Kitt, Heinrich:Livre Rare Book
10.815 resultados
1849ref. 3695DBZürich, Friedrich Schulthess, 1849. 8°. (1) Bl., X, 156 S. Pappband der Zeit.
1877ref. 5768BBSolothurn, J. Gassmann, 1877. 8°. (4) S. Mit 19 Tabellen. Orig.-Heft + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 2. Aufl. (leicht bestossen und stockfleckig).
1877ref. 5768BB2. Aufl. Solothurn, J. Gassmann, 1877. 8°. (4) S. Mit 19 Tabellen. Orig.-Heft (leicht bestossen und stockfleckig).
1984ref. 50052(Krefeld), Galerie Peerlings, (1984). 44 unpag. Bl. Mit 32 meist Abb., tls. a. Falttaf. 4to. OLn. m. SU im stabilen OPp.-Schuber (dieser berieben).
1959ref. 1158269München, Goldmann, (1959). Gr.-4to. 56 S. m. einigen Textabb., 224 Abb. auf Taf. OLwd.
1982ref. 1095948Braunschweig, Herzog Anton Ulrich-Museum, 1982. Gr.- 8vo. 238 S. m. zahlr. Abb., wenige davon farb. OKart.
1922ref. 1002011Dresden, 1922. 4to. 37 S., 99 Taf. (Arnolds Graph. Bücher II,3). OHlwd (leicht berieben).
1912ref. 1185356Berlin, Reflektor-Verlag, (1912). Quer-8vo (ca. 15,5 : 24 cm). 189, (1) S. in zweispaltigem Satz m. zahlr. Skizzen, Zeichnungen und Reproduktionen photographischer Otiginal-Aufnahmen des Verfassers. OLwdbd m. montiertem Photoabzug (Richards und Mark Twain) u. Goldprägung auf Rücken u. Vorderdeckel.
1985ref. 1512346Berlin. Ullstein, (1980) (recte: 1985). Gr.-8vo. 400 S. m. 16 farb. u. 360 einfarb. Abb. OKart.
1959ref. 008606New York: Henry Holt and Company 1959. First edition first printing. Hardcover. This strikingly clean jacketed copy of the first edition first printing of Robert Frosts 1959 collection of Favorite Poems for Young Readers is signed by him "Robert Frost" on the title page just above his printed name. This collection takes its title from the words repeated at the end of each stanza of this book's first poem "The Pasture" first published as the prefatory to North of Boston in 1914. Of this collection the publisher said Frost "has gathered a group of his poems to be read to and by young people. To Robert Frost a great-grandfather with a remarkable number of small friends this was a labor of love. Frost dedicated the volume to his mother Belle Moodie Frost who knew as a teacher that no poetry was good for children that wasnt equally good for their elders. Evoking Frosts famous poem Mending Wall Frosts friend Edward Hyde Cox 1914-1988 who contributes a Foreword to this volume said of Frost that he had never added a single stone to the wall that so often separates age from youth. Prevalent among the 51 poems herein is Frost's gently subversive inclination to write verse that is superficially accessible "lovely dark and deep" upon sounding. This is a handsome book bound in orange-yellow linen cloth with a vignette of a bird on a fence post stamped in black on the lower right front cover corner and spine print stamped in black with a red acorn and leaf device between at the spine's center. The contents feature wood engravings by Thomas W. Nason and are bound with endpapers of heavy light gray wove paper and red and yellow head and tail bands. The dust jacket printed on beige laid paper features a wood engraving of birches spanning the lower front face spine and extending onto the rear face. The rear face prominently features Yousuf Karsh's famous portrait photograph of Frost. Condition is truly fine in a truly fine dust jacket. The illustrated cloth binding is immaculately clean and bright with sharp corners and only the most trivial hints of shelf wear to extremities. The contents are likewise pristine with no spotting soiling toning or previous ownership marks. "FIRST EDITION" is so stated on the title page verso. The contents retain a pleasingly stiff feel The dust jacket is crisp bright clean and entirely complete with no loss or tears and retaining the original "$3.00" upper front flap price. We note only a hint of wrinkling to the spine heel and a touch of soiling to the lower rear face. The jacket is protected beneath a clear removable archival cover. Publisher's statements are often hyperbolic. In this case the dust jacket's front flap description of Robert Frost as "America's beloved poet ageless and for the ages" was and remains more accurate than advertising. Before this volume was published on 26 March 1959 Robert Frost 1874-1963 reached the age of eighty-five. His stature had risen to an apex arguably unequalled by any American poet since. Frost had long-since won all of his still-unrivaled four Pulitzer Prizes for poetry 1924 1931 1937 and 1943. He spent his final years as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. Reference: Crane A39; Tuten and Zubizarreta; ANB Henry Holt and Company hardcover
ref. 0701139382.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 24136Pars Imprimerie Chaix 1897 Planche N°94, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon (Our plate is one of the few copies printed on Japanese paper, original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches en lithographie, des plus belles affiches illustrées des grands artistes français et étrangers. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales données en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire d'une des très rares épreuves imprimées sur papier Japon, du tirage de tête (Our plate is one of the few copies printed on Japanese paper) ( Photographies sur demande / We can send pictures of this book on simple request )
1820ref. 855CB(Zürich, Orell Füssli, 1820). 4°. (43) Bl. Mit 40 emblemat. Kupfern (mit Versen und Bildüberschrift) auf 40 einseitig bedruckten Bl. von Chritstoph Murer. Neuer Pergamentband im Stile des 16. Jh. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 855C
1820ref. 855CB(Zürich, Orell Füssli, 1820). 4°. (43) Bl. Mit 40 emblemat. Kupfern (mit Versen und Bildüberschrift) auf 40 einseitig bedruckten Bl. von Chritstoph Murer. Neuer Pergamentband im Stile des 16. Jh.
1881ref. 25203ABFrauenfeld, Huber, 1881-1987. 8°. Orange Leinenbände (1-6 u. 8) u. Orig.-Halblederbände. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + Bde. 1-11.
1881ref. 25203ABBde. 1-11. Frauenfeld, Huber, 1881-1987 8°. Orange Leinenbände (1-6 u. 8) u. Orig.-Halblederbände.
1888ref. 6032CBGütersloh, Bertelsmann, 1888. 12°. 142 S. Mit 1 Portrait. Orig.-Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
ref. 16411ABo.J. 114, 9 pages, 25 (6 coloured woodblock-prints) coloured plates, many double-page, 36 b/w plates and many illustrations in the text. Original cloth binding, housed in original wooden box with title-label.
232:172 mm (size of plate), mounted on cardboard (330:250 mm).
235:174 mm (size of plate), mounted on cardboard (330:250 mm).
234:174 mm (size of plate), mounted on cardboard (330:250 mm).
1989A clean, unmarked copy with a tight binding. 160 pages. Small chip on top edge of black cloth boards; barely noticeable. Clean and tight with sharp corners. Slight edge wear and fading to dust jacket. A photographic reproduction of the first edition, printed by offset lithography. Selected with an introduction by Reynolds Stone; postscript and additional selection by Simon Brett. . "Gwen Raverat (1855-1957) was one of the most distinguished printmakers of the century, an artist in whose hands the medium of wood engraving became uniquely transparent to personal vision. Her world, richly populated with the symbols of her own experience set in one of the most classic traditions of Western art, is universally accessible and capable of inspiring passionate affection in those who are drawn to it, responding to her own intense reaction to the subjects she chose." [Publisher's blurb]
1936ref. 1208625London, The Studio, (1936). 4to. 192 S. m. etwa 200, vielfach ganzseitigen Beispielen, 8 Tafeln in Rotdruck. (Special Winter Number of The Studio). OLwd.
1970ref. EEZZ1624Tokyo : Printed by Kyoto Hangain, n.d. [ca 1970]. 26 x 21,5 cm. 6 Farbholzschniite (19 x 14 cm) unter (gegilbten) Passepartouts, 1 Doppelbl. Begleittext engl. u. jap., in OLn.-Flügelmappe mit mont. Einbandtitel. Exlibris Sammlung Schuldes. OCLC : 43530068
ref. 241650 Planche N°60, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon, toutes petites traces de punaisage sur l'extrémité de la marge supérieure (Our plate is one of the few copies printed on Japanese paper. Original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales offertes en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
