10.173 risultati
1804rif. 29155London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a single dancing winged figure holding a mirror basin and flowing drapery in her hands. The image is bordered in a decorated circular frame and is labeled P1.2 Image roughly 4 x 4 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. William Miller unknown
1804rif. 29157London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white horizontal engraving shows two male figures in a boat in water approaching the shore where a female figure is sitting. There is also a bird flying overhead. The image is bordered in a decorated rectangular frame and is labeled P1.18 Image roughly 5.75 x 3.5 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. William Miller unknown
1860rif. 1911220030Cincinnati : Henry Howe 1860. First Edition. Hardcover. Acceptable. 0x0x0. 1860 printing. Bound in publisher's full stamped calf. Spine stamped with shipwrecked sailor adrift beckoning a frigate. 624 pages 7 leaves of color plates : illustrations ; 23 cm. Front color plate page torn with loss another fold out color plate also torn with loss. Preliminaries and 439-442 p. sprung. Signed by Adam Ramble 1862. Later signature of Maria Jane Ramble. Hinges cracked. Cincinnati : Henry Howe hardcover
1766rif. 29450Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint printed as a black background over terracotta with highlighting in light gray/white. The image shows three figures one a warrior draped in animal skins carries a club stands before another figure with a thin staff who stands next to a flaming brazier. A third figure with a shorter staff walks way from the scene. Printed on a single folio sheet measuring larger than 18" x 12" the image approximately 12" X 7.75" now very handsomely presented in cream mounting approximately 24 by 18 inches with ornate gilt framework design around the leaf glazed and now under archival glass in a very attractive frame of gilded red wood and black enamel. In all a very impressive display. Very fine and in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. unknown
1766rif. 29242Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint printed as a black background over terracotta with highlighting in light gray. The image shows a woman bending to pick up a child who squats before her. Objects hover above one is a shield another is a rope or cord. The image is numbered T6 in the top left corner and P6 in the top right it is numbered in Roman VIII at the bottom. Printed on a single folio sheet measuring larger than 18" x 12" the image approximately 9" X 7.25". Now very handsomely presented in cream mounting approximately 24 x 18 inches with ornate gilt framework design glazed under archival glass within a very attractive frame of gilded red wood and black enamel. In all a very impressive display. A very beautiful presentation and in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. unknown
1766rif. 26519Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a confrontation between two men one brandishing a sword with cloak draped over his left arm the other attempting to ward him off a stylized tree flanks the illustration. The background is black the image coloured with shades of tan terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 13" the image approximately 11.5" X 9.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
1766rif. 26547Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows three maidens one of which is brandishing a sword. The middle female holds a paten in her left hand. The image may be part of a bacchanal scene. The background is black the image coloured with shades of tan brown terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 15" the image approximately 9.5" X 7.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
1766rif. 26548Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a seated muscular long-haired man he holds the head of a dwarf or murdered reveler in his left hand his right hand holds a spear. In front of this man there stands a satyr holding a spear and wine bucket. The background is black the image coloured with shades of tan brown terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 13" the image approximately 11.25" X 11.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
1766rif. 26551Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint in terracotta on a black background with highlighting in light rose showing a man leading three children they are all wearing laurels and bearing leaves for sacrifice. As they approach the altar two objects hover above one of which is likely a basin or kylix the other resembles a stylized head of a horned animal. Printed on a single folio sheet measuring approximately 20" x 14" the image approximately 5.5" X 7.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
1766rif. 26550Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a bacchanal scene-- a youth in peplos reclines on an ornate couch he holds a large bowl in his left hand his right gestures toward a kylix above--all within a Greek-key tondo. Above him there are three dancing satyrs. This is a nicely detailed image on a black background coloured in shades of brown tan terracotta and gold. Printed on a single folio sheet measuring approximately 20" x 15" the image approximately 8.25" X 10". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
1902rif. 127907Boston / London: James H. Stark Publisher 1902. Hardcover. Very Good. 12mo 6.75 - 7.75'' tall. Hardcover. Book Condition: Very Good. James H. Stark Publisher Boston / London 1902. Ads 158 pages. Nice Firm Clean copy ! Light general wear. With a lovely folding map! Size: 12mo 6.75 - 7.75'' tall. Travel::Antique History::Localities Maps 6272 6272 James H. Stark Publisher hardcover
rif. AA/SC/14042Art; Prints; Lithograph; Religious; A full color image of Our Lady of Guadeloupe on canvas with certification of authenticity at footer dated October 12 1978. Measures 18 3/4 X 11 1/2 inches Condition is VVG. unknown
rif. AA/SC/14045Art; Prints; Lithograph; Horses; A full color ED. depicting the eight Epsom Derby winners of the all time great jockey Lester Piggot. His Derby winners included are Never Say Die - 1954 Crepello - 1957 St. Paddy - 1960 Sir Ivor - 1968 Nijinsky - 1970 Roberto - 1972 Empery - 1976 The Minstrel - 1977 JUBILEE YEAR. Signed by the artist Peter Biegel 1977. Measures 35 X 24 1/2 inches Condition is VVG. - unknown
rif. 41537London. Longman Hurst. 1814. 28.5x 22.5cm being: 42 steel engraved plate of views in England and Scotland there is a light damp stain run through and a few have some slight wrinkling as is gar. the imagines are good clear strike with good strong contrast after cleaning they would be attractive prints for framing. London. Longman, Hurst.. 1814 unknown
1903rif. 002036Indianapolis: Bobbs-Merrill. FINE title page from a 2nd edition 2nd printing binding C. 1903. 2nd edition. FINE title page only. The scans are of the appropriate Bienvenue entry with arrows at the key points. . Bobbs-Merrill unknown
1947rif. AM2329Great Northern Railway Co. Very Good. 1947. No Edition Stated. Stapled wraps. Includes 12-page book 24 color prints and original envelope book and prints are in VG condition envelope is Good; Book has light toning front cover has small crease and several light soil spots; prints have light toning bottom right corners very lightly bumped one print is creased couple tiny tears couple small creases; envelope is toned and wrinkled and scuffed flap is creased and curling two 1" tears and couple smaller tears to edges; 12 pages . Great Northern Railway Co. paperback
rif. 1010061046.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1930rif. 32214London: Faber & Faber Limited 1930. Hardcover. First Edition: Limited to 300 numbered copies signed by the author. This copy being No. 18 and signed by the author on the Limitation Page. 6 x 9.25in. xi. 331pp. Publisher's cloth boards with gilt decoration and titling. FINE/AS NEW. Flawless. As pictured. Faber & Faber Limited hardcover
rif. CORV-BBP-15859Unknown. Loose Leaf. Very Good. Very good. 4to sheet. 9 1/4 inch by 6 inch illustration on a page pulled from the April 18 1874 issue of the Illustrated London News. Shows a carriage in procession with sailors and others lining the road in front of a small church. No text accompanies it. > Language: English > Size: 4to > Media/Binding: Unbound Unknown unknown
rif. CORV-BBP-14981Unknown. Loose Leaf. Very Good. Very good.Top half of folio sheet from the News featuring the illustration along with a single column on her visit to England and a bit of political/social background. 2pp. > Language: English > Size: 4to > Media/Binding: Unbound Unknown unknown
rif. CORV-BBP-14980Unknown. Loose Leaf. Very Good. Very good. Folio sheet. 6 inch by 9 1/8 inch illustration on a page pulled from the News. No text accompanies it. > Language: English > Size: Folio > Media/Binding: Unbound Unknown unknown
1884rif. 1123979Paris Fra: J. Lemonnyer 1884. Hardcover. Very Good/No Jacket. Green cloth boards with gold-gilt type to spines 23 cm each volume 252 pages Volume One 334 pages Volume Two. With 85 engravings by Eisen. Japan paper edition. A very good set. Previous owner's bookplates on front endpaper of each volume. J. Lemonnyer hardcover
rif. 385413 April 1880; on letterhead of the 'Print Room British Museum.'. Keeper of Prints and Drawings at the British Museum 1819-87. One page 12mo. Docketed in ink on blank second leaf of bifoliate. 'I feel it my duty to publish a second edition of our Catalogue of Duplicates before the Sale takes place as there are so many mistakes. As you went through the prints so carefully I should be glad to avail myself of your notes if you would kindly lend them to me for a day at the same time I should wish to fullhy acknowledge the favour'. Signed 'Geo. Wilm Reid'. 13 April 1880; on letterhead of the 'Print Room, | British Museum.' unknown
1997rif. 30257HBNODJ SLIPCASE HAS RED & WHITE ILLIUSTRATION ON FRONT OF GENTLEMAN SEATED SLIPCASE EDGE WEAR SEPARATION clear tape repairs 1944 on Title Pg COPY # 713 LIMITED NUMBERED 1ST EDITION VG/VG- AS-IS EXTREMITIES CHIPS WEAR DJ 1ST EDITION THUS Printed from Plates in Original Limited Edition of 1000 BEIGE CLOTH GREY ILLUSTRATED BOARDS IN WORN SLIPCASE Set in an aristocratic estate in Victorian England pronounced by critics as the oldest full length English mystery novel and to this day the best. Outlandish HORROR During a battle in India a sacred shrine is robbed of a jewel by a British soldier and the curse of the East Indian God follows the gem through generations of English ownership. A group of Fanatical East Indians follow the Moonstone to England where a mysterious death overtakes every heir to the fatal jewel Against the Gentle Background of an Aristocratic Estate in Victorian EnglandMoves a Story so Intriguing in Mystery Fascinating in Character Presentation & Beguiling in the Telling. During a Gory Battle in Far Off India a Sacred Shrine is entered & Robbed of a Jewel by an Adventurous British Soldier & the Curse of the East Indian God follows DORAN DOUBLEDAY & CO LIMITED EDITIONS GARDEN CITY NY hardcover
2013rif. 1670Istanbul: Demirören 2013. Hardover. New. 31x41 cm. In English. Cloth bdg. In publisher's special slip case. B/w and colour ills. Linen binding on cardboard with gold foil logo printing; color printing on fancy paper; magnetic fancy paper tassel box on cardboard; special plush ribbon and bag additions. Limited edition. Thomas Allom'un 1838'de Londra'da yayınlanan eşsiz eserinin tıpkıbasımı gerçekleştirildi. Kitap elle renklendirilmiş 97 adet Türkiye gravürü ve İstanbul'un çeşitli görünümlerini içeriyor. Ayrıca Bursa Manisa İzmir Efes Bergama ve Pamukkale gibi tarihi antik kentlerin gravürlerine de yer veriliyor. Kitabın sayfalarını çevirirken binalar manzaralar ve dönemin sosyal hayatına dair kesitler göreceksiniz. Bu kitap 19. yüzyıl seyahat edebiyatının temel örneklerinden biri olarak kabul edilirken Osmanlı tarihçileri toplum bilimcileri ve şarkiyatçılar için önemli bir kaynak ve çalışma alanı sunuyor. Demirören hardcover