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16 litografie Ercole editrice Foglio Copie n. 89,100, 180, 219 su 600 con 16 litografie di cui una colori firmate dall'artista. Sovraccoperta editoriale con lievi aloni ai piatti, pieghe ai margini, alcune fioriture al margine esterno dell'ala interna, copertina rigida cartonata di color nero, fogli di guardia grigi, interno in buono stato dimensioni cm 33,5 x 25
2003STATO: NUOVO. TITOLO: 16 tisaniere. AUTORE: Tonelli,Maria Cristina (a cura di). CURATORE: Catalogo della Mostra: Univ.degli Studi di Firenze,Calenzano,18 novembre- 2 dicembre 2003. EDITORE: Alinea Editrice DATA ED.: 2003, EAN: 9788881257843
2003Calenzano, 18 novembre - 2 dicembre 2003. A cura di Tonelli M. C. Firenze, 2003; br., pp. 48, ill. b/n, cm 16x16. (Cataloghi). italiano 88-8125-78 Cataloghi br.
1925rif. 35550ABMünchen, Beck, 1925. Kl.-8vo. Mit 160 ganzseitigen Abbildungen von Warenzeichen. Orig.-Leinwand.
1883rif. 30421883. Softbound. Good wraps have edge-wear & rubbing; tanned. spine chipped. corners rubbed. Wraps. appx. 120 pp. numerous line engravings. Catalogue lists 605 works many of which are reproduced by line engraving. Includes names and adresses along with numbered catalogue entries for each artist at rear. Rare. paperback
1883rif. 30421883. Softbound. Good wraps have edge-wear & rubbing; tanned. spine chipped. corners rubbed. Wraps. appx. 120 pp. numerous line engravings. Catalogue lists 605 works many of which are reproduced by line engraving. Includes names and adresses along with numbered catalogue entries for each artist at rear. Rare. paperback books
1937This is a very good hardcover copy with only light wear. Very clean inside and out. No foxing. This year's annual was designed by Heyworth Campbell. Illustrated in color and black & white. Indices of artists, advertisers, agencies. Works by Lester Beall, Anton Bruehl, A. M. Cassandre, W. A. Dwiggins, Horst, Alexandre Jacovleff, Kuniyoshi, George Platt Lynes, Herbert Matter, Tommi Parzinger, Paul Rand, Edward Steichen, and Vertes, among dozens of other artists and photographers. 11" high X 8" wide, 111 numbered pages followed by twenty more pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
198916° Biennale Mostra Mercato Internazionale Dell'antiquariato 1989 -L5437 SOVRACOPERTA EDITORIALE, COPERTINA RIGIDA IN TELA VERDE CON PALAZZO STROZZI IMPRESSO IN ORO AL PIATTO, TAGLI SUPERIORI CON QUALCHE PICCOLA MACCHIA, TITOLI IN ORO AL DORSO, INTERNO IN OTTIMO STATO N. PAG. 550 CM. 29 X 22
rif. Eileene Harrison BeerNot in perfect condition. unknown
rif. Elizabeth GaynorNot in Perfect Condition. unknown
2001rif. 304792001. Softcover. VG. Blue wraps. 95 pp. Profuse color plates. paperback books
1977Volume rilegato in tutta tela con titoli in oro al piatto anteriore e al dorso, contenuto in un cofanetto cartonato ed illustrato a colori ai piatti. Coperta in buono stato e parimenti illustrata a colori, tagli regolari e minimamente imbruniti, pagine perfettamente salde alla costa e anch'esse in buono stato, libro completamente fruibile, con presentazione di Paolo Grassi, presenti 321 illustrazioni in nero nel testo, numero pagine 273; da segnalare: annotazione a penna al foglio di guardia USATO
rif. 18-6063New York: National Academy of Design 2003. 8vo. 186 pp. Oblong. Very Good. Soft Cover. Maroon paper wraps. Minor crease on front cover else fine. Pages fine. Color plates throughout. Errata laid in. Price List laid in. Extremely Scarce. New York: National Academy of Design, 2003. paperback
198917° Biennale Mostra Mercato Internazionale Dell'antiquariato 1991 -L5436 SOVRACOPERTA EDITORIALE, COPERTINA RIGIDA IN TELA VERDE CON PALAZZO STROZZI IMPRESSO IN ORO AL PIATTO, TAGLI SUPERIORI CON QUALCHE PICCOLA MACCHIA, TITOLI IN ORO AL DORSO, INTERNO IN OTTIMO STATO N. PAG. 528 CM. 29 X 22
Impressive collection of 18 folio drawings with painted and sprayed gouache probably from the 1920s, showing Art Deco motifs for terrazzo floors. – Content: Sketched with pencil, then painted with bright and varied gouache colours setting a contrast in opaque white, present designs are finished with a thin sprayed layer of black to insinuate it's use for terrazzo surfaces, very probably floors or wall mosaics. All leaves of this set are characterised by most attractive compositions of colour and form as well as detailed execution, each of them in a unique way. Geometric forms dominate, the choice of motifs cites various artistic traditions (Mesoamerican, Celtic, Classicist). The designs are presumably of Italian origin and were skilfully drawn for by order for custom made large floors. - Condition: Corners and margins partly with some colour wear, corners partly with crease marks, overall well-preserved set of this exceptionally handsome collection of samples.
1962rif. 85098ABNew York, Dover Publ., 1962. 4°. 247 S. OKart.
1980rif. 79537New York, Dover Publ [copyright von 1962, Buch circa 1980]. xiv, 247 S., 31x23cm Karton 0
rif. Hartmann, GodfredNot in perfect condition. unknown
1995rif. 11886Wien Graphische Kunstanstalt Otto Sares, 1995. 79 S. 4° Quart Ln.
Catalogo dell'asta Sotheby's, London, 24 february 2016. 176 lotti con opere di Josef Hoffmann, Pankok, Bruno Paul, Marcel Breuer, etc. Si unisce: Catalogo d'asta di design, Cambi, 18 dicembre 2012. 940 lotti
1982In-8 (Cm 29 x 35,5) pp.555, legatura editoriale con sovracoperta. Confaetto illustrato. Volume primo della collana "Italia moderna". Qualche segnetto d'uso al confanetto, e lieve ingiallitura del dorso della sovracop.- MOLTO BUONO
1983Brossura con copertina morbida con alette, in lingua tedesca, presenta segni di usura e di sporco, i bordi hanno segni da sfregamento, le punte sono piegate verso il concavo, il dorso presenta segni da schiacciamento, sul dorso c'è l'alone di una precedente etichetta che arriva fino alla parte posteriore, nel retro della copertina oltre a segni sporco manca un pezzetto di cellophane, è presente poi una piccola etichetta, all'interno il volume è ricco di immagine e disegni, il frontespizio ha delle macchie di sporco, cosi come la sguardia posteriore, le pagine sono in buono stato e hanno i primi segni di ingiallimento. Numero pagine 425 USATO
1998rif. 18398Wien ; Frankfurt [Main] : Ueberreuter, 1998. 208 S. 8°. Ill. OBroschur.
1888rif. 221661888. Original patent documentation for Edmond Verstraete's innovative 1888 railway car design an uncommon surviving artifact from the era of rapid industrial expansion and technological advancement in American rail transport. Verstraete Edmond. Railway Car. Washington D.C.: U.S. Patent Office July 24 1888. Patent No. 386512. First edition. 2 printed lithograph sheets measuring 9" x 7". Signed by inventor and witnesses. Includes two detailed mechanical drawings by Verstraete with formal submission details signed by the inventor and his attorney. This patent filed during a period when the U.S. railroad network was transforming American commerce and mobility documents Verstraete's reconfiguration of the passenger car interior and structural layout. The diagrams show side and overhead views of a self-contained passenger railcar marked by articulated platform entries segmented internal seating and a defined vestibule region. Of note are the annotated elements marked "x" in red ink labeled as "Lower entries" and "Passengers" likely indicating areas of operational focus or examiner queries. The first sheet offers a longitudinal cross-section while the second presents a plan and elevation revealing design emphasis on safety comfort and structural balance. The late 19th century witnessed a proliferation of railway car patents as inventors sought to enhance efficiency passenger experience and operational safety in the context of growing urban transit systems and long-haul travel routes. Verstraete's work fits within this inventive surge paralleling the emergence of Pullman cars electric trolleys and elevated rail networks. As cities like New York Chicago and San Francisco expanded rail-based infrastructure designs such as this laid the groundwork for more integrated mass transit and intercity rail travel. Light toning minor smudge at lower margin of first sheet archival notations in red and pencil at margin; "EXAMINER" hand-stamped at top. Overall very good condition. A scarce and compelling primary document reflecting the ingenuity and regulatory mechanics of the Gilded Age railroad boom ideal for researchers in industrial history transportation technology and the evolution of public transit. unknown
1888rif. 221661888. Original patent documentation for Edmond Verstraete's innovative 1888 railway car design an uncommon surviving artifact from the era of rapid industrial expansion and technological advancement in American rail transport. Verstraete Edmond. Railway Car. Washington D.C.: U.S. Patent Office July 24 1888. Patent No. 386512. First edition. 2 printed lithograph sheets measuring 9" x 7". Signed by inventor and witnesses. Includes two detailed mechanical drawings by Verstraete with formal submission details signed by the inventor and his attorney. This patent filed during a period when the U.S. railroad network was transforming American commerce and mobility documents Verstraete's reconfiguration of the passenger car interior and structural layout. The diagrams show side and overhead views of a self-contained passenger railcar marked by articulated platform entries segmented internal seating and a defined vestibule region. Of note are the annotated elements marked "x" in red ink labeled as "Lower entries" and "Passengers" likely indicating areas of operational focus or examiner queries. The first sheet offers a longitudinal cross-section while the second presents a plan and elevation revealing design emphasis on safety comfort and structural balance. The late 19th century witnessed a proliferation of railway car patents as inventors sought to enhance efficiency passenger experience and operational safety in the context of growing urban transit systems and long-haul travel routes. Verstraete's work fits within this inventive surge paralleling the emergence of Pullman cars electric trolleys and elevated rail networks. As cities like New York Chicago and San Francisco expanded rail-based infrastructure designs such as this laid the groundwork for more integrated mass transit and intercity rail travel. Light toning minor smudge at lower margin of first sheet archival notations in red and pencil at margin; "EXAMINER" hand-stamped at top. Overall very good condition. A scarce and compelling primary document reflecting the ingenuity and regulatory mechanics of the Gilded Age railroad boom ideal for researchers in industrial history transportation technology and the evolution of public transit. unknown books
