[DESIGN] Fujii Rindo^Biblio.com
32.917 risultati
1902rif. 891971902. DESIGN Fujii Rindo. SHOKUMON ZUKAN 1-4. Kyoto Yamada Unsodo Meiji 35 1902. Four volumes complete each volume with printed title string-bound Japanese-style fukuro-toji. 24.2 x 16.4 cm. Illustrated throughout with lightly colored woodblock prints of traditional design motifs. The covers are worn some pages split but present. unknown
1934rif. 891821934. DESIGN BOOK Yoshida Gyokujo compiler. TANSAI GAFU. Kyoto Happpodo Showa 9 1934. 2 vols. complete. Tall folios 36.7 x 25.4 cm orihon folded album in woodcut printed paper over board covers with printed paper title labels. There are 25 total full page color woodblock prints. Interesting style mixing flat solid colors with small naturalistic elements in a single print. Good impressions and colors. Complete in clasped chitsu case with printed silk label. Case is worn books about good. The set eventually ran to 4 volumes these are the first two produced. unknown
1910rif. 891951910. DESIGN Ogino Issui designer. ZUAN HYAKUDAI. 3 Vols. Kyoto Unsodo Meiji 43 1910 An orihon in 3 volumes 27 X 19 cm with woodblock printed covers all in a later fitted clasped cloth chitsu case. Unsodo outdid itself in this early design effort. Dozens of double page horizontal designs which become large prints the paper size being 37.5 x 27 cm as well as circular and fan-shaped and single page designs too. Most in the neo-Rimpa style which Unsodo artists pioneered at the beginning of the last century - bold and lovely. A bit of browning and fading the covers show some wear but overall very good condition a very nice impression of this important set. Complete. One of the very best of the Unsodo design books which is very good indeed. unknown
1937rif. 892151937. DESIGN Azuma Dojin. Koutashirabe AZUMA KOROMO. Unsodo Kyoto & Tokyo Showa 12 1937. A large folding album 34.0 x 24.8 cm 10 pages 15 designs of superbly printed color woodblock images by the "Companions from the East" The margins and facing pages have browning and foxing. This the "spring" volume appears to be one of two volumes published. The covers are detached. Sold with all faults. unknown
1901rif. 891941901. DESIGN KOSUGI Sugimura & YOKOI Tokifuyu designers. DAI NIHON BIJUTSU ZUFU 4 vols. Tokyo Yoshikawa Hanshichi Meiji 34 1901. 4 plate volumes orihon folding albums illustrated with 154 pages of color woodcut. 25.1 x 18.5 cm Complete as such BUT not including the 4 text volumes. A lovely compendium of traditional design. Very good colors impression and condition. Volume 4 is split at one fold; its rear cover is detached and its front cover attached with a tissue repair. unknown
1936rif. 892161936. DESIGN Kano Shuho artist. Ukiyoe Monyo KOSODE HYAKUSEN. Kyoto Happodo Showa 11 1936. 36.7 x 27.2 cm. Though this copy has no colophon or textual material it consists of 48 of the 50 woodblock printed sheets each with two designs so 96 of 100 designs. Each design is identified by the original ukiyo-e artist's name. The printings are fine the condition good overall. With the original title page all in a clasped chitsu case. Sold with all faults. unknown
1938rif. 894341938. DESIGN HAPPODO publisher/printer. KOKUGA OGI. Kyoto Happodo N.D. other sources indicate a date of 1938 Very large oblong brocade porfolio 36.5 x 59.0 cm. Contains an undated Happodo colophon and 50 design prints 49 in color and one as a textual calligraphic introduction to the work A source indicates the designs were done by Yamaoka Chinpei. The prints are extraordinarily lavish with sprinkled metal flakes overprinting metallic inks etc. A wonderfultribute to the Neo-Rimpa and Deco sensibilities of the age. The case has been restored the prints are quite clean. unknown
1932rif. 894051932. DESIGN Iida Shiko. HOEN-CHO. Kyoto: Maria Gabo Showa 7 1932 Oblong orihon folding album in the original publisher's chitsu clasped case. 28.3 x 39.0 cm. There are 23 ornately printed circular designs with metallic inks etc. Maria Gabo was not prolific but what they printed was always done with first rate craftsmanship. unknown
1932rif. 894161932. PREWAR DESIGN Atorie-sha. ZUAN SHINGIHO KOZA NOUVEAU COURS: METHODES DU DESSIN DECORATIF 8 vols. Tokyo Atorie-sha Showa 7 1932. 8 volumes 8vo. complete bound western-style in wrappers. An interesting synopsis in Japanese of world-wide trends in commercial art in the early 1930s. Very good or better condition many bw illustrations. In the original publisher's slipcases. The Atorie-sha was one of the most important publishers of art criticism etc. before the war in Japan. unknown
1933rif. 877691933. DESIGN NAITO Ryoji. SOSHOKU KATTO GASHU. Tokyo Sosaku Zuan Kankokai Showa 8 1933. Western bound in incised leatheroid over boards. 26.8 x 19.5 cm. 78 bw images mostly full page of "Decorative Cuts" drawing on the female form - flappers vamps and decadent androgynous beauties in many roles pirates a cowgirl a nun etc. etc. Ero-guro meets Beardsley. Very good condition in the original publisher's slipcase. Very unusual showing a different side of the decorative impulse in the Japanese 1930s. unknown
1894rif. 886851894. DESIGN HARUNA Shigeharu editor. Kogei Oyo ZUAN ZASSHI 7 issues. No.'s 20-26 Tokyo Meiji 26-27 1893-4. 24.5 x 16.6 cm. Stab-bound wrapper's in woodblock printed paper covers. Haruna Shigeharu 1847-1913 was a pottery painter born into the upper classes in Ishikawa prefecture here using his artistic and design skills to organize and edit this "PRACTICAL ARTS DESIGN MAGAZINE" full of black and white design ideas and articles on such topics as the Columbian Exposition etc. Very unusual periodical here in very good condition inside and out. A short but continuous run. unknown
1908rif. 884571908. DESIGN Sugiura HISUI designer. MITSUKOSHI; MITSUKOSHI TIMES; OSAKA MITSUKOSHI Tokyo & Osaka 1908-1923. Western-style magazines 24.9 x 18.4 cm decorated wrappers. Lovely covers most by Sugiura Hisui 1876-1965 or designed under his supervision. Hisui is the most important figure in the development of Japanese commercial art in the 20th century the progenitor of "Taisho Chic" and a force to be reckoned with as a practical designer at Mitsukoshi and an educator at the Japan School of Art the Imperial School of Fine Art and the Tama Imperial School of Art which he co-founded. He even spent two years in Europe in the early 20s researching design. He created many portfolios of design examples for professionals wrote treatises on the principles of design and was a tireless creator of posters and magazine covers. He began work at Mitsukoshi in 1908 as a design consultant in charge of cover art for the house organ MITSUKOSHI TIMES. When MITSUKOSHI magazine began in 1912 he had already been promoted to head of design for the company a year earlier and stayed in that position for decades. His artwork graced the covers of many magazines over the years but it was his work for MITSUKOSHI and MITSUKOSHI TIMES and OSAKA MITSUKOSHI that began his design career. We are offering here a group of issues of those magazines most with his brilliant cover art. The magazines as a form of trade catalog and guide to fashion for the well-heeled clientele of Mitsukoshi department store were intrinsically ephemeral. They are hefty magazines a vade mecum for the bon ton with pictures of summer frocks kimono fabrics morning coats shoes - with instructions on how they should be cleaned stored worn. With pictures and prices and order sheets. Useful and used then thrown away they are seldom found today. A gathering of this size is quite unusual especially as it begins with issues of MITSUKOSHI TIMES from 1908 - the year that Hisui took over design reponsibilities for the house organ. The issues: MITSUKOSHI TIMES 11 issues from 1908-13 Oct & Nov Meiji 41 1908; V.8 #s 4 & 6; V.10 #s 9 & 11; V.11 #s 4 7 11 & 14 V.12 #3. MITSUKOSHI 31 issues from 1912-1923 V.2 #4; V.4 #s 5 6 7 & 8; V.5 #s 4 5 7 & 8; V.6 #s 2 & 11; V.7 #s 6 7 & 8; V.8 #s 2 3 4 5 & 7; V.9 #s 4 5 6 7 9 & 12; V.10 #s 4 6 & 12; V.11 #11`; V.12 #3; V.13 #6. OSAKA MITSUKOSHI 2 issues V.4 #8 1915 a. unknown
1925rif. 877511925. DESIGN Shimomura TAMAHIRO. TAMAHIRO GASHU. Kyoto & Tokyo: Unsodo Taisho 14 1925. Single sheets cord-bound into illustrated boards with a printed paper title label. 36.2 X 25.3 cm. There are 16 pages of color woodblock printed designs and 30 pages of bw collotypes. One of the hybrid design books that Unsodo created in the 20s and 30s. Very clean and bright in the original publisher's slipcase. A very unusual and late effort by Tamahiro 1878-1926 an important Unsodo designer who began his work for them at the turn of the century. Even more unusual in such lovely original condition. Complete. unknown
rif. 86884DESIGN. SAIKOKYU MIRAAKOOTO-KAMI TOPPAN-ZURI OODAMATCHI MIHONCHO NP ND Japan 1960s. 16.3 X 24.5 cm. Leatheroid covers 23 pages of 5.5 x 8 cm designs for matchbox covers done in a "mirrorcoat" process of relief printing. One sample clipped for color matching. The back covers is loosening. Overall a good copy of this very scarce and ephemeral catalogue. unknown
1918rif. 869371918. DESIGN ODA Kazuma artist and designer. OYO ZUAN Gekkan Dai-ichi-go. Tokyo Papiyon Zuansha Taisho 7 1918. Folio-sized wrappers 34.5 x 24.2 cm. This "Practical Design" monthly features the work of Oda Kazuma 1882-1956 in this its first issue. This issue features articles on the use of electric lights at night for advertising with a note at the end on some recent advertising posters that have appeared. Obviously a periodical by professionals for professionals in the design and advertising world. Not a world one usually thinks of Oda Kazuma belonging to but here he turns his talents at lithographic printmaking to more practical ends with sevarl examples of advertising designs and commercial art. Very good condition throughout. Very unusual. unknown
rif. 53918KIMONO DESIGN - MANUSCRIPT. 10 1/2" x 14 1/2" oblong design book bound in single backed sheets on the short side with string not fukuro-toji. With a brushed title label sealed throughout but otherwise anonymous. As often happens with manuscripts the name of the shop which used it as a pattern book has been excised. There are 25 black and white design sketches for elaborate kimono. More of a Kano rather than a Rimpa style. The album probably dates from the first half of the 19th Century. A lovely item which suffers from very bad worming throughout. Though the damage is worse at the extremities of the work holes are shot through the paper and effect the design images as well. Sold with all faults. unknown
1903rif. 874891903. DESIGN Goto Ryuko. HANA NO NISHIKI #3. Kyoto: Unkindo Meiji 36 1903. A single woodblock-printed sheet approx. 36 X 50 cm. folded into printed covers 25.2 x 17.8 cm. Unkindo a short-lived but brilliant publisher later merged into the Unsodo concern. A bit browned and edgeworn it is number 3 from an unknown number of such single-sheet designs. Very unusual unknown in the literature. unknown
1915rif. 857611915. DESIGN Saikasha. SAIKA. Tokyo 1924-9. 30 issues bound into 10 volumes out of 36 issues bound in 12 volumes. Significant run of the SAIKA series which captured Japanese and Asian design in all its manifestations - objects utensils. fabrics rugs architectural elements lacquerware cloisonnee etc. etc. There is a total of approximately 500 plates of which about 100 are color woodblock printed and another dozen or so are color collotypes and color lithographs. The remainder are collotypes and offset. An interesting series from the reference library of the Mitsukoshi Department Store. Two of the volumes are disbound with a few plates missing but they have the original covers. Sold with all faults and priced accordingly. Unusual set. unknown
1904rif. 832901904. DESIGN ISOZAKI Kosaburo. KINKAN'EN SHINISHO YOHON NEW SAMPLES OF COLORED MATTING - "KIN KAN EN." Okayama Meiji 37 1904. Cord bound Japanese style title printed on front cover. 34.2 X 22.6 CM. 34 full-page color woodcuts of flat-weave matting designs. The matting is still made today in Okayama from the igusa plant. Very simple and delicate designs. A sample book for the Isozaki line. unknown
1901rif. 840301901. DESIGN BOOK Kamisaka SEKKA Yoshitaka. SHIKISHI. Kyoto: Tanaka jihei Meiji 34 1901. 2 folios each 31.2 x 21.5 cm. Volume one has 2 color prints and 30 bw sumi prints volume two has 30 bw sumi prints. An interesting design book of subtlety. The covers are quite worn and stained and there is some internal wear and spotting as well. But overall a good early printing. Cord-bound fukuro-toji Japanese style with the title printed on the covers. Complete. unknown
1902rif. 845761902. DESIGN Matsuoka Tokikata; Honma Hyakuri. Kojitsu Sosho SHOKUMON ZUE. 7 vols. originally privately published by Hyakuri apparently from 1815-25 as a completion of work begun by Tokikata in the late 18th very early 19th century. This is the reprint of this classic work done as part of the "Kojitsu Sosho" Classic Library series published by Yoshikawa Hanshichi et al in Meiji 34 35 19012 Very slightly smaller than the original volumes each about 18.2 x 24.9 cm string-bound Japanese-style fukuro toji with printed paper title labels - all bindings match. Hundreds of beautiful color textile designs reproduced in color woodcut. Nobleman Ladies Ceremonial dress Brocades Imperial costumes all are covered. Retains most of the appeal of the original edition. Slight external wear lovely inside. unknown
1975rif. 219437京都. Kyoto.: 芸艸堂. Unsōdo. 1975. Featuring many fine black and white illustrations throughout 80pp 26.7 x 19cm four hole string binding title label and attractive floral debossed design upper cover very good in attractive blue covers. This volume is one of eight in a series on Japanese design patterns first published by Unsōdō in 1975. This particular volume focuses on knot patterns and designs on shikishi 色紙 decorated square paper. Each knot design is presented with its name and drawn in clear precise lines. The shikishi section includes numerous patterns most of which are inspired by natural motifs. . 芸艸堂. [Unsōdo]. unknown
1983rif. 202162Honolulu Hawaii: Bernice P. Bishop Museum Press 1983. First Edition. hardcover. Near Fine. 11x8x1. Orange cloth spine over green cloth boards housed in green cloth slipcase brown endpapers printed in brown & black ink. Bit of rubbing to gilt lettering on spine else a fine copy. This edition is printed on Mohawk Vellum paper at Mastercraft Press & bound by Roswell Bookbinding. Extra postage required for international or expedited shipping. Bernice P. Bishop Museum Press hardcover
2003rif. 176457Producciones Gráficas .S.L 2003. Tapa blanda. 2ª Mano. . . Carpeta con 11 laminas en perfecto estado de. conservación con su poema y su ilustración. . Carpeta 25x35 cm Producciones Gráficas .S.L unknown
1941rif. 33596New York: Gotham Bookmart Press 1941 First Edition signed issue in full black cloth with gilt-stamped design by Alexander Calder and red & white spine title label one of 100 copies printed on rag paper signed by Jolas only trace shelf wear to the boards tasteful bookplate to pastedown & faint tape shadows to endpapers front & rear from a mylar jacket made by former owner and taped to itself to keep it in place - well-done but unfortunately left these faint shadows to the pages opposite else a Fine copy lacking the printed glassine wrapper of this interesting Jolas-curated venture featuring artwork by Andre Masson & Calder as well as early work from College of Sociology / Surrealist stalwarts Roger Caillois & Georges Bataille along with a literary who's who of the 30s and 40s; 8vo; 201pp colophon. Signed by Author. First Edition. Hard Cover. Fine. Gotham Bookmart Press hardcover
