10 194 résultats
1967réf. 014420Paris OLV [ Odette Lazare-Vernet], collection "Paroles Peintes" 1967 In-4 Reliure de l'éditeur
1838réf. PHO-1194London, Richard Bentley, 1838. 2 volumes in-8 (21 x 13 cm), veau fauve glacé (reliure de l'époque), dos lisse orné, pièces de titre et de tomaison en maroquin grenat et olive, dentelles dorées et triple filet à froid encadrant les plats, roulette dorée intérieure et sur les coupes, tranches peignées, xii-403-[1];vi-441-[1] pages (complet). Coins usés, charnières frottées et fendues, coiffes accidentées ,manque au dos avec épidermure .
1973réf. 001183Grenoble Editions du Grésivaudan 1973
1971Cartella contenente 4 acquaforti originali, numerate, firmate e datate a matita dall'Artista (cm 17,5x12,5 - foglio 50x35) Stampatore: Elvidio Farabollini di Treia. Ogni incisione reca il timbro a secco dell'Editore. . . . Perfetto (Mint). . Edizione originale di 20 es. numerati. . ROCCAMONTE, Giorgio Amelio (Buenos Aires, 1927 - Roma, 1980). Scultore, ha firmato con Lucio Fontana il Manifesto Blanco nel 1946
Litografia e fotolitografia originale a colori Firma e numerazione a matita. Esemplare H.C.. cm 41,5x30,2 (Foglio 70x50). . . Ottimo (Fine). . Tiratura 90. .
1829réf. 597DG(Zürich, Keller, 1829). Aquatinta auf Papier. Bildgrösse: 10,5 x 38,7 cm. Blattgrösse: 13 x 40,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild
Acquatinta, puntasecca, pasta modellante e collage Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta Hahnemuhle. Esemplare p.d.a.. cm 85x63 (Foglio 106x71,5). pp.. . Ottimo (Fine). Bordi del foglio leggemente sporchi. . .
1989réf. 61892BBDüsseldorf, Edition GS - Graphik-Salon Gerhart Söhn, 1989-1994. 4°. 28,5 cm. 260, 260, 259, 260, 283, 284 und 42 Seiten. Original-Leinenbände mit Original-Schutzumschlägen (Register-Band ohne Schutzumschlag).
Litografia originale a colori Firma e numerazione a matita. Stampata da Romolo e Rosalba Bulla a Roma. Esemplare p.d.a.. cm 40x60 (Foglio 50x70). . . Ottimo (Fine). . . .
1974réf. 178891974 Marseille Le Roudelet Felibren dóu Pichoun-Bousquet et le Comité Valère Bernard 1974, en édition monumentale tirée à 160 exemplaires, “La Légende de Jean de l'Ours”, illustrée de 13 eaux-fortes, tirées par Valère Bernard lui-même, de bandeaux et de lettrines.
1667réf. 5786BBSolothurn, Johann Jacob Bernhardt, 1667. 4°. (4), 266 S. (1) Bl., S. 267-329, (8) Bl. Modernes Halbpergament, goldgepr. Rückentitel und Fileten, marmor. Deckel. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 5786B
1779réf. 30020ABZürich, Orell, Gessner Fuesslin, 1779. Folio. 152 S, (31) Bl. Mit 1 ges. Titelblatt, 29 Kupfertafeln und 14 Tabellen (davon 2 gef.) Halblederband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild
1873réf. 182351873 [Imprimerie De Jules Claye, Paris,1873 - IN FOLIO demi basane noire ,manques au haut du dos.Cet ouvrage expose la magnifique collection d'oeuvres d'art du collectionneur belge John W. Wilson. Sa collection classée par écoles et peintres anciens et modernes regroupe des oeuvres des plus grands maîtres tels que Watteau, Rubens, Delacroix, Géricault, Turner, Millet (dont l'Angélus du soir est aujourd'hui exposé au musée d'Orsay) etc. Cet ensemble expose le goût certain et les connaissances pointues en Histoire de l'Art de John W. Wilson.Text pristine & unmarked, crisp, tight to the spine - LIMITED EDITION, NUMBERED COPY. Text in French. Pages and plates not numbered. 68 plates (incl. Ports. ) , facsimile signatures of the artists whose works are represented ; 51 cm. Among the artists represented: F. Bol, N. Maas, Molenaar, Diaz, Rousseau, Milet, Plassan, and others. Decorated endpapers and edges.
1848réf. 005411London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 400 x 475 mm. image is 276 x 318 mm.; mat is 19.5 x 20 inches. The lithograph was created by Edmund Walker 1813 or 1814-1882 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 2 a portrait of Dost Mohammed who had been deposed as Emir of Afghanistan. In January 1841 when Rattray was granted an audience with him in Peshawar Dost Mohammed was a prisoner on his way to exile in Calcutta. Rattray wrote that since Dost Mohammed had been "a ruler just and merciful and attentive to affairs of state" the people of Peshawur thought that he had been unjustly treated by the British. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1848réf. 005410London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 429 x 533 mm. image is 275 x 375 mm.; mat is 19.5 x 23 inches. The lithograph was created by Edmund Walker 1813 or 1814-1882 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 22 in regard to which Rattray wrote: "I sketched this Uzbeg at the Fort of Lughmaunee Cohistaun." The ambassador represented Mir Wali prince of the frontier town of Kulum near Kunduz. In September 1840 the British were negotiating with Wali to transfer his allegiance to Shah Shuja. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1890réf. 628CGZürich, Hofer & Burger o.J. (um 1890). Lithographie gez. von H. Schmid. Blattformat: 17,5 x 189 cm.
1954réf. 4533Paris, Louis Carré, 1954. In-8 broché de 62-[4] pages, couverture illustrée rempliée, tiré à 1000 ex. sur vélin d’Arches à la forme.
1856réf. 4554DBSt. Gallen, J. B. Isenring, 1856. 32 S., (10) S. Mit 10 Tafeln von Johann Baptist Isenring. Orig.-Pappband.
1979réf. 2092902141000212Bijutsu shubbansha 1979. Soft Cover. Fine. Size: B4 Bijutsu shubbansha paperback
Folio (430 x 320 mm), [4], 373, [3], liii, [1]pp., printed for private circulation only in 200 copies, early armorial bookplate to front paste-down, cont. half blue morocco, marbled boards, slightly rubbed otherwise a very good copy indeed. Printed uniformly with the catalogue of books and, like that work, printed only for presentation. The map collection was an important constituent of the Royal library (Samuel Johnson recommended buying maps locally in his famous letter to Barnard); The King's Topographical Collection of around 50,000 maps, charts, prints and drawings formerly owned by George III and donated to the Library by George IV, included antiquarian drawings by William Stukeley, large collections of views by Samuel Hieronymus Grimm, the Bucklers and Edward Blore, and the drawings from Captain Cook's voyages or Robert Hay's of Egypt. It was reprinted in 2 vols. 8vo in the same year for commercial distribution. Martin, Privately Printed Books, p. 259.
1867réf. 26901Melbourne: Hamel & Ferguson 1867. Print. Plate II from Eugene von Guérard's Australian Landscapes 1866-68. Gold was discovered in Beechworth Victoria in 1852 and shortly thereafter along the Ovens River. In the same year Austrian-born von Guerard arrived in Victoria Australia determined to try his luck on the goldfields. Like many he failed as a miner but he did produce numerous studies of goldfields life including this image depicting men working on a sluice. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20" on paper 19 1/2 x 26". Archivally cleaned and backed some minor marginal splits repaired. Color tastefully enhanced. Libraries Australia ID 7744587. Hamel & Ferguson unknown
1944réf. 3114833Near Fine with no dust jacket. 1944. Second Edition; Second Printing. Hardcover. Second printing. Though not called for SIGNED by Anais Nin on front end-paper. Close to fine in pictorial boards in supplied chipped un-printed acetate protective cover. Neat book shop sticker at base of rear pastedown. 86pp. One of 800 copies. Nicely preserved copy. ; 4 3/4" x 8 1/2"; 86 pages . hardcover
1977Roy. 4to., First Edition thus, with numerous engravings throughout; original navy buckram, gilt back, marbled endpapers, gilt top, a near fine copy in publisher's marbled slip-case. EDITION LIMITED TO 150 NUMBERED COPIES SIGNED BY THE ARTIST (THIS COPY NO. 126). THIS EDITION INCLUDES AN ORIGINAL UNPUBLISHED WOOD-ENGRAVING 'PRESCELLY MOUNTAINS, SOUTH WALES' (1972) SIGNED BY THE ARTIST AND HOUSED IN SEPARATE CARD PORTFOLIO. The compliments slip of the Burlington Fine Arts Club Library is loosely inserted.
1984réf. 011997Nice Editions d'Art de Francony 1984 In-4 Cartonnage toilé et jaquette illustrés
réf. 12293Matrice de cuivre (39,7 x 30 cm), sans date (env. 1875), encadrement moderne sous baguette verte (61,5 x 51 cm).