10 952 résultats
1667réf. 5786BBSolothurn, Johann Jacob Bernhardt, 1667. 4°. (4), 266 S. (1) Bl., S. 267–329, (8) Bl. Moderner Halbpergamentband, goldgepr. Rückentitel und Fileten, marmor. Deckel.
1838réf. 1174BB2 Bde. in 1 Bd. Karlsruhe, W. Creuzbauer, 1838. 8°. (1) Bl., (8), XVI, 176 S.; (4), 184 S. Mit 1 gest. Titel u. 80 (v. 82) gest. Tafeln von Henry Winkles u.a. nach Gustav Adolph Müller. Halblederbd. d. Zt. mit reicher Rückenvergoldung (berieben u. bestossen).
1880réf. 30727AB1880–1948. Folio. Das Konvolut beinhaltet: Taufschein (1881), Schreiben vom General Konsulat Mexico (1894), Trauungs-Bescheinigung (1917), Eheschein (1917), Geburtsurkunde von Sohn, Ulrich Christian (1918), Taufschein von Ulrich Christan (1918), Geodätische Grundlagen Sonderdrucke von 1935, 1941 und 1945, Rivisa Technia 4 + 5 (1949), Bulletin des CFF Nr. 10 + 11 (1939). Schriften von H. Zölly: Die Länge des Gotthardtunnels und die äusseren Einrichtungen für seine Absteckung 1869–1939 (Sonderdruck), Landestriangulation und Landesnivellement 1939 (Sonderdruck) und Gesschichte der Geodätischen Grundlagen für Karten und Vermessungen in der Schweiz (1948, (1), 60 S. Leinenband).
The long-awaited fourth and final volume of the catalogue raisonne. New, in dj and slipcase. Includes two original woodcuts.
2004réf. 041968Los Angeles: The Love Press 2004. 1st Edition . No Binding. Fine/Portfolio and box. 50 Color Plates With A Haiku On Each With Cover Sheet. #46 Of 300 Copies Of A Limited Edition. Wikipedia Reports This Was Self-Published In 2005. Fine In Vellum Portfolio Enclosed In Box With Plate Of Thelonius Monk On Front Cover Lettered On Black On One Side Numbered In Pencil On The Flap. Contents Fine; Vellum Portfolio With Some Wrinkling And A 1/4" Tear At One Flap Fold; Box With Slight Wear And Aging. Per Wikipedia Amber Rose Tamblyn Born 1983 Is An American Actress And Writer. She First Came To National Attention In Her Role On The Soap Opera General Hospital As Emily Quartermaine At The Age Of 11. She Followed By A Starring Role On The Prime-Time Series Joan Of Arcadia Portraying The Title Character Joan Girardi For Which She Received Primetime Emmy And Golden Globe Nominations. Her Feature Film Work Includes Roles Such As Tibby Rollins From The First Two The Sisterhood Of The Traveling Pants And Megan Mcbride In 127 Hours 2010 As Well As The Critically Acclaimed Film Stephanie Daley Opposite Tilda Swinton Which Debuted At The Sundance Film Festival And For Which Tamblyn Won Best Actress At The Locarno International Film Festival And Was Nominated For An Independent Spirit Award. In 2021 She Starred Opposite Diane Lane In Fx's "Y The Last Man." Tamblyn Is A Published Author And Cultural Critic At Large. She Has Published Seven Books Across Genres And Writes For The New York Times And Other Publications On Issues Of Gender Inequality And Women's Rage. The Love Press unknown
1870réf. 375224London: By order of the Trustees 1870. First Edition. Hardcover. 3 Volumes. Good to very good copies in gilt-blocked cloth. Spine band worn on volume three. Panel edges bumped and rubbed as with age. Internally bright and clean. Remains quite well-preserved overall. Physical description: 3 Volumes. Contents: Volume 1- 1320 to April 11 1689. Volume 2- June 1689 to 1733. Volume 3 Part One March 28 1734 to c. 1750. Subjects: Engraving England London; Catalogs.Drawing England London; Catalogs. Caricatures and cartoons; Catalogs. London: By order of the Trustees hardcover
1963LIMITED EDITION - COPY No.338. RARE collection of 12 b&w silkscreen (serigraph) prints by an eminent Argentinian artist Juan Batlle Planas (1911-1966) belonging to the surrealist school, but orienting in his later phases to romanticism. Many of his works, while obscure, were sombre in feeling, influenced by social unrest and economic and political problems in Argentina. Batlle Planas was an influence on numerous Latin American painters, including Roberto Aizenberg and Dalila Puzzovio, who studied under him. The prints depict San Telmo ("Saint Pedro González Telmo") - the oldest barrio (neighborhood) of Buenos Aires characterized by its picturesque colonial buildings. 390x280mm. 12 separate plates & 12 text pages (6 unbound double pages) laid in Hardcover folder with cloth spine and string-tie closure. Prints actual size: 26x16cm printed on white framing background. Title sticker mounted on folder front cover. Folder curved. Folder strings tattered. Folder edges and corners bumped and worn/peeling. Folder front board dirty. Folder rear board and spine stained. Folder flaps detached. Spine edges tattered/peeling. [SUMMARY]: Only the folder of this extremely rare collection of unique silkscreen prints has sustained some wear. All plates are in very good condition and ready for framing!
1998réf. 016127Paris Petropolis Editions 1998 In-8 carré En feuilles, couverture à larges rabats Dédicacé par l'illustrateur
réf. 48001Paris Alphonse Lemerre, Editeur 1872 in 8 (21x13) 1 volume broché, couverture rempliée. Suite complète des 16 eaux-fortes originales hors texte, dont un portrait de Rabelais, et 15 eaux-fortes de Félix Bracquemond, chacune précédée d'un feuillet d'extrait du texte de Rabelais correspondant, et inspirées par le " Gargantua ". Exemplaire à toutes marges, imprimé sur papier vergé. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. awd-735Portrait de John Cage souriant, série Hostages. Épreuve d’artiste imprimée en lithographie par Quensen GmBH en 1998. Signée, datée, justifiée et insérée dans une pochette de présentation rouge à rabat. Impression à 85 ex. avec timbre sec de l’éditeur (40/27 cm). Bon état.
1920réf. 17238Good. Magazine. Rare. Contains a story by Basil King with 4 pages of F. X. Leyendecker illustrations of semi-nude men and and a semi-nude woman. Magazine cover is soiled along right edge and pink damp staining. Pages are lightly toned with a rust stain on the inner margins from the staples otherwise clean and very good. Some of the pages are detached or loose and one page has been partially trimmed. No address label. . . 1920. unknown
1970réf. 898071970. Creative Prints SHINOHARA Cao artist. HISHÔ NO SHINTAN. Shôwa 45 1970 A small 7.5 x 7.5 cm western style square book bound in white leather. Illustrated through in tiny engravings some colored signed by Shinohara numbered 83 of 100 copies. In a lovely little leather slipcase and wraparond paper like new. A very unusual work from the heyday of Japanese artist books after the War. unknown
1970réf. 898071970. Creative Prints SHINOHARA Cao artist. HISHÔ NO SHINTAN. Shôwa 45 1970 A small 7.5 x 7.5 cm western style square book bound in white leather. Illustrated through in tiny engravings some colored signed by Shinohara numbered 83 of 100 copies. In a lovely little leather slipcase and wraparond paper like new. A very unusual work from the heyday of Japanese artist books after the War. unknown books
1814réf. D6857London: Printed for William Daniell. by Thomas Davison 1814. Hardcover. Very Good. Modern half morocco and marbled paper; folio large paper copy 13 x 17 inches; pp. 2 title-p. blank 99 1 plus 17 mounted India Proofs engraved by William Daniell after paintings by Robert Smirke. Spine tips and corners lightl bumped; faint damp-stain in upper right corner of text block just touching images on the first 6 plates; a bit foxed throughout. Printed for William Daniell... by Thomas Davison hardcover
1814réf. D6857London: Printed for William Daniell. by Thomas Davison 1814. Hardcover. Very Good. Modern half morocco and marbled paper; folio large paper copy 13 x 17 inches; pp. 2 title-p. blank 99 1 plus 17 mounted India Proofs engraved by William Daniell after paintings by Robert Smirke. Spine tips and corners lightl bumped; faint damp-stain in upper right corner of text block just touching images on the first 6 plates; a bit foxed throughout. Printed for William Daniell... by Thomas Davison hardcover books
réf. D1121Paris: L. Baschet. Limited Edition. Hardcover. Near Fine. Original wraps bound in gilt-ruled red morocco and marbled paper boards gilt-stamped lettering and ornament on spine 5 raised bands. N.d. but circa late-1800s. Number 4 from a limited edition of 50 copies on China paper with a suite of hors-texte illustrations. Corners bumped; a few tiny scuff marks at spine tips; some light foxing in margins not infringing upon text or illustrations. A tight pretty copy. L. Baschet hardcover
réf. D1121Paris: L. Baschet. Limited Edition. Hardcover. Near Fine. Original wraps bound in gilt-ruled red morocco and marbled paper boards gilt-stamped lettering and ornament on spine 5 raised bands. N.d. but circa late-1800s. Number 4 from a limited edition of 50 copies on China paper with a suite of hors-texte illustrations. Corners bumped; a few tiny scuff marks at spine tips; some light foxing in margins not infringing upon text or illustrations. A tight pretty copy. L. Baschet hardcover books
1736réf. 42844Amsterdam: J. Wetstein; G. Smith 1736. First French-language edition. Hardcover. g to vg. Quarto 10 1/4 x 8". 14 lxxv 1 696pp; 4 848pp. Modern half brown calf over light green cloth with gold lettering and tooling to spines retaining the original gilt-lettered leather titles. All paper edges red. Marbled endpapers. Engraved frontispiece portrait of the author and engraved portrait of Caroline of Brandenburg-Ansbach Queen of Great Britain as the wife of King George II by George Vertue. Title vignettes. Title pages in red and black lettering. This work was originally published in London in 1619 by Paolo Sarpi 1552-1623 an Italian historian prelate scientist canon lawyer and statesman active on behalf of the Venetian Republic during the period of its successful defiance of the papal interdict 1605-1607 and its war 1615-1617 with Austria over the Uskok pirates. The author published it under the name of Pietro Soave Polano an anagram of Paolo Sarpi Veneto plus o. The book's emphasis was on the role of the Papal Curia and its slant on the Curia hostile. Sarpi's work attained such fame that the Vatican opened its archives to Cardinal Pietro Sforza Pallavicino whom it commissioned to write a three volume rebuttal entitled the "Istoria del Concilio di Trento scritta dal P. Sforza Pallavicino della Comp. di Giesù ove insieme rifiutasi con auterevoli testimonianze un Istoria falsa divolgata nello stesso argomento sotto nome di Petro Soave Polano" "The History of the Council of Trent written by P. Sforza Pallavicino of the Company of Jesus in which a false history upon the same argument put forth under the name of Petro Soave Polano is refuted by means of authoritative testimony" 1656-1657. Sporadic foxing and offsetting throughout. Bindings in overall very good interior in good to very good condition. J. Wetstein; G. Smith hardcover
1736réf. 42844Amsterdam: J. Wetstein; G. Smith 1736. First French-language edition. Hardcover. g to vg. Quarto 10 1/4 x 8". 14 lxxv 1 696pp; 4 848pp. Modern half brown calf over light green cloth with gold lettering and tooling to spines retaining the original gilt-lettered leather titles. All paper edges red. Marbled endpapers. Engraved frontispiece portrait of the author and engraved portrait of Caroline of Brandenburg-Ansbach Queen of Great Britain as the wife of King George II by George Vertue. Title vignettes. Title pages in red and black lettering. This work was originally published in London in 1619 by Paolo Sarpi 1552-1623 an Italian historian prelate scientist canon lawyer and statesman active on behalf of the Venetian Republic during the period of its successful defiance of the papal interdict 1605-1607 and its war 1615-1617 with Austria over the Uskok pirates. The author published it under the name of Pietro Soave Polano an anagram of Paolo Sarpi Veneto plus o. The book's emphasis was on the role of the Papal Curia and its slant on the Curia hostile. Sarpi's work attained such fame that the Vatican opened its archives to Cardinal Pietro Sforza Pallavicino whom it commissioned to write a three volume rebuttal entitled the "Istoria del Concilio di Trento scritta dal P. Sforza Pallavicino della Comp. di Giesù ove insieme rifiutasi con auterevoli testimonianze un Istoria falsa divolgata nello stesso argomento sotto nome di Petro Soave Polano" "The History of the Council of Trent written by P. Sforza Pallavicino of the Company of Jesus in which a false history upon the same argument put forth under the name of Petro Soave Polano is refuted by means of authoritative testimony" 1656-1657. Sporadic foxing and offsetting throughout. Bindings in overall very good interior in good to very good condition. J. Wetstein; G. Smith hardcover books
1928réf. 1409751Reading: Golden Cockerel Press 1928. Limited Edition #285/500. Hardcover. Octavo 151 pages. In Very Good minus condition with a Very Good dust jacket. Spine red with black lettering. Bound in publisher's red fabric. Dust jacket protected with mylar covering. Top edge of text block gilt. Mild shelf wear to dust jacket small closed tears on spine. Three spots of discoloration on front dust jacket. Mild wear and rubbing front and back boards. Shelved in Case 9. Golden Cockerel Press is a curated private press started in 1920 in the Caxtonian tradition of editor-printer-publishers. 1409751. Shelved Dupont Bookstore. Golden Cockerel Press hardcover
1928réf. 1409751Reading: Golden Cockerel Press 1928. Limited Edition #285/500. Hardcover. Octavo 151 pages. In Very Good minus condition with a Very Good dust jacket. Spine red with black lettering. Bound in publisher's red fabric. Dust jacket protected with mylar covering. Top edge of text block gilt. Mild shelf wear to dust jacket small closed tears on spine. Three spots of discoloration on front dust jacket. Mild wear and rubbing front and back boards. Shelved in Case 9. Golden Cockerel Press is a curated private press started in 1920 in the Caxtonian tradition of editor-printer-publishers. 1409751. Shelved Dupont Bookstore. Golden Cockerel Press hardcover books
1829Two volumes, 1829, 1831. Pages of both 4. ii. 202. . Text pages alternating French and English. With additional titlepages, engraved. 100 steel engraved plates in each volume. The plates have titles and production details. Half leather covers worn at extremities. Light foxing and marks on prelims and occasionally throughout in both volumes. Heavier foxing on first title pages.
1888réf. 34259Stuttgart: J Engelhorn Circa 1888. Presumed from the unlettered series of plates celebrating German engravers. Very fine large engravings reproducing Italian paintings by the engravers Ludwig Kuhn Peter Halm Karl von Siegl Jakob Groh Wilhelm Krauskopf and Doris Raab. 43.3 x 30.4 cm plates heavy wove paper with wide margins each plate with a tissue guard captioned in red. Six folio plates. In very good condition some of the plates and tissues have a little edgewear or minor light soiling in no case effecting the printed images. A VERY HANDSOME COLLECTION OF GERMAN ENGRAVINGS BASED ON ITALIAN RELIGIOUS ART OF THE SIXTEENTH AND SEVENTEENTH CENTURIES. The six plates included are: 1. Doris Raab 1851-1899—a fascinating female German engraver. The Christ with the Four Evangelists” aka “The Resurrection of Our Lord” after the painting in the collection of the Galleria Palatina Palazzo Pitti Florence executed in 1516 by Fra Bartolommeo. 2. Peter Halm 1854-1923. Madonna Enthroned aka Madonna and Child after a circa 1505 painting by Giovanni Bellini. 3. Ludwig Kuhn 1859-1936 Madonna of the Pesaro Family after the painting in the church of Santa Maria Gloriosa dei Frari in Venice executed by Titian circa 1519. 4. Jakob Groh 1855-1917 Madonna and Child aka "Pitti Tondo" by Michael Angelo Buonarroti reproduced from the marble bas-relief at the Museo Nazionale del Bargello in Florence executed sometime around 1504. 5. Wilhelm Krauskopf 1847-1921 Descent From the Cross "Espagnolet" reproduced from the original in the Museo Nazionale di San Martino in Naples by Jusepe de Ribera in circa 1588 6. Karl von Siegl 1842-1900 Adoration of the Three Kings Magi after the bas-relief by Venetian Baroque sculptor Giovanni Bonazza 1654–1736 located in the Chiesa dei Santi Giovanni e Paolo Venice. [J Engelhorn] unknown
réf. 51674Hamburg Carl Gassmann 1854. . Salamon 15a. - Der Himmel mit kleinen weißen Fleckchen. - Blick auf die Alsterarkaden die Lombardsbrücke mit Mühle und die Häuser zwischen Reesendamm Plan und Hermannstraße. Im Vordergrund der Platz auf dem 1885 bis 1897 das neue Rathaus erbaut worden ist. Eine Abordnung des Bürgermilitärs ist auf dem Rathausmarkt angetreten. - Im lackierten Mahagonirahmen 40 x 465 Hamburg, Carl Gassmann, ( 1854). unknown
réf. HD-196o.J. Altkolorierte Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert & Cie.Pl. de la Bourse,29., sowie: Imp. Aubert & Cie. Darstellungsgröße 26:20,4 cm, Blattgröße 33,4:25,5 cm. Literatur: Daumier-Register 1730 II (von 2); Delteil 1730 II (von 2), Blatt 2 der Folge ?QUAND ON A DU GUIGNON?, erschienen am 22.02.1848 (?) in ?LE CHARIVARI?. ? Sur blanc!