1 162 résultats
2000réf. 12345Lewisburg PA: The Press of Appletree Alley 2000. Limited Edition. Hardcover. Near fine. Large octavo 69pp. illustrated. From The Bucknell University Fine Editions: A Series in Contemporary Poetry edited by Cynthia Hogue. A near fine copy in the publisher's abstract paste paper boards. Boards just a tinge warped in the same direction and the spine a tinge cocked; else lovely. The colophon reads: "This book was hand-set in 14 pt. Spectrum monotype with titling in Open Kapitalen both Van Krimpen types. Designed and set by Jason Urban and Juanita Bishop this edition was printed by Barnard Taylor and Juanita Bishop in Rives lightweight mouldmade paper with a Vandercook No. 4 press. The wood engravings were printed directly from the blocks. Each book has been hand-bound by Don Rash in cloth and paper over boards using an original abstract paste paper." This is number 35 of 125 limited copies each of which is SIGNED by Weaver and Richards on the colophon. A striking production. Laid-in is a letter from the previous owner to the publisher enclosing a check for his copy and lamenting the then-imminent demise of the press. The Press of Appletree Alley hardcover
1985réf. 2415Andoversford: The Whittington Press 1985. First Limited Edition. Fine. Miriam Macgregor. Oblong 8vo; 7 1/2 x 10 1/2 inches 190 x 265 mm; 39 unnumbered pages. 41 wood-engravings by Miriam Macgregor. Machine-set in 12-point Bell roman and 14-point Bell italic; printed in black and olive-green on Zerkall cream smooth wove paper. Quarter-bound in brown buckram by Woolnough title-label in a blind panel on the spine Zerkall Silurian patterned paper-covered boards with a repeat pattern of three engravings printed in olive-green and dark green. Headbands top edge red-brown. Zerkall Silurian endpapers. Colorplan Bagdad Brown paper-covered slipcase title-label. Copy 81 of 335 numbered copies signed by R. P. Lister and Miriam Macgregor. Butcher 81. A finely illustrated account of English allotment life combining the understated observant gently humorous prose of R. P. Lister with an extensive series of wood engravings by Miriam Macgregor. The text considers allotment gardening as both practical activity and social practice noting its rituals routines characters and seasonal patterns. Macgregor's 41 engravings depict tools plots and gardeners with clarity economy and wit closely aligned with the tone of the text. Together text and image create a portrait of allotment culture that is both documentary and affectionate preserving a distinctly British way of life undergoing gradual change in the later twentieth century. The Whittington Press unknown
1957réf. 20127Nancy Frankreich France: Berger-Levrault 1957. Fine/VG. Two Fine Volumes In Very Good Case. TEXT IN FRENCH. Text by Pierre Frieden with 17 tissue-guarded engravings by Albert Decaris. Case has some surface spotting with a couple of short tears; else a fine copy in a very good case of a SCARCE first edition first printing. Pierre Frieden 1892-1959 was a Luxembourg politician and writer. HEAVY 2.6KG PLEASE CONTACT US ABOUT POSTAGE. ORDERS OUTSIDE OF UK MAY INCUR EXTRA COST. First Edition First Printing. Fine/Very Good. Berger-Levrault unknown
1957réf. 003740New York: Museum of Modern Art 1957. Paperback. Near Fine. 28 p. 2 leaves of tissue plates: six wood engravings and one woodcut; 26 x 29 cm. Stitched blue-grey wrappers with label printed in red and black. Within original portfolio covered in the same glue-grey paper with matching printed label on the front and a spine label printed in red. Designed illustrated and printed by Leonard Baskin at the Gehenna Press Nov. 1957. Handprinted in Perpetua type. "The illustrations have been printed from six original boxwood engravings and one cherry woodcut on Amalfi Italian hand-made paper and on Moriki and Mending Tissue both hand-made in Japan." This is no. 635 of a limited edition of 975 copies from an edition of 1000; signed by Leonard Baskin. It was honored as one of the "Fifty Books of the Year 1957" by the American Institute of Graphic Arts. Book is in Near Fine Condition: front wrapper lightly creased from upper corner along fore-edge; clean and crisp. Portfolio is in Good Condition: both front sections are starting to separate along the front joints from the tail; color is faded; lacking small part of spine label; front label is complete and bright. Museum of Modern Art paperback
réf. BN316199Editions Opéra. Softcover. L'héraldique & ses arcanes L'héraldique & ses arcanes Claude René d' Estampes Editions Opéra paperback
1892réf. 17619Raphael Tuck & Sons. Very Good. Original antique color chromolithograph from the rare and highly sought "The Voyage of Columbus." The print is lightly toned with soiling in the margins but illustration is clean and overall in very good condition. Current overall size including margins: 15.75" x 12" trimmed down slightly from original size to clean up edges. Chromolitho size: 13" x 9.5".; Prints . 1892. Raphael Tuck & Sons unknown
1892réf. 17621Raphael Tuck & Sons. Very Good. Original antique color chromolithograph from the rare and highly sought "The Voyage of Columbus." The print is lightly toned with soiling in the margins and has a small trim out of the ship's front window but illustration is clean and overall in very good condition. Current overall size including margins: 15.75" x 12" trimmed down slightly from original size to clean up edges. Chromolitho size: 13" x 9.5".; Prints . 1892. Raphael Tuck & Sons unknown
réf. 7545All five prints 'Publish'd by Robt. Sayer No. 53 Fleet Street London as the Act directs 1st. Septr. 1772.'. Each of the five on a piece of good laid paper roughly 15 cm square. Wide margins with indentation of plate 9.5 x 8 cm. All five good with occasional light creasing to margins. The second and third items more aged that the others but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous allons qu'êtes-vous' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille. dans la Fée Urgele Acte III.' Item Four: 'Mrs. Trial & Clerval. 29 Coméd. Ital. Bertrand et Monteauciel dans le Déferteur. Voulez-vous bien chanter quand on vous en prie' Item Five: 'Mr. Laurette 30 Coméd. Ital. Jean Louis. dans le Déserteur.' Presumably from Whirsker's "The Metamorphoses of Melpomene and Thalia or Dramatic Characters of the French and Italian Comedies." London: Robert Sayer n.d. but circa 1770. 30 plates. Cohen 1066. Lewine 356 copy on with 19 of the 30 plates at $3000: Micahel Hollander. See Image. All five prints 'Publish'd by Robt. Sayer, No. 53 Fleet Street London, as the Act directs, 1st. Septr. 1772.' unknown
réf. 52098Hamburg B. S. Berendsohn ca. 1845. . Hafentor u. Hafendamm links im Bild Segelschiffe u. Dampfer mit Kutsche u. figürlicher Staffage im Vordergrund. - Zu dem Maler Lithographen u. Radierer James Gray Mitte des 19. Jhdts. in Hamburg tätig siehe Der Neue Rump S. 150. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
réf. 52095Hamburg B. S. Berendsohn ca. 1845. . Schräge Frontal-Ansicht aus Richtung Hamburger Berg mit Kutsche u. figürlicher Staffage im Vordergrund des von dem jüdischen Bankier Salomon Heine 1767-1844 zum Andenken an seine verstorbene Frau Betty gestifteten u. 1841-1843 in St. Pauli errichteten Krankenhauses Simon-von-Utrecht-Straße. Heine war bekannt als Wohltäter Hamburgs u. als Mäzen seines Neffen Heinrich Heine. - Zu dem Zeichner Lithographen u. Radierer James Gray Mitte des 19. Jhdts. in Hamburg tätig siehe Der Neue Rump S. 150. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
réf. 52105Hamburg B. S. Berendsohn ca. 1855. . Frontal-Ansicht des 1854 "auf dem Käthnerkamp vor Barmbek" eingeweihten neuen Werk- u. Armenhauses mit figürlicher Staffage im Vordergrund. Heute befindet sich hier das Pflegezentrum "Die Oberaltenallee". - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1855]. unknown
réf. 52094Hamburg B. S. Berendsohn ca. 1845. . Panorama des Großneumarkts in der Hamburger Neustadt mit Markthalle sowie Verkaufsständen u. figürlicher Staffage im Vordergrund. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
réf. 52140Darmstadt G. G. Lange ca. 1850. . Blick über die Alsterbrücke die Winterhude mit Eppendorf verbindet heutige Meenk-Brücke auf das idyllische Dörfchen mit dem Turm der St. Johanniskirche; im Vordergrund Schwäne u. Boote auf der Alster Hunde u. Passanten auf der Brücke. - Zu dem Zeichner u. Lithographen Friedrich Carl Alexander Lill 1807-1879 siehe Der Neue Rump S. 261; zu dem Stahlstecher H. Huber der u.a. für G. G. Lange arbeitete siehe Thieme/Becker 18 S. 7. Darmstadt, G. G. Lange, [ca. 1850]. unknown
réf. 51716Hamburg B. S. Behrendsohn 1855. . Im lackierten Mahagoni-Plattenrahmen 338 x 398 Hamburg, B. S. Behrendsohn, ( 1855). unknown
2014réf. 9791Burke VT: Plowboy Press 2014. Hard Cover. Fine binding. Octavo. 8 52 4 pp. illus. Limited edition one of 100 numbered copies. Signed by Shipley Simpson and the printer Andrew Miller-Brown. As issued in linen over boards printed in black and red with an illustration by Miller-Brown. A fine copy. A beautiful collection by Shipley whose prose and poetry attempt to reconcile the farming life with the writing life. This book was selected as a Boston Globe Best New England Book of 2014. Tom Slayton editor-emeritus of Vermont Life Magazine writes: "Words and work are melded in a series of essays that are brief captivating and profound with references that range from Japanese Haiku to Seamus Heaney and from summertime haying to mid-winter manure piles." And he calls Shipley "one of Vermont's very best emerging writers. Plowboy Press unknown
réf. 449Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
réf. 446Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
réf. 444Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
réf. 442Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
réf. 440Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
réf. 441Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
réf. 443Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
réf. 447Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
réf. 448Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
réf. 445Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
