34.541 risultati
2004rif. mon0004279713Art Center College of Design 2004-01-01. Hardcover. Good. 1.9000 12.5000 12.4000. Signed by Cleon T. Art Center College of Design hardcover
1889rif. 632453Building News London 1889. Unframed Print. Very Good Condition. A double sheet print image area approx. 28 x 38 cms. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries such as The Builder Building News and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance intricacy and stylistic flair of the period's architecture. Rich in ornamental detail and atmospheric depth they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL PRINTED AT THE DATE SHOWN IN THE TITLE NOT A REPRINT OR COPY. Category: Builder & Building News; PRINTS : Buildings & Places; Unframed Prints : Old. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Building News unknown
2025rif. __3967041948Die Gestalten Verlag 2025. Hardcover. New. sew edition. 320 pages. 12.00x9.50x11.50 inches. Die Gestalten Verlag hardcover
1975rif. Alibris.0046704The Atlantic Salmon Association. 1975. Full leather. Very good. Signed by author. includes original slipcase small tear at each of 2 corners of slipcase copy number 451 of 1000 signed by editor small tear between bottom of FFEP & facing page. 430 p. Includes: illustrations index. The Atlantic Salmon Association hardcover
2021rif. SONG1733064877Visual Profile Books 2021-04-23. hardcover. Used: Good. 8.39x1.50x10.35. Buy with confidence. Excellent Customer Service & Return policy. Visual Profile Books hardcover
1967rif. 058562Sacramento: Walt Disney Productions 1967. First Edition . Wrappers with Large Gold Seal. Fine. An as-new copy of the inaugural program with mailing envelope and small order envelope. Walt Disney Productions unknown
1966rif. Alibris.0045928Mladá Fronta. 1966. First edition. Hard cover. Very good in good dust jacket. tears to dust jacket edges. 169 p. Includes illustrations. . Featured in Czech and Slovak Photo Publications 1918 1989 by Manfred Heiting et al. page 332. Mladá Fronta hardcover
1928rif. 059012London Uk: Gollancz 1928. 1st Edition 1st Printing. No Binding. No Book Included/Good. Dust Jackt Only For First Edition Gollancz 1928. Would Be Near Fine No Wear Or Tear But A Little Pinkish Dampstaining To Flaps And Rear Panel. Se Wikipedia: Edward Mcknight Kauffer 1890 -1954 Was An American Artist And Graphic Designer Who Lived For Much Of His Life In The United Kingdom. He Worked Mainly In Poster Art But Was Also Active As A Painter Book Illustrator And Theatre Designer. Edward Leland Kauffer Was Born On 14 December 1890 In Great Falls Montana. By 1910 He Had Moved To San Francisco Working As A Bookseller And Studying Art At The California School Of Design From 1910 To 1912. At Around This Time Professor Joseph Mcknight Of The University Of Utah Became Aware Of Kauffer's Work Sponsored Him And Paid To Send Him To Paris For Further Study. In Gratitude Kauffer Took His Sponsor's Name As A Middle Name. Kauffer Stopped In Chicago For Six Months In 1912/1913 And Studied At The Art Institute Of Chicago. While There He Witnessed The Armory Show One Of The First Major Exhibitions To Introduce The Styles Of Modernism To American Viewers. This Likely Had A Major Impact On Kauffer Who Would Work In Many Of The Same Styles Throughout His Career. He Arrived In Paris In 1913 And Studied At The Académie Moderne Until 1914. In Paris In 1923 He Met The Textile Designer Marion Dorn 1896-1964 And Subsequently Lived With Her In London From Late 1923 To July 1940. They Married In 1950 And Moved To New York Until His Death In 1954. Kauffer Moved To London Upon The Start Of The First World War And Remained There For Most Of His Career. He Was Briefly Associated With Robert Bevan's Cumberland Market Group And Had A One-Man Show At The Omega Workshops. In Brighton On The South Coast He Designed A "Novel" Mural For The Lobby Of Embassy Court A Modernist Block Of Flats Designed By Wells Coates In 1935. The Mural Consisted Of "Monochrome Photographs . Printed Directly On To A Light-Sensitive Cellulose Coating". Kauffer May Be Best Known For The 140 Posters That He Produced For London Underground And Later London Transport. The Posters Span Many Styles: Many Show Abstract Influences Including Futurism Cubism And Vorticism; Others Evoke Impressionist Influences Such As Japanese Woodcuts. He Created Posters For Shell Oil The Great Western Railway And Other Commercial Clients And Also Illustrated Books And Book Covers. Later He Also Became Interested In Textiles Interior Design And Theatrical Design. He Returned To New York City In 1940 At The Beginning Of The Second World War And Tried To Find Work In Advertising. He Struggled In The More Competitive Atmosphere Until He Was Approached To Do A Series Of Posters For American Airlines In 1947. American Airlines Remained His Primary Client Until His Death In 1954. Gollancz unknown
1976rif. 429202509Doylestown: Quixott Press 1976. Softcover. Very Good in wraps. 8vo. 85 pp. Illustrated. Signed by the author. Uncommon item. World Cat lists six holdings at Rutgers the Library of Congress Brown the University of Georgia and the Onondaga Public Library. Quixott Press unknown
1994rif. 059131Pasadena: A. C. Vroman / Ward Ritchie 1994. 1st Edition 1st Printing. Hardcover. Fine. Photographs. 138 Pp. Brown Cloth Gilt Over Patterned Boards. One Of 2000 Copies Of The Trade Edition. Fine No Wear Or Damage. A. C. Vroman / Ward Ritchie hardcover
2004rif. mon0003582589Art Center College of Design 2004-01-01. Hardcover. Very Good. 1.9000 12.5000 12.4000. Art Center College of Design hardcover
1890rif. 621946The Builder London 1890. Unframed Print. Very Good Condition. A double sheet print image area approx. 28 x 38 cms. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries such as The Builder Building News and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance intricacy and stylistic flair of the period's architecture. Rich in ornamental detail and atmospheric depth they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL PRINTED AT THE DATE SHOWN IN THE TITLE NOT A REPRINT OR COPY. Category: Builder & Building News; PRINTS : Buildings & Places; Unframed Prints : Old. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. The Builder unknown
1985rif. 5152403Cambridge: Cambridge University Press 1985. Hardcover. Near Fine. 8vo. Design theory has grown to be a subject of considerable interest in mathematics not only in itself but for its connections to other fields such as geometry group theory graph theory and coding theory. Cambridge University Press hardcover
1969rif. 057716Pasadena: Pasadena Art Museum 1969. 1st Edition 1st Printing. Soft cover. Near Fine. Ix 25 I Blank. Unbound Sheets In Photographically Illustrated Portfolio. Cover Worn At Upper Corners; Contents Fine. Pasadena Art Museum paperback
2004rif. mon0003582202Art Center College of Design 2004-01-01. Hardcover. Good. 1.9000 12.5000 12.4000. Art Center College of Design hardcover
1967rif. 300154Chicago: Institute of Design 1967. Very good with some light age toning. Exhibition held May 5-May 25 1967. Bullock April 18 1902 Ã November 16 1975 was an American photographer whose work is included in over 90 major museum collections around the world. He received substantial critical acclaim during his lifetime published numerous books and is mentioned in all the standard histories of modern photography. Institute of Design unknown
rif. 0060132825.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1977rif. mon0000173098Crackerjack Press 1/1/1977. Paperback VERY GOOD. Crackerjack Press paperback
1903rif. 045636Boston / New York: Houghton Mifflin & Company 1903. Hardcover. Very Good. Xxxvi 137 Pp. Red Boards With Paper Spine Label. #353 Of A Limited Edition Of 425 Copies. First Printing. This Copy One Of The Author's Copies Signed By Bruce Rogers At Top Of Front Free Endpaper With The Author's Inscription Below: "To Hobart C. Chatfield-Taylor In Grateful Remembrance Of True Kindness True Friendship True Love Of The Poets / His Fellow-Translator / Curtis Hidden Page / December 1909 / This Book Begun At Gilmanton In New Hampshire In The Summer Of 1902 And Finished In New York In The Following Winter." Small Private Library Section Label At Top Of Front Pastedown. Signed In Full By Page Beneath His Poem On P. Vii And With An Eight Line Poem Hand Written And Initialed By Page On P. 1. Extra Spine Label Tipped On To Rear Endpaper Fine. Also With Another Copy Number 340 In Slipcase Numbered 340 Less Used But Spine More Browned Also With A New Extra Spine Label At Rear. Rogers Reportedly Considered This As Favorite Amongst All The Books He Designed. Houghton Mifflin & Company hardcover
2006rif. 046073New York: Thames & Hudson 2006. 1st Edition 1st Printing. Soft cover. Fine/Fine. 227 Pp. White Cloth Spine White Covers Printed In Grey With French Flaps Matching White Dust Jacket And Endpapers Printed In Grey. First American Printing. Fine In Fine Dust Jacket. Signed By Nicolas Ghesquiere On The Title Page. Nicolas Ghesquière 1971- Is A French Fashion Designer Who Has Been The Creative Director Of The House Of Louis Vuitton Lvmh. After Working As An Assistant To Designer Jean-Paul Gaultier From 1990 To 1992 He Went On To Work At Pôles Designing Its Knitwear Line Followed By A Series Of Inauspicious Assignments With Different Companies Including The Italian House Of Callaghan. Ghesquière Eventually Landed A Job Doing The Licensing For Paris Fashion House Balenciaga And Designing For The Asian Market. In 1997 At The Young Age Of 25 Ghesquière Was The Surprise Choice To Head Balenciaga Promoted To Creative Director Of Balenciaga After His Dutch Predecessor Josephus Thimister Was Fired Following A Highly Unsuccessful Show. He Was Put In Charge Of The Brand's Entire Image From Clothing And Accessories To Store Design And Advertising. While Working As The Label's Creative Director Ghesquière Continued To Design Two Italian Collections - Trussardi Then Callaghan - Until 2001. Callaghan's Spring 2001 Ready-To-Wear Show Was The First Ever In New York For The Then 35-Year-Old Fashion House And Also Served As The Us Debut For Ghesquière. At Balenciaga Ghesquière Soon Became Known For His Sense Of Contrast Such As Pairing High-Waisted Skinny Pants With A Voluminous Blouson Or A Tightly Cut Wool Jumpsuit With Billowing Sleeves. His Work Soon Turned Balenciaga Into A Critically Acclaimed Fashion House. His Biggest Commercial Success Was The Lariat Bag With Braided Handles And Dangling Zipper Pulls. The Gucci Group Ppr Bought Balenciaga In 2001. Ghesquière Who Wanted To Stay And Expand Balenciaga Could Only Be Bought Through The House. "It Is A Happy Relationship" Ghesquière Said. "It Has Worked Because They Wanted Me To Explain What I Wanted To Do With Balenciaga Not The Other Way Around." Ghesquière's Collections Have Had A Considerable Commercial Impact Particularly Through His Influence On Other Designers Including His Former Staff Members Julien Dossena Camille Miceli And Natacha Ramsay-Levi. During His 15-Year Tenure At Balenciaga Ghesquière Is Widely Credited With Having Helped Turn The Fashion Label Into One Of The Fastest-Growing And Most Profitable Brands Of Parent Ppr. During That Time He Assembled One Of The Largest Production Teams In Paris With Upwards Of 30 People In The Design Studio And 50 In The Fabrication Ateliers. In November 2012 Ppr Announced His Departure From Balanciaga. On 4 November 2013 Ghesquière Officially Replaced Marc Jacobs At Louis Vuitton As Creative Director For The Women's Collections. On 5 March 2014 Ghesquière Had His First Show Under The Lv Brand. Since Joining Louis Vuiton Ghesquière Has Regularly Showcased His Designs With Shows In Architectural Landmarks Including The Louvre In Paris - It Was The First Time The Museum Had Allowed A Fashion House To Stage A Show There -; Monaco's Palace Square 2014; Bob Hope's House In Palm Springs 2016; The Niterói Contemporary Art Museum In Rio De Janeiro 2016; The Miho Museum Near Kyoto 2017. Fondation Maeght In Saint-Paul De Vence 2018 And The Twa Flight Center 2019. Ghesquière Designed A Series Of Character Skins For The Video Game League Of Legends In 2019. In October 2000 Ghesquière Was Named Avant-Garde Designer Of The Year At The Vh1/Vogue Fashion Awards And A Year Later He Was Named Womenswear Designer Of The Year By The Cfda. In 2006 He Was Among The Time 100 Most Influential People. Ghesquière Was Described As "Fashion's Most Sought-After And Influential Figure" By American Vogue And Was Also Cited As The International Designer Of The Year In 2014 By The British Fashion Awards. Thames & Hudson paperback
2006rif. 1119541Washington DC/ NY & Boston: Smithsonian Institution/ Bulfinch Press. Texts by Dr. Gail S. Davidson Floramae McCarron-Cates Dr. Barbara Bloemink Dr. Sarah Burns D. Karal Ann Marling. Hard cover dj. 180 pp. 200 b&w and color illus. . Good. Hardcover. 2006. Smithsonian Institution/ Bulfinch Press hardcover
2010rif. SKU1148857Design Solutions 2010-01-01. hardcover. Good. 15x11x11. Flat-signed by Wadsworth. Inscribed to previous owner by Stefanou. Hardcover and dust jacket show moderate shelf wear. Text appears unmarked. Ships FAST! Design Solutions hardcover
1762rif. 038465London: Robert Sayer 1762. First Edition . No Binding. Fine. Original Engraving Plate On P. 100. Light Chipping To Edges Not Affecting Lettering Or Design. Jean-Baptiste Pillement 24 May 1728 - 26 April 1808 Was A Painter And Designer Known For His Exquisite And Delicate Landscapes But Whose Importance Lies Primarily In The Engravings Done After His Drawings And Their Influence In Spreading The Rococo Style And Particularly The Taste For Chinoiserie Throughout Europe. In 1743 At The Age Of 15 He Moved From Lyon To Paris Where He Was Employed As An Apprentice Designer At The Gobelin Factory. In 1745 He Left For Spain Where He Remained For 5 Years. There He Found Employment In Various Cities As Both A Designer And Painter. In 1750 At The Age Of 22 He Moved To Lisbon Where He Enjoyed Continuing Success. In 1754 He Left Lisbon For London. Pillement Then Spent Eight Years In England Fully Exploiting The English Taste For Landscapes. There He Was Inspired By The Paintings Of Among Others Nicolaes Berchem. During This Period He Became Acquainted With David Garrick The Famous Actor And His Austrian Wife Eva Maria Weigel Who Became Avid Collectors Of His Work. In 1763 Pillement Then Traveled To Vienna Where He Was Employed At The Imperial Court Of Maria Theresa And Francis I. In 1765 He Left Vienna For Warsaw Where His Many Projects Included Decorating The Royal Castle In Warsaw And The Ujazdowski Castle His Largest Project Commissioned By The King Of Poland Stanislaw Ii Augustus. He Also Later Worked In Saint Petersburg The Piedmont Milan Rome And Venice. 1768-1780 Pillement Again Worked In France Where He Was Employed By Marie Antoinette In The Petit Trianon. 1780-1789 He Was Once Again On The Iberian Peninsula And In 1789 Moved To Pézenas In The Languedoc. In 1800 He Returned To Lyon Where He Continued To Paint While Also Designing For The Silk Industry And Giving Lessons In The Academy Founded By Napoleon. He Remained In His Native Lyon Until His Death. Pillement's Illustrations Are A Mixture Of Fantastic Birds Flora & Fauna Large Human Figures And Chinoiserie. His Designs Were Used By Engravers And Decorators On Porcelain And Pottery But Also On Textiles Wallpaper And Silver. Pillement Had Discovered In 1764 A New Method Of Printing On Silk With Fast Colours Recorded In His Memoirs. One Of His Prime Vehicles Was The Single Print Marketed Independently Of An Album. He Published Many Albums One Is: Oùvre De Fleurs Ornements Cartouches Figures Et Sujets Chinois 1776. The Art Gallery Of Greater Victoria British Columbia The Cleveland Museum Of Art The Courtauld Institute Of Art London The Honolulu Museum Of Art The Indiana University Art Museum Bloomington Indiana The Metropolitan Museum Of Art New York City Museum Der Bildenden Künste Leipzig Germany The Museum Of Fine Arts Boston The National Gallery Of Art Washington D.C. Palazzo Pitti Florence Gulbenkian Museum Lisbon Portugal And The Philadelphia Museum Of Art Are Among The Public Collections Holding Work By Jean-Baptiste Pillement. Robert Sayer unknown
2008rif. 1118564Livermore CA: Arnoldsche Aart Publ. This book published on occasion of a traveling exhibition ' Designers on Jewellery: Twelve Years of Jewellry Production by Chi ha paura. National Design Centre Melbourne Australia Oct 2008. 7 p text by Liesbeth den Besten 152 pp. profusely illus in color. . Fine. Soft cover. 2008. Arnoldsche Aart Publ. paperback
1930rif. 1117613New York City: National Academy of Design. Good paper copy ex. cat. 55 no. pp ix 3 pp of prize awarded lists 218 works including sculpture also works listed by individual artist . Good. Paper. 1930. National Academy of Design unknown