Embellished With Numerous EngravingsBiblio.com
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ref. 0243057237.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1844ref. H19378London: Longman Brown Green and Longmans 1844. First English language edition. Hardcover. Good. 2 volumes publisher's muted lime cloth with gilt decorations on front covers good set recent matching cloth over the Summer volume spine moderate wear to bindings plates show some foxing owner's name clipped from flyleaves with 18 engravings per volume. Longman, Brown, Green and Longmans hardcover
1948ref. 11111112222233547The First UK printing published by The Golden Cockerel Press London in 1948. Number '36' of only 80 specially bound copies signed by both the author and artist to the limitation page. The BOOK is in Very Good or better condition. Full brown morocco binding by Sangorski & Sutcliffe with five raised bands gilt spine titling and large gilt designs by the artist on the upper and lower covers. Gilt ruled turn-ins. top edge gilt and others uncut. 3 maps by Mina Greenhill and 10 wood engravings by Clifford Webb 8 full page. Some discolouration and light marking to the outer fore edge of the front board and some light fading to the outer fore edge of the rear cover with a neat previous owner's bookplate to the front pastedown. The book is protected in loose Mylar archival cover. Loosely inserted is the 4 page publisher's prospectus. A very handsome production - 'Clifford Webb's wood engravings seemed to me the finest yet produced by this master of black and white.' COCKALORUM 181. More images available on request. Ashton Rare Books welcomes direct contact. The Golden Cockerel Press hardcover
1814ref. 177240Printed for William Daniell by Thomas Davison. 1814. 17 uncoloured aquatint plates mounted on India paper tissue-guards textblock complete but front and rear boards are disbound and only a fragment of the spine remains with the stamp of the library of the University of Pennsylvania on the front paste-down and blind stamped throughout but not affecting the plates. Marbled endpapers all edges gilt slight water stains to some pages edges browned but the plates are clean. 42.5 x 33.5cm. A very good example of Orientalist art. Robert Smirk 1752. Exhibited at the Royal Academy in 1786 became an associate in 1792 and in the same year an academician. Most of his paintings are small.Those for the story of the Hunch-back engraved by Daniell were in his happiest manner. He died in London 1845. Bryan's Dictionary of Painters and Engravers - London 1927. . Printed for William Daniell by Thomas Davison hardcover
2018ref. ABE-1675259210036Strange Attractor Press London 2018 This is a truly odd listing. It is easy to understand at one level. It has a powerful impact. It will set you thinking. It is also a truly original take on an historical theme. Ian Johnstone worked on this odd and fascinating collection. It is VERY odd; it is possibly unique. The wounds all twenty three of them were inspired by this artist's conception of how each stab was wielded and delivered upon Julius Caesar. An attempt to describe it sounds pretentious but with this strange book in your hands you can look and share something of this odd vision. Each was produced on - I believe - white melamine. The wounds are rendered in red pigment or ink. One of them is featured on the shiny white cover. It is an image inset into a blind stamped shape. The images inside are all in keeping with the cover and one can speculate; is this Brutus's mark And can that be yon Cassius's lean and hungry blade Was this how each wound appeared upon the toga of JC Speculate as you wish and contemplate them in whatever order you like. They are all worth a look and you will have seen nothing so strange before. And there are some photographs of the artist at the back by Kerry and Daniel O'Sullivan. Geoff Cox and Serena Korda have written the text. This is hard to describe and easy to look at. It is wondrous strange. It is peculiar.On the back cover it says '23 hawk beaks 23 fragments of a skull 23 curses hung round the neck of a scavenger.' And there are only 300 copies in the whole wide world of this book and it might be a masterpiece. It is not signed or numbered but the publisher insists only 300 copies exist. There is also a cassette of special music. YES! A cassette. The loose prints are ready to frame and the whole package is something very special indeed. Limited Edition. Hardcover. New. Strange Attractor Press London hardcover
1987A clean, unmarked book with a tight binding. Full white cloth boards. Slight edge wear to cover. 448 pages.
1893pp. xii, 99, 13 [Price List of Tissue and Materials Used in the Production of Permanent Photographs], 19 [Abridgement of the Autotype Company's Fine Art Catalogue], (1) [Press Notices] + Autotype Frontis. Frontis worn with loss at bottom corner margin. Lacks second illustration. Title page soiled. Page xi torn without loss. Old damp staining at top margins. Fly leaves penciled scribbled. Tipped in order and telegraph directions printed in red. Top edge gold gilt. 12mo. 175 mm. Original full cloth binding, lettered and decorated in gold. Extremities rubbed with loss. Binding worn. Revised Edition. Hardbound. Very good. Autotypes were a commercial photographic process for producing excellent prints, in mostly monochrome, using a carbon pigment. W103 RtStack
1935ref. 5108DBLondon, Cook and Son, Ltd. 1935. 8° (14,6 x 10,5 cm). 16 S. mit doppelseitiger Illustration von Eiger und Mönch. illustrierte geheftete Broschur.
1836ref. 187801836 London VIRTUE IVY LANE (1836) - IN4 demi chagrin rouge,dos orné de caissons dorés,tranches dorées1ª ed. 16x24.5. 2 vols. de 116pp.+ 112pp., 94 gravures sur acier en noir ht.Quelques ousseurs en marge,sinon bon etat
1921ref. 54889Lucien Vogel éditeur | Paris 1921 | 18 x 24 cm | une feuille
1921ref. 57546Lucien Vogel éditeur | Paris 1921 | 18 x 24 cm | une feuille
ref. 005025Éditeur : Bamboo Publishing, London Date d'édition : 1993 Reliure : Couverture rigide Etat du livre : Très bon Etat de la jaquette : Très bon Edition : Edition originale
ref. ART400MNon daté / 94 pages. Relié. Editions Oberon Press
ref. 659Londres, David Bogue, 1852., Couverture souple In-12, reliure entoilée ornée sur le plat supérieur d'une figure grotesque. Reliure frottée et légèrement déboîtée. Intérieur frais.
1849ref. 255161849 LE CHARIVARI Aubert et Cie, imprimeur-lithographe. 1849- Lithographie - Hauteur: 35.9cmx Largeur: 27.6cm - Description:Planche n°43- Assemblée législative, . -1 feuillet (4 pages) numéro complet ; illustration page 3.-- texte imprime au dos,bon etat,rousseurs.
1913ref. 7911CBBoston, Page, 1913. 8°. X, 489 S. Mit Illustr. von Woldemar Ritter. Goldgepr. Orig.-Leinenband.
2010ref. AR160Athens 2010. Gd in-4o, 533 pp. with hundreds of colour illustrations mostly in full page. These works were exhibited at the Municipal Gallery of Athens from the 17th February to the 3rd of July 2011 in two parts: A) XVth century-Rococo, Academy Realism, Impressionism, Vienna Secession, Fauvism, Expressionism, Cubism, Abstraction, New Objectivity, Drawings. B) Surrealism, the Paris School, Portrait-Nude-Still life, Art in the first post-war decade, Art in the 1960s, Neo-fauves, Prints. Full cloth binding, illustrated jacket. Brand new copy of a total 1000 copies edition. N.B. There is a greek edition also available at the same price.
ref. 16367London, Pulman. 36X25 cm.
1893ref. 261551893 Les peintres-lithographes : album trimestriel de lithographies originales et inédites 1893 - belle epreuve sur chine collé. tres claires rousseurs en marge. toutes marges, dimension feuille : 320 x 460mm.. timbre, tirage à 100 ex.
1895ref. 14307Bois colorié, 3 feuilles assemblées. From the story of the heroes and heroines in "The Tale of Heike". "Kusunoki Masatsura Shijonawate Chusen no Zu". Kusunoki Masatsura (The son of the famous warlord Kusunoki Masashige), and two retainers are fighting against the shower of arrows from the enemy troop. En feuilles Très bon 1895 37 x 71,5 cm
ref. 241640 Planche N°48, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon, toute petite trace de punaisage dans l'extrémité de la marge supérieure gauche (Our plate is one of the few copies printed on Japanese paper. Original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales offertes en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 30804ABZürich, Orell Füssli & Co., 00 (4) Bl. (Titel und Illustrationen), 28 S., (2) Bl. (Zürich). Mit vielen zum Teil ganzseitigen Abbildungen. Blind- und goldgeprägter Orig.-Leinenband.
1930ref. 1021DG1930. Touristikplakat in Tiefdruck, nach einer Fotografie von Wehrli, Zürich. Blattgrösse: 49 x 64 cm.
1885ref. S81884New York, Frederick Keppel 1885 viii + 322pp. + frontispiece & 5 plates out-of-text, with notes and a bibliography of engraving (by Robert Hoe), 23cm., hardcover (cloth boards, spine in leather - with some traces of use, esp. at ends), upper edges gilt, very few foxing, good, S81884
1878ref. 14367Épreuve sur chine contrecollé; D'après le tableau de frederick Arthur Bridgman. En feuille Très bon 1878 21 x 28 cm
