10 988 résultats
réf. 3971897. Lithograph. From the suite "Chansons des femmes" in which there were 15 images of women represented. Crauzat 189. Image: 7 x 5. unknown books
1963réf. 003294CThe Stone Wal Press Iowa City 1963. 1st Edition. Hardcover. Fine/Near Fine. A very fine hardcover copy in a near fine slipcase. Limited Edition of 300 no. copies. This is copy no. 112. Owner's signature appears on front endpaper with additional info "sent me from the publishers at the request of Beatrice Roethke." Slipcase is very sound with just a touch of rubbing. A nice copy. The Stone Wal Press, Iowa City hardcover
1927réf. 0005209Chicago: A. Ackermann & Son Inc 1927. First Limited edition. Very Good. Image measures approx. 15.5 inches by 21.25 inches; unframed but mounted on fiberboard dark "tidal stain" at lower left margin maskable with matting. Perhaps the most vivid illustrations created of 1860 Chicago were published by Jevne and Almini in France. Raoul Varin of Paris France re-created the original paintings in the mid-1920s. "The differences between Mr. Varin's paintings and the original prints were subtle. He engraved a variety of signed limited edition numbered prints . in the 1920s and 1930s. They were published by A Ackermann & Son . His views took a historical perspective . often based on extant classical works." Only 100 signed prints of the finished work were published. This is apparently a Proof State of the print and thus unnumbered but it is signed by Varin in pencil in the lower right corner. . A. Ackermann & Son Inc unknown
1859réf. 140940505Philadelphia: T.B. Peterson 1859. First American Edition. Very Good. First American edition first printing. Follows the original French and some multi-volume British editions with ghostwritten material tacked on. 580 2-12 1 pp. Publisher's brown pebbled cloth front stamped in blind gilt spine lettering yellow ad endpapers. A Very Good copy with cloth worn away along head and tail lettering a little oxidized and rubbed light sporadic foxing penciled name on first blank erased pencil on title page plates toned. The autobiography of the first private detective Eugene Francois Vidocq a former criminal and father of criminology. His exploits inspired Edgar Allan Poe to create detective fiction as a genre. T.B. Peterson unknown
1859réf. 140940505Philadelphia: T.B. Peterson 1859. First American Edition. Very Good. First American edition first printing. Follows the original French and some multi-volume British editions with ghostwritten material tacked on. 580 2-12 1 pp. Publisher's brown pebbled cloth front stamped in blind gilt spine lettering yellow ad endpapers. A Very Good copy with cloth worn away along head and tail lettering a little oxidized and rubbed light sporadic foxing penciled name on first blank erased pencil on title page plates toned. The autobiography of the first private detective Eugene Francois Vidocq a former criminal and father of criminology. His exploits inspired Edgar Allan Poe to create detective fiction as a genre. T.B. Peterson unknown books
1984réf. 297106Marlborough Wilts England: Paulinus Press 1984. Limited Edition. Hard Cover. Fine binding. Large 8vo.; in the publisher’s pink silk bonding with a cream label to the spine lettered in gilt with slipcase; 55 pages with illustrations and a set of proofs; signed by the author Walter Shewring; the engraver Simon Brett the engraver; Christopher Skelton the printer; and Clare Skelton the binder.~~This edition limited to twenty-five special copies printed on Zerkall mould-made paper with additional pages bearing impressions of the engravings printed direct from the wood blocks; in the rear of the book is a loose set of proofs of the engravings on japon printed and signed by the artist.~~This special edition is signed by the author the engraver the printer and the binder “in recognition of its being the last book produced at Skelton’s Press under Christopher Skelton’s ownership”. Fine binding. Paulinus Press unknown
1984réf. 297106Marlborough Wilts England: Paulinus Press 1984. Limited Edition. Hard Cover. Fine binding. Large 8vo.; in the publisher’s pink silk bonding with a cream label to the spine lettered in gilt with slipcase; 55 pages with illustrations and a set of proofs; signed by the author Walter Shewring; the engraver Simon Brett the engraver; Christopher Skelton the printer; and Clare Skelton the binder.~~This edition limited to twenty-five special copies printed on Zerkall mould-made paper with additional pages bearing impressions of the engravings printed direct from the wood blocks; in the rear of the book is a loose set of proofs of the engravings on japon printed and signed by the artist.~~This special edition is signed by the author the engraver the printer and the binder “in recognition of its being the last book produced at Skelton’s Press under Christopher Skelton’s ownership”. Fine binding. Paulinus Press unknown books
1910réf. 7915Print has a few very small faint soil spots but overall quite clean and in very good condition. Print size 10" x 17". Frame size 16" x 23". One of christy's scarcer prints. .; Cover . c. 1910. unknown
2013réf. 1670Istanbul: Demirören 2013. Hardover. New. 31x41 cm. In English. Cloth bdg. In publisher's special slip case. B/w and colour ills. Linen binding on cardboard with gold foil logo printing; color printing on fancy paper; magnetic fancy paper tassel box on cardboard; special plush ribbon and bag additions. Limited edition. Thomas Allom'un 1838'de Londra'da yayınlanan eşsiz eserinin tıpkıbasımı gerçekleştirildi. Kitap elle renklendirilmiş 97 adet Türkiye gravürü ve İstanbul'un çeşitli görünümlerini içeriyor. Ayrıca Bursa Manisa İzmir Efes Bergama ve Pamukkale gibi tarihi antik kentlerin gravürlerine de yer veriliyor. Kitabın sayfalarını çevirirken binalar manzaralar ve dönemin sosyal hayatına dair kesitler göreceksiniz. Bu kitap 19. yüzyıl seyahat edebiyatının temel örneklerinden biri olarak kabul edilirken Osmanlı tarihçileri toplum bilimcileri ve şarkiyatçılar için önemli bir kaynak ve çalışma alanı sunuyor. Demirören hardcover
1767réf. 3885CBAufs Neue übersehen zum Druke befördert. Zürich und Chur, Orell, Gessner, Walser, 1767. 8°. 127 S., 76 S. Pappband der Zeit.
1860réf. 825CG(um 1860). Chromolithographie hinter Glas. Bildausschnitt: 28,5 x 39 cm.
1835réf. 7949CBSchaffhausen, um 1835. Bildausschnitt: 19 x 28,5 cm. Kolorierte Aquatinta von Salathé nach Johann Ludwig Bleuler. Hinter Passepartout in Goldrahmen.
1826réf. 7946CBSchaffhausen, 1826. Bildausschnitt: 18,5 x 28,5 cm. Kolorierte Aquatinta von Franz Hegi nach Johann Ludwig Bleuler. Hinter Passepartout in Goldrahmen.
réf. 25877No place, The Commercial Press no year, about 1957, 420x345mm, editor's binding. With Maps. Book in very good condition.
1835réf. 624DGZürich, F. Sal Füssly successeur de Keller et Füssly, um 1835. Aquatinta von Lukas Weber (1811-1860). Bildgrösse: 17,2 x 25,2 cm. Blattgrösse: 22,4 x 29,6 cm.
1811réf. 7332BBZürich, David Bürkli, 1811. Kl.-4°. 99, (1) S. (Noten). Pappband der Zeit mit Kleisterpapierbezug.
1737réf. 7574CBZürich, Conrad Orelli und Comp., 1737. 8°. (2) Bl., 111 S. Pappband der Zeit mit Marmorpapierbezug.
1866réf. 229BGZürich, Verlag der Schabelitz'schen Buchhandlung (Caesar Schmidt), 1866. Kolorierte Lithographie (in ursprüngl. 3 Teilen). Leporello in Halbleinen-Umschlag. Bildgrösse: 165 cm x 16,5 cm. Blattgrösse: 166 x 18,5 cm.
1686réf. 8085CBZürich, bey David Gessner, in Verlegung Joh. Rudolf Rahnen, 1686. 8°. (20), 566, (44) S. Mit gest. Titel. Pergamentband der Zeit.
1827réf. 364DGCarlsruhe, Joh. Velten, 1827. Lithographie. Bildformat: 42 x 50 cm.
1749réf. 5218DBO. O., o. Vlg., 1749. Kl.-quer-4°. (18) Bl. Mit zus. 52 Kostümdarstellungen in Kupfer. Pappband mit Rückenschild.
1850réf. 2092CB3 Teile in 1 Bd. Zürich, um 1850. Quer-8°. (54) Bl. Mit 156 (recte 155) lithogr. u. kol. Darstellungen von Johann Jakob Hofer und Johann Ruff nach David Herrliberger. Orig.-Halbleinenband.
1886réf. 4995DBBasel, C. Detloff's Buchhandlung, 1886-1893. 4 Bde. Halbledereinbände mit Rückenvergoldung und -beschriftung.
1969réf. 1690AG1969. Aquarell. Blattformat: 50 x 70 cm.
1859réf. 6126BB3. Auflage. Paris, L. Hachette, (1859). 8°. (4) XIV, (1) 866 S., 12 S. (Anzeigen). Mit 10 (dv. mehrere doppelblattgr., 1 kol. u. 3 teilkol.) Karten, 5 Stadtpläne, 10 Tafeln (Ansichten) u. 7 gef. Panoramen. Blind- u. goldgepr. Orig.-Leinenband.