10,173 results
1980ref. 20836Newcastle: David Esslemont 1980; 1981; 1997. Limited editions. Paperback. Fine. 3 volumes. First vol.: xiv 1 24 pp. includes 22 numbered sheets with engravings printed on rectos only; second vol: xiv 1 32 pp. includes 28 numbered sheets with engravings printed on rectos only; third volume: 8 pp. pamphlet in blue printed wrappers accompanying 17 numbered loose sheets with engravings printed on rectos. All volumes unbound each in separate folder of natural linen and marbled boards housed together in matching slipcase with letterpress label. Impressions from the original blocks of Thomas and John Bewick and Bewick apprentice Luke Clennell. Printed by hand on a Columbian press on BFK Rives Velin Cuve paper by David Esslemont. Limited editions: "John Bewick" No. 104/140; "Luke Clennell" No. 99/100; "Thomas Bewick Birds" one of 100 unnumbered copies. David Esslemont paperback
1867ref. 27482Melbourne: Hamel & Ferguson 1867. Print. Plate VII from Eugene von Guérard's Australian Landscapes 1866-68. A stunning view oin the Blue Mountains N.S.W. Originally named The Weatherboard the town was Jamisons Valley in 1815. In July 1867 the first railway journey to the Blue Mountains traveled through to Weatherboard Station where the train terminated. In 1879 the village took its name from the nearby waterfalls which had been named for William Charles Wentworth one of the men that headed the exploration to cross the mountains in 1813 and a friend of John Jamison. Two men with a rifle are overlooking the falls. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 13 x 19 1/2" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Libraries Australia ID 7744602. Hamel & Ferguson unknown
1807ref. Flo543Very good copy of two scarce Thomas Rowlandson titles bound together With 14 of 16 copperplate engravings by Thomas Rowlandson in the first book and seven handcoloured copperplate engravings by Thomas Rowlandson in the second book Advice to Sportsmen Rural or Metropolitan Noviciates or Grown Persons with Anecdotes of the Most Renowned Shorts of the Day bound with The Pleasures of Human Life Investigated Cheerfully Elucidated Satirically Promulgated Explicity and Discussed Philosophically in a Dozen Dissertations on Male Female and Neuter Pleasures Advice to Sportsmen Thomas Tegg London 1809 by Marmaduke Markwell pseudonym b/w copperplate engravings drawn and engraved by Thomas Rowlandson The Pleasures of Human Life Longman Hurst Rees and Orme London 1807 by Hilaris Benevolus pseudonym of John Britton English antiquary topographer author and editor 1771-1857 two handcoloured engraved title-page vignettes by W. Bond after illustrations by William Satchwell and Sir Charles Bell and five handcoloured copperplates drawn and etched by Thomas Rowlandson Thomas Rowlandson 1757-1827 was an English artist and caricaturist of the Georgian and Regency eras noted for his ribald satire and social observation. A prolific artist and printmaker his most famous works include The Miseries of Human Life 1808 The Tours of Dr. Syntax 1812-21 Microcosm of London 1810 The English Dance of Death 1815 Military Adventures of Johnny Newcome 1815 History of Johnny Quae Genus 1822 The English Spy 1826 etc. Both books scarce: Advice to Sportsmen held by the British Library and London University Pleasures of Human Life held held by the British Library King's College Cambridge Universities of London Manchester Nottingham Durham Southampton etc. Bound in quarter green leather spine with raised bands gilt title on red leather label green marble boards rubbed book block solid. First book Advice with slight spotting and toning throughout 14 engraved plates with good dark impressions. Second book Pleasures in very good condition all text and seven handcoloured copperplates clean and bright with delicate and vivid colour. Thomas Tegg; Longman, Hurst, Rees and Orme hardcover
ref. 110152o.J. Kupferstich. Mit dem gestochenen Titel. Auf breitrandigem Bütten. 43,5 x 28,8 cm. Papier: 52,5 x 37,8 cm.
1766ref. 26519Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a confrontation between two men one brandishing a sword with cloak draped over his left arm the other attempting to ward him off a stylized tree flanks the illustration. The background is black the image coloured with shades of tan terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 13" the image approximately 11.5" X 9.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
1638ref. 193614to. Cont. marbled boards somewhat worn. Engraved title with text on verso. 2 engraved allegorical titles with portrait of Drexel with the years 1638 and 1645. Having 50 of 54 allegorical and symbolical engravings numbered 1-54 nos. 172932 a. 41 lacks. Interfoliert. Some traces of use. A few tears repaired. At the title: FL = Johan F. Lindencrone. hardcover
1638ref. 193614to. Cont. marbled boards, somewhat worn. Engraved title with text on verso. 2 engraved allegorical titles with portrait of Drexel with the years 1638 and 1645. Having 50 (of 54) allegorical and symbolical engravings, numbered 1-54 (nos. 17,29,32 a. 41 lacks). Interfoliert. Some traces of use. A few tears repaired. At the title: FL = Johan F. Lindencrone.
1823ref. 31215AB1823?1835. Div. Formate. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
1900ref. 15849ABca. 1900. 24 : 18 cm. 8 double-page hand-coloured paltes, partly in aquatinta. Japanese boards with tile-label on front cover.
1808ref. 426584Dessau u. Leipzig, Voß, 1808-09. 4to u. 8vo. S. III-VIII, 1 Bl. "Nachricht", S. III-XX (recte XVIII), 624 S., 1 Bl. u. 1 Bl. Anzeigen; 1 Bl., XXIV, 382, 106 S., 1 Bl., 156 S. Halbleder (beschabt u. bestoßen) u. Pappband d. Zeit (berieben u. bestoßen). [3 Warenabbildungen]
1900ref. 141111900 P., Imprimerie Eugène Verneau, s.d. (ca 1900), frise montée dans un rouleau en zinc, environ 3700mm x 235mm.Dernière scène froissée avec petites restaurations anciennes à ladhésif au verso, bel ensemble.
Kupferstich, ca. 210 x 308 mm. Alt auf Trägerpapier aufgezogen. Seltener Stich mit Szenen aus dem Leben des Hl. Hyacinth (Jacek Odrowaz), Begründer des Dominikanerordens in Polen und Patron Litauens. Seine Missionsreise führte Hyazinth auch nach Friesach (Kärnten), wo er 1221 das erste Dominikanerkloster im deutschen Sprachraum gründete. - Der polnische Maler Martin Baron aus dem galizischen Jaroslaw war wahrscheinlich in Deutschland tätig. "Er malte Heiligenbilder, nach welchen Peter Overadt in Köln zwei 1605 und 1606 gestochen hat, den hl. Stanislaus Kostka und den hl. Hyacinth darstellend. Weitere Nachrichten über ihn fehlen gänzlich" (Thieme/B.). - Gleichmäßig stärker gebräunt; Spuren alter Faltung; einige Wurmspuren, teils auch das Bild betreffend. Residuum der Sammlung Sir Thomas Phillipps (1792-1872). Thieme/Becker II, 516.
182616 (statt 55) Lithographien (Blattmaße ca. 600:485 mm bis 470:350 mm). Lose. "Privatdruck auf Befehl Kaiser Franz I., in sehr kleiner, nicht für den Handel bestimmter Auflage erschienen [...] Außer Ansichten zeigen die Darstellungen auch Interieurs, Dekorationen etc. [...] Die Tafeln sind nicht beschriftet und nicht numeriert" (Nebehay/W.). Gezeichnet von Jakob Alt, Johann Rupp, Carl Bschor und Albert von Radmannsdorf. Die vorliegende Reihe umfaßt die Blätter 2, 9, 10, 19, 21, 23, 36, 39-41, 44, 46, 48, 53-55 (Zählung nach Nebehay/W.). - Teils leicht finger- bzw. stockfleckig (zumeist nur den Rand betreffend) und mit kl. Randeinrissen. Das Blatt 19 ("Innere Hofraum-Ostseite") in beidseitig bedrucktem Probeabzug, aus der Sammlung des großen österreichischen Otologen Adam Politzer (1835-1920), dessen graphische Sammlung 1922 bei Schwarz in Wien versteigert wurde (vgl. Lugt 2037 und 2741; die vorliegende Stempelvariante nicht bei Lugt). "Il collectionnait depuis 1870 environ, sans système bien défini, mais seulement d'après son goût artistique [...] L' amateur a consacré une attention spéciale à la lithographie, de ses debuts à l'année 1880" (Lugt, S. 513). Das Blatt 40 ("Plafond im Prunksaale") ebenfalls im Probeabzug, hier auf rückseitig bedrucktem Makulaturpapier. Nebehay/Wagner 359. H. Schwarz (Anfänge der Lithographie in Ö) 76.
1787ref. 2227London, J. Walter, 1787-89. 4to. Mit allegorischem Frontispiz, 2 gefalteten Weltkarten u. 1 gefalteten Tabelle. Neue Halbleder mit je 2 Rückenschildern u. etwas Rückenvergoldung. [2 Warenabbildungen]
Profusely-illustrated monograph which provides the only catalogue raisonne of the work of Lunois, an important late-19th-century French artist fascinated by Spain, the Maghreb, and Scandinavia. ONE OF ONLY 50 NUMBERED COPIES PRINTED ON FINE OLD JAPAN PAPER. Illustrated with about 100 text illustrations and 26 full-page plates, each in two states. Most of the full-page plates are original etchings or lithographs by Lunois (some printed in color). Also includes the etching "Dame turque", which appears ONLY in this deluxe edition. 4to, original illustrated wraps. Uncut and unopened. With the prospectus. A bright, excellent copy of a rare book.
1949ref. 001610Angoulême Jean Emery, Editions d'art, Collection "L'Heptameron" 1949
ref. HD-160o.J. Die Stute des Prinzen und der Hund der Prinzessin. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Au bureau ,chez Aubert, pass. Véro-Dodat., sowie: Lith. Delaunois,r. du Bouloy,19. Darstellungsgröße 18,3:32,5 cm, Blattgröße 26,35:34,3 cm. Literatur: Daumier-Register 88 II, (vonII); Delteil 88 II (vonII); Blatt 424, erschienen am 25.09.1834 in ?LA CARICATURE?, Nr. 205. ? Sur blanc.
1797Nine volumes bound as five, complete. One of the great early attempts at a universal catalogue raisonnÈ of prints. Includes an important introduction and extensive bibliographical notes on hundreds of artists. Volumes 1-2, German school; volumes 3-4, Italian school; volumes 5-6, Dutch and Flemish school; volumes 7-8, French school; volume 9, English school. Complete with the rare 38-page index to the first six volumes, published later and often missing (indexes to volumes 7 to 9 are included in the regular pagination of those volumes, and are of course present). Additional manuscript index to volumes 1-2, surely done years before printed index was published. The first 40 pages of volume I supply the earliest critical bibliography of general works on prints, with many works described in exhaustive detail. The ninth volume, present here, is very rare: even Cicognara didn't have it, and apparently didn't know about it. 8vo. Bound in contemporary tree calf (first volume bound in matching, but slightly darker, calf). Light wear to bindings, but very attractive. Various indexes added in manuscript on flyleaves and inserted leaves in a contemporary hand. Internally clean. A very good set. Published over the course of eleven years by three publishers in three countries, complete sets are very rare. Brunet III, 357; Bourcard 81: "Nous estimons trËs particuliËrement cet ouvrage.... Il y a beaucoup de renseignements et une longue introduction de 80 pages qu'on ne saurait lire sans en tirer profit. Il est assez difficile de trouver l'ouvrage complet. L'Ecole Anglaise, tome IX, paru beaucoup plus tard manque souvent." Cicognara 262, citing only the first 8 volumes. Bigmore & Wyman I, 347: "...a very useful work, but seldom met with in a complete form...."
ref. ERJ-340Superbe ouvrage en accordéon complet de ses 12 estampes japonaises érotiques (Shunga). Estampes en très bon état de format Oban (37 x 26 cm), orientation Yoko-e (paysage).
1910ref. 5503Belle épreuve d’un tirage à 25 exemplaires, signée, dédicacée, avec le tampon de l’atelier. Cadre en bois naturel. IFF 49 Encadré Très bon 1910 395 x 290 ( marges 560 x 380 )
ref. 800Très bon état. Recueil de 148 et 120 planches gravées par Jollain et Campion f. Sans page de titre. La première planche a été malheureusement coloriée anciennement. Semble ne pas se trouver à la B.N. Bien complet en 2 volumes. 1/2 parchemin XIXè. bon 2 vol. in-4°
1985Una conversazione peripatetica con Ernesto Caballo nell'orto di Mino Maccari. Con 5 acqueforti originali, numerate e firmate, di Mino Maccari (cm10,5x11; cm12,5x14,5) Esemplare VIII/X. Folio. pp. 20. . Ottimo (Fine). . Edizione originale di X es. numerati. .
ref. 55162è état avant le chiffre 5 dans la marge en bas à droite ( Monod). 400 x 590 -1640
1767ref. 9225Amsterdam et Leipzig, Arkstrée et Merkus, 1767 ; huit tomes, grand in-12 ; plein veau havane à grandes marbrures, dos à nerfs décorés et dorés, pièces de titre grenat et de tomaison vert-sapin, triple filet doré d'encadrement des plats, filet doré sur les coupes, tranches marbrées (reliure de l'époque) ; (4) à chaque volume, LX, 343 ; IV, 358 ; II, 352 ; II, 418 ; IV, 396 ; XII, 392 ; XII, 351 (mal chiffrée 451) ; XV, (1), 364 pp et un portrait de Pope gravé par Kornlein, 1 frontispice par Delanonce, gravé par Kornlein, 23 figures hors-texte dont 7 signées de N.V. Frankendaal, même fleuron de titre aux six premiers tomes et second fleuron de titre aux deux derniers.
Ca. 237:160 mm. Radierung mit gest. Nummer "3". Montiert auf Trägerpapier (480:320 mm). Ein altes Pferd und ein totes Pferd, im Hintergrund nähert sich eine Hyäne, signiert "Paulus Potter f". - Mit Stempel der "Graphischen Sammlung" von Georg Denzel (1873-1959), unter Sammlungsnr. "3078 Nr. G" aufgenommen. Zudem verso mit Sammlungsstempel "G + W D" des Prof. Wilhelm Denzel. - Leicht braunfleckig.