1872rif. 27507ABZürich, Orell, Füssli und Comp., 1872. Gr.-8°. 27 S. Mit einem lithogr. Porträt (Leo Iudae Theologus) nach H. Bodmer. Orig.-Heft (Rücken oben minim angeplatzt). = "60. Neujahrsblatt (Neujahrsgeschenk an die Zürcherische Jugend sic.) von der allgemeinen Musik-Gesellschaft in Zürich auf das Jahr 1872".
1935rif. 619DGO.O., um 1935. Altkolorierte Aquatinta von Lukas Weber. Bildgrösse: 24,8 x 17,3 cm. Blattgrösse: 28,3 x 20,2 cm.
1888rif. 27519ABZürich, Orell, Füssli und Comp., 1888. Gr.-8°. 22 S. Mit einem lithogr. Porträt (Benedetto Marcello) nach H. Bodmer. Orig.-Heft (minim bestossen). = "76. Neujahrsblatt (Neujahrsgeschenk an die Zürcherische Jugend sic.) von der allgemeinen Musik-Gesellschaft in Zürich auf das Jahr 1888".
1885rif. 27516ABZürich, Orell, Füssli und Comp., 1885. Gr.-8°. 30 S. Mit einem lithogr. Porträt (J.G. Krauer) nach H. Bodmer. Orig.-Heft (bestossen). = "73. Neujahrsblatt (Neujahrsgeschenk an die Zürcherische Jugend sic.) von der allgemeinen Musik-Gesellschaft in Zürich auf das Jahr 1885".
1882rif. 27514ABZürich, Orell, Füssli und Comp., 1882. Gr.-8°. 23 S. Mit einem lithogr. Porträt (Joh. Rudolf Weber). Orig.-Heft (minim bestossen). = "70. Neujahrsblatt (Neujahrsgeschenk an die Zürcherische Jugend sic.) von der allgemeinen Musik-Gesellschaft in Zürich auf das Jahr 1882".
1840rif. 781CGZürich, H. F. Leuthold, um 1840. Altkolorierte Aquatinta von Lukas Weber. Bildgrösse: 13 x 17,3 cm. Blattgrösse: 17,1 x 21,5 cm.
2000rif. 12345Lewisburg PA: The Press of Appletree Alley 2000. Limited Edition. Hardcover. Near fine. Large octavo 69pp. illustrated. From The Bucknell University Fine Editions: A Series in Contemporary Poetry edited by Cynthia Hogue. A near fine copy in the publisher's abstract paste paper boards. Boards just a tinge warped in the same direction and the spine a tinge cocked; else lovely. The colophon reads: "This book was hand-set in 14 pt. Spectrum monotype with titling in Open Kapitalen both Van Krimpen types. Designed and set by Jason Urban and Juanita Bishop this edition was printed by Barnard Taylor and Juanita Bishop in Rives lightweight mouldmade paper with a Vandercook No. 4 press. The wood engravings were printed directly from the blocks. Each book has been hand-bound by Don Rash in cloth and paper over boards using an original abstract paste paper." This is number 35 of 125 limited copies each of which is SIGNED by Weaver and Richards on the colophon. A striking production. Laid-in is a letter from the previous owner to the publisher enclosing a check for his copy and lamenting the then-imminent demise of the press. The Press of Appletree Alley hardcover
rif. Brown, Betty Ann and BellIn Pristine Condition. unknown
1952rif. 066330London Great Britain: The Queen Anne Press 1952. Book. Very Good. Hardcover. 38 pages 8vo. Limited Edition of 950 numbered copies. This is copy 917. Shelfwear to DJ: scuffing along edges and covers tanned covers and spine some light foxing and smudge marks. DJ in mylar. Fading along cloth board edges. Tight binding no marks. Volume is in Very Good condition. The Queen Anne Press Hardcover
1981rif. 57858London: Weidenfeld & Nicolson Ltd Kodansha International 1981. 365 S. mit zahlreichen teils ganzseitigen Abb. mit Schutzumschlag gebundene Ausgabe, Leinen
1864256p. + Full Page Engraved Portraits with original tissue guards. Slightly foxed. XLib. Manuscript notes on rear fly leaf. 12mo. 190 mm. Original full cloth binding embossed in blind. Corners worn. Spine faded with loss at head and tail and near title. Hardbound. Very good. Brief sketches of John Summerfield, Archibald Alexander, Nettleton, Beecher, Payson, Chalmers, Dwight, Edwards, Whitefield, Baxter, Bunyan, Massilon, et. al. RELIGION BOX 10
rif. 25146Lithographie parue dans le N° 114 du journal la Caricature du 10 janvier 1833.
1998Exhibition catalog for a show held at the publisher's gallery. Book ( 9" x 9") is in excellent condition, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 12 pages with 7 full color, full page prints by the artist, essay by Mr. Johnson.
1998Exhibition catalog for a show held at the publisher's gallery. Book ( 9" x 9") is in excellent condition, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 12 pages with 7 full color, full page prints by the artist, essay by Mr. Johnson.
1941rif. 774DBZürich, J.H. Waser, 1941. Kl.-4°. 56 S. Mit 10 mont. Abb. auf Tafeln (dv. 4 farbig). Orig.-Pappband mit goldgepr. Deckelillustr. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (berieben, bestossen und gebräunt).
1779rif. 30020ABZürich, Orell, Gessner Fuesslin, 1779. Folio. 152 S, (31) Bl. Mit 1 ges. Titelblatt, 29 Kupfertafeln und 14 Tabellen (davon 2 gef.) Halblederband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild
1779rif. 30020ABZürich, Orell, Gessner Fuesslin, 1779. Folio. 152 S, (31) Bl. Mit 1 gest. Titelblatt, 29 Kupfertafeln und 14 Tabellen (davon 2 gef.). Halblederband der Zeit.
1941rif. 774DBZürich, J.H. Waser, 1941. Kl.-4°. 56 S. Mit 10 mont. Abb. auf Tafeln (dv. 4 farbig). Orig.-Pappband mit goldgepr. Deckelillustr. (berieben, bestossen und gebräunt).
1873rif. 2865DBWinterthur, Topograpisches Institut Wurster Randegger, 1873. Gr.-folio. (2) Bl. Mit 8 farb. doppelblattgr. Tafeln. Orig.-Halbleinenmappe. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 2865D
1881rif. 25020ABSt. Gallen, St. Gallen, 1881 / 1888. 12°. (4) 568 S. Orig.-Halblederband + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (leicht berieben).
rif. 93656N.D. Non-Book. Very Good with no dust jacket; Framed Civil War Print Colonel Nathan Bedford Forrest. Signed by John Warr. 9 1/2" across and 9 1/2" high Framed. Print is 5 3/4" by 5 3/4". Good condition; Prints . unknown
1991rif. 909001991. Non-Book. Very Good with no dust jacket; Framed Civil War Print Hanging Out Till The Smoke Clears. Signed by John Warr. Print is 5" high and 8 1/2" across Frame is 13" across and 9" high. Very good condition. ; Prints . unknown
rif. 139760Hardcover. Book Condition: Very Good. Jacket Condition: No Jacket. Jonathan Cape and Harrison Smith New York NY 1930. First Edition. 1st Printing. Unpaginated pages. Nice Firm copy ! Previous owner names. Size: 8vo. Fiction Modern::Crime/Mystery/Suspense 5923 hardcover
1891rif. 004953London: Vincent Brooks Day & Son Lith 1891. Near Fine. 1 chromolithographed print 39 x 27 cm. signed "Spy" with the biographical text photocopy. Sir Leslie Ward 1851-1922 English caricaturist and portrait painter signed his works 'Spy.' Sir Peter Henry Edlin 1819-1903 was chairman of the County of London Sessions. According to the biographical text that accompanied the print he was an unpleasant and controversial judge. In Near Fine Condition: clean and bright. Vincent Brooks Day & Son, Lith unknown
1877rif. biblio358London: Vanity Fair june 9 1877. Fine. Chromolithography 265x395mm original proof impression Like new a small tear of 2 cm in the lower margin “The second versions of the Vanity Fair caricatures are the proof prints or proofs before lettering First versions are the original watercolors; third versions are the widely available weekly/album prints Produced to verify the colours and lines of the lithograph no more than twenty copies were printed Not true many more than that These prints have no captions or dates or other descriptive type and the magazine bound them in numbered albums in green leather with gilt tooling They were offered for sale and also awarded as prizes in the magazine’s acrostic contests At the front of each volume is a printed note from Vanity Fair giving the number of the proof volume and the numbered volume in the series However these volumes were "broken" to sell individually and one never sees the complete volume The quality of the colours in the proof prints their clarity of line and detail and their scarcity make them of considerable interest to the collector” Roy T Matthews and Peter Mellini In “Vanity Fair” Berkeley: University of California Press 1982 203 Vanity Fair hardcover
