Collography Firma, data e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampato su carta delle Cartiere Filicarta. Esemplare 4/10. cm 38,5x54,5 (Foglio 50x64). pp.. . Ottimo (Fine). . Tiratura 10. .
Carborundum e pasta modellante. Carborundum and modeling paste Firma, data e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stamapato su carta Hahnemuhle. Esemplare 32/45. cm 39,5x29,5 (Foglio 79x53). pp.. . Ottimo (Fine). . Tiratura 45. .
Carborundum Firma, data e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stamapato su carta Hahnemuhle. Esemplare p.d.a.. cm 33,4x46,4 (Foglio 53x78). pp.. . Ottimo (Fine). . . .
Acquatinta e carborundum Firma, data e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata cu carta Hahnemuhle. Esemplare BAT (Bon à tirer). cm 30x39 (Foglio 50x66). pp.. . Molto buono (Very Good). . . .
Acquaforte appartenente al volume ''Ora di noi'', testo di Franco Passoni e sei incisioni originali di Seuphor, stampato in 150 + XXX esemplari, Milano, Grafica Uno, 1974 Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare p.d.a.. Cm 16,2x15 (Foglio 31,2x31,2). . . Ottimo (Fine). . Tiratura 150 + XXX. .
1937IN HEBREW. 22.5x18 cm. Unpaginated. Hardcover. Cover corners and edges slightly worn. Spine slightly rubbed. Pages yellowing. Else in good condition.
1850ref. 14261850 Paris, H.Delloye, éditeur, place de la bourse, N°13, (s.d) -, 3 feuillets (titre et table), XIVp, 180p comprenant une importante série de portraits - HRL - In-8, en plein chagrin bleu nuit, orné d'une importante composition aux petits fers de type rocaille sur les deux plats, dos abondamment orné de fers spéciaux, doré sur tranche, mors supérieur abîmé -
1969ref. 1233121969-1974 Editions A l'enseigne du champ des sphère - 1969-1974 - Douze volumes in-quarto, plein cuir maroquiné marron, décor à froid et dorures sur les plats, dos à cinq nerfs, pièce de titre, caissons et fleurons et décor en doré, tranche de tête dorée, emboitage cartonné avec ourlet de cuir aux ouvertures - 203 pages + 200 pages + 196 pages + 197 pages + 211 pages + 223 pages (première série en six volumes, avec certificat d'authenticité à l'intérieur du sixième tome, pour cette première série tirage à 3500 exemplaires sur vélin de Lana à la forme filigrané Sefer avec Léopard au parchemin, EX. N°2361) + 195 pages + 195 pages + 188 pages + 182 pages + 174 pages + 180 pages (deuxième série en six volumes, avec certificat d'authenticité à l'intérieur du douzième tome, pour cette deuxième série tirage à 3500 exemplaires sur vélin de Lana à la forme filigrané Sefer avec Léopard au parchemin, EX. N°2361)- Très belles illustrations en couleurs in-texte (miniatures), hors-texte et pleine page de Jean Gradassi
Acquaforte e pasta modellante originale a colori Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Hahnemuhle. Esemplare 61/75. cm 66x99 (Foglio 80x120). pp.. . Ottimo (Fine). . Tiratura 75 + 6 H.C.. .
Carborundum originale a colori Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Hahnemuhle. Esemplare p.d.a.. cm 66x99 (Foglio 80x120). . . Ottimo (Fine). . . .
1887Seven Volumes in Fourteen. Illustrated with mounted proofs on India paper with original tissue guards. Title pages printed in red and black. Text printed on Japanese Vellum. Uncut and unopened. LIMITED EDITION. Number 29 of only 100 copies. Printed and inked ownership of Dr. Wm. M. Findley. Tall 8vo. Original full cloth bindings. Original paper spine labels. Head and tail of some volumes lightly chipped. Hardbound. Very good set of an extremely scarce edition. **PRICE JUST REDUCED! HAKESPEARE BOX 3
1937RARE FIRST EDITION of Shin Shalom's poetry book IN HEBREW, illustrated with woodcuts by Jacob Steinhardt (1887-1968), the celebrated Israeli painter and woodcut artist. 230x170mm. Unpaginated (16 pages). Softcover with foil semi-transparent dust-jacket. Steinhardt's woodcut on front cover. Jacket edges slightly tattered. Jacket spine upper edge and rear bottom edge torn. Front cover edges slightly wrinkled and stained. Front cover coming loose. Rear cover detached. Ex-libris sticker on front endpaper. Page corners slightly wrinkled/rubbed. [SUMMARY]: This extremely rare first edition of poetry book with unique woodcuts of Jerusalem, a unique collaboration by renowned Israeli poet and artist, is otherwise in good condition.
1986IN HEBREW. SIGNED BY SHIN SHALOM with dedication to Prof. Andre Neher dated 1986. Alongside Shalom's poems, this unique edition contains woodcuts by Jacob Steinhardt (1887-1968), the celebrated Israeli painter and woodcut artist. 230x170mm. Unpaginated (16 pages). Softcover with Steinhardt's woodcut on front cover. Cover edge near spine slightly worn, rear cover upper corner slightly bumped. Spine edges slightly worn. Shalom's signed dedication on title-page. [SUMMARY]: This extremely rare signed copy of poems about and unique woodcuts of Jerusalem by renowned Israeli poet and artist is in very good condition.
2015ref. 1379124Monterey: Larkspur Press 2015. Hardcover. Octavo 58 pages. In Very Good condition with Very Good dust jacket. White spine with black text. Dust jacket is protected by mylar covering and has mild shelf wear. Textblock clean. Shelved Poetry. 1379124. Shelved Dupont Bookstore. Larkspur Press hardcover
2015ref. 1379124Monterey: Larkspur Press 2015. Hardcover. Octavo 58 pages. In Very Good condition with Very Good dust jacket. White spine with black text. Dust jacket is protected by mylar covering and has mild shelf wear. Textblock clean. Shelved Poetry. 1379124. Shelved Dupont Bookstore. Larkspur Press hardcover books
1939A clean, unmarked book with a tight binding. Full light gray cloth boards with green pasted-down label with gilt decoration and title. Sharp corners. Small spots on spine. Wood engravings by John Farleigh. Limited Edition, 168/1500. Signed by John Farleigh. No slipcase.
1934ref. 51300New York NY : Harrison Smith & Robert Hass 1934. Harrison Smith and Robert Hass. Hardcover missing slipcase. Hardcover missing slipcase very good- with light soiling to the boards the spine is faded with chipping to the head and tail internally the pages are bright and unmarked the binding is tight deckled edges 29pp Illus. Lynd Ward. Harrison Smith & Robert Hass hardcover
ref. 139758Hardcover. Book Condition: Very Good. Jacket Condition: No Jacket. Harrison Smith and Robert Haas New York NY 1934. First Thus. 259 pages. White cloth binding black and blue pastedown of a man standing with raised hands spine has label with black lettering. Nice Firm Clean copy ! Spine sunned brown. Has bookplate. Does not have slipcase. Size: 8vo. Fiction Antique Fiction Modern::Horror 5923 hardcover
1974ref. ZB1354368Easton Press 1974. Price HAS BEEN REDUCED by 10% until Monday Nov. 2 weekend sale item Gilt-stamped full maroon leather hardcover moire endpapers and pastedowns a.e.g. fine. Includes Notes from the Archives laid in. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Easton Press hardcover
1971ref. 129685The Limited Editions Club 1971. Book. Fine. Hard Cover with Slipcase. Signed by Illustrators. Limited Edition. 4to - over 9¾ - 12" tall. Half-leather hardcover with burgundy leather spine with black panel with gilt lettering; boards covered in orange cloth with oval black portrait on front; 914/1500; signed by illustrator. Book is in fine condition: very very slight scuffing to spine tips otherwise like new. Slipcase in very good plus conditon. The Limited Editions Club Hardcover
Set of four oval designs, all matted, with captions peeled and re-mounted upon mat. Comprising I: "Le Reveil". 268:205 mm. Oval, pencil, ink and watercolour drawing, signed ("Shepard") lower right, mounted, some worming to mount. - II: "La coiffure". 270:205 mm. Oval, pencil, ink and watercolour drawing, unsigned, mounted. - III: "La Jupe Insoumise". 270:205 mm. Oval, pencil and watercolour drawing, mounted, unsigned. - IV: "La Toilette achevée". 265:203 mm. Oval, pencil and watercolour drawing, unsigned, mounted. Fine set of original full-colour illustrations, picturing a young lady's matutinal awakening (by a maid bringing what is presumably a letter from her lover), morning coiffure, dressing (the lady being tucked into a recalcitrant dress by two maids), and, ultimately, the lady's admiration of her reflection in the mirror, her morning toilet achieved, with a maid in the background signalling to a gentleman that madam will receive him anon. A rare example of risqué drawings by Shepard, best known for shaping the definitive image of "Winnie-the-Pooh", but also a prolific staff-member of "Punch" and illustrator of favourites such as "The Wind in the Willows" and "David Copperfield". - Slight worming to mount (not affecting image). All signed in pencil on the reverse: "E. H. Shepard, Shamley Green, Guildford." Although the drawings are clearly marked for reproduction ("In 3 Colours"; "size 10 1/4 high facsimile"; "vet to Mr Shepard", etc.), it is unclear if they were actually published - the book for which they were intended could not be traced, and their subject matter does not fit easily into the artist's known canon, showing Shepard as a highly accomplished, albeit tamer disciple of Aubrey Beardsley with an inclination toward Rococo rather than Art Nouveau.
305:508 mm, mounted on cardboard. Fine, large horizontal watercolour picturing a noble lady nude in the bathtub under a parted canopy, with ladies-in-waiting staring aghast or trying to shield their mistress from view, while four puttos gracefully fly from the canopy, a gentleman in 18th-century costume, seated on a sopha, faces the scene, and a small orchestra plays at far right. - A rare example of a risqué drawing by Shepard, best known for shaping the definitive image of "Winnie-the-Pooh", but also a prolific staff-member of "Punch" and illustrator of favourites such as "The Wind in the Willows" and "David Copperfield". - Some spotting. Signed in red "Ernest H. Shepard" at lower right. While the drawing is clearly marked for reproduction (size markings; notes "Sketch 3 Colour Double"; "Henry Stone" [i.e., the Banbury-based colour printing and photo-engraving concern], etc.), it is unclear if it was actually published - the book for which it was intended could not be traced, and the subject matter does not fit easily into the artist's known canon, the flamboyant period costumes reminiscent of his work for "Everybody's Pepys", but also showing Shepard as a highly accomplished, albeit tamer disciple of Aubrey Beardsley with an inclination toward Rococo rather than Art Nouveau.
310:245 mm, under oval mat. A seated young lady, handkerchief in hand, smiling and eyes cast down bashfully, wearing a white bonnet and a dark, semi-transparent cloth flung over her cape, her petticoat having slipped to her thighs and revealing her tightly closed legs from the knees downward. - A rare example of a risqué drawing by Shepard, best known for shaping the definitive image of "Winnie-the-Pooh", but also a prolific staff-member of "Punch" and illustrator of favourites such as "The Wind in the Willows" and "David Copperfield". - Slightly warped. No publication of this image could be traced.
1970Roy. 8vo., First Edition thus, with title-vignette, numerous reproductions of engraved plates throughout, and pictorial endpapers; black cloth, gilt back, a near fine copy in price-clipped dustwrapper. High quality facsimile reissue of a classic of nineteenth century London topography, first published in 1829.
ref. 19876Paris, Réunion des musées nationaux, 1988 1 volume 20 x 21cm Broché sous couverture entièrement illustrée couleurs. 206p., 1 feuillet; très nombreuses illustrations en noir, vignettes, pleines et double pages, 8 planches couleurs. Bon état.
