CABANEL, Guy - LAGARDE, Robert (Images)Livre Rare Book
1733 risultati
1992rif. 1256731992 L'Ether Vague / Patrick Thierry - 1992 - In-4 broché, couverture illustrée - 229 pages
Hardback, 260x210mm, 160p, 100 colour illustrations, English edition. ISBN 9789058564085. Dirk Wynants (?°1964) is de oprichter en eigenaar van het vernieuwende Belgische meubelmerk Extremis. Hij is tegelijk de belangrijkste ontwerper van het merk en de bedenker van het briljante branding concept "Tools for Togetherness". Het unieke succesverhaal van Extremis, dat op enkele jaren tijd een internationale reputatie verwierf als trendsetter op het gebied van buitenmeubilair, is sterk gelinkt aan de bevlogen persoonlijkheid en veelzijdige talenten van deze ontwerper-ondernemer, die het klappen van de zweep al heel jong leerde als zoon van een meubelmaker-schrijnwerker. Meer dan wie ook laat hij zich inspireren door een geengageerde visie op design. Hij heeft een duidelijke boodschap. Design is niet zomaar een kwestie van stijliconen of glamourdingen, maar veel meer van innovatieve oplossingen die van de wereld hopelijk een betere plek kunnen maken, vandaar de titel Design Works? Overtuigd maar ook altijd met de moed om vraagtekens te plaatsen. Sinds 2007 bestaat Dirk Wynants Design Works of (dw)2 autonoom en staat het naast Extremis ook open voor externe ontwerpopdrachten. Dirk Wynants sleepte sinds de start van Extremis in 1994 talloze internationale onderscheidingen in de wacht. Van de meest prestigieuze designerkenningen tot awards voor design management, algemeen management en export (waaronder Henry van de Velde Awards, Interior Innovation Award, (IMM Koln), Red Dot Award, International Excellence Design Award). As a son of a cabinet maker, Dirk Wynants (?°1964), was brought up with a nose for good design and a healthy dose of entrepreneurship. He studied interior and furniture design at Sint-Lucas School for Architecture in Ghent (Belgium) and was involved in the distribution of international design brands, until he established Extremis (1994), a label and brand for his own designs. Extremis' outdoor furniture designs quickly grew into an international standard of excellence. Not only the design collection itself has been applauded and awarded many times (with several Henry van de Velde Awards, Interior Innovation Award, (IMM Koln 2005), Red Dot Award 2005, International Excellence Design Award 2007, ao.), the expertise of Extremis in the field of design management, general management and export was praised just as well. In 2007 the creative unit of Extremis continued under the name Dirk Wynants Design Works = (dw)?, to enable the company to take on external design tasks. Dirk Wynants is still managing director and main designer of Extremis, but is also working closely together with other internationally renowned designers.
rif. 41916, Stichting Kunstboek BVBA, 2012 Hardback, 260x210mm, 160p, 100 colour illustrations, English edition. ISBN 9789058564085.
1972rif. 015301Napoli Centro internazionale per lo studio dei papiri ercolanesi, impr. Stab.Tipografico Julia 1972 In-4 Broché
rif. 24587N/A, , Kartonnen omslag in z/w, 20.7x29.5 cm., 102 pp. + z/w platen doorheen de tekst zonder nummering.
1962rif. 2684EBParis., Editions Charles Massin., (1962). 32 x 24 cm 137 S. OLeinen., 2684E Deutsche Erstauflage. Einband altersbedingt leicht berieben und etwas lichtschattig.
1927rif. 38064Darmstadt, Verlagsanstalt Alexander Koch 1927. A 4, Großformat, 477 Seiten, Bildband mit durchgehend sw-Photos und dazu relativ viel Text, wenige Skizzen und Farbabbildungen, nachgebundene Ausgabe
Hardback, 310x240mm, 248p, throughout colour illustrations, English edition . ISBN 9789053254264. Deze designer is bij het grote publiek bekend van het VRT-programma De Bedenkers. Hij is de man achter het design van de Brusselse metro, verschillende bussen, de waterkranen van Sipwell,? Met andere woorden: iedereen komt bijna dagelijks met zijn ontwerpen in aanraking zonder het goed en wel te beseffen. De foto op de cover is trouwens van Vanfleteren. Designed by Axel Enthoven. Day after day he proves that elegance still exists today. He demonstrates that statements, sloganesque formulations, cutting corners, taking an obtuse attitude to people are not his thing. That kindness is not synonymous with weakness. That taking the time to think things through properly should not be exceptional. Taking responsibility regarding the impact of actions and words is not a rare occurrence. Striving after timelessness and sustainability are given a lasting interpretation. For him, combining aesthetics and functionality is a matter of course. Thanks to Axel Enthoven we are reminded that things can be different. And how important design is.
rif. VLE-483P., Imp. Nat, 1873, in-8, 231pp., quelques rares rousseurs marginales et sur les tranches relié pleine percaline éditeur
1939rif. 15156Paris, Bibliothèque Charpentier Fasquelle, 1939 ; in-16, broché ; 252, (2) pp., couverture jaune.
Hardcover with dustjacket, 399pp., 32.5x24cm., ills. in col., new. ISBN 9780953004560. This title provides an eclectic mix of the best residential and commercial international interior design.
rif. 41963S.L., Andrew Martin, 2004 Hardcover with dustjacket, 399pp., 32.5x24cm., ills. in col., new. ISBN 9780953004560.
1993rif. 21630Mitchell Beazley, (1993). OKart. OU. 240 S. 4°. Zahlr. farb. Abb. Gut erhalt.
1863rif. 1152991863 A Lyon, Imprimerie d'Aimé Vingtrinier - 1863 - In-8, pleine percaline verte, caisson et décor estampés à froid et dorés sur les plats; dos à 4 nerfs avec titre, nom de l'auteur et fleurons en doré
2010rif. NATURE563546341012Editions de l'Université de Bruxelles, "Marché intérieur", 2010, 16 x 24, 582 pages cousues sous couverture imprimée. Commentaire de J. Mégret. 3e édition entièrement refondue et mise à jour.
Couverture reliee sous jaquette, 219 pages Illustrated. Texte en Francais. ISBN 9782757208601. In this first monographic work dedicated to the work of Pol Quadens, sketches, drawings, photographs and personal testimonials come together to create a picture of the Belgian designer s career. This luxuriously illustrated volume features Quadens insights on aesthetics, philosophy, technology and design, and displays how his design principles have led to the development of each one of his creations. The reader is invited into the creative process, from inspiration to execution, and passing through technological exploration, as Quadens questions the boundaries between art and functionality. From the lightest chair in the world (1995), through the heel-less shoe (2000), to the purely sculptural works Birds and Vertigo (2013), Quadens career has developed into an art that defies material constraints in the pursuit of creating objects that are sometimes useful, but always beautiful."
rif. 50818, Somogy Editions D'Art , 2014 Couverture reliee sous jaquette, 219 pages Illustrated. Texte en Francais. ISBN 9782757208601.
1969rif. 9109BBWuppertal, Eigenverlag, ohne Jahr (ca. 1969). 4° (34 x 23,5 cm). Ohne Paginierung. Druck teils farbig, auf unterschiedlichen Papieren. Beidseitig illustrierter Orig.-Karton., 9109ab 1|9109ab 2|9109ab 3|9109ab 4 [4 Warenabbildungen] Einband leicht angestaubt, etwas nachgedunkelt und berieben, Rücken gering bestoßen. Sonst insgesamt wohlerhalten und sauber.
Couverture reliee sous jaquette, 191 pages, Illustrated. 22,0 cm x 32,0 cm x 2,0 cm . ISBN 9782859174439. Existe-t-il une specificite de l'art toulousain ? Sans conteste. C'est ce que nous montre cet ouvrage qui nous permet de decouvrir l'ebenisterie " moderne " telle qu'elle apparait dans une ville en quete de modernite, et de parfaire la connaissance de l'ebenisterie francaise du XXe siecle. Articule autour des ebenistes majeurs, cet ouvrage consacre une large place aux ebenistes secondaires, aux collaborateurs des decorateurs, qu'ils soient sculpteurs ou ceramistes. EAN13 : 9782859174439 Genre : MOBILIER, ANTIQUITES, DESIGN, DECORATION D'INTERIEUR
1983rif. 83873(Hannover, Th. Schäfer, 1983). 368 S. Mit 1538 Fotos u. Zeichn. (= Edition Libri Rari). 4to. 30 cm. Illustr. OPp.
rif. 17238, London, Octopus Publishing, 2002, Bound, grey cloth, pictorial dustjacket, frontispice, 230 x 285mm., 176pp., beautiful color illustration troughout.
1929rif. 15314Paris, Maisonneuve (Gembloux, Belgique, Imprimerie J. Duculot) ; in-8, broché ; 36 pp., couverture crème.
rif. 0332447995.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1894rif. 519202B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Merton College Library built 1371-78 retains its 1502 timber roof and metal bosses; England's first stalled library. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
rif. 0282755497.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
