Radl, Anton - 1774 Wien - Frankfurt am Main 1852Antiquariat.de
ref. 445-Eo.J. Feder in Grau, über Bleistift, auf Bütten mit Wasserzeichen: D & C Blauw, rechts unten signiert ?A. Radl?. 17,6:22,6 cm. Provenienz: Dr. Julius Cahn, Basel, ehemals Frankfurt a.M. Literatur: Ausst. Katalog:Anton Radl 1774-1852. Maler und Kupferstecher. Frankfurt a. M., Museum Giersch 2008, Nr. 94, Abb. Seite 218. Vorzeichnung zu einer Gouache, im Besitz der Graph. Sammlung Städel (Inv. Nr. 1770). Die Zeichnung ist nach einem Kupferstich von Pieter van der Borcht (ca. 1535-1608) entstanden. Vgl. New Hollstlein 197.
1995ref. 1257731995 Editions non-renseignées - 1995 - In-8 broché - 94 pages - Avec un envoi d'Henri Rapin sur la page de garde
1986ref. 22026ABDarmstadt, Rat für Formgebung (= Bundespreis gute Form 1985/86), 1986. quadr.8°, 72 S. mit zahlreichen Farb-Abbildungen und s/w-Porträts, illustr. original Kartonage (Paperback), Besitzer- und Datumsvermerk auf dem vorderen Innendeckel, sonst ein sehr schönes, sauberes Exemplar.
1990ref. 11040ABWiesbaden, Landesmuseum, 1990. 4°. 262; 143; 338 Seiten. Jeweils mit zahlreichen teils farbigen Abbildungen. Illustrierte Orig.-Klappkartonbände., 11040ab |11040ab 2|11040ab 3 3 Bände. [3 Warenabbildungen] Einbände leicht angestaubt, der letzte Band am Fuß minimal bestoßen, sonst wohlerhaltenes, saubere Exemplare.
1994ref. 500230673Sélection du Reader's digest 1994 22 2x1 6x29 4cm. 1994. Relié.
1955ref. 28806HBDJ VG-/VG 1955 ON TITLE PG 1st edition 1st Printing Hardback VG- CONDITION water striking STAIN EDGES to COVER boards DUSTJACKET IS VG CONDITION LITE WEAR ETC brown cloth gold gilt & 2 children line drawing at btm front Cvr Spotting Lite STAINSgrey boards titled in yellow on spine and cover cover also decorated in white and black pink endpapers jJacket now protected in mylar sleeve TINY CHIPS EXTREMITIES OF DJ PANTHEON BOOKS NY hardcover
1917ref. 2111902160500801Ministry of Interior Regional Bureau 1917. Soft Cover. Fine. Number of pages: A5 291p The exterior has severe aging stains but there is no problem with the text. Ministry of Interior Regional Bureau paperback
ref. 16159. . Valladolid. Imp. Manuel Aparicio. 1841. 20x15 cm. 44 pp. holandesa lomo guaflex perfecto ejemplar. Importante por ser la fundación de la caja en Valladolid. unknown
Original publishers paper-covered boards, pages; 491-543. Illustrierte Monatsschrift für die graphischen Künste und die Reproduktionstechnik. Hauptanzeigenblatt für das Druck-, Buch- und Papiergewerbe
ref. 091-Do.J. Gouache, auf Bütten. 47,5:38,5 cm. Verso an den Rändern Reste einer alten Verklebung.
Hardcover, 208 pages, Texte en Francais, 330 x 250 mm, Tres belle exemplaire, beaucoup illustrations et photo's. ISBN 9789061531173. «Lieu de prédilection des créateurs, des artistes, des artisans, des décorateurs et des architectes et de tous ceux qui puisent dans leur vaste éventail d?idées pour embellir leurs demeures, New York ne cesse pas de nous enchanter par l?étendue de ses endroits exceptionnels. Appartements somptueux aux lambris chatoyants couverts de tableaux de maîtres, nids d?aigle en forme de verrière au sommet d?un gratte-ciel art-déco ou charmantes maisons en brique agrémentés d?un jardin dignes d?un village pittoresque, La Grosse Pomme possède tous les atouts pour nous charmer. Il suffit de vous laisser guider en feuilletant les pages de ce livre et de nous suivre à la découverte de «notre» New York »
1946ref. 98763Stuttgart, Hoffmann, 1946. XVI, 1242 Illustr. auf 254 Tafeln. 35 cm. OHLn.
1959ref. 9775Fuldaer Verlagsanstalt, Fulda 1959. 88 S. mit zahlr. Tafeln. 4°. Ln. mit Schutzumschlag. Umschlag am Rand eingerissen u. mit kleinen Fehlstellen. Sonst sehr gutes Exemplar.
2008ref. 51150ABOstfildern, Hatje Cantz, 2008. 28,5 x 24,5 cm. 287 S. mit zahlr. Abb. Illustr. OPpbd., 51150AB
1992ref. 52001Thames & Hudson Ltd 1992. 224 Seiten mit Abb. 24,1 x 3,2 x 31,8 cm, Gebundene Ausgabe
1979ref. 016858Barron`s, Woodbury, New York 1979. O.-SU Leinen Tadellos
Hardcover, 256 pages, English, book in perfect condition, with pictures in b/w, . ISBN 9781421411620. The bold lines and decorative details of Art Deco have stood the test of time since one of its first appearances in the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925. Reflecting the confidence of modern mentality-streamlined, chrome, and glossy black-along with simple elegance, sharp lines, and cosmopolitan aspirations, Art Deco carried surprises, juxtaposing designs growing out of speed (racecars and airplanes) with ancient Egyptian and Mexican details, visual references to Russian ballet, and allusions to Asian art. While most often associated with such masterworks as New York's Chrysler Building, Art Deco is evident in the architecture of many U.S. cities, including Washington and Baltimore. By updating the findings of two regional studies from the 1980s with new research, Richard Striner and Melissa Blair explore the most significant Art Deco buildings still standing and mourn those that have been lost. This comparative study illuminates contrasts between the white-collar New Deal capital and the blue-collar industrial port city, while noting such striking commonalities as the regional patterns of Baltimore's John Jacob Zinc, who designed Art Deco cinemas in both cities. Uneven preservation efforts have allowed significant losses, but surviving examples of Art Deco architecture include the Bank of America building in Baltimore (now better known as 10 Light Street) and the Uptown Theater on Connecticut Avenue NW in Washington. Although possibly less glamorous or flamboyant than exemplars in New York or Miami, the authors find these structures-along with apartment houses and government buildings-typical of the Deco architecture found throughout the United States and well worth preserving. Demonstrating how an international design movement found its way into ordinary places, this study will appeal to architectural historians, as well as regional residents interested in developing a greater appreciation of Art Deco architecture in the mid-Atlantic region.
2019ref. 1134092019 Editions Rizzoli - 2019 - In-4, cartonnage rouge sous jaquette rempliée illustrée en couleurs de l'éditeur - 208 p. - Très nombreuses reproductions photographiques in, hors texte et pleine page en couleurs - Ouvrage en anglais
1997ref. 34469Köln ; Lisboa ; London ; New York ; Paris ; Tokyo : Taschen, 1997. 297 S. überw. Ill. Gr. 8°. (English and German cover) Pp.
1988ref. 148866Zürich: Theologischer Verlag 1988. 49 Seiten. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
1990ref. 38091ABWiesbaden, Rippon Boswell & Co. (= Katalog Rippon Boswell & Co., Nr. 31), 1990. gr.8°, ca. 120 mit zahlr. Farb- und s/w-Abb. von Teppichen, angeboten und genau beschrieben sind 192 Positionen, illustr. original Kartonage (Paperback), schönes, sauberes Exemplar mit einer Beilage (nachträgliche Einlieferungen) (re01)
1937ref. 29045HBDJ 1937 1ST EDITION. Hardcover Boards Match DJ Illustration . BK VG/ GOOD DJ Condition: REPAIRED replaced CHIP CORNER OF DJ FRONT & scuff mark takes out part of A & W in Drawing . ILLUSTRATED by Joel Stolper.A very good clean tight book with complete clean protected dustcover priced 3/- net.A nice little copy. 7 1/8 x 9 1/4" 31 pp Book is solid and complete. Jacket is worn has stains and is chipped is goodish and comes in a protective cover Scuff marks back of DJ & SMALL CORNER CHIP 31 pgs He used to go to Red-Headed Haggerty's Fish Store on the Pier when the Fish were being Cleaned. & swooped down to catch the part of the Fish that he would throw Away. Pelly another Pelican was stronger & Bigger than Pete he got all the fish & Pete's Leg was broken in the Bargain. Lucky Jim who ran the Dairy picked Pete Up but Pete escaped & Landed in Oil Puddle When Jim washed him off with Gasoline Pete's feathers came Out J.B. Lippincott, hardcover
1993A clean, unmarked book with a tight binding. Exhibition catalog for show at Marsh Gallery, University of Richmond, January 15 to March 7, 1993. 8 1/2"w x 10"h. Fold-out pages.
Hardback, 280x240mm, 672p, 920 colour illustrations, English/ IT edition . ISBN 9788836635481. This enormous volume provides the first exhaustive catalog of the furniture and interior accessories of Domenico Ico Parisi (1916-86). A key protagonist of postwar Italian design alongside his friend Gio Ponti, Parisi defined himself as a renaissance artist interested in all forms of expression, and traversed the realms of architecture, industrial design, painting and photography. Parisi's furniture (realized primarily in wood and metal) and his interior designs are surveyed in their entirety, from his early collaborations with Cantu artisans in the 1940s through to his industrial production in the 1960s. Images of each item--often both archival and contemporary photographs--are accompanied by a short text explicating its history and production run. Also included is an extensive illustrated chronology of Parisi's career.
1970240p., illus. Hardcover Very good condition good
