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1924ref. 136209München. Bremer Presse 1924. 384 n. n. Seiten. Breitrandiger Druck auf Zanders Büttenpapier mit Wasserzeichen. Original-Karton-Einband mit Rückenschild im Originalschuber. (Einband vor allem am Rücken gebräunt. Schuber mit Gebrauchsspuren. Ansonsten gutes u. sauberes Exemplar). 36x23 cm
1828ref. 007773London: Republished by the New Proprietor J. Dowding 1828. Hardcover. Very Good. An Improved Edition." 90 p. added engraved title page and 24 leaves of color plates; 38 cm. Dark green library buckram with gilt-stamped spine title and call number. Plates state: "Aquatinted by R. Havell. Published June 1 1815 by R. Havell." No date of publication. The first edition appeared in 1815; this "improved" edition was published in the 1820s. Stamped "Brooklyn Public Library" on upper and lower page edges and back fixed endpaper; performated library stamp on added endgraved title page and title page; library number stamped at lower edge of title page. Official withdrawn stamp of the Brooklyn Public Library on back free endpaper. Former owner inscription on added engraved title page: Charles John Kean Limerick 185. Charles John Kean 1811-1868 was an Irish actor and the son of actor Edmund Kean. He acquired this volume in the 1850s when he was acting and managing the Princess Theatre in London where it most likely influenced costume design. A heavy book; for international shipping it will have to be sent by priority international. In Very Good Condition: engraved title page and title page are starting to separate at tail; old repair along upper edge of engraved title page; old repairs of a few closed tears from edges of text; light finger soiling in margins; plates are clean and bright. Republished by the New Proprietor, J. Dowding hardcover
1925- Lucien Vogel éditeur, Paris 1925, 18x24cm, relié. - Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed LRF Sketches L, LII, LIII, LV, are signed David, respectively on the lower right and left boards. Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America. Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ... Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. [FRENCH VERSION FOLLOWS] Ensemble de douze estampes originales à l'or fin, tirées sur papier vergé. Les planches présentent des modèles de robes réalisés par quatre grands créateurs, Lanvin, Poiret, Vionney et Worth. Reliure à la bradel en plein papier à motif décoratif, dos lisse, tête dorée.
1867ref. 26901Melbourne: Hamel & Ferguson 1867. Print. Plate II from Eugene von Guérard's Australian Landscapes 1866-68. Gold was discovered in Beechworth Victoria in 1852 and shortly thereafter along the Ovens River. In the same year Austrian-born von Guerard arrived in Victoria Australia determined to try his luck on the goldfields. Like many he failed as a miner but he did produce numerous studies of goldfields life including this image depicting men working on a sluice. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20" on paper 19 1/2 x 26". Archivally cleaned and backed some minor marginal splits repaired. Color tastefully enhanced. Libraries Australia ID 7744587. Hamel & Ferguson unknown
1944ref. 3114833Near Fine with no dust jacket. 1944. Second Edition; Second Printing. Hardcover. Second printing. Though not called for SIGNED by Anais Nin on front end-paper. Close to fine in pictorial boards in supplied chipped un-printed acetate protective cover. Neat book shop sticker at base of rear pastedown. 86pp. One of 800 copies. Nicely preserved copy. ; 4 3/4" x 8 1/2"; 86 pages . hardcover
1984ref. 011997Nice Editions d'Art de Francony 1984 In-4 Cartonnage toilé et jaquette illustrés
ref. 12293Matrice de cuivre (39,7 x 30 cm), sans date (env. 1875), encadrement moderne sous baguette verte (61,5 x 51 cm).
1969ref. 1233121969-1974 Editions A l'enseigne du champ des sphère - 1969-1974 - Douze volumes in-quarto, plein cuir maroquiné marron, décor à froid et dorures sur les plats, dos à cinq nerfs, pièce de titre, caissons et fleurons et décor en doré, tranche de tête dorée, emboitage cartonné avec ourlet de cuir aux ouvertures - 203 pages + 200 pages + 196 pages + 197 pages + 211 pages + 223 pages (première série en six volumes, avec certificat d'authenticité à l'intérieur du sixième tome, pour cette première série tirage à 3500 exemplaires sur vélin de Lana à la forme filigrané Sefer avec Léopard au parchemin, EX. N°2361) + 195 pages + 195 pages + 188 pages + 182 pages + 174 pages + 180 pages (deuxième série en six volumes, avec certificat d'authenticité à l'intérieur du douzième tome, pour cette deuxième série tirage à 3500 exemplaires sur vélin de Lana à la forme filigrané Sefer avec Léopard au parchemin, EX. N°2361)- Très belles illustrations en couleurs in-texte (miniatures), hors-texte et pleine page de Jean Gradassi
1977Roy. 4to., First Edition thus, with numerous engravings throughout; original navy buckram, gilt back, marbled endpapers, gilt top, a near fine copy in publisher's marbled slip-case. EDITION LIMITED TO 150 NUMBERED COPIES SIGNED BY THE ARTIST (THIS COPY NO. 126). THIS EDITION INCLUDES AN ORIGINAL UNPUBLISHED WOOD-ENGRAVING 'PRESCELLY MOUNTAINS, SOUTH WALES' (1972) SIGNED BY THE ARTIST AND HOUSED IN SEPARATE CARD PORTFOLIO. The compliments slip of the Burlington Fine Arts Club Library is loosely inserted.
Folio (430 x 320 mm), [4], 373, [3], liii, [1]pp., printed for private circulation only in 200 copies, early armorial bookplate to front paste-down, cont. half blue morocco, marbled boards, slightly rubbed otherwise a very good copy indeed. Printed uniformly with the catalogue of books and, like that work, printed only for presentation. The map collection was an important constituent of the Royal library (Samuel Johnson recommended buying maps locally in his famous letter to Barnard); The King's Topographical Collection of around 50,000 maps, charts, prints and drawings formerly owned by George III and donated to the Library by George IV, included antiquarian drawings by William Stukeley, large collections of views by Samuel Hieronymus Grimm, the Bucklers and Edward Blore, and the drawings from Captain Cook's voyages or Robert Hay's of Egypt. It was reprinted in 2 vols. 8vo in the same year for commercial distribution. Martin, Privately Printed Books, p. 259.
1979ref. 2092902141000212Bijutsu shubbansha 1979. Soft Cover. Fine. Size: B4 Bijutsu shubbansha paperback
1890ref. 628CGZürich, Hofer & Burger o.J. (um 1890). Lithographie gez. von H. Schmid. Blattformat: 17,5 x 189 cm.
1954ref. 4533Paris, Louis Carré, 1954. In-8 broché de 62-[4] pages, couverture illustrée rempliée, tiré à 1000 ex. sur vélin d’Arches à la forme.
1856ref. 4554DBSt. Gallen, J. B. Isenring, 1856. 32 S., (10) S. Mit 10 Tafeln von Johann Baptist Isenring. Orig.-Pappband.
1848ref. 005411London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 400 x 475 mm. image is 276 x 318 mm.; mat is 19.5 x 20 inches. The lithograph was created by Edmund Walker 1813 or 1814-1882 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 2 a portrait of Dost Mohammed who had been deposed as Emir of Afghanistan. In January 1841 when Rattray was granted an audience with him in Peshawar Dost Mohammed was a prisoner on his way to exile in Calcutta. Rattray wrote that since Dost Mohammed had been "a ruler just and merciful and attentive to affairs of state" the people of Peshawur thought that he had been unjustly treated by the British. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1848ref. 005410London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 429 x 533 mm. image is 275 x 375 mm.; mat is 19.5 x 23 inches. The lithograph was created by Edmund Walker 1813 or 1814-1882 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 22 in regard to which Rattray wrote: "I sketched this Uzbeg at the Fort of Lughmaunee Cohistaun." The ambassador represented Mir Wali prince of the frontier town of Kulum near Kunduz. In September 1840 the British were negotiating with Wali to transfer his allegiance to Shah Shuja. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
ref. 2406Paris, Cadart, 1874, 54 pp, tables Petit in-8 bradel, demi-percaline vert d’eau à coins, couverture conservée (signée Alfred Farges). Ex-libris symboliste gravé du grand bibliophile Victor Mercier.
1850ref. 806CG(um 1850). Aquarell. Bildgrösse: 41 x 53 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1776ref. 486468Göttingen, Dieterich, 1776-97. Folio. Halbleder d. 20. Jahrhunderts (Rücken u. Ecken berieben u. teilw. verblaßt).
1934ref. 7575CBBasel, Mähly & Schabelitz, 1934-1835. 4°. (1) Bl., Mit lithogr. Titelblatt, 4 S. lithogr. Notenbeilagen, 1 gef. Plan (Basler Fasnacht) und 61 Aquatinta-Tafeln. Orig.-Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7575CB|7575CB_2 [2 Warenabbildungen]
1701ref. 5890CBGedruckt zu Bern, in Hoch-Oberkeitlicher Truckerey, durch Andreas Huegenet, 1701. 2°. (8) Bl., 489 (recte 487) S., (5) Bl., 151, (1) S. Mit Holzschnitt-Titelvignette. Pergamentband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Einband und Titelblatt Auffs newe widerum gedruckt.
1797In-8°; pp. 118, 1 cb. Catalogo delle stampe conservate presso la Calcografia della Reverenda Camera Apostolica che nacque nel 1738 con Clemente XII dal fondo degli eredi De Rossi Il catalogo si suddivide nelle sezioni: antichità di Roma, Roma moderna, Opere di artisti: Carracci, Mantegna Sacchi, Tempesta, Correggio, Ciro Ferri, Maratta, Domenichino, Parmigianino, Poussin, Lanfranco, Guercino, Giulio Romano, Guido Reni, Callot, Michelangelo, Testa, Perin del Vaga, Raffaello, Rosa, Mengs, della Bella, Tiziano; Opere sacre, profane, diverse, Ritratti, Libro dei ritratti dei Cardinali, Nuovo Atlante generale geografico, il Mercurio geografico, L’Indice.
ref. 805CGo.J. Kol. Aquatinta auf festem Papier. Bildgrösse: 27,8 x 43 cm. Blattgrösse: 32,3 x 47 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
ref. 16411ABo.J. 114, 9 pages, 25 (6 coloured woodblock-prints) coloured plates, many double-page, 36 b/w plates and many illustrations in the text. Original cloth binding, housed in original wooden box with title-label.
1801ref. 7661CBZürich, 1801?1840. 4°. Mit 40 Kupfertafeln und 5 Kupfer am Anfang des Textes. Pappbände der Zeit mit Marmorpapierbezug. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7661CB|7661CB_2 [2 Warenabbildungen]
