Estampes

Estampes — marelibri

Hamilton Sir William; [Antiquities; Art Prints]Biblio.com

An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.

1766rif. 29450Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint printed as a black background over terracotta with highlighting in light gray/white. The image shows three figures one a warrior draped in animal skins carries a club stands before another figure with a thin staff who stands next to a flaming brazier. A third figure with a shorter staff walks way from the scene. Printed on a single folio sheet measuring larger than 18" x 12" the image approximately 12" X 7.75" now very handsomely presented in cream mounting approximately 24 by 18 inches with ornate gilt framework design around the leaf glazed and now under archival glass in a very attractive frame of gilded red wood and black enamel. In all a very impressive display. Very fine and in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. unknown

Buddenbrooks, Inc. · Stati Uniti1595,00 USD≈ 1422,20 €

Hamilton Sir William; [Antiquities; Art Prints]Biblio.com

An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.

1766rif. 29242Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint printed as a black background over terracotta with highlighting in light gray. The image shows a woman bending to pick up a child who squats before her. Objects hover above one is a shield another is a rope or cord. The image is numbered T6 in the top left corner and P6 in the top right it is numbered in Roman VIII at the bottom. Printed on a single folio sheet measuring larger than 18" x 12" the image approximately 9" X 7.25". Now very handsomely presented in cream mounting approximately 24 x 18 inches with ornate gilt framework design glazed under archival glass within a very attractive frame of gilded red wood and black enamel. In all a very impressive display. A very beautiful presentation and in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. unknown

Buddenbrooks, Inc. · Stati Uniti1595,00 USD≈ 1422,20 €

[ RELIGION - VENDÉE MILITAIRE] SANS NOM D'ÉDITEUR [ peut-être MARCILLY Paris (Graveur et Imprimeur)]Livre Rare Book

ENSEMBLE COMPLET DE CANONS COLORIÉS, COMPORTANT LE CANON CENTRAL (en trois volets) ET LES CANONS DU LAVABO ET DU DERNIER ÉVANGILE (XVIIIEME)

rif. 13240Paris MARCILLY XVIIIème Ensemble de trois Canons, estampes en gravure en taille douce colorée à la main polychrome portant un texte en latin imprimé à l'encre noire avec illustrations se rapportant à l'iconographie et aux instructions liturgiques(collées sur carton enveloppé de papier vieux rose). Le canon central est Pliant et de forme rectangulaire horizontale (format déplié : 38 cm de haut x 61 cm de large - Format plié : 21,6 cm de large x 38 de haut), les deux autres de forme rectangulaire verticale (format : 24,8 cm de large x 33,4 cm de haut), Le canon central est composé de trois espaces scandé par un décor (décoré à la main) aux guirlandes de fleurs et Anges avec aux pieds des personnages bibliques avec leurs attibuts : MOÏSE et sa Table de la Loi, Saint-MARC assis sur un Lion avec un livre ouvert, Un Aigle avec Saint-JEAN l'évangéliste, Saint-LUC assis sur un Boeuf, Saint-PIERRE tenant ses Clefs à la Main, Saint MATTHIEU et son Ange, Saint-PAUL et son Epée, Saint-LAURENT en habit de Thuriféraire avec son brule-encens etc... avec des Anges dans la partie supérieure. Le canon dit du Dernier Evangile : le texte en latin est encadré à gauche et à droite de 2 Colonnes sculptées avec motif floral en couleurs surmontés chacune d'un Ange tenant une guirlande de feuilles verte au dessus du texte avec une Urne dorée au centre. Le canon dit du Lavabo présente le même type de mise en scène, avec au pied du texte en latin un Livre, une Croix d'or et un Brule-Encens représenté au lieu d'un Agneau Pascal blanc; l'ensemble est trés beau et les couleurs trés fraîches peintes à la main sont resplendissantes, le coin droit du canon central est fortement écorné sans que cela ne touche à aucun moment à la gravure, petites traces de coulures de cire, montrant bien que cet Autel Portatif à servi, sans date (XVIIIème) sans lieu ni nom d'Editeur ( peut être Paris Marcilly, rue saint Jacques n° 21, Imprimeur Editeur),

Librairie Guimard · Nantes, Francia1400,00 €

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