10 989 résultats
1759réf. 1047214London und Barby, Seminarium Theologicum 1759. Titel in schwarz/rotem Druck, (10), 318, (24) Seiten. Mit einigen Kopfstücken, Vignetten und Initialen in Holzschnitt. 8° (18 x 11 cm). Brauner Lederband der Zeit auf fünf Bünden mit kleinen goldgeprägten Rosetten und Fileten auf dem Rücken, blindgeprägtem Filetenrahmen auf den Decken und rot gefärbtem Schnitt.
1765réf. 1046451Barby, Seminario Theologico 1763-1765. Titel, (44), 575, (3); Titel, (32), 579-1160; Titel, (34), 1163-1506 Seiten, (70) Seiten Register. Titel in schwarz/rotem Druck. Mit einigen Kopfstücken und Vignetten in Holzschnitt, 8° (17,5 x 11 cm / 18 x 11,5 cm). Etwas abweichend gebundene, braune Lederbände der Zeit: [I] Gesprenkelter Lederband mit goldgeprägtem Rückenschild, blindgeprägten dezenten Fileten auf Decken und Rücken sowie rot geprenkeltem Schnitt. - [II] Geflammter Lederband mit goldgeprägten floralen Stempeln, Fileten und Titel auf dem Rücken sowie rot gefärbtem Schnitt. - [III] Rotbraun marmorierter Lederband mit reicher floraler Vergoldung und zwei goldgeprägten Titelschildern auf dem Rücken, vergoldeten Filetenrahmen auf den Decken, Stehkantenvergoldung, marmorierten Vorsatzpapieren und rot gefärbtem Schnitt.
1898Twenty Volumes. Illustrated with Etchings, proofs-before-letters on Japan Vellum, and impressions of the Historical Portraits on India Paper. Offsetting from tissue guards marring a few illustrations. Title pages printed in red and black. Uncut. Top edges gold. 8vo. Original full blue cloth bindings, some wear. Original spine paper labels. Spines faded. Victorian Edition. Limited Edition. Number 996 of only 1000 copies. Nice set. Impressive. SET/W49
1862Fifty parts (some bound two in one). pp. 648; 652. Highly illustrated. Original paper wraps. 4to. In our set the issue with parts 41 & 42 is missing, as id the paper cover to partt one. This is a set almost never found complete (if at all). The true first edition of this famous history of the Civil War illustrated with numerous steel engraved plates. . Sabin 17349; Dornbusch III:181; Nicholson, 172-73. RARE. A truly remarkable survivor. OVERSIZE 6 / YORK HS
1728Two volumes in one. pp. (62), 583, (16); 335 + Handsome engraved frontis. Engraved head and tail pieces, Foxed. 4to. Original full leather binding, boards detached. Wonderful collection of classical Latin poems on hunting and the bucolic life. Scarce. **PRICE JUST REDUCED! W112
1812pp. xii, [13]-214 + Frontis, and one unusual engraved plate. Small 12mo. 14 cm. Slight marginal damp stain. Well foxed and browned. Disbound. Very mildly XLib. Rare American edition of Ovid. **PRICE JUST REDUCED! SMALL BOX 7.
1854310 p. + 32 Plates: steel-engraved frontispiece, title-page, and 30 steel-engraved plates. Plates considerably foxed. Elaborate publisher's red morocco leather gift binding, tooled in blind; With a diamond shaped inset blue leather title piece, elaborately tooled and lettered in gold gilt. Binding worn at the extremities, but still attractive. Inked manuscript ownership of: Mrs. Laura W. Fells, Carlisle, Cumberland County, PA. April 21, 1859. This work was also published under the title, 'The Romance of American Landscape.' Sabin 70958; Wright, II, 2030. "During the first half of the nineteenth century artists fanned out across the northeastern United States to find aesthetic inspiration in nature (and historic architecture). Thomas Addison Richards (1820-1900) was one of the few who traveled extensively in the South. Through his paintings, illustrated magazine articles, and guidebooks, Richards introduced the natural beauty and distinct characteristics of this region to a national audience. Born in London, his family immigrated to America in 1831, moving first to Hudson, New York, and then to Charleston, South Carolina. Around 1837 they settled in the small town of Penfield, Georgia, the original site of Mercer University, where Richards's father, a Baptist minister, served as a charter trustee. In 1838 the young Richards left for Augusta, where for the next two years he offered lessons in painting and drawing and contributed travelogues about his rambles around Georgia to the Augusta Mirror, a local literary magazine. In 1841, sketchbook in hand, he left Augusta to travel around the South in search of picturesque scenes. In 1844 he settled permanently in New York City, where he gave art lessons from his studio and began taking classes at the National Academy of Design. He subsequently became a full academician and served as the institution's corresponding secretary from 1852 to 1892. Many of the paintings he regularly contributed to academy exhibitions were romantic landscapes of the South. Throughout the 1850s Richards penned numerous articles and books. He supplied illustrated articles based on his travels around the Northeast to Graham's Magazine (Philadelphia) and the Knickerbocker (New York). For the weekly Southern Literary Gazette, published by his brother out of Athens, Georgia, and Harper's New Monthly Magazine (New York), he submitted essays on his travels through the South. Richards enlivened his travelogues with personal anecdotes, legendary stories, tips on lodging, and engravings after his on-site drawings. In1854 a series of engravings after Richards's southern sketches appeared in Romance of American Landscape / American Scenery. In 1857 Richards married Mary E. Anthony, an author of children's stories. Thereafter, Richards concentrated on teaching and painting. He served as the first director of the Cooper Union School of Design for Women in New York, a position he held from 1858 to 1860, and taught at New York University from 1867 to 1887. At the National Academy and Brooklyn Art Association he exhibited still lifes and landscapes, often of tranquil southern scenes. **PRICE JUST REDUCED! NW 45 BINDINGS
1773Two volumes in one. pp. xxxvi, 224; 203, [2](Errata). Five wonderful engraved plates by a remarkable group of graphic artists; with title vignette; head-pieces, etc. Plates: Frontis by Jean-Baptiste Le Prince (1734-1781), engraved by Augustin de Saint-Aubin (1736-1807); "Spring" by Le Prince, without name of engraver; "Autumn" by Benoit Louis Prevost (1747-1804), engraved by Jean Francois Rousseau; "Winter" by Gravelot [Hubert Francois Bourguignon danville](1699-1773), engraved by Nicolas de Launay (1739-1792). Vignettes and headpieces by Pierre Philippe Choffard (1731-1809). The plates are dated mainly 1767-1769. 8vo. 210 mm. Plates slightly foxed. Text very clean. Marbled edges and endpapers. Original French full leather binding with marbled decoration. Spine tooled in gold gilt. Binding somewhat worn at extremities, but still attractive. Large printed French bookplate with the text: De la Douce Lumiere / De L'Ombre / De La Flamme / Et des Livres Amis [Soft light / the shadow / flame / and friends books] . Saint-Lambert (1716-1803) began writing poetry in his adolescence and belonged to the circle around Francoise de Graffigny in Luneville. In 1733 he had already begun work on The Seasons, his major poetical work, but it did not appear completed in print until 1769. Cohen 926; Reynaud 481. **PRICE JUST REDUCED! SAFE ADD 1
1916pp. 16 + Plus Thirty-seven high quality photo engravings. Wide margins. Uncut. Folio. Original full gold stamped green cloth binding, very slightly worn. Widener family copy of an important catalogue of French and Dutch Masters. 38 works catalogued; most illustrated in lovely black and white plates. Among the artists represented: Akkeringa, Jules Dupre. Bosboom, Corot, Daubigny, Jozef Israels, Jean Francois Millet, Albert Neuhuys and Troyon. Scarce. **PRICE JUST REDUCED! ART 3
1892réf. 17616Raphael Tuck & Sons. Very Good. Original antique color chromolithograph from the rare and highly sought "The Voyage of Columbus." The print is lightly toned with soiling in the margins but illustration is clean and overall in very good condition. Current overall size including margins: 15.75" x 12" trimmed down slightly from original size to clean up edges. Chromolitho size: 13" x 9.5".; Prints . 1892. Raphael Tuck & Sons unknown
1981réf. 2111902160200116Kadokawashoten 1981. Soft Cover. Fine. Number of pages: 240 pages Size: 30.5cmx21.5cm Number of books: 1 Kadokawashoten paperback
1981réf. 2110502151100945Not Available 1981. Soft Cover. Fine. Number of books: 1 Not Available paperback
1986réf. 8042Morikazu Kumagai Memorial Hall. This portfolio consists of 12 lithograph prints each mounted to very thick board with gilded edges that can either serve as a frame or the prints could be framed. Prints are all pristine. Each print is 9.5" x 13". They are housed in a quarter-fold portfolio that has modest wear to edges but clean and in very good condition. .; Cover . 1986. Morikazu Kumagai Memorial Hall unknown
réf. SONG1933264136Used: Good unknown
2001réf. BN7467592001. 2001. Hardcover. Pictures 2001: das Beste aus Kunst Photographie Cartoon und Lifestyle Pictures 2001: das Beste aus Kunst Photographie Cartoon und Lifestyle UP. Universal Prints Verlag und Handel GmbHGermany hardcover
réf. 11374Très impressionnante gravure de ce strasbourgeois qui exerça à la fin du XVIIè siècle. Cette estampe fait partie d'une série représentant des hommes saints, voire des Saints. Chaque planche est dans un grand encadrement baroque. Pas de couverture Très bon 59 x 44 cm
réf. 11375Très impressionnante gravure de ce strasbourgeois qui exerça à la fin du XVIIè siècle. Cette estampe fait partie d'une série représentant des hommes saints, voire des Saints. Chaque planche est dans un grand encadrement baroque. Pas de couverture Très bon 59 x 44 cm
réf. 11373Très impressionnante gravure de ce strasbourgeois qui exerça à la fin du XVIIè siècle. Cette estampe fait partie d'une série représentant des hommes saints, voire des Saints. Chaque planche est dans un grand encadrement baroque. En feuille Très bon 59 x 44 cm
Acquaforte con interventi manuali (matite colorate) Firma a matita. Esemplare 6/17. Cm 23,5x15 (Foglio 56 x 38). . . Ottimo (Fine). . 17. .
réf. 3444ou traité sur les meilleurs procédés pour blanchir,détacher, décolorer,réparer et conserver les estampes et dessins, deuxième édition refondue et augmentée,exposé des divers systèmes de reproduction des anciennes estampes et des livres rares,in 12 broché,aux-titre,titre,VIII,352 pageschez Castel 1858,couverture doublée,pages de faux-titre,dernière page légèrement poussiéreuses,édition sur papier de hollande non justifié;tirage à petit nombre,peu courant.
1901réf. 5259Très belle épreuve signée au crayon, numérotée sur 60 et titrée, sur Japon. Parfait état; cachet de Charles Hessele, et tampon de prix ancien encré au dos. 30,5 x 24 cm (Marges 46 x 31). Paris Charles Hessele 1901 30,5 x 24 cm (Marges 46 x 31).
1988réf. 012615Sauveterre du Gard La Balance 1988 In-8 carré En feuilles, couverture à rabats <
réf. HD-083o.J. (Monsieur, Monsieur, hier ist Ihr Taschentuch. Madame hat etwas Eau de Cologne drauf getan, und sie empfiehlt Ihnen, gleich nach Ankunft bei der Garde um einen Fusswärmer anzusuchen). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger & Cie., R du Croissant 16, sowie: Imp. d?Aubert & Cie. Blattgröße 34,3:26,5 cm. ? Mit Heftspuren im linken Rand. Literatur: Daumier-Register 670; Delteil 670. No. 47 der Folge ?Moeurs Conjugales?, erschienen 27.04.1842 in ?Le Charivari?. ? Sur blanc!
réf. HD-076o.J. (Die Gelüste einer Schwangeren). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger R du Croissant 16, sowie: Imp. d?Aubert & Cie. Blattgröße 34:26,4 cm. ? Mit Heftspuren am linken Rand, gering fleckig, linke untere Ecke fehlt teilweise. Literatur: Daumier-Register 638; Delteil 638. No.15 der Folge ?Moeurs Conjugales?, erschienen 2./3.11.1839 in ?Le Charivari?. ? Sur blanc!
1783réf. 5551Très agréable estampe du neveu de Demarteau d’après une peinture de J.B. Huet. Le tirage est particulièrement bien venu avec des couleurs franches. Cadre doré et vitre anciens, passe-partout. 35 x 41 cm avec cadre 1783
