Heim, Albert:Livre Rare Book
10 977 résultats
1866réf. 229BGZürich, Verlag der Schabelitz'schen Buchhandlung (Caesar Schmidt), 1866. Kolorierte Lithographie (in ursprüngl. 3 Teilen). Leporello in Halbleinen-Umschlag. Bildgrösse: 165 cm x 16,5 cm. Blattgrösse: 166 x 18,5 cm.
1827réf. 364DGCarlsruhe, Joh. Velten, 1827. Lithographie. Bildformat: 42 x 50 cm.
1749réf. 5218DBO. O., o. Vlg., 1749. Kl.-quer-4°. (18) Bl. Mit zus. 52 Kostümdarstellungen in Kupfer. Pappband mit Rückenschild.
1850réf. 2092CB3 Teile in 1 Bd. Zürich, um 1850. Quer-8°. (54) Bl. Mit 156 (recte 155) lithogr. u. kol. Darstellungen von Johann Jakob Hofer und Johann Ruff nach David Herrliberger. Orig.-Halbleinenband.
1886réf. 4995DBBasel, C. Detloff's Buchhandlung, 1886-1893. 4 Bde. Halbledereinbände mit Rückenvergoldung und -beschriftung.
1969réf. 1690AG1969. Aquarell. Blattformat: 50 x 70 cm.
1859réf. 6126BB3. Auflage. Paris, L. Hachette, (1859). 8°. (4) XIV, (1) 866 S., 12 S. (Anzeigen). Mit 10 (dv. mehrere doppelblattgr., 1 kol. u. 3 teilkol.) Karten, 5 Stadtpläne, 10 Tafeln (Ansichten) u. 7 gef. Panoramen. Blind- u. goldgepr. Orig.-Leinenband.
1816réf. 1047CGZürich, Füssli, 1816. 2 Kupferstichkarten. 44 x 70 cm.
1813réf. 715CG(Zürich, Füssli Komm., 1813). 3 Umrissradierungen. I: 150 x 17 cm. - II: 62 x 17 cm. - III: 37 x 12,5 cm.
1864réf. 1022CGZürich, Heinrich Keller, 1864. Aquatinta mit Grenzkolorit. Blattgrösse: 14,3 x 162 cm.
réf. 121313Tübingen - Berlin, Ernst Wasmuth Verlag 2009, 305x250mm, 483pages, reliure d'éditeur. Verlagsbindung. Handschriftliche Notiz unten in der Ecke der Vorsatzseite, ansonsten innen makellos. Sehr schönes Exemplar. Inscription manuscrite sur le bas du coin de la page de faux-titre, autrement intérieur propre. Ein sehr schönes Exemplar. Très bel exemplaire.
1794réf. 5982CB2 Bde. (Zürich, 1794). 12°. Schlichte Pappbde. mit maschinengeschr. Rückenschildchen.
1820réf. 3793DB4 (von 7) Hefte. Zürich, Hans Georg Nägeli, (um 1820). Quer-4°. (1) Bl., 74 S. + 2 Titelblätter (Heft 3 u. 4). Halbleinenband der Zeit.
1820réf. 5116DB[Ausg. 1820]. Luzern, Xaver Meyer, 1820. 53 x 53 cm. Gefaltetet und auf Leinen aufgezogenes koloriertes Panorama (15 Segmente) In Original Papp-Schuber mit Titelschildern in deutsch und französisch.
1830réf. 627DG(Zürich, Keller & Füssli), um 1830. Altkolorierte Aquatinta von Rudolf Bodmer (1805-1841). Bildgrösse: 16 x 24,1 cm. Blattgrösse: 19,4 x 27 cm.
1812réf. 7882CB2 Bände in einem Band. Basel u. Aarau, Flick u. Sauerländer, 1812 8°. 507 S.; XII, 528 (4) S. Halblederband der Zeit mit Rückenvergoldung und Rückenschild.
réf. 1007CGRadierung. Plattengrösse: 17 x 25 cm. Papiergrösse: 21,3 x 34,6 cm.
réf. 1008CGRadierung. Plattengrösse: 17 x 25 cm. Papiergrösse: 22 x 34,5 cm.
réf. 121458Paris, Ambroise Vollard 1928, 330x260mm, 51pages, broché. En feuille sous couverture rempliée. Exemplaire sur papier vélin de Rives, numéroté n° 343 / 375. Petite restauration en queue et tête du dos. Bel exemplaire.
1740réf. 3718BBSt. Gallen, Ruprecht Weniger, 1740. 8°. (1) Bl., (8) Bl., 752 S., 112 S. Mit 1 gest. Fronistp. u. 1 gef. und kolorierten Karte. Neuer Halbpergamentband im Stile der Zeit mit altem Marmorpapierbezug.
2013réf. 1670Istanbul: Demirören 2013. Hardover. New. 31x41 cm. In English. Cloth bdg. In publisher's special slip case. B/w and colour ills. Linen binding on cardboard with gold foil logo printing; color printing on fancy paper; magnetic fancy paper tassel box on cardboard; special plush ribbon and bag additions. Limited edition. Thomas Allom'un 1838'de Londra'da yayınlanan eşsiz eserinin tıpkıbasımı gerçekleştirildi. Kitap elle renklendirilmiş 97 adet Türkiye gravürü ve İstanbul'un çeşitli görünümlerini içeriyor. Ayrıca Bursa Manisa İzmir Efes Bergama ve Pamukkale gibi tarihi antik kentlerin gravürlerine de yer veriliyor. Kitabın sayfalarını çevirirken binalar manzaralar ve dönemin sosyal hayatına dair kesitler göreceksiniz. Bu kitap 19. yüzyıl seyahat edebiyatının temel örneklerinden biri olarak kabul edilirken Osmanlı tarihçileri toplum bilimcileri ve şarkiyatçılar için önemli bir kaynak ve çalışma alanı sunuyor. Demirören hardcover
1910réf. 7915Print has a few very small faint soil spots but overall quite clean and in very good condition. Print size 10" x 17". Frame size 16" x 23". One of christy's scarcer prints. .; Cover . c. 1910. unknown
1985réf. 59810Great Barrington MA: Penmaen Busyhaus Publications 1985. Limited Edition "Out of Series" Print Set not numbered not in linen slipcase/box. Prints. Near Fine. Folio 39 cm Two suites of loose prints the suites are issued in two states. 13 prints printed on white paper 12 of which are signed; 13 prints printed on cream-colored paper 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper the only difference being the paper. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Does not contain the introduction by Leonard Baskin or the descriptive letterpress text. With signed self-portraits by the following artists: -Fred Becker 1913-2004. Born in Oakland California and active in St. Louis Missouri and New England. -Jack Coughlin b. 1932. Born in Greenwich Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings etchings and lithographs of literary figures and musicians. Information obtained from Brier Hill Gallery Boston MA. -John DePol 1913-2004. A New York printmaker and wood engraver. His press was Endgrain Press. -Fritz Eichenberg 1901-1990. A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. Westmont Ridley-Tree Museum of Art -Raymond Gloeckler 1928-2022. Born in Portage Wisconsin. While still a student he taught art via a government program in rural schools. Later he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures and bold expressive satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art -James Grashow b. 1942. An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations through which the viewer traverses to the delicate and contained world of his houseplants where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website -Judith Jaidinger b. 1941. One of the two female artists represented here. Born in Chicago Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute and is linked to her equally long frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time printing industry technology had moved on supplanting woodblock engravings with line drawings and photography. 'A dying art' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago hub of an enormous catalog business there were still a few commercial wood-engraving establishments turning out the precise detailed images more typical of the previous century. One of them Sander Wood Engraving on Dearborn Street was where Professor Troy a committed modernist sent his students to buy the best material: rare English-grown boxwood blocks. "'He warned us' Jaidinger recalls 'If you go to Sander and buy your wood from them don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom -Stefan Martin 1936-1994. Born in Elgin Illinois and a graduate of the Art Institute of Chicago. He was also active in Roosevelt New Jersey. His work is held in private museums and collections throughout the world including the Metropolitan Museum and the Smithsonian Institution. -Michael McCurdy 1942-2016. American author illustrator and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts at Concord Academy and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press 1968-1985. Information obtained from Brier Hill Gallery Boston MA. -Barry Moser b. 1940. The owner and operator of The Pennyroyal Press and the illustrator of over 250 books including Moby Dick The Divine Comedy and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes -Gillian Tyler b. 1935. Born in Baltimore Maryland. She is an illustrator that works primarily in children's books. -Herbert Ogdon Waters 1903-1996. Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia the Art Institute of Chicago and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham and at the Holderness School in Plymouth New Hampshire. Information obtained from Brier Hill Gallery Boston MA. -Lynd Ward 1905-1985. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Originally issued in an edition of 250 boxed sets. Penmaen Busyhaus Publications unknown
1985réf. 59810Great Barrington MA: Penmaen Busyhaus Publications 1985. Limited Edition "Out of Series" Print Set not numbered not in linen slipcase/box. Prints. Near Fine. Folio 39 cm Two suites of loose prints the suites are issued in two states. 13 prints printed on white paper 12 of which are signed; 13 prints printed on cream-colored paper 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper the only difference being the paper. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Does not contain the introduction by Leonard Baskin or the descriptive letterpress text. With signed self-portraits by the following artists: -Fred Becker 1913-2004. Born in Oakland California and active in St. Louis Missouri and New England. -Jack Coughlin b. 1932. Born in Greenwich Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings etchings and lithographs of literary figures and musicians. Information obtained from Brier Hill Gallery Boston MA. -John DePol 1913-2004. A New York printmaker and wood engraver. His press was Endgrain Press. -Fritz Eichenberg 1901-1990. A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. Westmont Ridley-Tree Museum of Art -Raymond Gloeckler 1928-2022. Born in Portage Wisconsin. While still a student he taught art via a government program in rural schools. Later he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures and bold expressive satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art -James Grashow b. 1942. An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations through which the viewer traverses to the delicate and contained world of his houseplants where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website -Judith Jaidinger b. 1941. One of the two female artists represented here. Born in Chicago Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute and is linked to her equally long frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time printing industry technology had moved on supplanting woodblock engravings with line drawings and photography. 'A dying art' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago hub of an enormous catalog business there were still a few commercial wood-engraving establishments turning out the precise detailed images more typical of the previous century. One of them Sander Wood Engraving on Dearborn Street was where Professor Troy a committed modernist sent his students to buy the best material: rare English-grown boxwood blocks. "'He warned us' Jaidinger recalls 'If you go to Sander and buy your wood from them don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom -Stefan Martin 1936-1994. Born in Elgin Illinois and a graduate of the Art Institute of Chicago. He was also active in Roosevelt New Jersey. His work is held in private museums and collections throughout the world including the Metropolitan Museum and the Smithsonian Institution. -Michael McCurdy 1942-2016. American author illustrator and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts at Concord Academy and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press 1968-1985. Information obtained from Brier Hill Gallery Boston MA. -Barry Moser b. 1940. The owner and operator of The Pennyroyal Press and the illustrator of over 250 books including Moby Dick The Divine Comedy and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes -Gillian Tyler b. 1935. Born in Baltimore Maryland. She is an illustrator that works primarily in children's books. -Herbert Ogdon Waters 1903-1996. Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia the Art Institute of Chicago and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham and at the Holderness School in Plymouth New Hampshire. Information obtained from Brier Hill Gallery Boston MA. -Lynd Ward 1905-1985. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Originally issued in an edition of 250 boxed sets. Penmaen Busyhaus Publications unknown books
réf. 51-4225A Paris chez Henri Sara et Jean PasleÌ 1647 or 1648. 24 x 18cm. on old laid paper. 12 engravings from the suite of 33.OCLC Number: 457068224François BIGNON d'après Anselmus van HULLE OU ZACHARIE HEINCE - Lot de 12 portraits tirés de la série « Les Pourtraictz au Naturel avec les armoiries et blasons noms et qualitez de Messieurs les Plénipotentiaires assemblez à Munster et Osnaburg pour faire la Paix générale. » XVIIe siècle./- 204 x 168 mm au TC. Belle condition. [A Paris, chez Henri Sara et Jean PasleÌ [1647 or 1648] unknown
