8 972 résultats
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2006réf. 046073New York: Thames & Hudson 2006. 1st Edition 1st Printing. Soft cover. Fine/Fine. 227 Pp. White Cloth Spine White Covers Printed In Grey With French Flaps Matching White Dust Jacket And Endpapers Printed In Grey. First American Printing. Fine In Fine Dust Jacket. Signed By Nicolas Ghesquiere On The Title Page. Nicolas Ghesquière 1971- Is A French Fashion Designer Who Has Been The Creative Director Of The House Of Louis Vuitton Lvmh. After Working As An Assistant To Designer Jean-Paul Gaultier From 1990 To 1992 He Went On To Work At Pôles Designing Its Knitwear Line Followed By A Series Of Inauspicious Assignments With Different Companies Including The Italian House Of Callaghan. Ghesquière Eventually Landed A Job Doing The Licensing For Paris Fashion House Balenciaga And Designing For The Asian Market. In 1997 At The Young Age Of 25 Ghesquière Was The Surprise Choice To Head Balenciaga Promoted To Creative Director Of Balenciaga After His Dutch Predecessor Josephus Thimister Was Fired Following A Highly Unsuccessful Show. He Was Put In Charge Of The Brand's Entire Image From Clothing And Accessories To Store Design And Advertising. While Working As The Label's Creative Director Ghesquière Continued To Design Two Italian Collections - Trussardi Then Callaghan - Until 2001. Callaghan's Spring 2001 Ready-To-Wear Show Was The First Ever In New York For The Then 35-Year-Old Fashion House And Also Served As The Us Debut For Ghesquière. At Balenciaga Ghesquière Soon Became Known For His Sense Of Contrast Such As Pairing High-Waisted Skinny Pants With A Voluminous Blouson Or A Tightly Cut Wool Jumpsuit With Billowing Sleeves. His Work Soon Turned Balenciaga Into A Critically Acclaimed Fashion House. His Biggest Commercial Success Was The Lariat Bag With Braided Handles And Dangling Zipper Pulls. The Gucci Group Ppr Bought Balenciaga In 2001. Ghesquière Who Wanted To Stay And Expand Balenciaga Could Only Be Bought Through The House. "It Is A Happy Relationship" Ghesquière Said. "It Has Worked Because They Wanted Me To Explain What I Wanted To Do With Balenciaga Not The Other Way Around." Ghesquière's Collections Have Had A Considerable Commercial Impact Particularly Through His Influence On Other Designers Including His Former Staff Members Julien Dossena Camille Miceli And Natacha Ramsay-Levi. During His 15-Year Tenure At Balenciaga Ghesquière Is Widely Credited With Having Helped Turn The Fashion Label Into One Of The Fastest-Growing And Most Profitable Brands Of Parent Ppr. During That Time He Assembled One Of The Largest Production Teams In Paris With Upwards Of 30 People In The Design Studio And 50 In The Fabrication Ateliers. In November 2012 Ppr Announced His Departure From Balanciaga. On 4 November 2013 Ghesquière Officially Replaced Marc Jacobs At Louis Vuitton As Creative Director For The Women's Collections. On 5 March 2014 Ghesquière Had His First Show Under The Lv Brand. Since Joining Louis Vuiton Ghesquière Has Regularly Showcased His Designs With Shows In Architectural Landmarks Including The Louvre In Paris - It Was The First Time The Museum Had Allowed A Fashion House To Stage A Show There -; Monaco's Palace Square 2014; Bob Hope's House In Palm Springs 2016; The Niterói Contemporary Art Museum In Rio De Janeiro 2016; The Miho Museum Near Kyoto 2017. Fondation Maeght In Saint-Paul De Vence 2018 And The Twa Flight Center 2019. Ghesquière Designed A Series Of Character Skins For The Video Game League Of Legends In 2019. In October 2000 Ghesquière Was Named Avant-Garde Designer Of The Year At The Vh1/Vogue Fashion Awards And A Year Later He Was Named Womenswear Designer Of The Year By The Cfda. In 2006 He Was Among The Time 100 Most Influential People. Ghesquière Was Described As "Fashion's Most Sought-After And Influential Figure" By American Vogue And Was Also Cited As The International Designer Of The Year In 2014 By The British Fashion Awards. Thames & Hudson paperback
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réf. 58062London George Allen 1894 1895. . Eins von 650 handschriftlich num.en Exemplaren nach deren Druck die Platten zerstört wurden. Duncan Campbell Dallas schuf das Dallastype-Facsimile eine Art photographisches Gravurverfahren das Cranes Federzeichnungen täuschend echt wiedergibt. - Im Druckvermerk von Walter Crane 1845-1915 britischer Maler und Illustrator und Duncan Campbell Dallas eigenhändig SIGNIERT. Aus der Zusammenarbeit Campbells mit Walter Crane waren zuvor bereits mit der gleichen Technik reproduzierte Illustrationen Cranes zu Shakespeares "Sturm" und "Zwei Herren aus Verona" hervorgegangen. - Außen fleckig Vorsatzblätter braunfleckig; innen gut und sauber erhalten London, George Allen, 1894 [1895]. unknown
1912réf. 55750New York: The Clothier and Furnisher 13 Astor Place ca. 1912. Oblong 4to. 12 x 8.6 in. 105 leaves unnumbered. With diagram colour chart text illustrations and nearly 100 printed photographic plates. Gray embossed publisher’s split-pin binder gilt lettering stamped embossed borders 3 brass split pins at gutter margin minor fold crease to front cover minor soiling thumbing edgewear still VG- copy. Second edition stated of this fascinating and scarce Edwardian catalogue on eye-catching window displays for men’s shops haberdasheries and department stores. This portfolio volume was designed so window display departments and decorators could remove and display certain types of displays as well as add their own. The photographs are divided into sections of Clothing Windows for men’s clothing Children’s clothing Men’s furnishing goods Neckware displays Hat windows and Suggestions for window trims. Department stores and men’s stores across the country are represented including Mullen & Bluett Co. in Los Angeles Strawbridge & Clothier in Philadelphia PA The Mode in Washington D.C. and John Wanamaker in New York. The Clothier and Furnisher magazine for the clothing and tailoring trades first began as the Clothier and Hatter from 1872-1879 before being divided into Clothier and Furnisher and Hatter & Furrier later merged in 1927 into the Haberdasher and the Clothier and Furnisher. Worldcat locates 1 copy Winterthur with only 103 leaves. The Clothier and Furnisher, 13 Astor Place, hardcover
1943réf. 233791943. .MAGAZINE Complete with No torn loose or missing pages but a Hungry Mouse Nibbled through the entire top left corner of each page so Magazine is Sold AS-IS. VG/GOOD It is still well worth adding to your collection. Address LABEL ON FRONT The Varioni Brothers by J. D. Salinger first-ever printing of this short story. With illustrations by A. C. Moore . with Color Cover by Rutherford Boyd of Dalmatian Dog with Black & white Spots on Cover with RibbonsContents include: Go Fly a Kite by Robert Lewis Taylor about Oklahoma senator Edward H. Moore My Studio Burns Down by Norman Rockwell spirited drawings about the true story of his studio burning down Rescue in the Night by Maxwell Hawkins with drawings by John F. Gould . First Edition. Soft Cover. paperback
1929réf. 144757New York: Henry Miller's Theatre 1929. Original flyer for the 1929 play "Journey's End" which premiered at Henry Miller's Theatre on Broadway on March 22 1929 and closed on May 17 1930 for a total of 485 performances. The first US production of the play after its smash hit at at the Apollo Theatre in London which starred a young Laurence Olivier and was directed by then-unknown director James Whale. It is widely considered to be one of the greatest plays ever written about World War I following the plight of a British Army infantry company in 1918. Whale accompanied the play to America for the production advertised here which by late 1929 was being performed by 14 companies in English and 17 in other languages and he would go on to direct the 1930 film adaptation starring Colin Clive David Manners and Ian Maclaren. His film would be the first of numerous adaptations including: "The Other Side" 1931 "Aces High" 1976 and "Journey's End" 2017. Whale would go on to even greater Hollywood fame later directing "Frankenstein" "The Invisible Man" "The Bride of Frankenstein" and more and was one of the first openly gay directors. Two-color single leaf folded once 10 x 8 inches. Bright and Near Fine with a few closed tears and edge creases. Henry Miller's Theatre unknown
2015réf. 30636Pittsburgh: INCITE 2015. Paperback. First Edition: each volume issued in extremely small print runs. Vol. 1 Forever: 6 x 8in. 147pp. Large fold-out poster; Vol. 2 Counter-Archive: 6.5 x 8in. 119pp. DVD; Vol. 3 New Ages: 6.5 x 8in. 165pp.; Vol. 4 Exhibition Guide: 6.5 x 9in. 276pp.; Vol. 5 Blockbuster: 6 x 9in. 190pp.; Vol. 7 and 8 Sports: 8 x 9.75in. 332pp. Large fold-out poster; Vol. Forever: 8 x 8in. 217pp. Publisher's stiff printed wraps. Each volume uses a different theme to explore modern experimental media practice through artist interviews analysis reproduction of works and is itself an experimental work utilizing esoteric approaches to graphic design typography and layout. All 7 volumes are in NEAR FINE condition showing the slightest hints of shelf rubbing else remain Fine/As New. As pictured. INCITE paperback
1901réf. 11370New York: McClure Phillips & Company Publishers 1901. Very Good. New York: McClure Phillips & Company Publishers 1901. First Edition Second State with four pages of pictures before "Humpty Dumpty." Quarto. 96 pp. Bright and highly amusing color illustrations by Denslow throughout with verses hand-lettered by the esteemed type designer Frederic W. Goudy. Paper-covered boards with color illustration to front and back stamped in black. Illustrated endpapers. No dust jacket. Boards edgeworn with exposure and some fraying at spine ends. Spine lettering and colophon notably sharp and binding is sound. Touch of off-setting to pages but overall pages unmarked. Greene & Hearn 24. McClure, Phillips & Company Publishers unknown
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