1 175 résultats
1871réf. FOSTERBI004667E. Moxon London. 1871. First edition thus: illustrated with 22 exquisite engravings by Birket Foster. Quarto. pp viii 109 1 adverts. 22 plates. Fine period binding by H. Sotheran of full straight-grain morocco with raised bands gilt decoration and rules all edges gilt.A bit of foxing here and there otherwise fine. E. Moxon, London. hardcover
2018réf. ABE-1675259210036Strange Attractor Press London 2018 This is a truly odd listing. It is easy to understand at one level. It has a powerful impact. It will set you thinking. It is also a truly original take on an historical theme. Ian Johnstone worked on this odd and fascinating collection. It is VERY odd; it is possibly unique. The wounds all twenty three of them were inspired by this artist's conception of how each stab was wielded and delivered upon Julius Caesar. An attempt to describe it sounds pretentious but with this strange book in your hands you can look and share something of this odd vision. Each was produced on - I believe - white melamine. The wounds are rendered in red pigment or ink. One of them is featured on the shiny white cover. It is an image inset into a blind stamped shape. The images inside are all in keeping with the cover and one can speculate; is this Brutus's mark And can that be yon Cassius's lean and hungry blade Was this how each wound appeared upon the toga of JC Speculate as you wish and contemplate them in whatever order you like. They are all worth a look and you will have seen nothing so strange before. And there are some photographs of the artist at the back by Kerry and Daniel O'Sullivan. Geoff Cox and Serena Korda have written the text. This is hard to describe and easy to look at. It is wondrous strange. It is peculiar.On the back cover it says '23 hawk beaks 23 fragments of a skull 23 curses hung round the neck of a scavenger.' And there are only 300 copies in the whole wide world of this book and it might be a masterpiece. It is not signed or numbered but the publisher insists only 300 copies exist. There is also a cassette of special music. YES! A cassette. The loose prints are ready to frame and the whole package is something very special indeed. Limited Edition. Hardcover. New. Strange Attractor Press London hardcover
réf. 31044Facsimile reprint . Maroon cloth boards elephant folio engraved dedication & 22 engraved plates The plates include two perspective views of the interior and one of the main entrance and several plans and sections the last plate providing a comparative view of the plans of fourteen other theatres including Covent Garden London Versailles the old Paris Opera the Comédie Française and theatres in Berlin Argentina Madrid &c. fine condition please note it wil incur extra postage which we will be happy to quote for at cost. Facsimile reprint hardcover
1759réf. 848041759. T. Kinnersley. London. 1759. In Two Volumes II and III and contains the whole set for the year 1759. Bound in 18th century quarter brown calf gilt very worn and rubbed and lacking portions of leather from heads and tails of spine. Joints tender but holding. Vol. II; ii 372 pages plus 4pages of index. Vignette to general title-page and engraved head-piece for each month. 6 engraved plates of unusual and more ordinary fauna including the dodo the rhinoceros sea hedge-hog the horned didapper flying fish and cassowary. 1 portrait plate of Magliabechi 14 full page engraved maps and plans. Vol. III; ii. 404 pages plus 4 page index. Engr. vignette to general title-page and engraved head-pieces or decorations to each month 4 engraved plates of fauna one portrait plate of Major General Wolfe 1 incredible engraved plate displaying the Torments Inflicted by the Dutch on the English in Amboyna plus the engraved frontis. to Pope's Essay on Man. Three engraved plates - 1 map and 2 plans. A wonderful insight into what interested people in the mid-18th century. Pages browned and occasionally foxed but otherwise a very useful set. hardcover
1944réf. 30216AHB NODJ SLIPCASE HAS RED & WHITE ILLIUSTRATION ON FRONT OF GENTLEMAN SEATED SLIPCASE EDGE WEAR SEPARATION 1944 on Title Pg COPY # 571 LIMITED NUMBERED 1ST EDITION VG/VG- AS-IS EXTREMITIES CHIPS WEAR DJ Printed from Plates in Original Limited Edition of 1000 BEIGE CLOTH GREY ILLUSTRATED BOARDS Set in an aristocratic estate in Victorian England pronounced by critics as the oldest full length English mystery novel and to this day the best. Outlandish HORROR During a battle in India a sacred shrine is robbed of a jewel by a British soldier and the curse of the East Indian God follows the gem through generations of English ownership. A group of Fanatical East Indians follow the Moonstone to England where a mysterious death overtakes every heir to the fatal jewel Against the Gentle Background of an Aristocratic Estate in Victorian EnglandMoves a Story so Intriguing in Mystery Fascinating in Character Presentation & Beguiling in the Telling. During a Gory Battle in Far Off India a Sacred Shrine is entered & Robbed of a Jewel by an Adventurous British Soldier & the Curse of the East Indian God follows DORAN DOUBLEDAY & CO LIMITED EDITIONS GARDEN CITY NY hardcover
1920réf. biblio650Würzburg : Verlagsdruckerei Würzburg 1920-22. 22 volumes in8 en 19 1920-22 Nouvelle édition illustrations facsimiles de monogrames avec tables et index portrait ; 23 cm Rel demi-toile avec légers accrocs aux dos et plats généralement bel ex ex-libris MKG v 1-5 Niederlaender -- v 6-11 Les vieux maîtres allemands -- v 12 Les clair-obscurs des maîtres italiens -- v 13 Les vieux maîtres italiens -- v 14 Œuvres de Marc-Antoine et de ses deux principaux eÌlèves Augustin de Venise et Marc de Ravenne -- v 15 Estampes de diffeÌrents graveurs anonymes qui semblent être de l'eÌcole de Marc-Antoine Raimondi -- v 16-18 Peintres ou dessinateurs italiens: Maîtres du seizième siècle -- v 19-21 Peintres ou dessinateurs italiens: Maîtres du dix-septième siècle v 22 zusatze zu Adam Bartsch's Le peintre graveur von Joseph Heller; Supplémentspar Rudolph Weigel Verlagsdruckerei Würzburg unknown
1997réf. 30257HBNODJ SLIPCASE HAS RED & WHITE ILLIUSTRATION ON FRONT OF GENTLEMAN SEATED SLIPCASE EDGE WEAR SEPARATION clear tape repairs 1944 on Title Pg COPY # 713 LIMITED NUMBERED 1ST EDITION VG/VG- AS-IS EXTREMITIES CHIPS WEAR DJ 1ST EDITION THUS Printed from Plates in Original Limited Edition of 1000 BEIGE CLOTH GREY ILLUSTRATED BOARDS IN WORN SLIPCASE Set in an aristocratic estate in Victorian England pronounced by critics as the oldest full length English mystery novel and to this day the best. Outlandish HORROR During a battle in India a sacred shrine is robbed of a jewel by a British soldier and the curse of the East Indian God follows the gem through generations of English ownership. A group of Fanatical East Indians follow the Moonstone to England where a mysterious death overtakes every heir to the fatal jewel Against the Gentle Background of an Aristocratic Estate in Victorian EnglandMoves a Story so Intriguing in Mystery Fascinating in Character Presentation & Beguiling in the Telling. During a Gory Battle in Far Off India a Sacred Shrine is entered & Robbed of a Jewel by an Adventurous British Soldier & the Curse of the East Indian God follows DORAN DOUBLEDAY & CO LIMITED EDITIONS GARDEN CITY NY hardcover
1908réf. 410939London : Printed by order of the Trustees 1908. First Edition. Hardcover. Very good copies in the original gilt-blocked blind-bordered cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description; 6 vol.; 26 cm. Notes; Vol 1 published 1908 vol. 6 1925. Includes indexes and bibliographies. Contents; vol. 1. A-C -- vol. 2. D-K -- vol. 3. L-R -- vol. 4. S-Z -- vol. 5. Groups / by Freeman O'Donoghue and Harry M. Hake -- vol. 6. Supplement and indexes / by Harry M. Hake. Subjects; British Museum. Department of Prints and Drawings. British Museum. Dept. of Prints and Drawings. ; Catalogs. British Museum London England ; Art collections. Portraits Catalogs. Engraving England London Catalogs. National libraries. London : Printed by order of the Trustees hardcover
1992réf. 2110502150303241JK Print Studio 1992. Soft Cover. Fine. Volume: 1 JK Print Studio paperback
1952réf. 9699New York: Hammer Creek Press 1952. Original Wrappers. Very Good binding. 16mo. 8 pp. illus. Limited edition number of copies unknown. As issued sewn in printed wrappers. Very light toning to the extremities and covers; nevertheless a very nice copy. Bookplate of noted collector Norman Sondheim on the verso of the front wrappers. Comprises title page/announcement; two engravings one of the Hell-Box Press and the second the Hammer Creek Press; and a colophon. The Hell-Box Press was one of Fass's earlier printing endeavors. Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed few of which have stated limitations. With only 4 institutions reporting ownership according to OCLC it is difficult to imagine this title was produced in an edition of more than a few dozen copies if that. Cohen 15; DePol Catalogue Raisonne p. 40. Hammer Creek Press unknown
1828réf. 007773London: Republished by the New Proprietor J. Dowding 1828. Hardcover. Very Good. An Improved Edition." 90 p. added engraved title page and 24 leaves of color plates; 38 cm. Dark green library buckram with gilt-stamped spine title and call number. Plates state: "Aquatinted by R. Havell. Published June 1 1815 by R. Havell." No date of publication. The first edition appeared in 1815; this "improved" edition was published in the 1820s. Stamped "Brooklyn Public Library" on upper and lower page edges and back fixed endpaper; performated library stamp on added endgraved title page and title page; library number stamped at lower edge of title page. Official withdrawn stamp of the Brooklyn Public Library on back free endpaper. Former owner inscription on added engraved title page: Charles John Kean Limerick 185. Charles John Kean 1811-1868 was an Irish actor and the son of actor Edmund Kean. He acquired this volume in the 1850s when he was acting and managing the Princess Theatre in London where it most likely influenced costume design. A heavy book; for international shipping it will have to be sent by priority international. In Very Good Condition: engraved title page and title page are starting to separate at tail; old repair along upper edge of engraved title page; old repairs of a few closed tears from edges of text; light finger soiling in margins; plates are clean and bright. Republished by the New Proprietor, J. Dowding hardcover
1867réf. 26901Melbourne: Hamel & Ferguson 1867. Print. Plate II from Eugene von Guérard's Australian Landscapes 1866-68. Gold was discovered in Beechworth Victoria in 1852 and shortly thereafter along the Ovens River. In the same year Austrian-born von Guerard arrived in Victoria Australia determined to try his luck on the goldfields. Like many he failed as a miner but he did produce numerous studies of goldfields life including this image depicting men working on a sluice. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20" on paper 19 1/2 x 26". Archivally cleaned and backed some minor marginal splits repaired. Color tastefully enhanced. Libraries Australia ID 7744587. Hamel & Ferguson unknown
1944réf. 3114833Near Fine with no dust jacket. 1944. Second Edition; Second Printing. Hardcover. Second printing. Though not called for SIGNED by Anais Nin on front end-paper. Close to fine in pictorial boards in supplied chipped un-printed acetate protective cover. Neat book shop sticker at base of rear pastedown. 86pp. One of 800 copies. Nicely preserved copy. ; 4 3/4" x 8 1/2"; 86 pages . hardcover
1979réf. 2092902141000212Bijutsu shubbansha 1979. Soft Cover. Fine. Size: B4 Bijutsu shubbansha paperback
1848réf. 005411London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 400 x 475 mm. image is 276 x 318 mm.; mat is 19.5 x 20 inches. The lithograph was created by Edmund Walker 1813 or 1814-1882 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 2 a portrait of Dost Mohammed who had been deposed as Emir of Afghanistan. In January 1841 when Rattray was granted an audience with him in Peshawar Dost Mohammed was a prisoner on his way to exile in Calcutta. Rattray wrote that since Dost Mohammed had been "a ruler just and merciful and attentive to affairs of state" the people of Peshawur thought that he had been unjustly treated by the British. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1848réf. 005410London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 429 x 533 mm. image is 275 x 375 mm.; mat is 19.5 x 23 inches. The lithograph was created by Edmund Walker 1813 or 1814-1882 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 22 in regard to which Rattray wrote: "I sketched this Uzbeg at the Fort of Lughmaunee Cohistaun." The ambassador represented Mir Wali prince of the frontier town of Kulum near Kunduz. In September 1840 the British were negotiating with Wali to transfer his allegiance to Shah Shuja. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1913réf. 21493Very Good. This antique advertising print has just a hint of toning along the outer edges of the margins but is clean bright and in very good condition. 10" x 7.75". Gage brothers ad on the reverse side.; Prints . 1913-1914. unknown
1875réf. E25861New York: E.P. Dutton 1875. Hardcover. fair. Very scarce. Part I all issued so far as can be determined covering the New Englans states and New York. OCLC locates only 12 copies in book form. Quarto sized 10" x 12" in blindstamped red cloth hardcovers stamped in gilt over black tape cloth spine. Unpaginated 46 pp. A uniquely designed geography/freading aid for young people that instead of maps features a full page of small hieroglyphic engravings for each descriptive word or group of words that illustrated notable facts places names etc. for each of the states covered. For example for Maine one small item is "The minerals are" with a small engraving of a handiron "granite" small picture of a rock; "More engraving of a ship are built here than in any other State". Each hieroglyphic page is followed by a single page of text of desciptive text which which is an non-illustated transcription of the the illustrated page. Covers well soiled though the gilt titling is still bright. Some tape stains to the dark brown endpapers front hinge split but all pages firmly attached; dampstaing to the lower aprox. quarter of all pages. Christmas 1882 gift inscription on the first front blank to a boy from his grandfather. Complete SOLD AS IS. E.P. Dutton hardcover
1860réf. DEMO010833IWashington: Thomas H. Ford 1860. First & Quarto edition. Hardcover. chromolithographs b&w pls. Quartos 358 40; 399 pages 21stC 3/4 calf marbled boards waterstains House Exec. Doc. no. 56. Howes P3; Wheat TRANSMISSISSIPPI 822ff; Wagner - Camp - Becker 261ff; Rittenhouse 442. Vol.I has 70 chromolithographed scenes. With 3 folding maps. Vol.1 has the Report. Vol.2 has the Botany Zoology Ornithology Fish Mollusks & Crustaceans. "The plates in Book 1 are all really tinted. Book II has 8 fine colored plates of birds; 45 black & white plates of fish animals insects and plants -Whitman Bennett in his PRACTICAL GUIDE TO AMERICAN NINETEENTH CENTURY COLOR PLATE BOOKS p.101." Thomas H. Ford hardcover
1766réf. 26550Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a bacchanal scene-- a youth in peplos reclines on an ornate couch he holds a large bowl in his left hand his right gestures toward a kylix above--all within a Greek-key tondo. Above him there are three dancing satyrs. This is a nicely detailed image on a black background coloured in shades of brown tan terracotta and gold. Printed on a single folio sheet measuring approximately 20" x 15" the image approximately 8.25" X 10". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
1685réf. 53234München Johann Hermann Gelder 1685. 4to. Later hcalf rebound spine worn but intact. Shaved close throughout loosing pagination number mainly at end. Some leaves with repairs some loosing text. Scattered brownspots. Traces of use. Some leaves frayed in margins. 22 pp. lacking titlepage.The first part paginated 1-1506 the second part ca. 400 pp. pagination shaved and ending abruptly. 14 engraved plates mounted and some with loss and defective. With around 70 large textengravings by Leonhard Heckenauer Jeremias Renner H.G. Bodenehr et al. Richly illustrated by estimated Baroque-engravers such as Heckenauer Renner Bodenehr and others. unknown
1850réf. 247341850. Very good condition. An archive of 27 portraits of the founding fathers of botany including Dodoens Leeuwenhoek Grew Hill Aldrovandi Smith Desfontaines Palisot Gessner Everard Bonnet Banks Buffon Gray Evelyn Linnaeus Cuvier Klein Clusius and Agassiz. 1. Rembert Dodoens born Rembert Van Joenckema 1517 – 1585 was a Flemish physician and botanist. Rembert Dodoens Rembertus Dodonaeus was one of the great botanists of the 16th century who pursued a knowledge of plants in their own right not simply for medicinal uses. Contemporary copper engraving 4 7/8 x 7" on 7 3/8 x 10 1/2". 2. Antonius Leeuwenhoek 1632 - 1723 Dutch "Father of Microbiology" with botanical importance who worked with William III of Orange and his wife Mary II of England and Tsar Peter the Great of Russia. Copper engraving 5 1/2 x 7 1/8". 3. Nehemiah Grew 1641 – 1712 was an English plant anatomist and physiologist known as the "Father of Plant Anatomy". Copper engraving 5 3/4 x 9 1/4". 4. John Hill ca. 1714 – 1775 was an English author and botanist who contributed to contemporary periodicals including the botanical compendium 'The Vegetable System'. Copper engraving 8 7/8 x 11 1/4" on 9 5/8 x 12 1/2". 5. Ulisse Aldrovandi 1522 – 1605 was an Italian naturalist professor of botany and one of the founders of the Bologna's botanical garden one of the first in Europe. Carl Linnaeus and the Comte de Buffon considered Aldrovandi the father of natural history studies. 5 7/8 x 8 3/8". 6. Sir James Edward Smith 1759 – 1828 was an English botanist and founder of the Linnean Society 5 x 7" on 8 7/8 x 11 5/8". 7. Rene Louiche Desfontaines 1750 – 1833 was a French botanist who studied medicine. His interest in botany originated from lectures given by Louis Guillaume Lemonnier at the Jardin des Plantes 9 1/4 x 12 1/4". 8. Charles-François Brisseau de Mirbel 1776 – 1854 was a French botanist and politician. He was a founder of the science of plant cytology 9 1/2 x 12 1/2". 9. Ambroise Marie François Joseph Palisot Baron de Beauvois 1752 - 1820 Paris was a French naturalist who was trained as a botanist and published an important paper on American entomology 9 x 12". 10. Antoine Laurent de Jussieu 1748 – 1836 was a French botanist notably the first to publish a natural classification of flowering plants; his system remains largely in use today 9 1/2 x 12 1/2". 11. Conrad Gessner 1516 – 1565 was a Swiss physician and naturalist regarded as the father of modern scientific bibliography zoology and botany. Gessner was working on a major botanical text at the time of his early death from the plague 3 5/8 x 5 1/8" on 6 1/8 x 7 7/8". 12. Michael Rotenbeck 1569 - 1623 physician and collector of botanical works. Copper engraving 7 5/8 x 4 3/4" on 13 x 8 1/2". 13. Dr. Giles Everard or Gilles Everaerts 16th century; active in 1580s Dutch physician who wrote works on the beneficial medicinal effects of tobacco smoking. Copper engraving 4 7/8 x 6" on 8 1/2 x 10". 14. Charles Bonnet 1720 – 1793 Naturalist and philosophical writer. He coined the term phyllotaxis to describe the arrangement of leaves on a plant. 8 1/2 x 12 1/2". 15. Georges-Louis Leclerc Comte de Buffon 1707 – 1788 was a French naturalist mathematician cosmologist and encyclopediste. Buffon was the director at the Jardin du Roi now called the Jardin des Plantes. Buffon published 36 quarto volumes of his 'Histoire Naturelle' during his lifetime. Ernst Mayr wrote that "Truly Buffon was the father of all thought in natural history in the second half of the 18th century". 4 1/2 x 6 3/8" on 9 x 11 1/2". 16. Sir Joseph Banks 1st Baronet GCB PRS 1743 – 1820 English naturalist botanist and patron of the natural sciences. 7 x 10 3/8". 17. Asa Gray 1810 – 1888 is considered the most important American botanist of the 19th century. His Darwiniana was significant as an explanation of how religion and science were not necessarily mutually exclusive. Gray was convinced that a genetic connection existed between all members of a species. He was opposed to the idea of hybridization within one generation and believed evolution was guided by a Creator. 6 x 8 5/8". 18. John Evelyn 1620 - 1706 author and botanist noted for his knowledge of trees. Evelyn's treatise Sylva or A Discourse of Forest-Trees 1664 was written as an encouragement to landowners to plant trees to provide timber for the English navy. 8 x 10". 19. Carl Linnaeus 1707 – 1778 Carl von Linne was a Swedish botanist physician and zoologist who formalized binomial nomenclature the modern system of naming organisms. 6 images: 4 1/2 x 6 1/2" 6 x 8 1/2" 4 7/8 x 8 5 1/2 x 9" 7 x 10 1/2" 6 1/4 x 8 1/2". 20. Jean Leopold Nicolas Frederic Baron Cuvier 1769 – 1832 known as Georges Cuvier was a French naturalist and zoologist instrumental in establishing the fields of comparative anatomy and paleontology through his work in comparing living animals with fossils. 4 images: 5 x 8 1/4" 6 3/4 x 9 7/8" 6 x 9" 7 1/2 x 10". 21. Jacob Theodor Klein 1685 – 1759 was a German jurist historian botanist zoologist mathematician and diplomat in service of Polish King August II the Strong. 9 x 14 5/8" on 9 1/2 x 15 1/2". 22. Charles de l'Ecluse L'Escluse or Carolus Clusius 1526 – 1609 was an Artois doctor and pioneering botanist perhaps the most influential of all 16th-century scientific horticulturists. 4 5/8 x 6 5/8". 23. Jean Louis Rodolphe Agassiz 1807 – 1873 was a Swiss-American biologist and geologist recognized as an innovative and prodigious scholar of Earth's natural history. 9 1/4 x 12 1/4". 24. John Lindley 1799 - 1865 English botanist and orchidologist whose orchid collection was housed at Kew's herbarium noted for his 'Theory and Practice of Horticulture'. 25. Joseph Decaise 1807 - 1882 French botanist and agronomist. 5 1/2 x 8 3/4". 26. Louis Van Houtte 1810 -1876. Belgian horticulturist. Published the "Journal Flore des Serres et des Jardins de l'Europe". 5 1/2 x 8 3/4". 27. Georg Eberhard Rumphius Rumpf 1627 - 1702 Batavian botanist best known for his work Herbarium Amboinense a catalogue of the plants of the island of Amboina Indonesia. 9 1/2 x 14". The portraits mainly steel engraved some lithographic mostly 4to. All in very good condition. unknown
1999réf. 38518Barcelona: printed by Roser S. Noguera for the Galeria Alejandro Sales 1999. Four poems by Dachs illustrated with six original prints by Arbós: three etchings printed on Japanese paper laid down on fine wove paper and three silkscreens. EDITION LIMITED TO 25 NUMBERED COPIES. The first etching is SIGNED by Arbós and the justification is SIGNED by both the artist and the poet. Large folio. Loose as issued in publisher's cloth folding case. FINE AND BRIGHT with no defects. RARE. printed by Roser S. Noguera for the Galeria Alejandro Sales hardcover
1867réf. 26899Melbourne: Hamel & Ferguson 1867. Print. Otherwise very good condition. Plate 5 in Eugene von Guérard's Australian Landscapes 1866-68. "The bold and romantic headland which bears this title forms one of the most picturesque "bits" of scenery on the Victorian coast. The rocks have been worn into the most grotesque and fantastic shapes by the action of the waves which rush in with a majestic sweep from the Southern Ocean . the artist has indicated the entrance of Port Phillip by the position of the steamer faintly visible in the offing." NGV. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4x19 1/4" on paper 25 x 18 3/4". Archivally cleaned and backed repairing some marginal splits including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 7744596. Hamel & Ferguson unknown
1948réf. 008728New York: Printed at The Spiral Press 1948. First edition. Paperback. This original Robert Frost 1948 Christmas Card features a trifecta of virtues. This is the first published appearance of this poem which had an unusual text history detailed further below. Of 2275 copies printed for 9 different names this is one of 375 printed for the poet himself. Last but certainly not least this is not only one of Frost's copies but is inscribed and signed by him. Following the first and second printed lines on the presentation page "This new poem brings Holiday Greetings from Robert Frost December 1948" Frost wrote "the Hendersons" and signed "Robert Frost". Condition is near fine. The gray-green card wraps are clean bright and sharp cornered the binding staple firmly intact and uncorroded. We note only a tiny blemish above the title on the front cover and a trivial hint of wear to the spine heel. The contents are crisp and clean lightly age-toned but with no spotting or soiling. With the permission of Frost and his publishers in 1929 the Spiral Press began printing an annual Robert Frost Christmas Card featuring one of his poems. The tradition continued until 1962 Frost's final Christmas. Each annual Christmas poem publication was printed with varying names on the title page to accommodate their being sent by various Frost publishers artists and important friends. This copy is one of those printed for Frost himself. The 1948 Christmas poem "Closed for Good" has an unusual textual history. After it was first printed here it appeared in a number of other Frost collections including in the 1949 edition of Complete Poems and the 1954 1955 and 1963 editions of selected poems. In 1962 a revised version of Closed for Good was published as part of In the Clearing. There the poem is altered; the first stanza lines 1-6 is deleted And becomes They in line 7 and the word brush becomes spread in line 24. This is clearly how Frost wanted the poem to evolve. In the Clearing was his final new collection and in 1958 Frost told Elizabeth Shepley Sergeant that he was trying out a new version of four stanzas. Nonetheless When Edward Connery Lathems edition of The Poetry of Robert Frost was published in 1969 the poem was presented in five stanzas and the two word changes restored to original. Given both Frosts manifestly deliberative use of words and the fact that the poem is a commentary on Frosts inheritance from the past and his legacy to the future the changes do not seem incidental. By 1948 when this poem first appeared in his annual Christmas card and he inscribed this copy Robert Frost 1874-1963 had already entered the final decades of his life as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Half a decade had passed since he had won his still-to-this-day-unrivalled fourth Pulitzer Prize for Poetry. This is all the more remarkable given that he did not publish his first volume of poetry until he was nearly 40 years old. References: Crane B19; Tuten and Zubizarreta; ANB Printed at The Spiral Press paperback