Daumier, Honoré - 1808 Marseille ? Valmondais 1879Antiquariat.de
11,000 results
ref. HD-244o.J. EINE NÜTZLICHE ANWENDUNG DES MAGNETISIERENDEN DIAMANTEN. Meine Frau ist hypnotisiert... ich kann mich beruhigt zum Opernball begeben.... Schlaf gut meine Liebe! Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Maison Martinet,172 r.Rivoli et 41,r.Vivienne, sowie: Lith. Destouches,28,r.Paradis Pre.Paris. Darstellungsgröße 21:26,6 cm, Blattgröße 26:33 cm. Literatur: Daumier-Register 3230 III (von 3); Delteil 3230 III (von 3), Blatt 140 der Serie ?ACTUALITÉS?, erschienen 24.01.1860 in ?LE CHARIVARI?. Exemplar des ?Album des Charges du Jour? ? Sur blanc!
ref. 500297341Sans date.
ref. 500297355E.M Sans date.
ref. 500297356Sans date.
ref. 500297409Sans date.
1924ref. 55150Lucien Vogel éditeur | Paris 1924-1925 | 24 x 18 cm | une feuille
ref. 26508Format: 120×160 cm / 47×63 in- PLIEE / Folded - Interprete(s) :Anthony FRANCIOSA, Don MURRAY, Eva MARIE-SAINT, Gerald O'LAUGHLIN, Henry SILVA, Lloyd NOLAN
1920ref. 54779Lucien Vogel éditeur | Paris Juin 1920 | 18 x 24 cm | une feuille
ref. 18037Anima Mundi , coll. La chair du temps, 1990, 14.5x18,5 cm , feuillets sous jaquette papier, bon état. Édition originale d'un texte de Lionel Bourg accompagné de deux estampes de Raphaël Kleweta, un des 40 exemplaires sur papier vélin d'Arches 200 g enrichis de deux gravures originales de Kleweta, ex hors commerce. Signatures de l'auteur et du graveur. Bel ouvrage.
ref. 17839Paris: Societe des Aqua-fortistes,1 avril 1864 ,eau-forte avec ton de planche sur papier vergé,Imprimé par Auguste Delâtre;35,7 x 52,6 cm; plate: 23,5 x 31,7 cm; image: 21,1 x 29,6 cm
1922ref. 55008Lucien Vogel éditeur | Paris 1922 | 18 x 24 cm | une feuille
1922ref. 84725Lucien Vogel éditeur | Paris 1922 | 18 x 24 cm | une feuille
1865ref. 13287Charles Jacque 1813-1894. Eau-forte originale sur Chine appliqué parue chez Delâtre. Encadrée Très bon Paris Delâtre 1865 23 x 32 cm
ref. R320100668A COMPTE D'AUTEUR. NON DATE. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. UNE ESTAMPE ORIGINALE de dimension 46 Cm X 31 Cm environ incluant les bordures - Dimension hors bordures : 32 C m X 20 Cm environ. // Epreuve signée en bas à gauche, annotée EA à droite , au crayon a papier.. . . . Classification Dewey : 769-Estampes
1902ref. 7977Très belle épreuve avant toute lettre. IFF 6. 1902 22 x 15 cm au trait carré. Marges 28,2 x 20 cm.
ref. 5274Beau tirage pour la revue L'Art En feuille très bon Paris L'Art 42,5 x 28,5 cm
ref. 1637325X36 cm.
1922ref. 84735Lucien Vogel éditeur | Paris 1922 | 18 x 24 cm | une feuille
1834ref. 244121834 La Caricature. Journal. Morale, Religieuse, Littéraire, Scénique - La Caricature ( Journal) No. 180, planche double -plate 378–9. [Paris] Delaunois for Maison Aubert, 17 April 1834. Lithograph. Overall paper size 32.6 × 40.9 cm. Horizontal and vertical fold.Caricature of the July Monarchy’s repressive measures against workers’ uprisings in Lyon and Paris, the so-called ‘April insurgents’. Louis-Philippe is compared to the late mediaeval king Louis XI, notorious for his cunning and cruelty. The print represents a pseudo- mediaeval execution scene with Liberty in a white dress and red cap standing in front of the gallows flanked by jailors. Louis-Philippe wearing a helmet with chain-mail is shown from behind standing on top of the dungeons of Ste Pelagie giving final instructions. To the left, lecherous monks and gloating courtiers are looking on; to the right a moustachioed Talleyrand dressed as a cardinal is in attendance with other ministers in ancient dress or armour. His surgical shoe is wrongly shown on his left foot. Armed mounted guards and a large fortress in the background complete the scene.
1834ref. 259881834 La Caricature. Journal. Morale, Religieuse, Littéraire, Scénique - La Caricature ( Journal) No. 180, planche double -plate 378–9. [Paris] Delaunois for Maison Aubert, 17 April 1834. Lithograph. Overall paper size 32.6 × 40.9 cm. Horizontal and vertical fold.Caricature of the July Monarchy’s repressive measures against workers’ uprisings in Lyon and Paris, the so-called ‘April insurgents’. Louis-Philippe is compared to the late mediaeval king Louis XI, notorious for his cunning and cruelty. The print represents a pseudo- mediaeval execution scene with Liberty in a white dress and red cap standing in front of the gallows flanked by jailors. Louis-Philippe wearing a helmet with chain-mail is shown from behind standing on top of the dungeons of Ste Pelagie giving final instructions. To the left, lecherous monks and gloating courtiers are looking on; to the right a moustachioed Talleyrand dressed as a cardinal is in attendance with other ministers in ancient dress or armour. His surgical shoe is wrongly shown on his left foot. Armed mounted guards and a large fortress in the background complete the scene.
2016IN HEBREW AND ENGLISH. 24X17.5 cm. 137 pages. Hardcover. In good condition.
1940ref. 890195New York: Macmillan. Very Good in Good dust jacket. Hardcover. Jacket has light soiling one 1/2" edge-tear and clipped corners.; Small 4to 9" - 11" tall; 236 pages . 1940. Macmillan hardcover
ref. CA06AA-00015Gemor Press. Collectible - Acceptable. New York: Gemor Press 1944. 2nd edition. 8vo Hardcover. 86pp. B/W illustrations. Fair book. Some edgewear. Front hinge cracked. short stories american american fiction Inquire if you need further information. Gemor Press hardcover
1944ref. 3114833Near Fine with no dust jacket. 1944. Second Edition; Second Printing. Hardcover. Second printing. Though not called for SIGNED by Anais Nin on front end-paper. Close to fine in pictorial boards in supplied chipped un-printed acetate protective cover. Neat book shop sticker at base of rear pastedown. 86pp. One of 800 copies. Nicely preserved copy. ; 4 3/4" x 8 1/2"; 86 pages . hardcover
