Rahl, Carl.MareMagnum
10.194 resultados
Drucktitel und 62 numerierte Radierungen (eine in späterem Abzug). Blauer Pappband der Zeit mit dem originalen Broschurtitel am Vorderdeckel aufgezogen. Folio (370 x 255 mm). Zur Illustration von "Georg Christoph Lichtenberg's Ausführlicher Erklärung der Hogarthischen Kupferstiche" schuf der Kupferstecher Carl Rahl als Radierung ausgeführte Reproduktionen der Blätter William Hogarths. Sie geben die originalen Graphiken in auf etwa die Hälfte reduzierter Größe wieder. außerhalb der Plattenränder. - Einband an den Rändern stärker lädiert; Titel stockfleckig, sonst im ganzen wohlerhalten. Die erste Radierung ("Herumstreifenden Komödiantinnen") in einem späteren Abzug lose beiliegend und an den Rändern lappig. ÖBL VIII, 390.
1951ref. 010547Genève Cailler, collection "Peintres et Sculpteurs d'hier et d'aujourd'hui" 1951 Broché, couverture illustrée rempliée, étui
1737ref. 487427Halle, Waisenhaus, 1737-45. 4to. Mit gestochenem Porträt u. 4 gestochenen Titelvignetten. Pergament d. Zeit mit Rückenschild (fleckig, 3 Rücken mit kurzen Einrissen). [3 Warenabbildungen]
1843ref. 2163DBBern u. Zürich, Chr. Fischer, u.Stämpfli u. Friedrich Schulthess u. J. Körber, 1843-1858. 8°. Pappbände der Zeit mit goldgepr. Rückenschildern (nicht uniform gebunden). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 2163D 3 Bde.; 2 Bde.; 3 Bde.; 3 Bde.
1971ref. 005640Colombes , Collection Génération n°5 (Gervais Jassaud) 1971 In-8 Broché Edition originale
ref. 18760CBLeipzig, Eigendruck, 2022. 38 x 27,3 auf Bütten. Original Kaltnadel-Radierung auf Büttenpapier. Die Versandkosten für Kunstwerke und mehrbändige Werke können von den Standard-Versandkosten abweichen. Sehr guter Zustand. In Bleistift signiert, nummeriert und betitelt.
1691ref. 4006BBZürich, Joh. Rudolf Simler, 1691. 8°. (6) S., (1) Bl., 126 (1) S. Pergamentbd. der Zeit + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (Kapital restauriert. Mit 1 x 1 mm Loch auf vorderer Decke. Fleckig u. berieben).
ref. ELzz0151o.J. alle kl.-4°, mit Kopfl., tlw. m. Titelblattvign., Init. u. Schlußvign., ungeb., unaufgeschn. Expl., nur eins geh., etwas gebr. u. tlw. fleck., Rd. bzw. Bugst. best. u. staubfl., mit je einem v. alter Hd. beschr. NrSchi. am Titelbl., sowie je zw. kl. FidCommst. verso u. je e. kl. St. a. versch. S. CRAMER, Johann Georgius. De Delictis Et Poenis Statvvm Imperii Romano-Germanici . . . 1728 Prim. Ed. Leipzig 1738. 72 S. BALTHASARE, Augustinus - Fischer, Martinus Gustavus. De Pecvnia Fevdali Vulgo: Lehn-Stamm, In Specie Pomeranica. A. 1738. Greifswald o. J. 32 S. FELTZIUS, Johann Henricus. - Cadebsky, Simon Thomas. Ex Historia Henrici Sancti Imp. Rom. Et Francorvm Reges Primae Stirpis. A. 1738. Wittenberg o. J. Titelbl., 1 nn. Bl., XXXVI S.
1685ref. 53234München Johann Hermann Gelder 1685. 4to. Later hcalf rebound spine worn but intact. Shaved close throughout loosing pagination number mainly at end. Some leaves with repairs some loosing text. Scattered brownspots. Traces of use. Some leaves frayed in margins. 22 pp. lacking titlepage.The first part paginated 1-1506 the second part ca. 400 pp. pagination shaved and ending abruptly. 14 engraved plates mounted and some with loss and defective. With around 70 large textengravings by Leonhard Heckenauer Jeremias Renner H.G. Bodenehr et al. Richly illustrated by estimated Baroque-engravers such as Heckenauer Renner Bodenehr and others. unknown
1685ref. 53234(München, Johann Hermann Gelder, 1685). 4to. Later hcalf (rebound), spine worn but intact. Shaved close throughout, loosing pagination number mainly at end. Some leaves with repairs, some loosing text. Scattered brownspots. Traces of use. Some leaves frayed in margins. (22) pp., lacking titlepage.The first part paginated 1-1506, the second part ca. 400 pp. (pagination shaved and ending abruptly). 14 engraved plates, mounted and some with loss and defective. With around 70 large textengravings by Leonhard Heckenauer, Jeremias Renner, H.G. Bodenehr et al.
1850ref. 247341850. Very good condition. An archive of 27 portraits of the founding fathers of botany including Dodoens Leeuwenhoek Grew Hill Aldrovandi Smith Desfontaines Palisot Gessner Everard Bonnet Banks Buffon Gray Evelyn Linnaeus Cuvier Klein Clusius and Agassiz. 1. Rembert Dodoens born Rembert Van Joenckema 1517 – 1585 was a Flemish physician and botanist. Rembert Dodoens Rembertus Dodonaeus was one of the great botanists of the 16th century who pursued a knowledge of plants in their own right not simply for medicinal uses. Contemporary copper engraving 4 7/8 x 7" on 7 3/8 x 10 1/2". 2. Antonius Leeuwenhoek 1632 - 1723 Dutch "Father of Microbiology" with botanical importance who worked with William III of Orange and his wife Mary II of England and Tsar Peter the Great of Russia. Copper engraving 5 1/2 x 7 1/8". 3. Nehemiah Grew 1641 – 1712 was an English plant anatomist and physiologist known as the "Father of Plant Anatomy". Copper engraving 5 3/4 x 9 1/4". 4. John Hill ca. 1714 – 1775 was an English author and botanist who contributed to contemporary periodicals including the botanical compendium 'The Vegetable System'. Copper engraving 8 7/8 x 11 1/4" on 9 5/8 x 12 1/2". 5. Ulisse Aldrovandi 1522 – 1605 was an Italian naturalist professor of botany and one of the founders of the Bologna's botanical garden one of the first in Europe. Carl Linnaeus and the Comte de Buffon considered Aldrovandi the father of natural history studies. 5 7/8 x 8 3/8". 6. Sir James Edward Smith 1759 – 1828 was an English botanist and founder of the Linnean Society 5 x 7" on 8 7/8 x 11 5/8". 7. Rene Louiche Desfontaines 1750 – 1833 was a French botanist who studied medicine. His interest in botany originated from lectures given by Louis Guillaume Lemonnier at the Jardin des Plantes 9 1/4 x 12 1/4". 8. Charles-François Brisseau de Mirbel 1776 – 1854 was a French botanist and politician. He was a founder of the science of plant cytology 9 1/2 x 12 1/2". 9. Ambroise Marie François Joseph Palisot Baron de Beauvois 1752 - 1820 Paris was a French naturalist who was trained as a botanist and published an important paper on American entomology 9 x 12". 10. Antoine Laurent de Jussieu 1748 – 1836 was a French botanist notably the first to publish a natural classification of flowering plants; his system remains largely in use today 9 1/2 x 12 1/2". 11. Conrad Gessner 1516 – 1565 was a Swiss physician and naturalist regarded as the father of modern scientific bibliography zoology and botany. Gessner was working on a major botanical text at the time of his early death from the plague 3 5/8 x 5 1/8" on 6 1/8 x 7 7/8". 12. Michael Rotenbeck 1569 - 1623 physician and collector of botanical works. Copper engraving 7 5/8 x 4 3/4" on 13 x 8 1/2". 13. Dr. Giles Everard or Gilles Everaerts 16th century; active in 1580s Dutch physician who wrote works on the beneficial medicinal effects of tobacco smoking. Copper engraving 4 7/8 x 6" on 8 1/2 x 10". 14. Charles Bonnet 1720 – 1793 Naturalist and philosophical writer. He coined the term phyllotaxis to describe the arrangement of leaves on a plant. 8 1/2 x 12 1/2". 15. Georges-Louis Leclerc Comte de Buffon 1707 – 1788 was a French naturalist mathematician cosmologist and encyclopediste. Buffon was the director at the Jardin du Roi now called the Jardin des Plantes. Buffon published 36 quarto volumes of his 'Histoire Naturelle' during his lifetime. Ernst Mayr wrote that "Truly Buffon was the father of all thought in natural history in the second half of the 18th century". 4 1/2 x 6 3/8" on 9 x 11 1/2". 16. Sir Joseph Banks 1st Baronet GCB PRS 1743 – 1820 English naturalist botanist and patron of the natural sciences. 7 x 10 3/8". 17. Asa Gray 1810 – 1888 is considered the most important American botanist of the 19th century. His Darwiniana was significant as an explanation of how religion and science were not necessarily mutually exclusive. Gray was convinced that a genetic connection existed between all members of a species. He was opposed to the idea of hybridization within one generation and believed evolution was guided by a Creator. 6 x 8 5/8". 18. John Evelyn 1620 - 1706 author and botanist noted for his knowledge of trees. Evelyn's treatise Sylva or A Discourse of Forest-Trees 1664 was written as an encouragement to landowners to plant trees to provide timber for the English navy. 8 x 10". 19. Carl Linnaeus 1707 – 1778 Carl von Linne was a Swedish botanist physician and zoologist who formalized binomial nomenclature the modern system of naming organisms. 6 images: 4 1/2 x 6 1/2" 6 x 8 1/2" 4 7/8 x 8 5 1/2 x 9" 7 x 10 1/2" 6 1/4 x 8 1/2". 20. Jean Leopold Nicolas Frederic Baron Cuvier 1769 – 1832 known as Georges Cuvier was a French naturalist and zoologist instrumental in establishing the fields of comparative anatomy and paleontology through his work in comparing living animals with fossils. 4 images: 5 x 8 1/4" 6 3/4 x 9 7/8" 6 x 9" 7 1/2 x 10". 21. Jacob Theodor Klein 1685 – 1759 was a German jurist historian botanist zoologist mathematician and diplomat in service of Polish King August II the Strong. 9 x 14 5/8" on 9 1/2 x 15 1/2". 22. Charles de l'Ecluse L'Escluse or Carolus Clusius 1526 – 1609 was an Artois doctor and pioneering botanist perhaps the most influential of all 16th-century scientific horticulturists. 4 5/8 x 6 5/8". 23. Jean Louis Rodolphe Agassiz 1807 – 1873 was a Swiss-American biologist and geologist recognized as an innovative and prodigious scholar of Earth's natural history. 9 1/4 x 12 1/4". 24. John Lindley 1799 - 1865 English botanist and orchidologist whose orchid collection was housed at Kew's herbarium noted for his 'Theory and Practice of Horticulture'. 25. Joseph Decaise 1807 - 1882 French botanist and agronomist. 5 1/2 x 8 3/4". 26. Louis Van Houtte 1810 -1876. Belgian horticulturist. Published the "Journal Flore des Serres et des Jardins de l'Europe". 5 1/2 x 8 3/4". 27. Georg Eberhard Rumphius Rumpf 1627 - 1702 Batavian botanist best known for his work Herbarium Amboinense a catalogue of the plants of the island of Amboina Indonesia. 9 1/2 x 14". The portraits mainly steel engraved some lithographic mostly 4to. All in very good condition. unknown
1999ref. 38518Barcelona: printed by Roser S. Noguera for the Galeria Alejandro Sales 1999. Four poems by Dachs illustrated with six original prints by Arbós: three etchings printed on Japanese paper laid down on fine wove paper and three silkscreens. EDITION LIMITED TO 25 NUMBERED COPIES. The first etching is SIGNED by Arbós and the justification is SIGNED by both the artist and the poet. Large folio. Loose as issued in publisher's cloth folding case. FINE AND BRIGHT with no defects. RARE. printed by Roser S. Noguera for the Galeria Alejandro Sales hardcover
1867ref. 26899Melbourne: Hamel & Ferguson 1867. Print. Otherwise very good condition. Plate 5 in Eugene von Guérard's Australian Landscapes 1866-68. "The bold and romantic headland which bears this title forms one of the most picturesque "bits" of scenery on the Victorian coast. The rocks have been worn into the most grotesque and fantastic shapes by the action of the waves which rush in with a majestic sweep from the Southern Ocean . the artist has indicated the entrance of Port Phillip by the position of the steamer faintly visible in the offing." NGV. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4x19 1/4" on paper 25 x 18 3/4". Archivally cleaned and backed repairing some marginal splits including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 7744596. Hamel & Ferguson unknown
1948ref. 008728New York: Printed at The Spiral Press 1948. First edition. Paperback. This original Robert Frost 1948 Christmas Card features a trifecta of virtues. This is the first published appearance of this poem which had an unusual text history detailed further below. Of 2275 copies printed for 9 different names this is one of 375 printed for the poet himself. Last but certainly not least this is not only one of Frost's copies but is inscribed and signed by him. Following the first and second printed lines on the presentation page "This new poem brings Holiday Greetings from Robert Frost December 1948" Frost wrote "the Hendersons" and signed "Robert Frost". Condition is near fine. The gray-green card wraps are clean bright and sharp cornered the binding staple firmly intact and uncorroded. We note only a tiny blemish above the title on the front cover and a trivial hint of wear to the spine heel. The contents are crisp and clean lightly age-toned but with no spotting or soiling. With the permission of Frost and his publishers in 1929 the Spiral Press began printing an annual Robert Frost Christmas Card featuring one of his poems. The tradition continued until 1962 Frost's final Christmas. Each annual Christmas poem publication was printed with varying names on the title page to accommodate their being sent by various Frost publishers artists and important friends. This copy is one of those printed for Frost himself. The 1948 Christmas poem "Closed for Good" has an unusual textual history. After it was first printed here it appeared in a number of other Frost collections including in the 1949 edition of Complete Poems and the 1954 1955 and 1963 editions of selected poems. In 1962 a revised version of Closed for Good was published as part of In the Clearing. There the poem is altered; the first stanza lines 1-6 is deleted And becomes They in line 7 and the word brush becomes spread in line 24. This is clearly how Frost wanted the poem to evolve. In the Clearing was his final new collection and in 1958 Frost told Elizabeth Shepley Sergeant that he was trying out a new version of four stanzas. Nonetheless When Edward Connery Lathems edition of The Poetry of Robert Frost was published in 1969 the poem was presented in five stanzas and the two word changes restored to original. Given both Frosts manifestly deliberative use of words and the fact that the poem is a commentary on Frosts inheritance from the past and his legacy to the future the changes do not seem incidental. By 1948 when this poem first appeared in his annual Christmas card and he inscribed this copy Robert Frost 1874-1963 had already entered the final decades of his life as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Half a decade had passed since he had won his still-to-this-day-unrivalled fourth Pulitzer Prize for Poetry. This is all the more remarkable given that he did not publish his first volume of poetry until he was nearly 40 years old. References: Crane B19; Tuten and Zubizarreta; ANB Printed at The Spiral Press paperback
1959ref. 008606New York: Henry Holt and Company 1959. First edition first printing. Hardcover. This strikingly clean jacketed copy of the first edition first printing of Robert Frosts 1959 collection of Favorite Poems for Young Readers is signed by him "Robert Frost" on the title page just above his printed name. This collection takes its title from the words repeated at the end of each stanza of this book's first poem "The Pasture" first published as the prefatory to North of Boston in 1914. Of this collection the publisher said Frost "has gathered a group of his poems to be read to and by young people. To Robert Frost a great-grandfather with a remarkable number of small friends this was a labor of love. Frost dedicated the volume to his mother Belle Moodie Frost who knew as a teacher that no poetry was good for children that wasnt equally good for their elders. Evoking Frosts famous poem Mending Wall Frosts friend Edward Hyde Cox 1914-1988 who contributes a Foreword to this volume said of Frost that he had never added a single stone to the wall that so often separates age from youth. Prevalent among the 51 poems herein is Frost's gently subversive inclination to write verse that is superficially accessible "lovely dark and deep" upon sounding. This is a handsome book bound in orange-yellow linen cloth with a vignette of a bird on a fence post stamped in black on the lower right front cover corner and spine print stamped in black with a red acorn and leaf device between at the spine's center. The contents feature wood engravings by Thomas W. Nason and are bound with endpapers of heavy light gray wove paper and red and yellow head and tail bands. The dust jacket printed on beige laid paper features a wood engraving of birches spanning the lower front face spine and extending onto the rear face. The rear face prominently features Yousuf Karsh's famous portrait photograph of Frost. Condition is truly fine in a truly fine dust jacket. The illustrated cloth binding is immaculately clean and bright with sharp corners and only the most trivial hints of shelf wear to extremities. The contents are likewise pristine with no spotting soiling toning or previous ownership marks. "FIRST EDITION" is so stated on the title page verso. The contents retain a pleasingly stiff feel The dust jacket is crisp bright clean and entirely complete with no loss or tears and retaining the original "$3.00" upper front flap price. We note only a hint of wrinkling to the spine heel and a touch of soiling to the lower rear face. The jacket is protected beneath a clear removable archival cover. Publisher's statements are often hyperbolic. In this case the dust jacket's front flap description of Robert Frost as "America's beloved poet ageless and for the ages" was and remains more accurate than advertising. Before this volume was published on 26 March 1959 Robert Frost 1874-1963 reached the age of eighty-five. His stature had risen to an apex arguably unequalled by any American poet since. Frost had long-since won all of his still-unrivaled four Pulitzer Prizes for poetry 1924 1931 1937 and 1943. He spent his final years as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. Reference: Crane A39; Tuten and Zubizarreta; ANB Henry Holt and Company hardcover
1967ref. 013650Paris Nouveau Cercle parisien du livre 1967 In-2 En feuilles, couverture illustrée, emboitage éditeur
ref. HD-152o.J. Sehr demütige, sehr ergebene, sehr gehorchende... und vor allem sehr gefrässige Untertanen. Lithographie, auf chamoisfarbenem Velin, mit der Adresse: On s'abonne chez Aubert, galerie véro dodat.. Darstellungsgröße 20,6:32,7 cm, Blattgröße 24,8:35 cm. Mit geglätteter vertikaler Falte, im Unterrand beschnitten unter Verlust der zweiten Textzeile. Literatur: Daumier-Register 40 ? (von II); Delteil 40 ?, (von II), Blatt 136, erschienen am 09.02.1832 in ?LA CARICATURE?, Nr. 67. ? Sur blanc.
1664ref. 703043Stuttgart, Johannes Wyrich Rösslin, 1664. 19,5 x 12,5 x 10,5 cm. 8 Blatt, 862, 336, 272 Seiten, 21 nnr. Blätter. Schlichter Pergamentband der Zeit auf 4 Bünden.
1855ref. 15126Paris, Garnier-Frères, 1855 ; grand in-8 ; demi-veau glacé rouge sang, dos à faux-nerfs plats noirs à froid, caissons décorés et dorés aux petits fers dans un encadrement de filet doré, titre doré, plats de papier gauffré rouge (reliure de l'époque) ; VII, 528 pp., 18 planches hors-texte finement gravées sur acier d'après Allom, Beutley, Salmon et Leitch, très grande carte dépliante par L. Berthe, lithographiée et coloriée à la main.
1898- Pompes funèbres générales de Fontainebleau, Fontainebleau septembre 1898, 19,6x26,1cm et 12,9x10,1cm, une feuille et une carte. - Announcement of Stéphane Mallarmé's death Pompes funèbres générales de Fontainebleau, Fontainebleau September 1898, 19.6 x 26.1 cm and 12.9 x 10.1 cm, one leaf and one card Announcement of Stéphane Mallarmé's death, whose funeral took place in Valvins (Seine-et-Marne) on Sunday 11 September. We attach the mourning card showing the names of the poet's relatives. Central fold from having been sent. Beautiful copy of this very rare document. [FRENCH VERSION FOLLOWS] Faire-part de décès de Stéphane Mallarmé dont l'enterrement eut lieu à Valvins (Seine-et-Marne) le dimanche 11 septembre. On joint la carte de deuil présentant les noms des proches du poète. Pliure centrale inhérente à l'envoi. Très bel exemplaire de ce rare document.
1848ref. 005412London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 430 x 527 mm. image is 264 x 372 mm.; mat is 19.5 x 23.25 inches. The lithograph was created by Robert Carrick 1820-1905 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 14 showing two falconers from Kohistan Khudadard and Guldin with their hawks. Rattray saw them in September 1841 when they were part of the cavalry escort of his brother Captain Rattray. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1840ref. 3656DBUm 1840. Lose in Papp-Schachtel, mit farb. Illustr. in Schuber der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1837ref. STLL0043München, M. Lindauer [1837]. 16° (82 x 50 mm). 32 nn. Bll. Text, 12 Tafeln, 5 Bll. vakat; mit 12 Leerblättern durchschossen. Rotes OLdr. mit Blind- u. Goldpräg. sowie Voll-Goldschnitt. Mit Lasche, Schlaufe u. lederner Bleistiftschlaufe. Gering berieben. Fehlt bei Köhring. Die 12 altkolorierten Kupfertafeln zeigen die Kalendermonate mittels kindlicher Darsteller. Der 'Münchener Sackkalender' erschien von 1832-1865. Nach Genealogie u. Kalendarium (mit Wetterprognosen) enthält der vorliegende Jahrgang zwei lyrische Beiträge König Ludwigs, Charaden, Rätsel, ein detailliertes Verzeichnis der Briefpost- und Wagen-Verbindungen in Bayern, zuletzt sogar eine Übersicht über die wöchentliche Floßverbindung von München über Passau nach Wien. Mit einigen zeitrgen. Bleistift-Notizen auf den letzten Leerblättern.
1961ref. 77681Louis Broder | Paris s. d. [ca 1961] | 20 x 24.10 cm | une feuille
Opera appartenente al libro di E. E. Cummings "Santa Claus", illustrato con 9 acqueforti di Alexander Calder. Sono stati tirati 175 esemplari, di cui 25 accompagnati da due suite delle nove incisioni, una su Vélin d'Arches e l'altra su Auvergne a mano del Moulin Richard-de-Bas; 75 esemplari con una sola suite su Auvergne a mano del Moulin Richard-de-Bas: 75 esemplari con una sola suite su Vélin d'Arches L'incisione è stata tirata su i torchi a mano dell'Atelier Arte di Parigi. Uno degli esemplari su Auvergne a mano del Moulin Ricard-de-Bas. Firma e numerazione a matita. Esemplare H.C.. Cm 47x35 (Foglio 51x67). . . Ottimo (Fine). . 175 + 10 H.C.. .
