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10 815 résultats
1879réf. 21540Good. Antique engraving is toned with a couple of small damp stains that can mostly be cropped out for framing. Overall size: 10.75" x 10".; Prints . c. 1879. unknown
1870réf. 21524Good. Antique woodcut lithograph plate is toned with modest foxing. Overall size: 16" x 12".; Prints . 1870. unknown
1870réf. 21531Good. Antique woodcut lithograph plate is toned with very modest foxing. Overall size: 16" x 12".; Prints . 1870. unknown
1870réf. 21527Good. Antique woodcut lithograph plate is toned with light foxing. Overall size: 16" x 12".; Prints . 1870. unknown
1870réf. 21522Good. Antique woodcut lithograph plate is toned with light foxing and damp stains in upper margin which can be cropped out for framing. Overall size: 16" x 12".; Prints . 1870. unknown
1870réf. 21532Good. Antique woodcut lithograph plate is toned with modest foxing. Overall size: 16" x 12".; Prints . 1870. unknown
1822réf. 21537Good. Antique engraving is toned and foxed. Overall size: 12.5" x 10".; Prints . 1822. unknown
1870réf. 21535Good. Antique woodcut lithograph plate is toned with modest foxing. Overall size: 16" x 12".; Prints . 1870. unknown
1870réf. 21529Good. Antique woodcut lithograph plate is toned with very modest foxing. Overall size: 16" x 12".; Prints . 1870. unknown
1870réf. 21520Good. Antique woodcut lithograph plate is toned with modest foxing and a damp stain in the margin that can be cropped out for framing. Overall size: 16" x 12".; Prints . 1870. unknown
1879réf. 21539Good. Antique engraving is toned with a couple of small damp stains that can mostly be cropped out for framing. Overall size: 10.75" x 10".; Prints . c. 1879. unknown
1870réf. 21534Good. Antique woodcut lithograph plate is toned with modest foxing. Overall size: 16" x 12".; Prints . 1870. unknown
1870réf. 21521Good. Antique woodcut lithograph plate is toned with light foxing. Overall size: 16" x 12".; Prints . 1870. unknown
2011réf. 38447London: The Folio Society 2011. Hardcover. Fine. Hardcover. Number 459 of 1250 numbered copies for sale to members of The Folio Society. There were also 25 lettered copies that were not for sale. This folio sized work was originally printed b Robert Gibbings at the Golden Cockerel Press in 1926-27 using the text from the Globe edition of 1898. This is an exquisite modern edition of this classic work by Chaucer that is beautifully illustrated with drawings by famed artist and illustrator Eric Gill. It is a facsimile edition after the original of 1898. Bound in black goatskin with gilt stamped illustrations and lettering on front cover and spine gilt edges accompanied with a companion book in black half leather over dark blue boards with black lettering on cream paper label on cover; housed in matching black cloth slipcase with gilt lettering on spine. Dark blue endpapers. Illustrated title page. With a companion volume that has a frontispiece photograph of Eric Gill by Howard Coster 1885-1959 a self-styled photographer of men taken in 1927. This facsimile edition was printed in 2011 by Memminger MedienCentrum for the Folio Society on Rigoletto Panna felt-marked paper and bound by G. Lachenmaier in full goatskin leather with Merida Indigo endleaves. The companion volume here Barry Windeatt's essay on Troilus and Criseyde was first published as an introduction to his translation of the poem published by the Clarendon Press in 1992. Reprinted by permission of Oxford University Press. The text of this edition follows that of the first edition with minor emendations. " from the imprint. Contains notes at rear. A beautiful production fine condition in a near fine solander box. 309 2; 48 pages. Measures 7.75 x 12.25 inches. PRI/101826. The Folio Society hardcover
1942réf. 21003Good. Color lithographs published by The Chicago Sun have soiling in the margins tack holes in margins and general wear. Please see photos up close for condition. 14" x 10" each.; Prints . 1942. unknown
1862réf. 88917New York: Currier & Ives N.d. ca 1862. Original hand-colored lithograph. Small folio; sheet size 14-3/4" x 11-1/4"; printed area approximately 13" x 9". Background slightly darkened; more heavily toned at margins with old stains at extremities; image itself remains clean with coloring bright - about Very Good. A three-quarter length portrait of Winfield Scott at the very end of his career. Scott retired from his position as Commanding General of the Army in 1861. PETERS 19972. Currier & Ives unknown
réf. 18402168-6Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1977réf. 118788Fribourg : Imprimerie Saint-Paul 1977. WANDELERE Frédéric. - BAUMGARTNER René Agass estampes de.Aux passants le dimanche avec sept estampes de René Agass Baumgartner. Fribourg Imprimerie Saint-Paul1977 365x260mm contrôle effectué : complet des 7 estampes en feuille sous chemise et emboitage toilés. Les estampes ont été tirées par René Agass Baumgartner sur ses presses à Fribourg. Les cuivres ont été barrés après le tirage. La mise en page et la maquette sont de Jean-Christophe Aeby. L’emboîtage a été réalisé par Roger Auderset à Fribourg. Un des 62 exemplaires sur papier vélin d’Arches teinté des Papeteries Arjomari-Prioux numéroté n.° 21 / 60 signés par l’auteur et l’artiste en bas du justificatif de tirage. Très bel exemplaire. For shipments to the U.S.A. with a value exceeding 800 USD VAT is not included. Please contact us via our website if needed. Imprimerie Saint-Paul unknown
1843réf. 88170New York: Burton 1843. First Edition. Original steel engraving on heavy art paper; 13-1/2" x 11-1/4" plate; ca. 20" x 15" sheet. Marked "Proof" in type below title. Margins of sheet once folded for framing now unfolded; some soil mended tears and foxing to extremities much fainter within plate marks; printed area remains clean and unfaded; Very Good. A finely engraved bust portrait of Jackson; a portion of the image was later re-used for the famous "Black Jack" 2-cent postage stamp of 1863. Burton unknown
réf. 88418Paris: Librairie Hachette n.d. Reprint originally published in 1869. Octavo 27cm; red cloth-covered boards with titling and decorations stamped in gilt and black on spine and front cover and decoration blind stamped to rear cover; gilt topstain; iv12-180pp; black-and-white illustrations to frontispiece and throughout. Text in French. Lightly spine-faded with light oxidation to spine titling small chips to gilt of front cover titling slight spine lean shelf-wear faint tanning to page margins and hinge starting at half-title page and pp.172-173; Good. Sequel to De la Terre à la Lune 1865 both written during Verne's prime and heavily altered with later translations and cuts. CLUTE & NICHOLLS p. 1277. 88418. Librairie Hachette unknown
1929réf. 88417Paris: Librairie Hachette 1929. Reprint originally published in 1872. Octavo 27cm; red cloth-covered boards with titling and decorations stamped in gilt and black on spine and front cover and decoration blind stamped to rear cover; gilt topstain; iv12-2042pp; black-and-white vignettes to frontispiece and throughout. Text in French. La Grande Librairie sticker to lower rear pastedown. Lightly spine-faded with light oxidation to spine titling slight spine lean shelf-wear and faint tanning to page margins; Very Good. "From the 1870s on JV's work tended to repeat itself in gradually darkening hues though he never lost the sense of the fundamental usableness of science and technology a sense vital to 20-century sf science fiction where - as with JV - usableness tends to serve as its own justification" see Clute & Nicholls The Encycopedia of Science Fiction p.1277. CLUTE & NICHOLLS p. 1277. 88417. Librairie Hachette unknown
1952réf. 88790Mexico: Ediciones Amigos del Café París 1952. Softcover. Octavo 24cm; beige paper wrappers; upper and lower edges untrimmed; 317pp; black-and-white illustrations. Some pages of text unopened. Modest shelf-wear with soil to wrappers and edges of textblock and trace peeling to spine titling; Very Good. Fiction work examines social history of the Mezquital Valley region in Mexico. 88790. Ediciones Amigos del Café París unknown
1946réf. 18488Very Good. This 1946 magazine print is toned but clean and in very good condition. 12.5" x 9".; Prints . 1946. unknown
1935réf. 18479Very Good. These magazine prints are on a single sheet and are clean and in excellent condition. 15" x 11" sheet.; Prints . 1935. unknown
1898réf. 18486Very Good. This 1898 page from Forms & Fantasies has very minimal toning and is in very good condition. 12" x 9.5". Illustration is 6.5" x 5"; Prints . 1898. unknown
