10.182 Ergebnisse
Best.-Nr. 24061405Santa Rosa: Nawakum Press 2010. Limited Edition. Hardcover. Fine. Cranmer Keith. One of 20 deluxe copies quarto size 32 pp. signed by Robert Bly with extra print signed by Cranmer in a clamshell box. An early publication by the Nawakum Press run by the inimitable David Pascoe whose name has become synonomous throughout the world of fine press publishing with meticulous craftsmanship and design often paired with original art work by contemporary artists. As is stated on their web site "While incorporating the very best from the fine press tradition the Press also chooses to stretch the boundaries of the modern day book." This work presents fifteen poems by Robert Elwood Bly 1926-2021 renowned poet and activist who won the National Book Award for Poetry in 1968 for his book "The Light Around the Body". Per the prospectus "It has been said that Bly has taken on many roles among them groundbreaking poet and remains one of the most hotly debated artists of the past half century The psychologist Robert Moore has said that 'when the cultural and intellectual history of our time is written Robert Bly will be recognized as the catalyst for a sweeping cultural revolution.' " Presented with two original wood engravings by Berkeley artist Keith Cranmer who began engraving by hand in 1975. He "works on paper with drawing gouache ink and painting.his main interest is representational figurative drawing with at times a surreal edge" n.b. quote from the web site of the American Society of Bookplate Collectors and Designers. This one of twenty deluxe copies with a separate engraving in a wallet numbered and signed by Cranmer the engraving and book in a clamshell box. ___DESCRIPTION: Quarter bound in foil stamped rich brown leather with burnt orange Cave Paper over boards paper label on the front board with a wood engraving of the Indigo Bunting patterned endpapers the frontispiece a two-colour wood engraving both this and the engraving on the front board printed letterpress directly from the blocks title page in brown and black poem numbers and titles in brown signed by Robert Bly in ink at the colophon; monotype Walbaum on Hahnemühle Biblio quarto size 10 3/4" by 6 3/8" 32 pages limited edition this no. 9 of 20 deluxe copies total edition 100. Enclosed in a paper chemise is an engraving of the Indigo Bunting also used for the cover signed and numbered in pencil by Keith Cranmer. Both contained in a clamshell box of Japanese brown book cloth leather spine label with gilt lettering inset. ___CONDITION: Volume fine with clean boards straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; as new directly from the Press. Separate print and chemise also fine clean and without wear; clamshell box fine also clean and without wear. Overall a stunning production. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Nawakum Press hardcover
Best.-Nr. 24061405Santa Rosa: Nawakum Press 2010. Limited Edition. Hardcover. Fine. Cranmer Keith. One of 20 deluxe copies quarto size 32 pp. signed by Robert Bly with extra print signed by Cranmer in a clamshell box. An early publication by the Nawakum Press run by the inimitable David Pascoe whose name has become synonomous throughout the world of fine press publishing with meticulous craftsmanship and design often paired with original art work by contemporary artists. As is stated on their web site "While incorporating the very best from the fine press tradition the Press also chooses to stretch the boundaries of the modern day book." This work presents fifteen poems by Robert Elwood Bly 1926-2021 renowned poet and activist who won the National Book Award for Poetry in 1968 for his book "The Light Around the Body". Per the prospectus "It has been said that Bly has taken on many roles among them groundbreaking poet and remains one of the most hotly debated artists of the past half century The psychologist Robert Moore has said that 'when the cultural and intellectual history of our time is written Robert Bly will be recognized as the catalyst for a sweeping cultural revolution.' " Presented with two original wood engravings by Berkeley artist Keith Cranmer who began engraving by hand in 1975. He "works on paper with drawing gouache ink and painting.his main interest is representational figurative drawing with at times a surreal edge" n.b. quote from the web site of the American Society of Bookplate Collectors and Designers. This one of twenty deluxe copies with a separate engraving in a wallet numbered and signed by Cranmer the engraving and book in a clamshell box. ___DESCRIPTION: Quarter bound in foil stamped rich brown leather with burnt orange Cave Paper over boards paper label on the front board with a wood engraving of the Indigo Bunting patterned endpapers the frontispiece a two-colour wood engraving both this and the engraving on the front board printed letterpress directly from the blocks title page in brown and black poem numbers and titles in brown signed by Robert Bly in ink at the colophon; monotype Walbaum on Hahnemühle Biblio quarto size 10 3/4" by 6 3/8" 32 pages limited edition this no. 9 of 20 deluxe copies total edition 100. Enclosed in a paper chemise is an engraving of the Indigo Bunting also used for the cover signed and numbered in pencil by Keith Cranmer. Both contained in a clamshell box of Japanese brown book cloth leather spine label with gilt lettering inset. ___CONDITION: Volume fine with clean boards straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; as new directly from the Press. Separate print and chemise also fine clean and without wear; clamshell box fine also clean and without wear. Overall a stunning production. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Nawakum Press hardcover books
Best.-Nr. HD-146o.J. Lithographie, auf cremefarbenem Velin, mit den Adressen: Au bureau ,chez Aubert, pass. Véro-Dodat., sowie: Lith: Delaunois,r. du Bouloy,19. Darstellungsgröße 19,9:27,7 cm, Blattgröße 26,8: 33,5 cm. Literatur: Daumier-Register 86; Delteil 86; erschienen am 11.09.1834 in ?LA CARICATURE?., Nr. 201, Blattnummer 421. - Selten! - Sur blanc!
1781Best.-Nr. 29805ABLeipzig, Johann Friedrich Junius, 1781-1788. 8°. XXVI, (2), 298 S.; X, (2), 327 S.; VIII, 310 S.; (4), 433 S. Mit 2 gef. Karten, 14 (davon 13 gef.) Kupfertafeln. Pappbände der Zeit mit Kleisterpapierbezug und handschr. Rückenschildern. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 29805AB|29805AB_2|29805AB_3 4 Bände. [3 Warenabbildungen]
1840Best.-Nr. 4550[vers 1840]. In-folio à l'italienne, dos en toile, plats de papier moiré bleu nuit, titre doré au premier plat (coins légèrement frottés).
Best.-Nr. 221757T. Cadell Jnr and W. Davies The Strand London 1798. . 617 pp frontispiece map fold-out map numerous engraved plates list of engraved plates at rear very nice clean and tight copy bound in early nineteenth century half calf with gilt-lettered spine label. Includes many full page engraved plates of aboriginal tribal ceremonies including eye-tooth removal at male initiation ceremony etc. A supplemental volume was published in 1802 covering the period Jan. 1788 to Aug. 1801 however this present volume is the fundamental founding volume relating to the settlement of Australia. From the library of Selwyn Smith with his armorial bookplate and signature : "Selwyn Smith Sydney 1848. T. Cadell Jnr and W. Davies, The Strand, London, 1798. unknown
1961Best.-Nr. 6087Paris, Les Francs Bibliophiles, 1961 ; in-8 en feuilles ; couverture crème imprimée en bleu marine rempliée, étui de suédine noire (emboitage de l'éditeur) ; (3) ff. blancs, 108, (8) pp., (3) ff. blancs, 25 gravures dont 1 en frontispice, protégées par des serpentes de papier de soie.
1924Best.-Nr. 78250s. d. [1924] | 9.30 x 7.80 cm | autre
1867Best.-Nr. 26902Melbourne: Hamel & Ferguson 1867. Print. Very good overall. From Eugene von Guérard's Australian Landscapes 1866-68. Von Guerard is said to have painted the work "at the entrance to Dobson's Gully in the Dandenong's'. The area was the location where Thomas Dobson made his home and established a timber camp. He called it 'Lightwood Gully' the original name for Ferntree Gully. "His remarkable image of a fern-tree gully in the Dandenong Ranges some 40 kilometres east of Melbourne conveys a sense of the landscape as a spiritual sanctuary. Painted on return to the artist's Melbourne studio Ferntree Gully in the Dandenong Ranges is a work that combines von Guerard's meticulous observation of local plant species with his artiistic interest in compositional arrangement and the creation of a 'mood' particular to this environment. In this case we are privy to the magical world of a bower - an enclosed gully of natural foliage created by towering tree ferns. A pool of light on the forest floor leads us to two male lyrebirds cast in shadow one withits characteristic tail feathers raised.: Tiom Bonyhady Australian Colonial Paintings in the Australian National Gallery Canberra; Australian National Gallery 1986 p. 171. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 19 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Hamel & Ferguson unknown
2008SIGNED LIMITED EDITION copy of an elaborately-illustrated Haggadah. 480x325mm. This beautiful Haggadah is enclosed in a thick wooden box, with a colorfully-painted front lid. Inside are 34 color lithographs (not bound). Each lithograph comprises one page of the Haggadah, including the text (in Hebrew) relevant to the image on that lithograph - together making up the complete Haggadah text. Each lithograph is SIGNED by Eliyahu Sidi (in pencil), and marked with a number to indicate the exemplar to which it belongs. The box also contains a large 25-page booklet, wherein is found the introduction by David Moss, English translations for each of the 34 color lithographs (alongside a small image of each lithograph, for reference purposes), and concluding with an interpretation of each lithograph from an artistic viewpoint by David Moss and Noam Zion. The booklet is written entirely in the English language. All copies sold fresh (not second-hand) directly from the artist, and are in PERFECT CONDITION. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1952Litografia a colori. 3° stato in cui le figure sono state modificate nei contorni, le mani e i volti, dai quali è stato cancellato il fondo ocra chiaro, sono ridisegnati in ocra e i panneggi in verde chiaro e bruno. Il fondino è tirato in bruno chiaro o grigio. Tiratura: alcune prove d'artista in parte firmate + 200 es. numerati + LX es. in colori diversi Firmata, numerata e datata a matita. Stampatore Desjobert, Parigi. Carta Arches, timbro a secco dell'editore. Esemplare 197/200 su fondino grigio. Cm 42,6x32,2. . . Molto buono (Very Good). Qualche lievissima fioritura ai bordi del foglio (Some light yellowing on the edges of the sheet). Tiratura: alcune p.d.a. + 200 + LX es. numerati. .
Best.-Nr. DICO50M1763, chez Briasson, David, Le Breton, Durand, Paris. Édition originale. In-folio, reliure de l'époque demi-veau marbré à coins, dos à 6 nerfs, 233 planches illustrant les entrées depuis Balancier à Charpente en passant par Blason, Boulanger et Caractère et Alphabets. Volume en tous points conforme à celui de la Mazarine (L'Encyclopédie. Volume 23. Planches 2). Reliure fatiguée à restaurer. Nombreux manques. Intérieur frais et complet malgré d'anciennes traces de menu travaux de vers.
Best.-Nr. 5422XVIè siècle. Burin. 19,5 x 23,5. L’ensemble est présenté sous chemise de papier ancien. Suite de 32 pièces d’après Raphaël. Ces estampes sont numérotées de 1 à 32. Le n° de chaque estampe est gravé 2 fois à la gauche et en-bas. Cette suite a été gravée par le Maître au dé qui cependant n’a mis sa marque que sur 2 estampes (les numéros 6 et 9). trois seules sont gravées par Augustin Vénitien et marquées de ses lettres A.V. (4-7-13). Épreuves du 2è état sur 2 avec la marque Ant. Sal. exc. Bartsch T. XV, p. 211 Notre série, très rare, est incomplète de 2 estampes : 9 et 32. L’ensemble est présenté sous chemise de papier ancien. Très bon XVIè siècle 19,5 x 23,5
Best.-Nr. 5507Cette estampe est une curiosité : le dessin est très proche de celle de Mantegna "Hercule et Anthée", mais elle est inachevée par rapport à cette dernière. Fait troublant, Bartsch signale que dans la planche de Mantegna le "I" de Invicto semble avoir été inséré entre le V et le C. Or dans notre épreuve, ce I est absent. S'agit-il d'un tout premier état ? En feuille, très bon état, 33 x 23 cm. En feuille Très bon 330 x 230
1880Best.-Nr. ARC-114041Superbes série de 26 planches (35cm X 23cm) gravées sur bois et coloriées, tirées de Quarante-huit faucons dessinés d'après nature la plus connue de Nakayama Sugakudo, publiée pour la première fois en 1859 ; Reliure japonaise de soie vert bronze à motifs.
Best.-Nr. 16605Paris, chez Brunet, 1775 - 1783. 4 volumes in-8 de [6]-321; [2]-391; [2]-407; 410 pages, plein maroquin rouge grenat, dos lisse orné de fleurons et dentelle dorée, plats au triple encadrement stylisé de roulettes dorées, roulettes dorées aux coupes et aux chasses, tranches dorées.
1697Best.-Nr. 770DGZürich, 1697. 4 Kupferstiche, 2 davon mit Mittelfalz. Bildformate: 33,4 x 27,7 und 36,2 x 47,5 cm.
1725Best.-Nr. 5282DBFranckfurt a. M., Joh. B. Andreä und H. Hort, 1725. 4°. 198 S. Mit gest. Titel (aufgezogen), 42 Textkupfer (Totentanz) und 1 gest. Vexierbild (Memento mori). Späterer Halblederband mit Rückenvergoldung.
1716Best.-Nr. 27537AB3 Teile in 1 Bd. Zürich, Bodmerische Truckerey, 1716–1718. Kl.-4°. (4) Bl., 268 S., (2) Bl.; (8) Bl., 480 S., (4) Bl.; (8) Bl., 336 S. Mit 1 gest. Frontispiz u. 33 Kupfertafeln (davon 10 gef.). Pergamentband aus der Zeit mit handschr. Rückentitel.
1559Best.-Nr. 3332DB(Am Schluss:) Tiguri, apud Christophorum Frosch., anno 1559. Mense Augusto. Folio. (12) Bl., 632 S., (15) Bl. (letztes leeres Bl. fehlt). Mit zahlreichen figürlichen Holzschnitt-Initialen, Holzschnitt-Druckermarke. Blindgeprägter Schweinslederband der Zeit mit 2 Metallschliessen, Papierrückenschild, maschinengeschrieben.
1900Best.-Nr. 664unknown: unknown 1900. 9 1/2 x 8 inches 8 x 8 inches 8 x 8 inches. Very good condition. This is a set of three very rare etchings of golf. The first is a layout of the first tee and closing hole at St. Andrews Old Course. The second is of a golfer finishing his swing with. golfers in the background. The third is a golfer loonig at a difficult shoe if not impossible. These are very old and quite rare. They have been in my possession for 40 years and are new to the market. At one time I had the name of the artist but have misplaced my fact sheet. See pics. unknown unknown
1886Best.-Nr. BIBLIO-31166Trustees of the British Museum London first edition 1886 - 1906. 15 fascicules each in its own portfolio 52 cm parts I-IV and 66 cm parts V-XV. introductions of a few pages each and a total of 233 plates on stiff card. . Uncommon. A complete set of this series which comprises 15 portfolios each with a short introduction list of plates and between 11 and 22 finely-printed plates as follows: Part I. Early Italian. 20 plates; Part II. Early German and Flemish 22 plates; Part III. German Dutch and Italian. 18 plates; Part IV. Italian 16th century. 18 plates; Part V. Specimens of early mezzotint engraving. 16 plates; Part VI. Specimens of line-engraving by Masters of Germany and the Low Countries 1530-1620. 15 plates; Part VII. Specimens of line-engraving by Masters of the Netherlands Schools under the influence of Rubens and Vandyck about 1620-1660. 12 plates; Part VIII. Specimens of line-engraving by Masters of the French School about 1580-1680. 14 plates; Part IX. Specimens of line-engraving by the earliest Masters practising in England about 1545-1695. 18 plates; New Series Part X. Additional specimens of line-engraving by the earliest Masters working in England about 1580-1670. 21 plates; Part XI. Specimens of line-engraving by French Masters of the Eighteenth Century. 14 plates; Part XII. Specimens of line-engraving by French Masters of the Eighteenth Century continued. 12 plates; Part XIII. Specimens of line-engraving by English Masters of the Eighteenth Century. 11 plates; Part XIV. Specimens of line-engraving by Italian Masters of the Eighteenth Century. 11 plates. Part XV. Specimens of line-engraving by German Masters of the Eighteenth Century. 11 plates. The plates are generally Very Good clean copies: the versos of the final plate in each potrtfolio and the title-page rectos are in most cases tanned from contact with the portfolios. Some plates have small 'British Museum facsimile' stamps on the versos and there is sometimes a small library blindstamp in the lower margin well away from the image. The portfolio boards are generally rather duststained and a little rubbed the portfolio for Part VI has bumping and tearing to its top edges and that for Part XV is torn at the head of spine with trifling edgewear to a few plates a few other portfolio corners have minor edgewear. The porfolio flaps are generally in very good condition and seem to have been renewed in most cases; a few others are broken. A few portfoilios have library bookplates on their front inner boards. Overall a well-preserved set of a series rarely found complete. Trustees of the British Museum, London, first edition, 1886 - 1906 hardcover
Best.-Nr. GF30513Un catalogue in-4 broché non paginé imprimé sur papier glacé - nombreuses reproductions d'oeuvres en noir et en couleurs -
1830Best.-Nr. 40252, , 1830. 20 planches entoilées et assemblées mesurant 7,3 x 30 (à 33) cm chacune., demi-toile bleue, étiquette sur le premier plat (reliure de l'époque).
234:174 mm (size of plate), mounted on cardboard (330:250 mm).
