10,192 results
Litografia originale a colori Esemplare IX/L. Firma e numerazione a matita. Cm 47x67. pp.. . Ottimo (Fine). . Edizione originale di L es. numerati. .
1744ref. PHO-2162Trévoux, par la Compagnie, 1744, 3 (4) volumes in-12 (17x10,5cm), (6) ff., 394 pp. ; (1) f., 428 pp. ; 346 pp., illustré de 7 cartes et plans, manque le frontispice au tome 1, veau marbré époque, dos à nerfs ornés avec pièces de titre et de tomaison grenat, tranches rouges, 4 planches détachées, frottements, épidermures plus marquées au tome 2, coiffes arasées au tome 2, petit manque au tome 1, coins usés, coupes usées au tome 2, manque de papier en marge p. 11, sans atteinte au texte.
ref. 1359Paris : Plon, 1861-1865. ENSEMBLE DE 8 COUVERTURES TYPOCHROMIQUES POUR LA « BIBLIOTHÈQUE DES LÉGENDES »
1510ref. 10154Coupé à la marque du cuivre . La marque Ant. Sal. Exc. a été effacée. Réparations anciennes visibles au verso. Bartsch XIV, 245. Une des plus belles et célèbres estampes du Maître. Beau papier vergé ancien moyen 1510-1520 29,5 x 43,5 cm
1744ref. 30071ABZürich, Übers, 1744. 8°. (6) Bl., 645 S., (1) Bl. Mit 6 (von 7) gef. Kupferstichen von Johann Heinrich Freytag. Pappband aus der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C [3 Warenabbildungen]
1690ref. 124877Frankfurt u. Jena, G. H. Oehrling, 1690. 4to. 15 Bl., 696 S., 35 Bl. Index. Mit gestochenem Porträt u. gestochener Titelvignette. Pergament d. Zeit (etwas fleckig). [3 Warenabbildungen]
Litografia originale da ''A Bestiary and some correspondences'', serie di 25 litografie alle quali l'Artista lavorò dal 1965 al 1968 Stampa eseguita da Mourlot, Parigi su carta Arches fatta a mano. Firma e numerazione a matita, data incisa su lastra (7-II-1968). Esemplare 20/70. cm 66x51. pp.. . Molto buono (Very Good). . Tiratura 70 + alcune p.d.a.. .
Litografia originale dalla cartella ''El circulo de piedra'' Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. cm 55x45. . . . . Tiratura 125 + XXV. .
1799ref. 42843(Paris), [Janet et Croulebois], 1799. Eau-forte et burin (15,7 x 09,7 cm) encadrée.
ref. 18952CBLeipzig, Eigendruck, 2021. 80 x 60 cm. Ohne Passepartout. Exemplar II/V Die Versandkosten für Kunstwerke und mehrbändige Werke können von den Standard-Versandkosten abweichen. Sehr guter Zustand. In Bleistift signiert und nummeriert.
1809ref. Flo541Very good copy of the first edition of this classic of equestrian humour With 26 of 29 handcoloured copperplate engravings by Thomas Rowlandson after illustrations by George Moutard Woodward and Henry Bunbury unsigned The illustrations show Regency gents falling off horses ladies falling off horses gamblers pursued by officers of the debtors' prisons raggedy dogs yokel fashions and furniture famous beauties etc. The 26 plates include: portrait of Caleb Quizem Esq. title page vignette with courtier falling from Pegasus The Maid of Mim; Costume of Hogs Norton: Morning dress; Game Wigs 2 plates; Hounds 2 plates; Mathematical Horsemanship 6 plates; The True Method of Sitting on a Horse Mathematically Delineated; How to Vault from the Saddle; Fashionable Furniture at Hogs Norton 2 plates; and The Bailiffs Hunt 8 plates. Lacks the folding plate The Bucephalus Riding Academy for Grown Gentlemen and two other plates Costume of Hogs Norton: A Back Front View of Miss Dickinson's new Dress and How a Man may Shoot his own Wig. George Murgatroyd Woodward 1765–1809 more commonly known as George "Moutard" or "Mustard" Woodward was an English caricaturist and humourist. He was a friend collaborator and drinking companion of Thomas Rowlandson who engraved many of his prints. Thomas Rowlandson 1757-1827 was an English artist and caricaturist of the Georgian and Regency eras noted for his ribald satire and social observation. A prolific artist and printmaker his most famous works include The Miseries of Human Life 1808 The Tours of Dr. Syntax 1812-21 Microcosm of London 1810 The English Dance of Death 1815 Military Adventures of Johnny Newcome 1815 History of Johnny Quae Genus 1822 The English Spy 1826 etc. The pseudonym Caleb Quizem is often attributed to the artist George Moutard Woodward. The portrait however links the author to Geoffrey Gambado i.e. Francis Grose. In the picture a corpulent man sits in an armchair looking at the viewer through a monocle. Two books Gambado's Annals of Horsemanship a popular book attributed to Grose reissued with Rowlandson's engravings in 1809 and Laurence Sterne's Tristam Shandy are on the table next to him and a portrait of Gambado with gouty foot and crutch hangs on the wall. Quite scarce copies held by the British Library and Oxford University. Bound in full red morocco leather spine with five raised bands gilt title and decoration to compartments front board with 2cm scratch to leather TEG marbled endpapers book block solid. Interior clean and bright all copperplates under tissue guards with vivid handcolour. Engraved armorial bookplate of Herman Le Roy Edgar a New York real-estate broker amateur photographer and book collector 1865-1938. Very good copy of this rare classic of horsey fun. Thomas Tegg hardcover
1961- Louis Broder, Paris s.d. (ca 1961), 20x24,1cm, une feuille. - Estampe originale de Jean Arp imprimée sur japon et réalisée pour l'ouvrage Feuilles éparses en hommage à René Crevel. Très bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
1965- Louis Broder, Paris s.d. (1965), 20x24,1cm, une feuille. - Eau-forte originale de Camille Bryen imprimée sur japon et réalisée pour l'ouvrage Feuilles éparses en hommage à René Crevel. Envoi autographe signé de l'artiste en marge basse de la planche : "à Louis Broder avec l'amitié. Bryen" Très bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
1840ref. 598DG(um 1840). Kol. Lithographie. Bildgrösse: 20,2 x 30,7 cm. Blattgrösse: 28,5 x 38 cm.
ref. 121751Paris, Editions Emile-Paul Frères 1926, 280x210mm, 190pages, broché. Couverture rempliée, sous étui rigides. Papier cristal d’origine conservé. Edition sur papier Japon impérial, numéroté n° 7 / 7. Très bel exemplaire.
1826ref. 8219CB80 Hefte in 6 Bänden Zürich, J. Esslinger, 1826–1834. Kl.-8°. (2 Bl.), pro Band je 1 Titelblatt und pro Tafel 1 Textblatt. Mit 479 (von 480) kolorierten, lithografierten Tafeln. Halbledebände der Zeit mit reicher Rückenvergoldung.
1754ref. 29710AB1 Band. Zürich, Joh. Kasp. Ziegler, 1754- Kl.-4°. Titel in rot/schwarz, 134 S., 17 gefalteten, 67 ganzseitigen Tafeln, 1 Textillustration. Verziierter Pergamentband.
ref. 121004Paris, Les Frères Gonin 1937, 235x150mm, 217pages, broché. En feuilles. Sous couveture. Chemise en demi-parchemin et emboitage plein parchemin. Quelques rares rousseurs seulement sur le revers de la chemise et les 3 premières feuilles, tout le reste de l’ouvrage très propre. Edition réalisée avec la collaboration amicale de M. Gustave Edouard Gentil, sur papier Maillol, numéroté n° 104 / 500, signé par l’artiste en bas du colophon. Carteret IV-243. Monod 7261. Bel exemplaire.
1980ref. 20162AB3 Bände Luzern, Faksimile Verlag, 1980-1983. Folio. 200 Bl. Mit 132 farb. Illustr.; 334 Bl. Mit 116 farb. Illustr.; 410 S. Mit 13 Illustr. (Kommentarband). Blindgepr. Orig.-Lederbdände mit 10 ziselierten Buckel-Beschlägen u. 4 Metall-Schliessen in Leinen-Schubern mit Lederrückenschildern, bzw. Orig.-Halblederband
1752ref. 6620CBZweyte und verbesserte Auflage. 3. (von 3) Band. Zürich, bey Heidegger und Comp., 1752. 4°. (8) Bl., 336 S. Mit 18 Kupfertafeln mit 179 Abb. Lederband der Zeit mit Rückenschild.
1823ref. 31215AB1823–1835. Div. Formate.
ref. 121454Paris, Editions Cahiers d’Art 1928, 285x230mm, XXII - broché. Un des 40 sur papier Hollande Van Gelder, numéroté n° 20 / 40 avec une gravure originale (pointe-sèche) sous serpentine signée et numéroté 20 / 52. Bel exemplaire.
1948ref. 11111112222233547The First UK printing published by The Golden Cockerel Press London in 1948. Number '36' of only 80 specially bound copies signed by both the author and artist to the limitation page. The BOOK is in Very Good or better condition. Full brown morocco binding by Sangorski & Sutcliffe with five raised bands gilt spine titling and large gilt designs by the artist on the upper and lower covers. Gilt ruled turn-ins. top edge gilt and others uncut. 3 maps by Mina Greenhill and 10 wood engravings by Clifford Webb 8 full page. Some discolouration and light marking to the outer fore edge of the front board and some light fading to the outer fore edge of the rear cover with a neat previous owner's bookplate to the front pastedown. The book is protected in loose Mylar archival cover. Loosely inserted is the 4 page publisher's prospectus. A very handsome production - 'Clifford Webb's wood engravings seemed to me the finest yet produced by this master of black and white.' COCKALORUM 181. More images available on request. Ashton Rare Books welcomes direct contact. The Golden Cockerel Press hardcover
1956ref. 9700New York: Hammer Creek Press 1956. Original Wrappers. Near Fine binding. 12mo. 24 4 blank1 pp. illus. Limited edition to approximately 100 copies. As issued in marbled paper wrappers of stiff covers with printed paper title label on the front cover. Quite a nice copy with little in the way of shelf-rubbing to the cover; Reynolds Stone-designed bookplate of noted collector Norman Sondheim inside the front cover. Short introduction by Fass about the history and aim of the press. Includes 43 described books announcements and ephemera from the press. As this present work is the 43rd item in Fass's list and only 35th in Cohen's checklist there are apparently inclusions here not noted in Cohen. Several examples of pressmarks by DePol Angelo and Carnes. Two by Valenti Angelo are done in multiple colors with gilding. The Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small Hughes & Kimber cast iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed including this present book. Opening this work is an engraving by John DePol of the storied press with a page of "Data" by Fass. One of the mores substantial works issued by the Press as well as one of the more uncommon titles despite the larger-than-usual limitation. As more than 30 institutions are reporting ownership according to OCLC it means this is increasingly rare in commerce. A lovely example of Fass's work. Cohen 35. Hammer Creek Press unknown
1698ref. 47512Amstelodami Amsterdam: Apud Abrahamum a Someren 1698. Altero Editio priori auctior & emendatior. Hardcover. good to vg. Large octavo 8 x 6 3/4". 72 344 1 40pp. Indices Errata of Vol. I 6 plates one folding; 4 345-752 60pp Indices Errata of Vol. II 14 plates one folding. Bound in full vellum. Red edges. Volume one with engraved half-title. Both title pages with publisher's device. Engraved Ex-Libris of Philipp Wilhelm Grimm father to the Brothers Grimm on verso of title page volume one. Decorative initials and headpiece. Originally published in 1680 Johannes Braun's "Vestitus sacerdotum Hebraeorum" was the standard work on Hebrew priestly vestiments; how they were produced and their ritual use. The text is accompanied with 20 striking full page one in-text engraving and numerous in-text tablets plus frontispiece by Bastiaan Stoopendaal-Schulz a celebrated Dutch engraver and mapmaker. Penciled note on "The Dress of the Hebrew Priests" on verso of engraved half-title in English. Text in Latin. Binding with light wear along edges rubbed with light line indentations. Red edges faded. First folding plate with two inch closed tear at fold near gutter light creasing at lower edge. Inked note in margin of page 384 of volume two. Some parts age-toned mostly indices. Front endpaper missing back endpaper with small chips. Binding and interior in overall good to very good condition plates very good. Apud Abrahamum a Someren hardcover
