summer School for Migrant Children; the first of its kind in the nation.” Willette was the also the president of the New Jersey State Federation of Colored Women's Clubs. The artist was presumably Lenora's sister Naida Willette Page who contributed the cover art as well as two full page internal illustrations. Naida Willette Page initially studied engineering at Howard University before making national news in 1950 as the first African American to be trained at Johns Hopkins for medical illustration. She graduated from Johns Hopkins in 1951 later worked as the Howard University College of Medicine medical illustrator and was the Art Director for the Journal of the National Medical Association where she often illustrated the covers that featured historic Black doctors. Several sources state that she's considered the first African American medical illustrator. A terrific combination of female author and illustrator. OCLC locates 8 copies over two entries. Elizabeth Printing Service/National Consumers Committee for Research and Education, Inc unknown
réf. 51-5167Paris: 1932-1939. 4 broadsides. 28 x 38cm. for the years 1932 1937-39. Reproductions of works by Willette on one side. Paris: 1932-1939 unknown
réf. B175624-1Paris G. Ondet 1895. 8 lithographs loose as issued within chemise with 2 additional lithographs on front and back. Contents loose as issued. Lrg. 4to. Dec. illus. chemise. New fitted cloth clamshell case. Both the chemise and all plates are individually stamped 42 at lower left seemingly a limitation number. Printed on japon this publication would appear to be a deluxe separate issue of the lithographs. Ohé les moeurs! Chansons satiriques. 1re série a musical score for voice and piano subtitled "Douze lithographies de Willette" was published in Paris in 1895 with music by Paul Hucks and lyrics apparently by A. Sémiane. With only 8 or possibly 10 lithographs this copy would seem to be incomplete apart from the music and lyrics which may or may not have been included. A later edition of the score or possibly a later série of it from the same publisher appeared in 1910. [Paris (G. Ondet), 1895?]. hardcover
réf. 5447France: S.P. S.D. Reprint. A limited edition 26/250 His 1 May 1915 illustration in Fantasio depicts a poignant wartime theme: "Living beautiful and dying by releasing a beautiful soul" featuring motifs of war casualties from the 1914-1918 conflict. This is not a page from the magazine it was printed as a poster and is printed later and numbered in pencil - but with no printer or publisher details. Fantasio was a First World War satirical magazine launched in August 1906 by Félix Juven. The only record of this print we can find is for the auction record of this copy. There is a little edgewear to the extensive margin but this could be easily hidden in framing. A lovely piece. Image area is 26.5cm x 41.5cm. The sheet is 41.5cm x 59cm. Blank to verso. Adolphe Willette 1857-1926 stands as a prominent figure among the bohemian artists of fin-de-siècle Montmartre renowned for his contributions as painter illustrator caricaturist and lithographer. He is today particularly remembered for his caricatures from the first world war. . Réimpression. Édition limitée 26/250 Son illustration du 1er mai 1915 dans Fantasio dépeint un thème poignant lié à la guerre : « Vivre en beauté et mourir en libérant une belle âme » avec pour motifs les victimes de la guerre de 1914-1918. Il ne s'agit pas d'une page du magazine mais d'une affiche imprimée ultérieurement et numérotée au crayon sans mention de l'imprimeur ou de l'éditeur. Fantasio était un magazine satirique sur la Première Guerre mondiale lancé en août 1906 par Félix Juven. La seule trace que nous ayons trouvée de cette gravure est le résultat de la vente aux enchères de cet exemplaire. Les bords de la large marge sont légèrement abîmés mais cela peut facilement être masqué par un encadrement. Une très belle pièce. La surface de l'image est de 265 cm x 415 cm. La feuille mesure 415 cm x 59 cm. Verso vierge. Adolphe Willette 1857-1926 est une figure éminente parmi les artistes bohèmes du Montmartre fin de siècle réputé pour ses contributions en tant que peintre illustrateur caricaturiste et lithographe. On se souvient aujourd'hui particulièrement de lui pour ses caricatures de la Première Guerre mondiale. S.P. unknown
1978réf. BN190515Pergamon Press 1978. 1978. Hardcover. Psychopharmacology of Hallucinogens Psychopharmacology of Hallucinogens Stillman R.C.; Willette R.E. Pergamon Press hardcover
réf. B173285-1Paris Devambez 1915. 102pp. Prof. illus. in color. 4to. Flexible boards. Publishers slipcase. New fitted cloth clamshell case. One of 300 hand-numbered copies signed in red ink by the artist in the justification. Paris (Devambez), [1915?]. hardcover
1885réf. 2308050061Paris: Leon Vanier 1885. First Edition. Hardcover. Like New. Caricatures Small folio 35 cm. Held in in publisher's blue boards with engraved vignette on upper cover. Rebacked. Excellent binding and cover. 41 engraved plates. Loose as issued. circa 1885 or 1890 Paris: Leon Vanier hardcover
1920réf. 54844Paris: E.F. d'Allignan 1920. One of 270 copies. 1 vols. Small 4to. Original wrappers slight staining. Very Good. In quarter blue morocco slipcase with chemise. One of 270 copies. 1 vols. Small 4to. E.F. d'Allignan unknown
1893réf. 1414203Paris: Les Maitres del'Affiche 1893. In Very Good condition. Artwork measures 6.5 in. x 14.75 in. Matted in border measuring 18 in. x 14 in. Shelved at Rockville PS1101. Created by the father of poster art Jules Chéret during Paris's Belle Époque the Maîtres de l'Affiche series "Master of the Poster" was meant to provide the public with accessible displayable versions of large advertisement posters. Since posters of the time were often very large sometimes five to eight feet and printed on cheap paper not meant to last Chéret designed a series of lithographs printed on high quality paper at a size displayable in the layperson's home. The original collection was released as a series of monthly publications delivered to subscribers over a sixty month period. The posters were published four at a time with sixteen 'bonus' posters added periodically over the years. 1414203. Special Collections - Upstairs. Les Maitres del'Affiche unknown
2014réf. x-3319046624Springer 2014. Hardcover. New. 2014 edition. 407 pages. 9.25x6.25x0.75 inches. Springer hardcover
réf. 59-0645Paris: Courrier Français 1892. Lithograph with matte. Image: 15 x 12.5 cm. Sheet: 38 x 28 cm. Matte: 49 x 36. Two tears in right margin 1.5 & 8 cm. Printer: Belfono. Supplément du Courrier Français du 14 février 1892.On the vero are manuscript statements by Will Rothenstein and 2 others Paris: Courrier Français, 1892. unknown
1885réf. 85634Paris: Henri TellierA. Quinzard & Cie 1885. Fine. Henri Tellier A. Quinzard & Cie Paris s. d. 1885 25 x 33.50 cm 2 volumes reliés en 1 First edition on ordinary paper for each volume. Half-red sheep binding smooth spine decorated with triple gilt fillets pebbled paper boards marbled endpapers and pastedowns color illustrated covers by Adolphe Willette and Auguste Roedel preserved speckled edges. Poetry by Emile Goudeau George Auriol Léon Durocher Prosper Marius Victor Meusy Albert Tinchant Maurice Vaucaire for the first volume; poetry by Henri Bernard Maurice Boukay Théodore Botrel René Dubreuil Emile Goudeau Victor Meusy and Raoul Gineste for the second. Work illustrated with 17 original lithographs hors-texte by Adolphe Willette for the first volume and 15 original lithographs by Auguste Roedel for the second. Some rubbing at head and foot of spine. Henri TellierA. Quinzard & Cie hardcover
1992réf. 213978Napoli: Electa 1992. Hardcover. VG-. Boards bowed and slightly warped. Jacket has wear around the edges with some small closed tears and bumping. Quarto. Hardcover. Cream cloth boards in illustrated jacket. 486 pages : illustrations some color ; 29 cm. Electa hardcover
1885réf. 5635Paris: Divers éditeurs C1885. A nicely bound collection of six works by Willette in one volume. The works included are: MELANDRI La Halle aux Baisers P. Ollendorf 1883 second edition. 12 pages with vignettes throughout. This is a particularly scarce work and we can find no other copy. ; MELANDRI Les Pierrots L. Vanier n.d. but 1885. First edition. 12 pages all folded and illustrated; MELANDRI Giboulees d'Avril L. Vanier 1885 First edition. 16 pages. full page and vignette illustrations.; A. MASSON Par devant Notaire L. Vanier 1886. first edition. eight pages with vignettes; A. MELANDRI Le petit chaperon blue L. Vanier 1888 First edition. 12 pages with vignettes. This is a particularly scarce work and we can find only one other copy. ; Émile VITTA Farandole de pierrots L. Vanier 1890. First edition. Two identical covers. The first is darkened with edgewear. 32 pages with numerous illustrations. To the rear is a pink leaf advertising the seven "Albums Willette." Six of these are present here only Pauvre Pierrot is not included. The covers are in plain cream cloth. Now darkened and a little stained. Slightly chipped leather label with gilt titles to the spine. 24cm x 16.5cm. . Un recueil joliment relié de six œuvres de Willette en un seul volume. Les œuvres incluses sont : MELANDRI La Halle aux Baisers P. Ollendorf 1883 deuxième édition. 12 pages illustrées de vignettes tout au long du texte. Il s'agit d'un ouvrage particulièrement rare et nous n'avons trouvé aucun autre exemplaire. ; MELANDRI Les Pierrots L. Vanier s.d. mais 1885. Première édition. 12 pages toutes pliées et illustrées ; MELANDRI Giboulees d'Avril L. Vanier 1885. Première édition. 16 pages. Illustrations en pleine page et vignettes ; A. MASSON Par devant Notaire L. Vanier 1886. Première édition. Huit pages avec des vignettes ; A. MELANDRI Le petit chaperon bleu L. Vanier 1888. Première édition. 12 pages avec des vignettes. Il s'agit d'un ouvrage particulièrement rare et nous n'avons pu trouver qu'un seul autre exemplaire. ; Émile VITTA Farandole de pierrots L. Vanier 1890. Première édition. Deux couvertures identiques. La première est noircie et présente des traces d'usure sur les tranches. 32 pages avec de nombreuses illustrations. Au dos une feuille rose faisant la promotion des sept « Albums Willette ». Six d'entre eux sont présents ici seul Pauvre Pierrot n'est pas inclus. Les couvertures sont en toile crème unie. Elles sont aujourd'hui noircies et légèrement tachées. Étiquette en cuir légèrement ébréchée avec titres dorés sur le dos. 24 cm x 165 cm. Divers éditeurs hardcover
réf. 6797784Cambridge University Press CUP . Hardback. New. Cambridge University Press CUP hardcover
1895réf. 88065Paris: Edition Le Journal 1895. Fine. Edition Le Journal Paris 1895 19.50 x 28 cm relié First edition published in a small number of copies of this poem by Rodolphe Darzens set to music by Auguste Chapuis one of the rare copies on Japan paper. Work illustrated with 10 original lithographs by Adolphe Willette. Full flexible grey cloth Bradel binding smooth spine decorated with central gilt fleuron gilt date at foot slight rubbing to joints without gravity original wrappers preserved contemporary binding. On the half-title page Rodolphe Darzens has transcribed the poem ""Clair de lune"" the tenth and final poem of this collection. Edition Le Journal hardcover
1921réf. 665761921. Fine. 1921 25 x 32.30 cm une feuille Extremely rare and humoristic menu pamphlet from the souper démocratique democratic supper organised by the République de Montmartre newly founded in 1921. The date shown is a parody of the republican calendar: ""17 Neigeôse An I"". A magnificent original wood engraving representing the Communards on the Montmartre hill and bearing the monogram Armand adorns the first board. In the spirit of the Paris Commune the République de Montmartre was created in the early 1920s by the Parisian artists Joé Bridge Adolphe Willette Jean-Louis Forain Francisque Poulbot Maurice Neumont Louis Morin Maurice Millière Raoul Guérin and Jules Depaquit. Their parties and banquets often organised in Montmartre's legendary venues Moulin de la Galette cirque Médrano Moulin Rouge were intended to unite the Montmartre community by mutual aid and sociability. This menu is a rare testimony of the beginnings of this joyful and festive organisation which is delivering here a very comical banquet where one serves Fois d'aristocrates truffés de chez Julien Julian's truffled aristocrat livers Salade d'Emigrés Salad of Expatriates and Fruits de la Révolution Fruits of the Revolution. It ends with the motto SALUT FRATERNITE et BON APPETIT ! CHEERS FRATERNITY and BON APPETIT! unknown
1906réf. 189471Paris: A. Blaizot 1906. 59/116. Softcover. VG light wear to wraps pages are clean and clear illustrations are crisp. Tan wraps with black and red lettering; 82 uncut and untrimmed pages; color frontispiece by Felicien Rops and original lithograph by Adolphe Willette. Printed in edition of 116 copies this being number 59. Text is in French. The Painters of the Integral Woman: Felicien Rops and A. Willette. A. Blaizot paperback
1959réf. 4889Elizabeth N.J.: Elizabeth Printing Service for the National Consumers Committee for Research and Education Inc 1959. Very good plus. 16pp. Original illustrated wrappers stapled. Minor toning to spine. Internally clean. A scarce history of the Cultural Center for Migrants in Freehold New Jersey opened in the wake of the 1945 Migrant Labor Law "to provide a place where migrants could meet and find wholesome amusement and educational programs when they came to town during the weekends." Most of the area's 20000 seasonal workers came to pick potatoes in Monmouth County New Jersey in July after working in Florida in the spring and early summer. The present work is mostly comprised of the story of the cultural center written by Lenora B. Willette one of the center's earliest supporters. Willette's account includes background on the center's beginnings and early supporters as well as information on registration and membership activities at the center religious services "Patriotic Exercises" and a section of conclusions. OCLC reports nine copies mostly in New Jersey. Elizabeth Printing Service, for the National Consumers Committee for Research and Education, Inc unknown
1892réf. 25949Paris.: Leon Vanier. 1892. Original red full cloth gilt title and emblem on spine. 4to. With seven hors-texte plates by Adolphe Willette 4 & Boutet de Monvel 3. The frontispiece plate by Willette is present in four states including two printed in sanguine on chine. The other illustrations are all in two states including one in sanguine on chine. Leon Vanier. hardcover
1900réf. 23933Paris.: Henri Tellier Editeur. c.1900. Full pink cloth leather title label to spine decorative patterned paper endpapers original publisher's printed wrappers with pictorial title heightened with gold by Willette preserved a.e.g. Small folio. 277 x 193 mm. Printed title with vignette by Willette leaf with 'Table' in blue and 15 songs with printed music each with title and illustrated with a full page lithograph by Willette. A good complete copy of 'Chansons de Paul Delmet' preserving the original pictorial wrappers by Willette.The work is dedicated to Félicia Mallet and includes poems set to music by Georges Auriol Léon Durocher Emile Goudeau Propser Marius Victor Meusy Albert Tinchant and Maurice Vaucaire.The songs are: 'Les Choux' 'Petit Chagrin' 'Les Petits Pavés' 'Joli Mai' 'Villanelle' 'Matin' 'Chanson de Rien' 'Désirs Perdus' 'Tourne Mon Moulin' 'Mirlitaine et Mirliton' 'Matin au Bois de Boulogne' 'Aubade' 'Petit Sentier' 'Avril' and 'Les Grands Yeux de l'Hôtesse'. Henri Tellier, Editeur. hardcover
1916réf. 321530Paris: Devambez 1916. Adolphe Willette. Original Poster. Lithograph. Measures 44.25" x 31" This surreal and allegorical WWI poster depicts Bacchus atop a wine barrel hitting a German soldier with a grapevine. The text underneath the scene reads "Go away phylloxera!" equating the solider with a pest to grapevines. A French soldier stands behind the conflict smiling jovially and drinking wine. The poster advertises October 15 a day to support war work in the French department of the Herault. Adolphe Leon Willette 1857 %u2013 1926 Painter illustrator lithographer. designer decorator of restaurants and cabarets such as 'Le Chat noir' and 'Le Moulin Rouge'. Devambez unknown
2018réf. ASAP-9781839374944Glenco Vocational Books 2018. New. Glenco Vocational Books unknown
2018réf. ASAP-9781839374944Glenco Vocational Books 2018. New. Glenco Vocational Books unknown
