1 751 résultats
2011réf. biblio567great book Buffalo Park Press, co-publisher Center for Colorado and the West Auraria Library paperback
réf. 116-Eo.J. Feder in Schwarz, Pinsel in Grau und Braun, über Bleistiftskizze, mit schwarzer Tuschlinie umrandet, auf Bütten, links unten signiert ?P. Barbiers inv et Fecit?. 15,8:20 cm.
Paperback, 132 pages , ENG, 280 x 250 mm, in good shape, with illustrations / images in colour and b/w. ISBN 9780895581396. The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect.
1984réf. 14539Milano, Mazzotta, 1984. Soft board, large 8vo, 141 pp, numerous illustrations; -slightly browned, near fine copy.
2006Mm 260x300 Volume cartonato, sopracoperta illustrata a colori, 240 pp. completamente illustrate a colori. Libro in perfette condizioni di nuovo, spedizione in 24 ore dalla conferma dell'ordine.
réf. 49229, Munchen : Ed. Bemberg, 2000, Softcover, 263pp., 27.5x38cm., illustr. throughout in col., good copy. (some traces of use on cover). ISBN 3980721701.
in-4° carre (26x24), 218 pp, abondante iconographie en couleurs, reliure editeur. Bel exemplaire, sans la jaquette. [PIL-HA1@] Nombreuses illustrations d'intérieurs et de mobilier des annees soixante.
Softcover, 263pp., 27.5x38cm., illustr. throughout in col., good copy. (some traces of use on cover). ISBN 3980721701. Anlasslich der gleichnamigen Ausstellung am Munchner Stadtmuseum von Marz bis Oktober 2000
2009réf. 5723EBKempen, teNeues, 2009. 4°. 33 cm. 396 Seiten. Original-Pappband. Original-Schutzumschlag. In Original-Pappkassette.
2009réf. 5722EBKempen, teNeues, 2009. 4°. 33 cm. 396 Seiten. Original-Pappband. Original-Schutzumschlag.
1923This is a very good hardcover copy in brown paper-covered boards with brown cloth spine and title label printed in black and gilt to the front cover, and gilt title on the spine. A few small stains, but generally clean outside. A few small foxing marks inside, but also generally clean throughout. This volume in the series introduced by Julius Baum. Text in German. The designs are all printed in color. 120 full-page color plates show early 20th century modernism, but vary in style from Secession and Wiener Werkstatte designs to more traditional settings. The designers include Bruno Paul, August Dietterle and Walter von Nessen among many others. 12" high X 9" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2001No marks or inscriptions. A very clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or torn with slight rubbing/creasing to upper edge and traces of handling. 160pp. This book takes new and traditional elements of country style and re-interprets them for today's interiors, showing how to work with light, space, colour and pattern in all kinds of houses, conversions and apartments to create the ultimate in stylish living.
réf. 28365Zwolle, Waanders Uitgevers, 1997 Paperback met geill. cover, 206 pp., 24.6x29 cm., rijk geillustr. in kleur en z/w., nieuwstaat. ISBN 9040099383.
réf. DADAX0470114231New unknown
1998réf. 37692Köln : DuMont, 1998. 216 S. überw. Ill., Kt. 4°. Deutschsprach. Ausg. OPpbd. mit Rückenschwarzpräg. u. SU.
1981réf. 53050München : Prestel 1981. 358 S. : 455 Abb., davon 11 farb. Taf. ; 25 cm, mit Schutzumschlag, Umschlag mit Randblessuren, Eigentümersignatur auf Vorsatzblatt Gewebe, gebundene Ausgabe, Leinen
réf. 53635, Wienand Verlag, 2020 Hardcover, 480 pages, mit 321 farbigen und 91 s/w illustr . 24,5 x 17,0 cm Texte en Francais. ISBN 9783868325805.
1995réf. 13360BBZürich / Berlin / New York, Scalo, 1995. 4° (30,5 x 24 cm). 257 Seiten. Mit zahlr. meist farbigen Abbildungen. Orig.-Pappband mit farbig illustr. Schutzumschlag., 13360bb|13360bb 2 [2 Warenabbildungen] Umschlag minimal berieben, sonst schönes Exemplar.
2007réf. 107877Kempen: teNeues Verlag, 2007. 32,5 cm ; Pp.
Hardcover, 480 pages, mit 321 farbigen und 91 s/w illustré. 24,5 x 17,0 cm Texte en Francais. ISBN 9783868325805. Camille Graeser (1882-1980) est l'un des grands artistes de Zurich. Mais comment le fabricant et designer de meubles avec son propre studio de Stuttgart en est-il venu à une peinture constructive et concrète? Graeser avait accompagné son talent de peintre dès le début et avait acquis une importance considérable après sa fuite en Suisse en 1933. Ce volume d'essais décrit la période de bouleversements dans sa biographie ainsi que sa réorientation artistique à Zurich en sept articles et l'illustre avec de nombreuses sources et archives. Ses liens avec d'autres artistes des années 1920 aux années 1950, en particulier avec les membres de l'association suisse des artistes Allianz, sont également pris en compte. La perspective se termine par un regard sur l'engagement des jeunes artistes avec le travail de Graeser.
Hardcover, 480 pages, mit 321 farbigen und 91 s/w illustré. 24,5 x 17,0 cm Texte en Englisch, ISBN 9783868325799. Camille Graeser is one of the great concrete artists from Zurich. But how did the furniture maker and designer with his own studio in Stuttgart come to create concrete, constructivist painting? Graeser?s talent as a painter accompanied him from the beginning and gained importance after his flight to Switzerland in 1933. This essay volume describes the period of upheaval in his biography as well as his artistic reorientation in Zurich and illustrates this with extensive source and archive material.
1637réf. 017-A1637. Radierung, 1637, auf Bütten. 24:21,7 cm. Literatur : De Vesme-Massar 75, II (von II). Blatt 1 der Folge ?Funérailles de l?empereur Ferdinand II.?. Prachtvoller, gratiger Abdruck mit kleinem Rändchen um die Plattenkante, etwas braunfleckig. - Sammlerstempel verso nicht bei Lugt.
1637réf. 016-A1637. Radierung, 1637, auf Bütten. 25,8:21,4 cm. Literatur: De Vesme-Massar 76, II (von II). Blatt 2 der Folge ?Funérailles de l?empereur Ferdinand II.?. - Prachtvoller, gratiger Abdruck mit kleinem Rändchen um die Plattenkante.
1931réf. 030688London: Grant Richards 1931. 1st Edition 1st Printing. Hardcover. Very Good/As New DJ. 250 Pp. Green Cloth Black Lettering "First Published 1931" On Verso Of Title Page. Book Is Only Good/Very Good Wear But No Fraying Some Fading To Back Strip. Dj Is Fine As New Not A Hint Of Wear Or Fading And Probably Unique Thus; It May Be A Proof Height Is 3/8" Taller Than The Book Otherwise Fits Book Properly Although The Illustration Continues From Top To Bottom And There Is No Easy Cut-Off Height Which Would Not Remove Material Items In The Illustration The Dj Had Been Folded Flat And Stored Away From Light And Wear Part Of An Archive Of Similarly Preserved Jackets 1925-1935 All Entirely Unfaded. Uncommon; And This Must Be The Finest Known Dj For The Book Or At Least There Is None Better Than This One Which Is As New. Grant Richards hardcover
Hardcover, 352 pages Illustrated. 32 x 25 cm . ENGLISH ISBN 9783961711796. A vivid company biography of leading furniture manufacturer Walter Knoll based on its formative figures Wilhelm, Hans, and Walter Knoll and, for more than 25 years to date, Markus Benz. Walter Knoll, the book, charts the more than one-and-a-half-century-old history of this remarkable furniture dynasty, tracing the evolution of its designs in relation to key cultural and historical developments. When the Thomas Mann House in Los Angeles was recently bought by the Federal Republic of Germany and transformed into a representative transatlantic meeting place, it was Walter Knoll furnishings that defined its interior design and showcased German creativity and economic-cultural performance. Based in Herrenberg, near Stuttgart, the more than 150-year-old furniture business is one of the most successful furniture companies of the modern era and a global leader in the high-end furnishings segment. Walter Knoll's impressively long history dates back to Wilhelm Knoll, the founding father of the Knoll dynasty, who first set up a leather shop in Stuttgart in 1865. Knoll rose from being a tanner and merchant to the court purveyor to the House of Wurttemberg. When his sons, Willy and Walter, took over the company in 1907, they began producing seating-introducing the first club armchair to Germany and becoming the industry's first exporter. Their advances marked a revolution in upholstered furniture. After founding his own company in the 1920s, Walter Knoll was a breakout sensation in the avant-garde interior design world with a landmark exhibition at the Weissenhof Estate in Stuttgart, under the direction of Mies van der Rohe, in 1927. His son, Hans Knoll, went to the U.S. in the 1930s and himself founded his own company, Knoll Inc., and with it, re-wrote design history. In 1993, Markus Benz, the son of Rolf Benz, joined the Knoll ranks, continuing the successful cooperation with internationally-renowned architects and designers.
