Honoré Daumier (1808-1879).Livre Rare Book
10.977 risultati
1834rif. 251231834 Planche 449 de La Caricature N° 215.La Caricature, 18 decembre 1834. Lithographie originale sur Velin blanc. . Delteil 99. épreuve en noir ; lithographie en noir sur velin blanc pli médian vertical,bon tirage bien noir,petite tache brune - Delteil 99 ,
1834rif. 251211834 Planche 437 de La Caricature N° 209.La Caricature, 6 novembrebre 1834. Lithographie originale sur Velin blanc. . Delteil 94. épreuve en noir ; lithographie en noir sur velin blanc pli médian vertical,bon tirage bien noir,petite tache brune en marge - Delteil 94 ,
1834rif. 251221834 Planche 448 de La Caricature N° 215.La Caricature, 18 decembre 1834. Lithographie originale sur Velin blanc. . Delteil 98. épreuve en noir ; lithographie en noir sur velin blanc pli médian vertical,bon tirage bien noir, tache brune en marge - Delteil 98 , D'après l'explication, le titre reprend un calembour de Napoléon. Mortier, maréchal d'Empire et alors président du Conseil, homme dont la grande taille n'annonçait pas une intelligence à la hauteur - "dans les maisons fort élevées, le dernier étage est toujours fort mal meublé" selon le mot de Talleyrand rapporté dans "La Caricature" du 18 décembre 1834, p. 1720 - est représenté en mortier crachant une pluie de décorations. Louis-Philippe en artilleur déclenche le feu. La planche ridiculise le président du Conseil et dénonce un système d'achat de suffrages par distribution de "croix, de pensions, de faveurs de toute sorte" (in explication). Notons que le pantalon de Louis-Philippe est raccommodé par une pièce de tissu sur laquelle est inscrit "CHARTE" au niveau du postérieur du souverain.
1834rif. 251141834 Planche 423 de La Caricature N° 202.La Caricature, 18 septembre 1834. Lithographie originale sur Velin blanc. . Delteil 87. épreuve en noir ; lithographie en noir sur velin blanc pli médian vertical,bon tirage bien noir,petite tache brune en marge - Delteil 87 ,
1917rif. 259801917 DUMAS et JAN MARSEILLE S.d. (1917) -gd.IN PLANO en feuilles : titre+ table des planches + 20 planches de caricatures en lithographies coloriées à plusieurs sujets de celebrités de Marseille, 33x48 cm,dans le genre de Sem,complet des planches ,trés rare, pas au Worldcat.Remise de 20% pour toutes commandes égales ou supérieures à 100 €
rif. 24231Paris, Leroy, Sécail & Cie. 90 Boulevard Montparnasse, s.d. ( 1882 ),In8, reliure plein maroquin bleu à nerfs,plats ornés d'une bordure à frises dorées,reliure signée en pied PERISSE, titre au dos à caissons dorés,, toutes tranches dorées, intérieur des plats et gardes en satins (tissu bleu vert)), roulettes et filets dorés a l'intérieur des plats, 194pp.numerotées en chiffres romains XXXII, [4], XXXIII-CXXIV, [4], CXXV-CXLVI, [4], CXLVII-CLXXX, [4], CLXXXI-CXCIV, [8] pages : illustrations ; 17 cm, integralement en chromolithographies, pages illustrées in et hors texte en chromolithographies, montées sur onglet,,2 coins leg.usés,frais,rare.
Acquaforte acquatinta litografia e pochoir Firma e numerazione a matita. Timbro a secco dello stampatore. Tirata a mano sui torchi di Giorgio Upiglio su carta Magnani. Esemplare p.d.a.. cm 90x63. . . Perfetto (Mint). . Tiratura 75. .
1740rif. 703221Lipsiae, Leipzig, Bern. Christoph Breitkopf, ohne Jahr (1740). Gr.-8°. 4 nnr. Blätter, 147 Seiten. Schlichter Halbpergamenteinband des 19. Jahrhunderts. Breitrandig und unbeschnitten. Bütten stellenweise gering fleckig.
rif. 5441Très belle vue des jardins de Versailles : on y voit au milieu d’arbres magnifiques, des courtisans se promener, se saluer, admirer les parterres et le bassin ...Très bon état, dans un cadre ancien. Très bon 40,5 x 55,5 (sujet) 51 x 64 (cadre)
rif. 7320Épreuves sur beau papier vergé. Bartsch XXI, 3 à 8. Série bien complète. D’après Polidore de Caravaggio 6 estampes
rif. 5613Belle épreuve du tirage original contrecollée. D’après un dessin de Raphaël On lit en bas à droite : Ant. sal exc. et en dessous : Nico Van Aelst For. Bartsch XIV, p.51, 45. En feuille Bon XVIè 23,6 x 35 cm
1823rif. 002813London: John and Arthur Arch 1823. Hardcover. Very Good . Published for the Author by John and Arthur Arch . . . R. Triphook . . . and J. Major . . . ." 8 15 1 p. 53 leaves of plates 1 leaf with copper-engraved dedication to Lavinia Countess Spencer signed Hewitt 52 leaves of mounted plates numbered 1-60 drawn and engraved by G.R. Lewis; 29 cm. Contemporary half red morocco with marbled paper over boards. Six spine compartments between gilt-rules and raised bands with gilt-tooled decoration. Black morocco spine label in second compartment with gilt-tooled title "Lewis's Etchings. Red morocco label on front board with double gilt-ruled border gilt corner rosettes and title "Etchings of the Physiognomy Manners & Character of the People of France & Germany." All page edges marbled to match boards and endpapers. Remains of a small circular label on front fixed endpaper reading "Abbey" along lower edge. The plates were issued for insertion in T.F. Dibdin's Bibliographical Antiquarian and Picturesque Tour in France and Germany 1821. Included are directions for placing the plates in Dibdin's work. Lewis made hundreds of drawings while accompanying Thomas Frognall Dibdin on his tour of France and Germany some of which were used to illustrate Dibdin's book. A disagreement about how much Dibdin owed Lewis for the drawings developed after the tour and the additional plates presented here were undoubtedly published by Lewis to generate some extra income from his work. In Very Good Condition: leather and boards are rubbed most heavily at head of spine and corners; corner of title page lightly soiled; light foxing primarily affecting the leaves on which the plates are mounted rather than the plates themselves; plates are clean and crisp. John and Arthur Arch hardcover
1825rif. 007775London: H. Berthoud 1825. Hardcover. Good . 72 p. frontispiece and 19 leaves of plates; 36 cm. Contemporary black leather spine with plain grey paper over boards. The publisher intended the plate of Mrs. Siddons to be bound as the frontispiece but here the plate of Mr. Kean was bound as the frontispiece and that of Siddons before the text about her. Contains 20 engraved portraits by R. Cooper of famous contemporary actors and dancers including Sarah Siddons as Lady Macbeth Edmund Kean as Richard III Samuel Simmonds as Baron Munchausen dancers Lisa Noblet Felicite Hullin and Etienne Le Blond opera singer Giuseppe de Begnis and Henry Gattie Maria Theresa Bland Sarah Booth Frances Copeland and Charles Young. The plates have not been hand-colored. In Good Condition: front board and frontispiece are detached but present; lacking leather over spine; foxing primarily in margins of plates; otherwise clean and solid. H. Berthoud hardcover
1931rif. 17082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society. Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments. ___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon. ___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight. ___CITATION: Gill 22. ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover
1931rif. 17082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society. Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments. ___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon. ___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight. ___CITATION: Gill 22. ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover books
1689rif. 703549Genf, Duiller, 1689. 5 Bl., 194 S., 4 Bl., 272(recte 172) S., 2 Bl.,3 Bl., 276, 240S. Folio. Blindgeprägter Pergamentband der Zeit auf 6 Bünden. Papier teils gebräunt. Im unteren Rand schwach wasserrandig. Die Seitennummerierung fehlerhaft aber in sich stimmig. Gute Gesamterhaltung.
rif. 027280Chicago: Dunlap School of Finger Prints. Stapled. Good. Eight pamphlet collection. Publisher dates noted on two books: 1921 & 1922. With pencil notation top right corner of title page. Pamphlets in good or better condition half missing covers 8-64 pages most under 10. Lecture Nine has 7 lines of ink writing on title page. Secret Service: Lecture One Two Nine Ten. The Science of Finger Prints: Lesson Three Four Five and Lecture Five. Dunlap School of Finger Prints unknown
Second Edition, with additions, 4to, vi,151,[1]pp., with the armorial bookplate of Lady Frances Scott, engraved frontis., light water stain to lower outer corner of first 15 pages, cont. calf, hinges cracked, label chipped. First published in 1745 and Dedicated to the Duchess of Portland, from whose most extensive collection it was compiled. Vertue derived much of the information for the life of Hollar from the younger Faithorne and Mr. F. Place, both of them engravers, who were very conversant with Hollar during his residence in London.
rif. RO80010491BEDELET Amédée. Nno daté. In-4. Relié demi-cuir. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Rousseurs. Environ 80/100 pages. Frontispice en couleurs, hors-texte, avec serpente. Nombreuses illustrations en noir et blanc dans le texte. Nombreuses planches de lithographies en couleurs, hors-texte, avec serpentes. Titre, roulettes et fleurons dorés srur le dos cuir rouge, à 4 nerfs. Tranches dorées.. . . A l'italienne. Classification Dewey : 769-Estampes
rif. BN370214Pietro Sarto. Catalogue Raisonné des gravures et lithographiesLes Estampes 1947-1992 Album Album Pietro Sarto. Catalogue Raisonné des gravures et lithographiesLes Estampes 1947-1992 Album Album Pietro Sarto. Catalogue Raisonné des gravures et lithographiesLes Estampes 1947-1992 Album Album unknown
2005Signed upon title page by author. 180 pages. Index. References. Biographical overview. List of works. Colour illustrated endpapers. "E.J. Hughes is famous for his unforgettably rich and accomplished landscapes, primarily depicting the British Columbia coast. His works now command the highest auction prices ever paid for a living Canadian artist, confirmation of his emergence as a major figure on the international art scene... The passionate collector has always been central to the emergence of important artists. In this extraordinarily personal account, the world of a collector comes alive. Here are 76 Hughes sketches, paintings and prints, in colour and black and white - only a handful previously published in book form - accompanied by a text rich with anecdotes about the joys, frustrations and satisfactions of the chase. This is a very human story of art as master - one which sheds important new light on Hughes and his work." - from dust jacket. "Hughes is the chronicler of a landscape almost too beautiful and too alive with spirit to be believed." - Globe and Mail. Clean, bright and unmarked with negliglble wear. Dust jacket now preserved in glossy new archival-grade Brodart cover. Gift quality. Book
1818rif. 000211Constable & Co. Ltd, Edinburgh 1818. 1. Auflage Halbleinen/Hartkarton. Sehr gut
1816rif. 1047CGZürich, Füssli, 1816. 2 Kupferstichkarten. 44 x 70 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
1767rif. 3885CBZürich und Chur, Orell, Gessner, Walser, 1767. 8°. 127 S., 76 S. Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb. Aufs Neue übersehen zum Druke befördert.
1860rif. 825CG(um 1860). Chromolithographie hinter Glas. Bildausschnitt: 28,5 x 39 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
