10 174 résultats
1722réf. 5251DB1. Teil (von 3). Zürich, Bodmerischen Truckerey, 1722. 8°. 1.–6. Ausgabe – (4) Bl., 226 (recte 126) S., 126 S., 142 S., 158 S., 74 S. Mit 6 Titelblättern und 2 Kupfertafeln. Halblederband der Zeig.
1951réf. 12186Paris, Philippe Gonin, 1951. 3 volumes in-folio en feuilles, le premier de [8]-111-[17] pages, couverture rempliée imprimée en noir, sous chemise avec titre au dos, les deux suivants sous couvertures rempliées illustrées respectivement en noir et en rouge.
1841réf. 4366CB3 Bände. Zürich, Selbstverlag u. in Comm. bei S. Höhr und Druck und Verlag Fr. Schulthess, 1841–1853. 4°. VI, 783, (1) S.; (2) Bl., 10, 857, (1), 8 S.; (2) Bl. VIII, 715, (1) S. Mit 23 Aquatinta-Tafeln von Ruff, Siegfried, Hegi und Bodmer nach F. Schmid, H. Reutlinger und L. Schulthess. Halbleinenbände der Zeit.
1997réf. 30257HBNODJ SLIPCASE HAS RED & WHITE ILLIUSTRATION ON FRONT OF GENTLEMAN SEATED SLIPCASE EDGE WEAR SEPARATION clear tape repairs 1944 on Title Pg COPY # 713 LIMITED NUMBERED 1ST EDITION VG/VG- AS-IS EXTREMITIES CHIPS WEAR DJ 1ST EDITION THUS Printed from Plates in Original Limited Edition of 1000 BEIGE CLOTH GREY ILLUSTRATED BOARDS IN WORN SLIPCASE Set in an aristocratic estate in Victorian England pronounced by critics as the oldest full length English mystery novel and to this day the best. Outlandish HORROR During a battle in India a sacred shrine is robbed of a jewel by a British soldier and the curse of the East Indian God follows the gem through generations of English ownership. A group of Fanatical East Indians follow the Moonstone to England where a mysterious death overtakes every heir to the fatal jewel Against the Gentle Background of an Aristocratic Estate in Victorian EnglandMoves a Story so Intriguing in Mystery Fascinating in Character Presentation & Beguiling in the Telling. During a Gory Battle in Far Off India a Sacred Shrine is entered & Robbed of a Jewel by an Adventurous British Soldier & the Curse of the East Indian God follows DORAN DOUBLEDAY & CO LIMITED EDITIONS GARDEN CITY NY hardcover
1890réf. 628CGZürich, Hofer & Burger, o.J. (um 1890). Lithographie gez. von H. Schmid. Blattformat: 17,5 x 189 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
réf. 2084466 planches; format à l'italienne (38 cm x 27 cm), 67 pages, 450 pièces environ.Reluire plein chagrin estampé,
1989Acquaforte, acquatinta e puntaseccaoriginale a colori Firma e numerazione a matita. Impressa nella stamperia della Pergola di Piergiorgio Spallacci, Pesaro. Timbro a secco dell'editore. Esemplare IX/X. Cm 120x81 (Foglio cm 150x98). . . Ottimo (Fine). . . .
réf. 1825Augsbourg, s.d., Se vend a Augsbourg au Negoce commun de l’Academie Imperiale des Arts Liberaux avec Privilege de Sa Majesté Imperiale et avec Defense ni d’en faire ni d’en vendre les Copies.
réf. 1826Augsbourg, s.d., [Quebec]. Vuë de la Haute Ville a Quebeck. Vuë de la haute Ville a Quebec avec la Place pour aller a Cavalier du Moulin.Texte en allemand et en français.
réf. HD-147o.J. Lithographie, auf cremefarbenem Velin, mit den Adressen: Au bureau, chez Aubert, pass. Véro-Dodat., sowie: Lith: Delaunois,r. du Bouloy,19. Darstellungsgröße 32,3:24,6 cm, Blattgröße 34,1:25,7 cm. Literatur: Daumier-Register 91 II, (von II); Delteil 86 II; erschienen am 11.09.18 16.10.1834 in ?LA CARICATURE?., Nr. 206, Blattnummer 431. - Selten! - Sur blanc!
réf. HD-151o.J. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Au bureau,chez Aubert, pass. Véro-Dodat., sowie: Lith. Delaunois,rue du Bouloy,19. Darstellungsgröße 21,4:24,1 cm, Blattgröße 27,3:35,4 cm. Mit geglätteter vertikaler Mittelfalte. Literatur: Daumier-Register 83; Delteil 83, Blatt 416 der Serie ?ACTUALITÉS?. Erschienen am 28.08.1834 in ?LA CARICATURE?, Nr. 199. ? Sur blanc.
1711réf. 703550Dresden und Leipzig, J.Ch. Zimmermann, 1711. Gr.-4°. 9 nnr. Bl., 1332 Spalten, 52 nnr. Blätter. Kupferfrontispiz. Pergament der Zeit auf 5 Bünden. Handschriftlicher Rückentitel. Einband gering fleckig. Rückentitel etwas verblaßt. Pergament am Vordergelenk beschädigt. Titelblatt rückseitig gestempelt und gebräunt und schwacher Abklatsch dieser Bräunung auch auf dem folgenden Blatt. Geringer Wasserschaden am unteren Rand der letzten Blätter. Sonst innen sauber und ohne nennenswerte Altersspuren.
1856réf. 4554DBSt. Gallen, J. B. Isenring, 1856. 32 S., (10) S. Mit 10 Tafeln von Johann Baptist Isenring. Orig.-Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4554DB|4554DB_2|4554DB_3 [3 Warenabbildungen]
1827réf. 4084ABBern, Bourgdorfer, 1827. 8°. X, 267 S. Mit 4 Kupferstichen und 1 gest. Titel nach G. Lory. Illustr. Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4084A
1908réf. 410939London : Printed by order of the Trustees 1908. First Edition. Hardcover. Very good copies in the original gilt-blocked blind-bordered cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description; 6 vol.; 26 cm. Notes; Vol 1 published 1908 vol. 6 1925. Includes indexes and bibliographies. Contents; vol. 1. A-C -- vol. 2. D-K -- vol. 3. L-R -- vol. 4. S-Z -- vol. 5. Groups / by Freeman O'Donoghue and Harry M. Hake -- vol. 6. Supplement and indexes / by Harry M. Hake. Subjects; British Museum. Department of Prints and Drawings. British Museum. Dept. of Prints and Drawings. ; Catalogs. British Museum London England ; Art collections. Portraits Catalogs. Engraving England London Catalogs. National libraries. London : Printed by order of the Trustees hardcover
1992réf. 2110502150303241JK Print Studio 1992. Soft Cover. Fine. Volume: 1 JK Print Studio paperback
2007réf. 0042492007 Aux Pujols, Philippe Parage «l'Atelier de la Guinguette », 2007. Huit planches in-folio (502 X 330 mm) sous portefeuille papier, à l'intérieur duquel est contrecollé le feuillet de justification du tirage ; étui papier rouge avec le monogramme imprimé de l'artiste.
1835réf. 7941CBSchaffhausen, um 1835. Bildausschnitt: 19 x 29 cm. Kolorierte Aquatinta von Conrad Caspar Rordorf nach Johann Ludwig Bleuler. Hinter Passepartout in Goldrahmen.
1865réf. 37BGZürich, H. Füessly & Comp. zur Meise, 1865. Stahlstich. Nach der Natur gezeichnet und gestochen von Rud. Ringger in Küsnach b/Zürich. Druck von D. Herter in Zürich. Bildgrösse: 10,2 cm x 302 cm. Orig.-Pappdeckel (Gelenke u. Kanten leicht berieben, Ecken minim bestossen) in Orig.-Papp-Schuber (berieben, Gelenke angeplatzt, etwas verblasst).
1952réf. 9699New York: Hammer Creek Press 1952. Original Wrappers. Very Good binding. 16mo. 8 pp. illus. Limited edition number of copies unknown. As issued sewn in printed wrappers. Very light toning to the extremities and covers; nevertheless a very nice copy. Bookplate of noted collector Norman Sondheim on the verso of the front wrappers. Comprises title page/announcement; two engravings one of the Hell-Box Press and the second the Hammer Creek Press; and a colophon. The Hell-Box Press was one of Fass's earlier printing endeavors. Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed few of which have stated limitations. With only 4 institutions reporting ownership according to OCLC it is difficult to imagine this title was produced in an edition of more than a few dozen copies if that. Cohen 15; DePol Catalogue Raisonne p. 40. Hammer Creek Press unknown
1924réf. 136209München. Bremer Presse 1924. 384 n. n. Seiten. Breitrandiger Druck auf Zanders Büttenpapier mit Wasserzeichen. Original-Karton-Einband mit Rückenschild im Originalschuber. (Einband vor allem am Rücken gebräunt. Schuber mit Gebrauchsspuren. Ansonsten gutes u. sauberes Exemplar). 36x23 cm
1828réf. 007773London: Republished by the New Proprietor J. Dowding 1828. Hardcover. Very Good. An Improved Edition." 90 p. added engraved title page and 24 leaves of color plates; 38 cm. Dark green library buckram with gilt-stamped spine title and call number. Plates state: "Aquatinted by R. Havell. Published June 1 1815 by R. Havell." No date of publication. The first edition appeared in 1815; this "improved" edition was published in the 1820s. Stamped "Brooklyn Public Library" on upper and lower page edges and back fixed endpaper; performated library stamp on added endgraved title page and title page; library number stamped at lower edge of title page. Official withdrawn stamp of the Brooklyn Public Library on back free endpaper. Former owner inscription on added engraved title page: Charles John Kean Limerick 185. Charles John Kean 1811-1868 was an Irish actor and the son of actor Edmund Kean. He acquired this volume in the 1850s when he was acting and managing the Princess Theatre in London where it most likely influenced costume design. A heavy book; for international shipping it will have to be sent by priority international. In Very Good Condition: engraved title page and title page are starting to separate at tail; old repair along upper edge of engraved title page; old repairs of a few closed tears from edges of text; light finger soiling in margins; plates are clean and bright. Republished by the New Proprietor, J. Dowding hardcover
1925- Lucien Vogel éditeur, Paris 1925, 18x24cm, relié. - Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed LRF Sketches L, LII, LIII, LV, are signed David, respectively on the lower right and left boards. Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America. Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ... Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. [FRENCH VERSION FOLLOWS] Ensemble de douze estampes originales à l'or fin, tirées sur papier vergé. Les planches présentent des modèles de robes réalisés par quatre grands créateurs, Lanvin, Poiret, Vionney et Worth. Reliure à la bradel en plein papier à motif décoratif, dos lisse, tête dorée.
1867réf. 26901Melbourne: Hamel & Ferguson 1867. Print. Plate II from Eugene von Guérard's Australian Landscapes 1866-68. Gold was discovered in Beechworth Victoria in 1852 and shortly thereafter along the Ovens River. In the same year Austrian-born von Guerard arrived in Victoria Australia determined to try his luck on the goldfields. Like many he failed as a miner but he did produce numerous studies of goldfields life including this image depicting men working on a sluice. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20" on paper 19 1/2 x 26". Archivally cleaned and backed some minor marginal splits repaired. Color tastefully enhanced. Libraries Australia ID 7744587. Hamel & Ferguson unknown
1944réf. 3114833Near Fine with no dust jacket. 1944. Second Edition; Second Printing. Hardcover. Second printing. Though not called for SIGNED by Anais Nin on front end-paper. Close to fine in pictorial boards in supplied chipped un-printed acetate protective cover. Neat book shop sticker at base of rear pastedown. 86pp. One of 800 copies. Nicely preserved copy. ; 4 3/4" x 8 1/2"; 86 pages . hardcover
