M. L. GengaroMareMagnum
1940Opera incompleta composta da un tomo, il secondo. Copertina in carta spessa ingiallita dal tempo mostrante abrasioni e piccoli strappi ai bordi ed al dorso e leggere macchioline marroni ai piatti. Pagine con occasionali illustrazioni in bianco e nero su carta patinata leggermente ingiallite dal tempo in particolare ai tagli ed al concavo interno comunque piacevolmente leggibili. Numero pagine n.n.. USATO
1967rif. 45404Warsaw: Galeria Wspólczesna/ Biuro Wydawnicze "Ruch 1967. First edition. Softcover. vg- to near fine. Small quarto. Unpaginated. Illustrated red white and black wrappers with black lettering on the front cover. This publication is a catalog for the exhibition of the same name held at the Galeria Wspólczesna in Warsaw November- December 1967. The head of the gallery Janusz Bogucki conceived the exhibition to introduce or reintroduce the current generation of Poles to the avant-garde and political art graphic design photography and propaganda work of many of the leading modern artists of the of the early Soviet era. The show opening coincided with the fiftieth anniversary of the October Revolution and displayed numerous works from Alexander Rodchenko David Buliuk El Lizztsky and Kazimir Malevich among many others. Includes 23 pages of captioned b/w photographic reproductions of works shown at the exhibition. Text in Polish. Wrappers with some light rubbing to extremities and some creasing along the edge of the front cover near the spine. Minor smudges on the back cover. Wrappers in very good- interior in near fine condition overall. Protected by modern mylar. Quite scarce. Galeria Wspólczesna/ Biuro Wydawnicze "Ruch unknown books
1967rif. 45404Warsaw: Galeria Wspólczesna/ Biuro Wydawnicze "Ruch 1967. First edition. Softcover. vg- to near fine. Small quarto. Unpaginated. Illustrated red white and black wrappers with black lettering on the front cover. This publication is a catalog for the exhibition of the same name held at the Galeria Wspólczesna in Warsaw November- December 1967. The head of the gallery Janusz Bogucki conceived the exhibition to introduce or reintroduce the current generation of Poles to the avant-garde and political art graphic design photography and propaganda work of many of the leading modern artists of the of the early Soviet era. The show opening coincided with the fiftieth anniversary of the October Revolution and displayed numerous works from Alexander Rodchenko David Buliuk El Lizztsky and Kazimir Malevich among many others. Includes 23 pages of captioned b/w photographic reproductions of works shown at the exhibition. Text in Polish. Wrappers with some light rubbing to extremities and some creasing along the edge of the front cover near the spine. Minor smudges on the back cover. Wrappers in very good- interior in near fine condition overall. Protected by modern mylar. Quite scarce. Galeria Wspólczesna/ Biuro Wydawnicze "Ruch unknown
1980rif. ARTE1716LNew York, Anchor Books 1980. Gr.-8°. 191 S. m. zahlreichen s/w Abb., OKart., leichte Lagerspuren.
rif. 51847Moscow: Gosizdat 1928. Octavo 22.3 × 15.2 cm. Original photo-illustrated wrappers by Aleksandr Rodchenko; 47 1 pp. With two leaves of plates each featuring photographs by Rodchenko to verso and recto on somewhat thicker paper stock. Additional illustrations throughout. Light overall wear; upper right corner slightly bent; spine extremities rubbed; still about very good. A single issue of this leading avant-garde journal of the eponymous artistic group Levyi front iskusstva Left front of the arts: LEF edited by the futurist poet and artist Vladimir Mayakovsky. Contributors to this issue include members of the journal's editorial board Osip Brik Nikolai Aseev Sergei Tretiakov Viktor Shklovsky with a photograph and a closing letter on photography by Aleksandr Rodchenko. The original LEF published 1923-1925 introduced Constructivist design and formulated "productivism" as a movement in the arts. The editorial team also understood art as playing a central role in the class struggle. The 1927-1928 issues focused on Factography or "photography of fact" with a special interest in left-leaning cinema. The new publication positioned itself against the "poor taste" and "lack of class-consciousness" of art of the NEP period. Aware of the upcoming drives toward industrialization the editorial team understood "twinning of art with production a necessary factor in the industrialization of the country." This issue includes first publications of Viktor Shklovsky's famous analysis of War and Peace as well as Tretiakov's "Chem zhivo kino" What makes cinema live a talk he delivered in The Hague about the left wing of Soviet cinema. Published monthly 1927-1928 twenty-four issues of the journal appeared in total. Scarce in the trade. One of 2400 copies printed. Getty 593. unknown
rif. 52314Moscow: Gosizdat 1928. Octavo 22.3 × 15.2 cm. Original staple-stitched photo-illustrated wrappers by Aleksandr Rodchenko; 47 1 pp. With two leaves of plates featuring for example photographs and pictures of stage designs by A. Rodchenko to recto and verso on somewhat thicker paper stock. Wrappers somewhat dust-soiled and with traces of use; front cover nearly loosened; few leaves with small annotations; back cover with contemporary Soviet bookstore stamp; else very good. A single issue of this leading avant-garde journal of the eponymous artistic group Levyi front iskusstva Left front of the arts: LEF edited by the futurist poet and artist Vladimir Mayakovsky. Published monthly 1927-1928 twenty-four issues of the journal appeared in total. The original LEF published 1923-1925 introduced Constructivist design and formulated "productivism" as a movement in the arts. The editorial team also understood art as playing a central role in the class struggle. By 1925 just seven issues of the central organ of the Russian avant-garde had appeared. Due to massive criticism of its apparent incomprehensibility to the masses the journal was discontinued. Two years later the series continued under the name Novyi LEF New LEF for two more years with the final year appearing under the direction of Sergei Tretiakov. From the beginning Aleksandr Rodchenko was responsible for the cover design having won a cover design contest in 1923. See John Bowlt and Béatrice Hernad Aus vollem Halse Munich 1993 p. 135f. The 1927-1928 issues focused on Factography or "photography of fact" with a special interest in left-leaning cinema. The new publication positioned itself against the "poor taste" and "lack of class-consciousness" of art of the NEP period. Aware of the upcoming drive toward industrialization the editorial team understood the "twinning of art with production a necessary factor in the industrialization of the country." Novyi LEF featured Rodchenko's photographic experiments which were highly controversial at the time characterized by extreme perspectives dynamic oblique views and spatial superimpositions that significantly influenced the photography of the New Vision see Claudia Gabrielle Philipp in: Kat. MKG Hamburg 2001 p. 205ff. Scarce in the trade. One of 3.000 copies printed. Cat. MoMa Rowell/Wye 715; Cat. MoMA Rodchenko 210. unknown
1962rif. 59279(Darmstadt), Selbstverlag, 1962. Mit zahlreichen Abbildungen, ca. 35 Seiten, 8°, weiße OBrosch
1960rif. 59278(Darmstadt), Selbstverlag, 1960. Mit zahlreichen Abbildungen, 56 Seiten, 14 Seiten Anzeigen, 8°, blau-schwarze OBrosch
1960Volume tirato in 1000 esemplari fuori e commercio e numerati a mano da 1 a 1000, la ns copia è la n.461, stampa ed incisioni sono su carta conforme all'antica, l'esecuzione completamente in fac-simile è avvenuta sulla edizione originale di Pietro Bertelli stampata in Padova nel 1607, pagine con qualche sporadica fioritura, fioritura e polvere ai tagli, rilegatura rigida, in piena pelle, sbiadita al dorso e lungo i margini, con sottile fioritura, usura alle punte, qualche spellatura al dorso, lacerazioni e tracce di colla lungo le cerniere. Numero pagine 115 USATO
1972Volume in 4° in ottime condizioni. Rilegato in tela con sovraccoperta editoriale con alette (piccola mancanza sul fronte superiore a sx). Numerose illustrazioni a colori e in b/n. Pagg. 148
1957rif. 27641Milano, editrice Novitá, 1957. With many pictures. ca. 120 S. 30 x 21 cm, Ln., OU. Schutzumschlag leicht beschädigt, Buchblock am Vorsatz gelockert, leichte Gebrauchsspuren, sonst gut erhalten.
1928rif. 24399Wirz Tapeten, (heute Aarau), 1928. Musterbuch mit 85 ganzseitigen Tapetenmustern mit jeweils einem kleinen ergänztem Papiermusterstreifen für Borden sowie 10 Tafeln mit einer Fotoabbildung einer Tapete. 86 + 10 Tafeln. Quer-Fol. (ca. 47 x 33 cm), illustr. original Halbleinen mit Nietenbindung. Firmenwappen mit Monogramm auf dem Vorderdeckel. Ecken etwas bestoßen, etwas gebrauchsspurig.
Editore: De Fonseca Anno: 1906 Formato: 28x23 cm - Copertina Rigida Pagine: nn con illustrazioni Lingua: Italiano Condizioni: Buone, come da foto, con segni del tempo e di utilizzo. Ossidazioni sparse. Abrasioni alla copertina. Pieghe e strappetti alle veline protettive.
Hardcover, 136pp., 28.5x24cm., 115 color ills., new. ISBN 9788861161337. Fabio Novembre is a renowned architect and designer with a unique design flair. Novembre's notoriously eccentric personality is reflected in his works, which are inspired by baroque and are designed 'for pleasure and beauty.' Novembre's architectural career first took off whilst reading Film Studies in New York, a qualification he had to abandon in favour of his new vocation. The idea that he could turn his forsaken cinematic ideas into architectural concepts has influenced his vision ever since, resulting in a rejection of traditionally accepted styles and an effort to further develop his unique aesthetic with each assignment. This title showcases Novembre's oeuvre within a beautiful Italian-made book that is an object of design in itself. Fabio Novembre is an incredibly successful architect and designer, featured on a regular basis in many architecture and design magazines. He worked as Creative Director of successful mosaic tile manufacturer Bisazza, making it a world leader during his time there.
1926rif. 28854ABParis, Lévy, 1926. 4to. S. 129-160, 4 S. Mit zahlreichen Abbildungen (1 farbige von S. Delaunay). Orig.-Kartoniert.
1976rif. 2090202118103341F-Pro Publishing F-Pro Publishing F-Production 1976. Soft Cover. Fine. The book is in fine condition. F-Pro Publishing (F-Pro Publishing) F-Production paperback
1943rif. 2110502150411686Hakkosha Sugiyama Bookstore 1943. Soft Cover. Fine. Volume: 1 Hakkosha Sugiyama Bookstore paperback
1932rif. 63000Bologna: Laboratorio-Scuola Del Commune di Bologna 1932. First Limited Edition. No. 40 of 150 numbered copies. Octavo 20cm. Original pictorial parchment-covered boards; 254 unnumbered leaves; designs printed in colors recto-only. Exterior staining and wear to binding with darkening to spine; internally quite fresh free of markings and solidly bound; Very Good overall. A finely-printed compendium of designed ex-libris by Fascist-era Italian artists; contributors include Giovanni Marchetti Adolfo Magrini Carlo Canavari Vittorio Grassi many others. Uncommon. Laboratorio-Scuola Del Commune di Bologna unknown books
1932rif. 63000Bologna: Laboratorio-Scuola Del Commune di Bologna 1932. First Limited Edition. No. 40 of 150 numbered copies. Octavo 20cm. Original pictorial parchment-covered boards; 254 unnumbered leaves; designs printed in colors recto-only. Exterior staining and wear to binding with darkening to spine; internally quite fresh free of markings and solidly bound; Very Good overall. A finely-printed compendium of designed ex-libris by Fascist-era Italian artists; contributors include Giovanni Marchetti Adolfo Magrini Carlo Canavari Vittorio Grassi many others. Uncommon. Laboratorio-Scuola Del Commune di Bologna unknown
2012ill. Con oltre duemila edifici censiti e presentati in queste pagine, con schede, illustrazioni e dettagli tecnici che evidenziano la particolarità di ogni singolo manufatto, il volume rappresenta il primo repertorio coerente e articolato dell'architettura del Novecento in Veneto. Questo atlante, esito del progetto "Architettura delle città venete del Novecento" promosso dalla Regione del Veneto, compie così una vasta ricognizione delle architetture del XX secolo: dalle Dolomiti al Polesine, dal Garda alla laguna di Venezia, città e campagna, capoluoghi e province, attraverso una minuziosa schedatura di edifici e manufatti che appartengono a diverse epoche e tipologie di costruzione, case, ville, scuole, palazzi residenziali, edifici pubblici, quartieri, infrastrutture. Una iniziativa che promuove il recupero e la valorizzazione del patrimonio novecentesco, ma rende nel contempo accessibile ad un largo pubblico lo scenario regionale, nel dialogo con il contesto italiano ed europeo, ma anche nella vicinanza al dibattito sviluppato all'interno della Scuola di Architettura di Venezia (il futuro Iuav, che nasce nel 1926) e seguendo le tracce di nomi come quelli di Gio Ponti, Carlo Scarpa, Daniele Calabi, Giuseppe Samonà, Giuseppe Davanzo, Egle Trincanato, Franco Albini, Aldo Rossi, Giancarlo De Carlo, Edoardo Gellner, Gino Valle.
Autore/Curatore: Maurizio Agnellini Editore: De Agostini Anno: 1996 Formato: 23x30 cm - Copertina Rigida con sovraccoperta Pagine: 312 con illustrazioni Lingua: Italiano Condizioni: Buone, come da foto, con segni del tempo e di utilizzo. Piccole imperfezioni alla sovraccoperta.
Autore/Curatore: Maurizio Agnellini Editore: De Agostini Anno: 1997 Formato: 23x30 cm - Copertina Rigida con sovraccoperta Pagine: 317 con illustrazioni Lingua: Italiano Condizioni: Buone, come da foto, con segni del tempo e di utilizzo.
1930rif. 25970Graficke Zavody B. Brix Pardubice, o.J. (ca. 1930). Quer Gr. 4° (32,5x24,7cm). Mit 15 farbigen Küchenmodellen im Maßstab 1:40 (es fehlt Taf. 13). Orig.-Flügelmappe, beidseitig bedruckt. Die Innenseite mit kleinformatigen Abbildungen und Erläuterungen zu den einzelnen Entwürfen in teschechischer Sprache. 1 Tafel fehlt. Mappe schwach angeschmutzt. Einige Tafeln etwas stockfleckig.
1938Pieghevole pubblicitario a 4 falde, cm 48,5 x 19, a colori che presenta la produzione di questa ditta nell'ambito degli arredi, in particolare imbottiti tutti denominati con nomi evocanti luoghi del nuovo impero (Adua, Axum, Asmara, Harar ecc.). Bella immagine al frontespizio che raffigura l'esterno di un edificio dichiaratamente razionalista.
rif. 41899USA and Canada, 24 ORE Cultura, Hardcover, 136pp., 28.5x24cm., 115 color ills., new. ISBN 9788861161337.
