28.255 risultati
19878°, BROSSURA BIANCA CON ALI RECANTE COMPASSO CON MARGINI DORATI ALLA COP. ANT., PG. (8) 164, INTERAMENTE ILLUSTRATE CON FOTO B.N. DI "PRODUCT DESIGN", CATALOGO DELLA MOSTRA TENUTA NELLA SALA DELLE CARIATIDI DELL'EX PALAZZO REALE DI MILANO DAL 10 AL 26 APRILE 1987.
1981Catalogo della mostra a Palazzo della Triennale a Milano dal 18 Settembre al 31 Ottobre 1981. In quadrotto Pag. 118. Numerosissime foto b/n a p.p. dei prodotti esposti alla mostra. Ottimo stato.
1977In-8 gr. (mm. 250x190), brossura editoriale con copertina a colori di Munari, pp. 95, con ill. a colori e in bianco e nero nel testo. Volume n. 4 della collana diretta da Bruno Munari "Quaderni di design". Prima edizione. "Le Xerografie originali sono il prodotto di una sperimentazione sistematica, compiuta su di una copiatrice a riproduzione elettrostatica- (..) il nome Xerografia deriva dal nome della copiatrice presa come soggetto di sperimentazione. La definizione "Xerografie originali" sta a indicare che non sono delle comuni copie, bensì degli originali ottenuti con un procedimento che permette di usare tutte le possibilità della copiatrice intesa come strumento per produrre immagini oltre che per riprodurre..". (Cfr. Maffei, Munari i libri, p. 146). Ben conservato.
Hardcover, 192 pagina's, English, 320 x 240 mm, perfect copy, . ISBN 9789058565365. Xavier Lust is certainly one of the most relevant characters on the contemporary design scene. His distinct and essential approach to design, his ingenious and refined touch, and his ability to synthesise clearly imply a special talent. The great John Keats wrote: A thing of beauty is a joy forever; its loveliness increases; it will never pass into nothingness . For Xavier Lust, dedication to beauty is the answer to eternity and this forever is actually built everyday through constant work, research and curiosity. Always focused on innovation and research, specifically tension and induced motion, he likes to experiment, explore and discover the natural transformations of materials. On the strength of his experience with metal, he challenges all kind of materials, challenging himself too in the process. Xavier Lust pushes the boundaries of technical possibilities while making a statement with each of his pieces and overriding preconceived ideas. Design Stories aims to give a wide sense of Lust's work in the different fields of design from creation to production to final destination.
2007Bound, hardcover illustrated in colours, 260 x 210 x 20 mm., 160 pp., illustrations in b/w and in colours. ISBN 9789058562111. In Belgium, he has been known since the 1990s for his furniture designs in metal and the decoration of private and commercial spaces. Furthermore, Xavier Lust very quickly made his appearance in the private circles of the international edition. Since 'Le Banc', which was published by MDF Italia, he has been working with this publisher, but also with globally renowned brands such as De Padova, Driade, Moroso and Extremis. In 2003, Lust received the Henry van de Velde Prize for Young Talent from VIZO. His furniture is recognizable by its clean lines. He (re)forms metal surfaces, which opens up new perspectives for street furniture, table art, bathrooms, lighting, the covering of electrical products? His talent lies in the way of combining creativity on paper and simulation in 3D with a subtle approach in practice.
rif. 24365Oostkamp, Stichting Kunstboek, 2007 Bound, hardcover illustrated in colours, 260 x 210 x 20 mm., 160 pp., illustrations in b/w and in colours. ISBN 9789058562111.
2007Gebonden met omslagwikkel., 160pp.26 x 21 x 00 cm. In Belgie is hij al sinds de jaren 90 bekend om zijn meubelontwerpen in metaal en de inrichting van prive- en handelsruimten. Verder maakte Xavier Lust zeer snel zijn opwachting in de besloten kringen van de internationale editie. Sinds ???Le Banc??™ die werd uitgegeven door MDF Italia, werkt hij met deze uitgever samen, maar ok met wereldwijd gereputeerde merken als De Padova, Driade, Moroso en Extremis. Lust kreeg in 2003 de Henry van de Velde Prijs vor Jong Talent van VIZO. Zijn mebuels zijn herkenbaar aan hun strakke lijn. Hij (ver)vormt metalen oppervlakken wat nieuwe perspectieven opent voor stadsmeubilair, tafelkunst, badkamers, verlichting, de bekleding van elektrische producten Zijn talent zit in de manier om creativiteit op papier en simulatie in 3D te combineren met een subtiele aanpak in de praktijk.
rif. 17568, Kunstboek, 2007, Gebonden, 160pp.26 x 21.
2007Testo inglese / italiano, rilegato, cartonato, formato 21 x 26, pagine 159, illustrato a colori, nuovo celofanato - 45865
rif. 45564, Stichting Kunstboek, Softcover, 26 x 21 cm, 160 p., 250 illustraties, Engels, Fine copy. Including an index. ISBN 9789058562111.
1989In 8 (cm 29 x 24), pp. 120 con tavole con riproduzioni fotografiche a colori. Brossura editoriale con ali. Catalogo della mostra svoltasi ad Ascona, in Svizzera, dedicata alla sperimentazione in fotografia attuata da Xanti Schawinsky. Testi in tedesco, inglese e italiano. Saggi critici iniziali, segue apparato iconografico.
1986rif. 17297New York: Raw Books & Graphics 1986. Pictorial Boards. 36p. boards rubbed extremities quite worn else very good condition. Raw one-shot #6. Coe based her wild confident illustrations and outspoken poetry on Malcolm X's critique of American society creating a powerful indictment of American society in the Reagan years. Raw Books & Graphics unknown books
2009rif. 74808Schnell & Steiner, Regensburg., 2009. 144 S. Broschiert
19934°. 198 SS., 1 Bl. mit zahlr. farb. Abb. Farb. illustr. Orig.-Kart. Mit Beiträgen von Eugen Gomringer, Ruth Händler, Stephan Waetzoldt und C. Sylvia Weber. - Gutes Exemplar. Kunst 20. Jahrhundert, Sammlungskatalog, Baden-Württemberg Bücher
2020rif. x-1939561833JewishGen Inc. 2020. Hardcover. New. 784 pages. 11.42x8.90x1.85 inches. JewishGen, Inc. hardcover
Barcelona, Edit. G. Gili, 2000. 300 diseños tipográficos para sitios de web. 192 p. 8º mayor apaisado. Cartoné editorial con sobrecubierta ilustrada. Muy buen ejemplar.
In 4, br. ed. ill. col. pp. 395, ill. col. n.t., contiene CD all'interno del piatto ant.; ottimo, come nuovo.Editore Image BankAnno pubblicazione S.D.Materia/Argomento Fotografia, Design, Pubblicitbr>
2006STATO: NUOVO. TITOLO: WWW water wonderful world. Quaranta progetti foodesign Guzzini e Sanpellegrino. I nuovi valori dell'acqua. AUTORE: Catalogo della Mostra: CURATORE: Ediz. italiana e inglese. EDITORE: Editrice Compositori DATA ED.: 2006, EAN: 9788877945433
19744to., First Edition, with very numerous photographs in the text; original pictorial wrappers, fore-edges lightly spotted else a very good, bright clean copy. With the exception of some of the earlier sloops and ex-US patrol frigates, this work includes a complete listing of all the front-line escorts (frigates, corvettes and sloops) in service with the RN and RCN. Law, 0946
2000rif. 72753Wuppertal: Selbstverlag. 2000. 104 Seiten. 23,5x22,5cm. Zustand: Gut bis Sehr Gut; Einband Außen hat geringe Gebrauchsspuren; Ppbd.
1996rif. TECH1848Wien, Springer [1996]. Gr.-8°. 551 S. mit zahlreichen s/w. Abb., OKart., wie neu. Katalog zur Ausstellung in der Kunsthalle, Wien vom 5.06. - 04.08.1996
1974rif. 30709Firenze : Bonechi - Ed. "Il Turismo", c 1974. 89, [7] S. 4°. Ill. OBroschur. (Italia artistica)
2001rif. 6696DBHeidelberg., Edition Braus., 2001. 28 x 21 cm. 192 S. Illustrierter OPappband., 6696D Erste Auflage. Einbandkanten mit kleinen Bereibungen, private Widmung auf dem Vorsatzblatt. Sonst gutes Exemplar. Kataloge der Museumsstiftung Post und Telekommunikation Band 10.
1935rif. 55920Berlin: Gemeinnützige Berliner Ausstellungs- Messe- und Fremdenverkahrs-G.m.b.H. 1935. First edition. Softcover. vg. Protected by modern mylar. Being educated at the Bauhaus in Weimar from 1921-1925 among others by Johannes Itten Paul Klee and Wassily Kandinsky Herbert Bayer had been appointed the head of the Bauhaus workshop Print and Advertising in Dessau in 1925. After the takeover by the Nazis in 1933 Bayer and his staff dorland studio worked for the Nazis designing exhibition literature as well as propaganda material. His first design of an exhibition and its catalog was for the groundbreaking NS-Exhibition "Die Kamera - Ausstellung für Fotografie The Camera - Exhibition for Photography." The second major project was the 1934 exhibition "Deutsches Volk - Deutsche Arbeit German People - German Work." Again he and his "dorland studio" designed the exhibition catalog. And in 1935 the third exhibition "Das Wunder des Lebens" followed by the exhibition "Deutschland" on the occasion of the Summer Olympics in 1936. This collection of three items relate to the exhibition "Das Wunder des Lebens" propaganda for the racial ideology of the National socialists. It was shown in Berlin at the Kaiserdamm and the Deutsche Hygiene-Museum Dresden in 1935 and traveled to other locations e.g. Vienna and Krakow. The exhibition was another step into the direction taken with the exhibition "Deutsches Volk - Deutsche Arbeit" in Berlin 1934. The exhibition "Das Wunder des Lebens" introduced new exhibition techniques around the theme "Der Mensch The Human." The major themes of this extensive exhibition were "Die Lehre vom Leben The Teachings of Life" with its hightlight sculpture "The Vitreous Human" produced of "Cellon" a cellulose acetate "Träger des Lebens Bearer of Life" featuring the German family and finally the "Erhaltung des Lebens The Preservation of Life" exhibiting facts about the health system in Germany. One of the highlights of the exhibition was the so-called Mikrovivarium a collection of small life-forms visible only through a microscope. Next to the thematic description of the exhibition the leaflet contains general information about the exhibition and two maps with information on transportation to the location within and from outside Berlin. Extremely scarce leaflet for the exhibition in near fine condition. 1. Amtlicher Führer durch die Ausstellung Das Wunder des Lebens. Berlin 1935 Kaiserdamm. Octavo. 160 viii 32pp. Original wraps with photomontage cover by Herbert Bayer. Official guide for the exhibition "The Miracle of Life." An important work by Bayer who designed both the exhibition "The Miracle of Life" and the exhibition catalog. Illustrated throughout with photographs and diagrams. Laid in two b/w postcards of the exhibition one of the the "Honor Hall" at the exhibition. Light weaar along edges of wraps minor chips and creasing and 0.5" closed tear at tail of spine. Wraps in overall good interior in very good condition. 2. Octavo. 20pp. Original color-illustrated stapled booklet. Elaborate avant-garde design incorporating various styles e.g. photomontage surrealist and constructivist elements. Designed by Herbert Bayer. The booklet with its modern visual aesthetics propagates the Nazi utopia of an Aryan society. The text is a romanticized though detailed version of the exhibition themes "Die Lehre vom Leben The Teachings of Life Träger des Lebens Bearer of Life and Erhaltung des Lebens The Preservation of Life" with an extraordinay visual display reproduced in high-quality color offset. Missing the cover. Light wear along edges. Overall in very good condition. 3. Three photo-postcards announcing the 1935 exhibition "Wunder des Lebens" in Berlin one featuring a photograph of the sculpture "Der gläserne Mensch" another showing one of the galleries of the exhibition in Berlin both in b/w and printed by Industrie-Fotografen Klinke & Co. Berlin. The third b/w photo-postcard features the "Ehrenhalle Honor Hall" of the exhibiton "Das Wunder des Lebesn" without photo credit. Dr. Herbert Michel department supervisor at the museum emphasized health as the great treasure of the individual and therefore the people at large. He strikes the typically nationalistic cords in depicting "the human as the highest organism a living example of the leadership principle. as part of the people he is obligated to develop his body to its highest capacity to acquire all inherited assets. The purpose of this exhibition is to help understand this concept." The guide contains chapters elaborating on the various functions of the body supported by b/w reproductions of photographs from the exhibition including a photograph of the Museum. There are no references to originators of exhibited works. Front cover with minor creasing. Some age toning of block. Wraps and interior in overall very good condition. Gemeinnützige Berliner Ausstellungs-, Messe- und Fremdenverkahrs-G.m.b.H. unknown books
