Lefteri, ChrisAntiquariat.de
2003rif. 640138Ludwigburg: av-Edition. 2003. 160 Seiten. 26x22,5cm. Zustand: Sehr Gut, eher ungelesen; Engl. Broschiert
1973A clean, unmarked book with a tight binding. 157 pages. Large format: 9 7/8"w x 12 3/4"h. Full cream-colored cloth boards. In Poor slipcase with several tears. Many full-page b&w and color illustrations.
1975rif. 490099Arlon: Bulletin d'Arlon. 1975. 91 Seiten. 22,5cm. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Heft mit Klammern
1984191 page catalogue of the exhibition at the Asian Art Museum of San Francisco, Field Museum of Natural History Chicago, The Museum of Fine Arts Houston and the Smithsonian Institution Washington DC between May 4 1983 and November 30 1984. Excellent illustrations. Covers rubbed and slightly marked.
2006rif. 99191Mies (Suisse) Rotovision 2006 1 vol. broché in-8, broché, couverture illustrée, 256 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en agnalis. Bonne condition.
2006rif. 99191Mies (Suisse) Rotovision 2006 1 vol. broché in-8, broché, couverture illustrée, 256 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en agnalis. Bonne condition.
1948With 48 pages of text plus 40 plates. Previous owner's signature on front free endpaper. Previous owner's bookplate on front pastedown
2006I edizione, rilegatura editoriale rigida, nera con titoli d'oro al solo dorso, sovraccoperta illustrata, con segni di usura alle punte ed alla cima, lunga piega orizzontale al bordo inf.posteriore, pagine in buonissimo stato di conservazione, con numerose illustrazioni a colori ed in nero nei testi. Numero pagine 440 USATO
2001rif. 83322München, Knesebeck 2001. 2001. 4°, 192 S., mit zahlreichen farbigen Tafeln und Abbildungen. Orig.-Pappband mit Orig.-Umschlag.
1990rif. 063822Berlin., Propyläen Verlag., 1990. Herausgegeben und kommentiert von Marshall Lee. Vorwort von Jack Salomon. Mit einer Einleitung und Texten von Erté. 223 Seiten mit zahlreichen farbigen Abbildungen, mit einem Werk- und Tafelverzeichnis. Im Schuber. Guter Zustand. 4°. H OLeinen mit OUmschlag.
1991rif. 50336CBBerlin, Propyläen-Verlag, 1991. 4°. 35 cm. 191 Seiten. Original-Leinenband mit Original-Schutzumschlag im Pappband.
1986rif. 50276ABMünchen, Hirmer 1986. 2°. 199 S. OLwd mit OU. Schutzumschlag mit Lichtspur.
1989rif. 50274ABBerlin, Propyläen Verlag 1989. 2°. 235, (4) S. OLwd mit OU.
19321st edition. Original modernist illustrated cloth cover, 8vo, 159, [1] pages ; 22 cm. In Yiddish. Features construtivist cover by Aron Gudelman. This is featured as fig. 25 in Hillel Kozovskys CEtait lEpoque ou lOn a Commence a Illustrer les Livres Juifs, [appearing in French Translation in Futur antérieur: l'Avant-garde et le livre yiddish (1914-1939) , p. 47]. Aron Gudelman (Ataki, Bessarabia, 1890 - New York, 1978) was a sculptor, illustrator, etcher, lecturer, and teacher. Born in Russia, he immigrated to New York in 1905 at the time of pogroms in Russia. After attending the Cooper Union and the National Academy of Design, in 1914 he studied with Jean-Antoine Injalbert at the Ecole des Beaux-Arts in Paris. Supporting himself as a machinist in the 1920s, Goodelman became a communist. His concerns about social and economic conditions were expressed in his art. He participated in exhibitions at the John Reed Club in the early 1930s. After World War II, Goodelman created artworks related to the Holocaust. He taught at City College of New York in the 1960s (National Museum of American Art, 1996) . Very light wear, spine sunned with touch of wear at crown and foot. Owners inscription on half-title, lacks blank front end paper. A nice copy, with the original velveteen on the cloth cover still very much in tact. Very Good Condition (Yid-26-7)
19321st edition. Original modernist illustrated cloth cover, 8vo, 159, [1] pages ; 22 cm. In Yiddish. Signed by author on end paper. Features construtivist cover by Aron Gudelman. This is featured as fig. 25 in Hillel Kozovskys CEtait lEpoque ou lOn a Commence a Illustrer les Livres Juifs, [appearing in French Translation in Futur antérieur: l'Avant-garde et le livre yiddish (1914-1939) , p. 47]. Aron Gudelman (Ataki, Bessarabia, 1890 - New York, 1978) was a sculptor, illustrator, etcher, lecturer, and teacher. Born in Russia, he immigrated to New York in 1905 at the time of pogroms in Russia. After attending the Cooper Union and the National Academy of Design, in 1914 he studied with Jean-Antoine Injalbert at the Ecole des Beaux-Arts in Paris. Supporting himself as a machinist in the 1920s, Goodelman became a communist. His concerns about social and economic conditions were expressed in his art. He participated in exhibitions at the John Reed Club in the early 1930s. After World War II, Goodelman created artworks related to the Holocaust. He taught at City College of New York in the 1960s (National Museum of American Art, 1996) . Very light wear, spine sunned with touch of wear at crown and foot. A beautiful copy, with the original velveteen on the cloth cover still very much in tact. Very Good Condition (Yid-26-8A)
197727.5x37, 206 pp., hard cover with gilt lettering on the spine, a torn dj, in fair/good condition.
1994rif. 2090202118101418Gogatsu shobo 1994. Soft Cover. Fine. The book is in fine condition. Gogatsu shobo paperback
1982Cm. 34, tela rigida edit. con sovracop., pag. 223. Prima edizione. Importante catalogo sulla grafica realizzata da Erte'. Prefazione di Jack Solomon. Introduzione di Erte' stesso e selezione di suoi scritti. Ottimo esemplare.
1991Ottimo (very good), t. tela con sovrac. ill. (dust jacket), 25,5x23 cm, 160 pp, bn e col. ill.s
2019ill., ril. Un bar vivace e carino, una graziosa merceria ben fornita, un quartiere con le finestre traboccanti di fiori: luoghi semplici che ci attraggono e ci invitano a tornare, perché trasmettono una sensazione immediata di gioia e vitalità. In che modo? Ingrid Fetell Lee, esperta di design, ha indagato l'impatto psicologico dell'ambiente sul nostro umore, scoprendo relazioni universali che affondano le radici nelle neuroscienze e nella nostra storia primordiale. L'abbondanza di oggetti e di forme, per esempio, crea un rassicurante senso di opulenza e disponibilità di risorse, mentre le stanze ampie ci mettono a nostro agio perché richiamano gli spazi aperti e luminosi della savana, nella quale si sono evoluti i nostri antenati. I colori vivaci trasmettono energia e vigore: e allora perché nelle abitazioni dominano le tinte neutre o pastello? Le forme arrotondate (cerchi, sfere, bolle) sono accoglienti e giocose, al contrario degli spigoli che allertano il nostro istinto di autoprotezione. Facendo tesoro di queste osservazioni, Ingrid Fetell Lee individua gli elementi (colori, forme, texture, composizioni e accostamenti) che trasmettono naturalmente benessere e buonumore, e spiega come utilizzarli per creare un ambiente allegro e motivante. Perché bastano piccoli cambiamenti - in casa, in ufficio, persino nell'armadio - per infondere a oggetti e luoghi ordinari una gioia straordinaria e una felicità contagiosa.
rif. 60641, David & Charles, 1979 Hardcover, 160 pages, ENG, 330 x 240 mm, large format, dustjacket, in very good condition, with illustrations in b/w. ISBN 9780715377857.
2002rif. 3003Grund 2002 17x2x17 6cm. 2002. broché.
rif. 92158aafs. l., s. d. (ca. 1998), in-4to, ca. 30 p., illustr. avec des photogr. en couleurs, dedicace de l’artiste à l’intérieur du titre, brochure originale.
1965rif. 28279Paris, Editions Charles Massin, 1965. 4 nn.Bl., 36 S. Mit 73 teilweise ganzseitigen Abb., mit Schutzumschlag gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
1981rif. 371421München: Beck. 1981. 358 S. : 394 Ill. u. Kt. 27,5 x 22,5 cm. Zustand: Sehr Gut min. gebräunt (Innen); Besitzerstempel; Einband (Außen) hat geringe Gebrauchsspuren; Sauberes Archivex. mit Klebestreifenrest (Außen); Buchrücken hat unten leichte Klebespuren wegen entferntem Bibliotheksaufkleber; Kopfschnitt in Farbe, unten rechts min. angestaubt; Schutzumschlag fehlt; Gewebe (Blau)
