TURGIS VeuveLivre Rare Book
10 988 résultats
1853réf. 10504Très rare Chemin de Croix édité par la veuve Turgis à Paris, rue Serpente n° 10. Son activité à cette adresse est comprise netre 1853 et 1856. Lithographies rehaussées et gommées. Les couleurs sont très fraiches et le rehaut remarquable de précision. Huit planches sur 14 (manquent les planches 2,3,4,5,6 et 12). Quelques rousseurs et traces d'humidité en pied. En feuilles. Très bon Paris Vve Turgis 1853-56
réf. 1007CGo.J. Radierung. Plattengrösse: 17 x 25 cm. Papiergrösse: 21,3 x 34,6 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
réf. 1008CGo.J. Radierung. Plattengrösse: 17 x 25 cm. Papiergrösse: 22 x 34,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Acquaforte acquatinta a colori Firma, data e numerazione a matita. Stampata su carta Graphia. Esemplare p.d.a. 7/10. Cm 50x41 (Foglio 80x60). pp.. . Perfetto (Mint). . Tiratura 10. .
1956réf. 009662Paris Falaize 1956 In-8 carré Broché, couverture rempliée
1830réf. 6921CBTrogen, Meyer und Zuberbühler, 1830?1840. 8°. XIV S., (1) Bl., 570 S., (9) Bl.; VIII, 471, (9) S.; XVI S., (1) Bl. 462 S.(5) Bl.; (1) Bl. 473, (2) S., Mit 1 gef. Karte. Halblederbände der Zeit (nicht uniform). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 3 in 4 Bänden (von 6 Bänden).
1836réf. 2149BBKarlsruhe, Leipzig, Kunst-Verlag, 1836-38. Gr.-8°. 1 Bl, 214 S, 3 nn Bl, S. 217-423. Mit 1 gest. Titel, 85 Stahlstichen von H. Winkler nach G.A. Müller u. 1 gest. Werbetitel (für ein anderes Werk). Halblederband der Zeit mit gold- u. blindgepräg. Rücken (beschädigt mit Fehlstellen). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild 2 Bände.
2005Signed upon title page by author. 180 pages. Index. References. Biographical overview. List of works. Colour illustrated endpapers. "E.J. Hughes is famous for his unforgettably rich and accomplished landscapes, primarily depicting the British Columbia coast. His works now command the highest auction prices ever paid for a living Canadian artist, confirmation of his emergence as a major figure on the international art scene... The passionate collector has always been central to the emergence of important artists. In this extraordinarily personal account, the world of a collector comes alive. Here are 76 Hughes sketches, paintings and prints, in colour and black and white - only a handful previously published in book form - accompanied by a text rich with anecdotes about the joys, frustrations and satisfactions of the chase. This is a very human story of art as master - one which sheds important new light on Hughes and his work." - from dust jacket. "Hughes is the chronicler of a landscape almost too beautiful and too alive with spirit to be believed." - Globe and Mail. Clean, bright and unmarked with negliglble wear. Dust jacket now preserved in glossy new archival-grade Brodart cover. Gift quality. Book
réf. BN370214Pietro Sarto. Catalogue Raisonné des gravures et lithographiesLes Estampes 1947-1992 Album Album Pietro Sarto. Catalogue Raisonné des gravures et lithographiesLes Estampes 1947-1992 Album Album Pietro Sarto. Catalogue Raisonné des gravures et lithographiesLes Estampes 1947-1992 Album Album unknown
réf. RO80010491BEDELET Amédée. Nno daté. In-4. Relié demi-cuir. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Rousseurs. Environ 80/100 pages. Frontispice en couleurs, hors-texte, avec serpente. Nombreuses illustrations en noir et blanc dans le texte. Nombreuses planches de lithographies en couleurs, hors-texte, avec serpentes. Titre, roulettes et fleurons dorés srur le dos cuir rouge, à 4 nerfs. Tranches dorées.. . . A l'italienne. Classification Dewey : 769-Estampes
Second Edition, with additions, 4to, vi,151,[1]pp., with the armorial bookplate of Lady Frances Scott, engraved frontis., light water stain to lower outer corner of first 15 pages, cont. calf, hinges cracked, label chipped. First published in 1745 and Dedicated to the Duchess of Portland, from whose most extensive collection it was compiled. Vertue derived much of the information for the life of Hollar from the younger Faithorne and Mr. F. Place, both of them engravers, who were very conversant with Hollar during his residence in London.
réf. 027280Chicago: Dunlap School of Finger Prints. Stapled. Good. Eight pamphlet collection. Publisher dates noted on two books: 1921 & 1922. With pencil notation top right corner of title page. Pamphlets in good or better condition half missing covers 8-64 pages most under 10. Lecture Nine has 7 lines of ink writing on title page. Secret Service: Lecture One Two Nine Ten. The Science of Finger Prints: Lesson Three Four Five and Lecture Five. Dunlap School of Finger Prints unknown
1689réf. 703549Genf, Duiller, 1689. 5 Bl., 194 S., 4 Bl., 272(recte 172) S., 2 Bl.,3 Bl., 276, 240S. Folio. Blindgeprägter Pergamentband der Zeit auf 6 Bünden. Papier teils gebräunt. Im unteren Rand schwach wasserrandig. Die Seitennummerierung fehlerhaft aber in sich stimmig. Gute Gesamterhaltung.
1931réf. 17082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society. Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments. ___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon. ___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight. ___CITATION: Gill 22. ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover
1931réf. 17082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society. Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments. ___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon. ___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight. ___CITATION: Gill 22. ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover books
1823réf. 002813London: John and Arthur Arch 1823. Hardcover. Very Good . Published for the Author by John and Arthur Arch . . . R. Triphook . . . and J. Major . . . ." 8 15 1 p. 53 leaves of plates 1 leaf with copper-engraved dedication to Lavinia Countess Spencer signed Hewitt 52 leaves of mounted plates numbered 1-60 drawn and engraved by G.R. Lewis; 29 cm. Contemporary half red morocco with marbled paper over boards. Six spine compartments between gilt-rules and raised bands with gilt-tooled decoration. Black morocco spine label in second compartment with gilt-tooled title "Lewis's Etchings. Red morocco label on front board with double gilt-ruled border gilt corner rosettes and title "Etchings of the Physiognomy Manners & Character of the People of France & Germany." All page edges marbled to match boards and endpapers. Remains of a small circular label on front fixed endpaper reading "Abbey" along lower edge. The plates were issued for insertion in T.F. Dibdin's Bibliographical Antiquarian and Picturesque Tour in France and Germany 1821. Included are directions for placing the plates in Dibdin's work. Lewis made hundreds of drawings while accompanying Thomas Frognall Dibdin on his tour of France and Germany some of which were used to illustrate Dibdin's book. A disagreement about how much Dibdin owed Lewis for the drawings developed after the tour and the additional plates presented here were undoubtedly published by Lewis to generate some extra income from his work. In Very Good Condition: leather and boards are rubbed most heavily at head of spine and corners; corner of title page lightly soiled; light foxing primarily affecting the leaves on which the plates are mounted rather than the plates themselves; plates are clean and crisp. John and Arthur Arch hardcover
1825réf. 007775London: H. Berthoud 1825. Hardcover. Good . 72 p. frontispiece and 19 leaves of plates; 36 cm. Contemporary black leather spine with plain grey paper over boards. The publisher intended the plate of Mrs. Siddons to be bound as the frontispiece but here the plate of Mr. Kean was bound as the frontispiece and that of Siddons before the text about her. Contains 20 engraved portraits by R. Cooper of famous contemporary actors and dancers including Sarah Siddons as Lady Macbeth Edmund Kean as Richard III Samuel Simmonds as Baron Munchausen dancers Lisa Noblet Felicite Hullin and Etienne Le Blond opera singer Giuseppe de Begnis and Henry Gattie Maria Theresa Bland Sarah Booth Frances Copeland and Charles Young. The plates have not been hand-colored. In Good Condition: front board and frontispiece are detached but present; lacking leather over spine; foxing primarily in margins of plates; otherwise clean and solid. H. Berthoud hardcover
réf. 5441Très belle vue des jardins de Versailles : on y voit au milieu d’arbres magnifiques, des courtisans se promener, se saluer, admirer les parterres et le bassin ...Très bon état, dans un cadre ancien. Très bon 40,5 x 55,5 (sujet) 51 x 64 (cadre)
réf. 7320Épreuves sur beau papier vergé. Bartsch XXI, 3 à 8. Série bien complète. D’après Polidore de Caravaggio 6 estampes
réf. 5613Belle épreuve du tirage original contrecollée. D’après un dessin de Raphaël On lit en bas à droite : Ant. sal exc. et en dessous : Nico Van Aelst For. Bartsch XIV, p.51, 45. En feuille Bon XVIè 23,6 x 35 cm
1740réf. 703221Lipsiae, Leipzig, Bern. Christoph Breitkopf, ohne Jahr (1740). Gr.-8°. 4 nnr. Blätter, 147 Seiten. Schlichter Halbpergamenteinband des 19. Jahrhunderts. Breitrandig und unbeschnitten. Bütten stellenweise gering fleckig.
réf. 016260La Chaux-de-Fonds Edition de la Syrinx 0 En feuilles
1981réf. 011905Paris Maeght 1981 In-4 Cartonnage toilé, jaquette
1856réf. 406DGZürich, Druck C. Knüsli, 1856. 4 Blatt mit lithogr. Illustr., Umzüge in je 4 Reihen. Blattgrösse: 54 x 70 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1781réf. 49841781 Paris Lattré 1781-1791 5 cartes anciennes. Env. 30 x 41,5 cm hors marges, 36,5 x 51 cm toutes marges comprises. Frontières rehaussées. Bonnes conditions. Quelques menues déchirures marginales à certaines cartes. Pliure partiellement fendue à la carte du Dauphiné et de la Provence.
