10.977 resultados
1826ref. 8216CB2 Bände mit 24 (von 80) Heften. Basel, H. Bienz, (1826–?) Kl.-8°. Mit 144 kol. Lithographien von Jonas David Labram (Zeichnungen und Kolorit) und Max Gysin (Lithographien). Halblederbände der Zeit mit verg. Rückentitel und Rückenvergoldung.
ref. 121113Lausanne, Dan. Niestlé 1928, 285x235mm, broché. En feuilles sous cartable illustré avec attaches. Exemplaire sur papier vieux japon, non justifié. Dos du cartable fendu. Intérieur propre. Bel exemplaire.
1994ref. 855CG1994. Farbige Lithografie. Blattgrösse: 52 x 67 cm.
1953ref. 4634DB3 Bände. Hannover, Selbstverlag, 1953. 4°. 116 S.; 72 Anlagen (ohne Seitennummerierung); 143 Bl., (5) Tafeln. Orig.-Broschuren mit Leinenrücken in Schuber.
1794ref. 5958CBO.O., o. Dr., (1794). 12°. Titel, (S. 13)-449. Späterer Pappband, Titel der Orig.-Broschur ausgeschnitten und montiert.
1850ref. 27756ABZürich, Henri Kelller, o.J. (um 1850). 15 x 178 cm
1962ref. 1705AG1962. Aquarell auf festem Papier. Bildausschnitte: 32,5 x 40 cm. Blattgrösse: 35 x 43 cm.
1849ref. 349BGZürich, 1849. 2 gef. lithogr. Blatt mit dem Programm auf 4 Seiten. Blattgrösse: 62 x 47 cm.
1835ref. 783CGO.O., um 1835. Altkolorierte Aquatinta von Rudolf Bodmer (1805-1841). Bildgrösse: 14,1 x 19,5 cm. Blattgrösse: 17 x 22 cm.
1731ref. 4280BBBd. III (v. 3 Bd.). Zürich, David Gessner, 1731. Gross-8°. (20) 880 (16) S. Mit 3 Holzschnitt-Vignetten. Pergamentbd. d. Zt. mit handschriftl. Rückentitel (gebräunt u. fleckig, Gelenke an Kopf u. Fuss über 2 cm geplatzt).
1858ref. 5777BB4 Bde. Zürich, Orell Füssli & Comp., 1858-62. 8°. Mit 4 gest. Portraits. Pappbde. d. 20. Jahrh. mit Rückenvergoldung u. goldgepr. Rückentiteln (leicht berieben u. bestossen).
ref. 5651D’après un tableau célèbre de Greuze. Magnifique épreuve en couleurs dans son cadre d’origine, avec sa vitre ancienne. 49,5 x 56,5 cm (avec cadre). XVIIIè siècle
1897ref. 6106Belle épreuve parue dans le numéro 2 (Juin 1897) de l’Estampe Moderne. Notre épreuve porte le timbre sec de l’Estampe Moderne en bas à droite. Parfait état. L’Estampe Moderne a paru de mai 1897 à avril 1899. Cadre et passe-partout; Très bon Paris L’Estampe Moderne 1897 33 x 25,5 cm.
1766ref. 26547Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows three maidens one of which is brandishing a sword. The middle female holds a paten in her left hand. The image may be part of a bacchanal scene. The background is black the image coloured with shades of tan brown terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 15" the image approximately 9.5" X 7.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
1880ref. 52357London: Sampson Low Marston Searle and Rivington 1880. First edition. Hardcover. Very good condition. 17/50. Large Folio. 51 leaves. Original three-quarter blue leather over textured blue cloth with gilt ruling on covers gilt lettering tooling and ruling on spine; raised bands. Top edge gilt. Decorative floral endpapers rendered in lithography. Frontispiece engraving. Title page with engraving. Decorative initials. Black ribbon marker. Signed "Edition limited to 50 copies No. 17 C. O. Murray" in blue handwriting on half-title. illustrated with nineteen etchings including frontispiece and title page. All but the title page etching with C. O. Murray signature in plate and reference to the respective stanza. All plates tissue guarded with heavy paper plates. Contains list of etchings at front. Light wear along edges of binding some rubbing along hinges of spine. Offsetting to outer edges of endpapers from cover leather. Some offsetting of engravings to guards. Sampson Low, Marston, Searle, and Rivington hardcover
1880ref. 52357London: Sampson Low Marston Searle and Rivington 1880. First edition. Hardcover. Very good condition. 17/50. Large Folio. 51 leaves. Original three-quarter blue leather over textured blue cloth with gilt ruling on covers gilt lettering tooling and ruling on spine; raised bands. Top edge gilt. Decorative floral endpapers rendered in lithography. Frontispiece engraving. Title page with engraving. Decorative initials. Black ribbon marker. Signed "Edition limited to 50 copies No. 17 C. O. Murray" in blue handwriting on half-title. illustrated with nineteen etchings including frontispiece and title page. All but the title page etching with C. O. Murray signature in plate and reference to the respective stanza. All plates tissue guarded with heavy paper plates. Contains list of etchings at front. Light wear along edges of binding some rubbing along hinges of spine. Offsetting to outer edges of endpapers from cover leather. Some offsetting of engravings to guards. Sampson Low, Marston, Searle, and Rivington hardcover books
1948RARE! COPY No.52 of 200 copies SIGNED BY ARTIST - ARTHUR KOLNIK, printed on Lana paper (altogether were printed 1126 numbered copies, only 226 of them signed by artist). This album is the HEBREW version of a hasidic story by the great Yiddish writer Isaac Leib Peretz illustrated by the renowned Jewish painter and printmaker Arthur Kolnik (1890-1972) who was born in Stanislaviv (today Ivano-Frankovsk), Ukraine and studied at the Academy of Fine Arts in Krakow in the studio of Professor Joseph Mehoffer. After an exhibition in the United States of America in 1921 settled in Chernivtsi and moved to Paris in 1931 where he worked as illustrator. Tel Aviv Art Museum organized a major exhibition of his works in 1968. 320x240mm. 25 pages. 20 woodcuts. Unbound double sheets with softcover. Each woodcut protected by a layer of transparent foil. Red lettering on front cover. Cover yellowing and slightly dirty. Front cover detached from rear cover. Cover edges tattered. Whitepages yellowing/age-stained. Pages slightly yellowing. Woodcuts in mint condition. [SUMMARY]: This extremely rare copy of illustrated Jewish prose has sustained some external damage to cover, but is otherwise in very good condition.
ref. Lie, BjørnIn Pristine Condition. unknown
1840ref. 4635Album de lithographies par Charlet : 52 planches.Très rare. 1/2 veau bleu nuit, titre doré sur le plat supérieur. Très bon Paris Gihaut 1840 1 volume in-4° oblong
The bibliography and catalogue raisonne of the livres d'artiste and print portfolios of Masafumi Yamamoto (born 1949), one of the world's great printmakers and book artists. Yamamoto has produced illustrated books in collaboration with Yves Bonnefoy, Michel Butor, Kazunari Suzumura, Joan Brossa, Pere Gimferrer, and many others. The author, William Cole, holds a doctorate from Harvard University and has written many scholarly articles and books about books and prints. FROM A TOTAL EDITION LIMITED TO 300 NUMBERED COPIES, THIS IS ONE OF ONLY 35 COPIES WITH AN ORIGINAL PENCIL-SIGNED AND NUMBERED ETCHING BY MASAFUMI YAMAMOTO. Book also signed by the author (in ink) and the artist (with his inkstamp). Includes high-resolution color plates (many full-page) of all of the prints in the books, and exhaustive bibliographical descriptions. Printed on fine paper. Folio. New.
1688ref. 1912240864xbvkCologne (Köln-Germany), Weidmann, 1688. 1 blank sheet; I. Titlepage in red and black, with larger geographical copper engraving (world-hemisphere with all continents and zodiac-globe ornamentally surrounded, signed 'J. C. Böcklin'); (16) p. dedication and address to the readers; 856 pages, (24) p. of various Indices, 82 p. 'Notae . . .'; 1 blank sheet; II. Titlepage in red and black, with repeated geographical copper engraving, (2) p. of content, 548 pages (libri decem [+ Liber XI, see below]*); 'Eusebii contra Marcellum': 24 p. 'Variantes Scripturae ad Eusebii . . .' and 'Annotationes . . .', (10) p. 'Index', 195 pages '. . . Adversus Marcellum Ancyrae Episcopum . . . [libri tres]'; 1 blank sheet. - Full vellum-over-cardboard binding of the period over 3 stitched-through double-bands with large holograph title at spine 'EUSEBII / Praeparat. / & Demonstr. / evang.' in a brown(ed) ink of the period, all paper-edges black; large-Folio (ca. 35 x 26 x 13! cm; ca. 3,7 kg.).
1984The standard catalogue raisonnÈ of the lithographs. 112 items reproduced and thoroughly described. Profusely illustrated in color and black & white. From a total edition of 2222 numbered copies, this is ONE OF ONLY 111 COPIES SIGNED IN THE COLOPHON BY SCHWARZ, WITH TWO ORIGINAL LITHOGRAPHS BY SCHWARZ printed on fine wove paper bound in. In this copy, exceptionally, ONE OF THE TWO LITHOGRAPHS IS ALSO SIGNED IN PENCIL. This copy additionally has ONE OF 111 SUITES OF THE SAME TWO LITHOGRAPHS, PRINTED IN COLORS WITH LARGE MARGINS (sheet size: 60 x 42 cm) AND JUSTIFIED AND SIGNED IN PENCIL. In this copy, THESE TWO LITHOGRAPHS ARE JUSTIFIED 1/111. The loose lithographs with large margins are cat. nos. 108 (9 colors) and 109 (7 colors); he bound-in lithographs are nos. 108.1 and 109.1. Folio. Publisher's laminated boards. FINE AND BRIGHT. Like new, with no defects.
1830ref. 7642BBParis, div. Verleger, um 1830. Quer-Folio. 20 Lithographien u.a. von Lemercier. Halblederband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7642BB|7642BB_2|7642BB_3 [3 Warenabbildungen]
1825ref. 1742AGJ.L. Gsell, Lithograph., 1825. Altkolorierte Kreidelithografie. Blattformat: 19,5 x 25 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
1840ref. 2910DBSolothurn, Jent und Gassmann, 1840. 8°. 96 S. Mit 4 Radierungen von Martin Disteli. Illustr. Orig.-Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 2910D