10.207 resultados
1972ref. biblio694Darmstadt: Peter-Presse 1972. Fine. Oblong 8vo 95p half velum cloth binding into a cloth slipcase Limited ed to 800 copies #83 and signed by Gerhardt Engravings produced between 1964 to 1970 Like new Bilingual german-english included promotional 4 folded pages text Peter-Presse hardcover
1920ref. biblio650Würzburg : Verlagsdruckerei Würzburg 1920-22. 22 volumes in8 en 19 1920-22 Nouvelle édition illustrations facsimiles de monogrames avec tables et index portrait ; 23 cm Rel demi-toile avec légers accrocs aux dos et plats généralement bel ex ex-libris MKG v 1-5 Niederlaender -- v 6-11 Les vieux maîtres allemands -- v 12 Les clair-obscurs des maîtres italiens -- v 13 Les vieux maîtres italiens -- v 14 Œuvres de Marc-Antoine et de ses deux principaux eÌlèves Augustin de Venise et Marc de Ravenne -- v 15 Estampes de diffeÌrents graveurs anonymes qui semblent être de l'eÌcole de Marc-Antoine Raimondi -- v 16-18 Peintres ou dessinateurs italiens: Maîtres du seizième siècle -- v 19-21 Peintres ou dessinateurs italiens: Maîtres du dix-septième siècle v 22 zusatze zu Adam Bartsch's Le peintre graveur von Joseph Heller; Supplémentspar Rudolph Weigel Verlagsdruckerei Würzburg unknown
1860ref. biblio651Leipzig: Rudolph Weigel 1860-1864. in8 rel demi-toile 6 vol en 3 fortes mouillures au tome 5-6 vol3 sans dommages fongiques mais le papier ondulé ex-libris MKG t 1 Histoire de la gravure sur bois et sur meÌtal jusque vers la fin du XVIe siècle Histoire de la gravure au burin jusque vers la fin du XVIe siècle Nielles t 2 Les maîtres allemands et neÌerlandais du XVe siècle t 3 Les maîtres neÌerlandais et allemands du XVIe siècle t 4 Suite des maîtres allemands et neÌerlandais du XVIe siècle t 5 Les maîtres italiens du XVe et XVIe siècle t 6 Suite des maîtres italiens du XVe et XVIe siècle Table geÌneÌrale et alphabeÌtique des maîtres et des monogrammes Rudolph Weigel unknown
1866ref. biblio541Montréal: John Lovell 1866. Very Good. Tinted lithograph from photograph 255x330mm margins brownished image clean John Lovell unknown
1866ref. biblio542Montréal: John Lovell 1866. Very Good. Tinted lithograph after photograph 255x330 mm margins brownished image clean John Lovell unknown
1866ref. biblio543Montréal: John Lovell 1866. Very Good. Tinted lithograph after photograph 255x330 mm brownished margins image clean John Lovell unknown
1866ref. biblio544Montréal: John Lovell 1866. Very Good. Tinted lithograph after photograph 255x330 mm brownished margins not affected image John Lovell unknown
1866ref. biblio545Montréal: John Lovell 1866. Very Good. Tinted lithograph after photograph 255x330 mm brownished margins not affected image John Lovell unknown
1866ref. biblio546Montréal: John Lovell 1866. Very Good. Tinted lithograph after photograph 255x330 mm brownished margins not affected image Small spot in the sky John Lovell unknown
1877ref. biblio358London: Vanity Fair june 9 1877. Fine. Chromolithography 265x395mm original proof impression Like new a small tear of 2 cm in the lower margin “The second versions of the Vanity Fair caricatures are the proof prints or proofs before lettering First versions are the original watercolors; third versions are the widely available weekly/album prints Produced to verify the colours and lines of the lithograph no more than twenty copies were printed Not true many more than that These prints have no captions or dates or other descriptive type and the magazine bound them in numbered albums in green leather with gilt tooling They were offered for sale and also awarded as prizes in the magazine’s acrostic contests At the front of each volume is a printed note from Vanity Fair giving the number of the proof volume and the numbered volume in the series However these volumes were "broken" to sell individually and one never sees the complete volume The quality of the colours in the proof prints their clarity of line and detail and their scarcity make them of considerable interest to the collector” Roy T Matthews and Peter Mellini In “Vanity Fair” Berkeley: University of California Press 1982 203 Vanity Fair hardcover
1877ref. biblio359London dec.29 1877. Fine. Sue. Chomolithography 265x395mm original proof impression “The second versions of the Vanity Fair caricatures are the proof prints or proofs before lettering First versions are the original watercolors; third versions are the widely available weekly/album prints Produced to verify the colours and lines of the lithograph no more than twenty copies were printed Not true many more than that These prints have no captions or dates or other descriptive type and the magazine bound them in numbered albums in green leather with gilt tooling They were offered for sale and also awarded as prizes in the magazine’s acrostic contests At the front of each volume is a printed note from Vanity Fair giving the number of the proof volume and the numbered volume in the series However these volumes were "broken" to sell individually and one never sees the complete volume The quality of the colours in the proof prints their clarity of line and detail and their scarcity make them of considerable interest to the collector” Roy T Matthews and Peter Mellini In “Vanity Fair” Berkeley: University of California Press 1982 203 hardcover
1878ref. biblio363George Barrie ca 1878. Fine. Engraving after B Le Gempt paper 342x272mm image 240x305mm George Barrie unknown
1893ref. biblio364Hartford Conn: American publishing company 1893. Fine. Chromolitography 7 3/4 x 12 1/4 Print provided from the portofolio: Our Navy Its Growth and Achievements American publishing company unknown
1893ref. biblio365Hartford Conn: American publishing company 1893. Fine. Chromolitography 7 3/4 x 12 1/4 Print provided from the portofolio: Our Navy Its Growth and Achievements American publishing company unknown
1893ref. biblio366Hartford Conn: American publishing company 1893. Fine. Chromolitography 7 3/4 x 12 1/4 Print provided from the portofolio: Our Navy Its Growth and Achievements American publishing company unknown
1893ref. biblio367Hartford Conn: American publishing company 1893. Fine. Chromolitography 7 3/4 x 12 1/4 Print provided from the portofolio: Our Navy Its Growth and Achievements American publishing company unknown
1893ref. biblio368Hartford Conn: American publishing company 1893. Fine. Chromolitography 7 3/4 x 12 1/4 Print provided from the portofolio: Our Navy Its Growth and Achievements American publishing company unknown
1893ref. biblio369Hartford Conn: American publishing company 1893. Fine. Chromolitography 7 3/4 x 12 1/4 Print provided from the portofolio: Our Navy Its Growth and Achievements American publishing company unknown
1968ref. biblio420Paris: Arts et Métiers Graphiques 1968. Very Good. in-4 rel toile LXVI p 267 planches de gravures jaquette illustrée avec dechirures au bord sup Arts et Métiers Graphiques unknown
1978ref. biblio270New York: Overlook Press 1978. Fine/fine. Folio 224p brown cloth ill DJ color and b&w illustrations Overlook Press hardcover
1987ref. biblio284Montréal: Saint-Martin Le Temps Apprivoisé 1987. Fine. In-4 Cartonné jaquette illustrée 507p illcouleur n&b jaquette collée au plat inférieur Saint-Martin, Le Temps Apprivoisé unknown
1733ref. biblio301Amsterdam: Chatelain 1733. Gravure sur cuivreLa feuille = 310 X 460 mm la cuvette = 255 x 352 mm quelques rousseurs en marge image propre Chatelain unknown
1733ref. biblio302Amsterdam: Chatelain 1733. Gravure sur cuivre La feuille = 310 X 460 mm la cuvette = 255 x 352 mm quelques rousseurs en marge image propre Chatelain unknown
1733ref. biblio303Amsterdam: Chatelain 1733. Gravure sur cuivreLa feuille = 310 X 460 mm la cuvette = 255 x 352 mm quelques rousseurs en marge image propre Chatelain unknown
1733ref. biblio304Amsterdam: Chatelain 1733. Gravure sur cuivreLa feuille = 310 X 460 mm la cuvette = 255 x 352 mm quelques rousseurs en marge image propre Chatelain unknown