Carpenter Edward KMareMagnum
29.158 risultati
198428 cm, ril. editoriale, tit. in oro al dorso, sovracop. illustrata con piccola mancanza; p. 112, numerose foto e ill in nero e a colori
1985rif. 37660Frankfurt/ M., o.Vlg. 1985. 782 S. unpag. mit 1 losen Beilage und zahlr. s/w. Abb. OLeinen 18x18 cm.
1985This is a very good softcover copy with just light wear. Completely clean inside and out. Text in English and Chinese. Essays by Dorris U. Kuyken-Schneider, Chen-Chou Liou, Jang-Nung Wu, Margaret Shui Tan, and Liang-Yo Liu. Hundreds of color photographs of the entries, which are arranged by country. Laid in is a certificate for one of the American artists who was chosen to participate in the exhibition, acknowledging her two pieces in the show. 10" square, 398 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1986rif. 37661Frankfurt/ M., o.Vlg. 1986. 78 S. unpag. mit 1 losen Beilage und zahlr. s/w. Abb. OLeinen 18x18 cm.
1990BUONO STATO
1991rif. 2090502113715443Not Available 1991. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2002ESTIMATIONS
1886rif. 220121886. Good soiling to covers chipping to covers with some loss pages age-toned and fragile. Wraps. appx. 100 pp. numerous line engravings one of which has been removed. Catalogue lists 847 works many of which are reproduced by line engraving. Includes names and adresses along with numbered catalogue entries for each artist at rear. Rare. paperback books
1989rif. 37773Antique Collectors Club, Woodbridge, 1989. Reprinted. 504 Seiten / pp., mit zahlreichen Abbildungen / richly illustrated; 4°, 28 x 22 cm, Leinen mit Schutzumschlag / Cloth with Jacket
1970IN 4 CARRE. REL AVEC TOILE EDIT AVEC JAQ [MOY]. 212 PP. 289 ILL EN NOIR. [BE]
2001Brossura, cm21.5x24, pp 271 (1); fotografie a colori.
1971rif. 1512101429xbvk[Lisboa], Imprimarte, 1971. 141 pages on glossy paper, illustrated throughout. - Publisher's graphically designed softcover with title at spine; small-4to.(ca. 20,5 x 20,5 cm).
2000AA.VV 1° edizione! Artemide. The human Light 2001. , Artemide 2000 italian, 187 CH15Brossura editorialevolume come nuovo, 1° edizione, copertina e interno in condizioni eccellenti, legatura salda, numerose fotografie a colori 187 pagine circaCopertina come da foto
2003AA.VV 1° edizione! La forza delle cose: tradizione valdostana e design. Quart, Musumeci 2003 italian, 122 CH18Brossura editoriale volume come nuovo, 1° edizione, copertina e interno in condizioni eccellenti, legatura salda, con tavole fuori testo a colori, catalogo della Mostra tenuta a Aosta nel 2003, testo anche in francese. 122 pagine circaCopertina come da foto
rif. DADAX1433581671New unknown
1947rif. 2110502150412187Aiiku-sha 1947. Soft Cover. Fine. Number of books: 2 Aiiku-sha paperback
194310x15 cm, lettere di carattere personale: "poi sarei a chiedervi consiglio in certe mie idee..."
2004rif. Q-1592530923Rockport Pub 2004-10-30. Paperback. New. In shrink wrap. Looks like an interesting title! Rockport Pub paperback
1936rif. 028494New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Near Fine. Original Signed Lithograph By Pasquale Giovanni Napolitano. 60 Pp. Beige Morocco Blindstamped In Similar But Not Duplicative Design As The Regular Clothbound Issue But In A Larger Format 6 9/16" X 5 3/32" Which Preserves More Of The Original Lithographic Drawing We Also Have Available Separately A Full Page Printing Of The Lithograph Signed And Annotated By Napolitano Which Image Is Abbreviated Even In This Large Paper Copy.There Is A Stated Limitation Of 112 Copies This Copy Numbered 116 One Of Armitage's Copies Of A Small Overage In The Print Run. Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage "A Special Leather Bound Copy For Napolitano Merle Armitage 1936". A Near Fine Copy Slight Rubbing At Corners Of Binding. A Possibly Unique Armitage Printing In This Larger Format. Merle Armitage / Lynton Kistler hardcover
1936rif. 028488New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Fine. 60 Pp. Yellow Cloth Printed In Brown And Black On Front Cover As Issued. 5 13/16" X 4 1/2". First Book Publication Of Two Magazine Articles By Picasso First Published In 1923 And 1930. One Of 112 Copies Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Pasquale Giovanni Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage To The Illustrator Napolitano And His Wife: "This First Copy- Born On April 3 1936 Is For Emmie And Jonnie Napolitano- Who Like This Book. Merle Armitage". A Fine Copy No Wear Or Stains. Merle Armitage / Lynton Kistler hardcover
1846rif. 2111902160200502Yamatoya keizo 1846. Soft Cover. Fine. Number of books: 2 books Yamatoya keizo paperback
1980rif. 1116517Düsseldorf, 1980. S. 239-290; Illustr.; 30 cm; kart.
1989rif. 050051Stuttgart., 1989. Veranstaltet vom Landesgewerbeamt Baden-Württemberg - Design Ceter Stuttgart, Haus der Wirtschaft. 326 Seiten mit zahlreichen Abbildungen. Guter Zustand. Quer- 8°. S OBroschur / Okarton.
1928rif. 059012London Uk: Gollancz 1928. 1st Edition 1st Printing. No Binding. No Book Included/Good. Dust Jackt Only For First Edition Gollancz 1928. Would Be Near Fine No Wear Or Tear But A Little Pinkish Dampstaining To Flaps And Rear Panel. Se Wikipedia: Edward Mcknight Kauffer 1890 -1954 Was An American Artist And Graphic Designer Who Lived For Much Of His Life In The United Kingdom. He Worked Mainly In Poster Art But Was Also Active As A Painter Book Illustrator And Theatre Designer. Edward Leland Kauffer Was Born On 14 December 1890 In Great Falls Montana. By 1910 He Had Moved To San Francisco Working As A Bookseller And Studying Art At The California School Of Design From 1910 To 1912. At Around This Time Professor Joseph Mcknight Of The University Of Utah Became Aware Of Kauffer's Work Sponsored Him And Paid To Send Him To Paris For Further Study. In Gratitude Kauffer Took His Sponsor's Name As A Middle Name. Kauffer Stopped In Chicago For Six Months In 1912/1913 And Studied At The Art Institute Of Chicago. While There He Witnessed The Armory Show One Of The First Major Exhibitions To Introduce The Styles Of Modernism To American Viewers. This Likely Had A Major Impact On Kauffer Who Would Work In Many Of The Same Styles Throughout His Career. He Arrived In Paris In 1913 And Studied At The Académie Moderne Until 1914. In Paris In 1923 He Met The Textile Designer Marion Dorn 1896-1964 And Subsequently Lived With Her In London From Late 1923 To July 1940. They Married In 1950 And Moved To New York Until His Death In 1954. Kauffer Moved To London Upon The Start Of The First World War And Remained There For Most Of His Career. He Was Briefly Associated With Robert Bevan's Cumberland Market Group And Had A One-Man Show At The Omega Workshops. In Brighton On The South Coast He Designed A "Novel" Mural For The Lobby Of Embassy Court A Modernist Block Of Flats Designed By Wells Coates In 1935. The Mural Consisted Of "Monochrome Photographs . Printed Directly On To A Light-Sensitive Cellulose Coating". Kauffer May Be Best Known For The 140 Posters That He Produced For London Underground And Later London Transport. The Posters Span Many Styles: Many Show Abstract Influences Including Futurism Cubism And Vorticism; Others Evoke Impressionist Influences Such As Japanese Woodcuts. He Created Posters For Shell Oil The Great Western Railway And Other Commercial Clients And Also Illustrated Books And Book Covers. Later He Also Became Interested In Textiles Interior Design And Theatrical Design. He Returned To New York City In 1940 At The Beginning Of The Second World War And Tried To Find Work In Advertising. He Struggled In The More Competitive Atmosphere Until He Was Approached To Do A Series Of Posters For American Airlines In 1947. American Airlines Remained His Primary Client Until His Death In 1954. Gollancz unknown
1967rif. 13060Ravensburg : O. Maier, 1967. 58 S. : Abb. mit Text 8°. Ill. OBroschur. (Ravensburger Hobbybücher)
