10.940 risultati
Acquaforte originale Firma a matita. Esemplare p.d.a. 3/10. Cm 29,5x24 (Foglio 50x35). . . . . Tiratura 40 + 10 p.d.a.. .
1983Acquaforte acquatinta su fondino giallo appartenente al volume ''In altro nero'', Milano, Grafica Uno, 1983 Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta Hahnemuhle. Esemplare 2/33. cm 22,5x39 (Foglio 39x53). . . Ottimo (Fine). . Tiratura 33 + XX. .
1975Acquaforte originale Certificato del Comitato Direttivo del Club dell'Incisione Venezia Viva, attestante l'autenticità dell'incisione eseguita espressamente per i soci e tirata a mano su torchio calcografico a stella in n. 60 + XX esemplari. Esemplare 3/60.. Cm 29x25 (Foglio 70x50). . . Ottimo (Fine). . Tiratura 60 + XX. .
1973Dieci incisioni originali, numerate e firmate a matita, di Roberto Stelluti, Luigi Toccacieli, Alfredo Bartolomeoli, Angelo Rosetti, Edgardo Travaglini, Adriano Calavalle, Claudio Polzonetti, Silvano Silvani, Nani Tedeschi e Mario Bellagamba (cm. 20x20, foglio 50x35) Ciascuna incisione, stampata al torchio su carta a mano della cartiera Magnani di Pescia è custodita in un quartino con la riproduzione di un brano del discorso ufficiale di Paolo VI, pronunciato in occasione del viaggio. Fogli sciolti custoditi in cartella in cartoncino "Murillo" della cartiera Milani di Fabriano. Esemplare n. 40. Cm 50x35. . . Ottimo (Fine). . Edizione originale di 99 esemplari numerati. .
1969Acquaforte originale a colori Firma e numerazione a matita. Timbro a secco dello stampatore/editore. Esemplare 1/100. cm 41x35,5 (Foglio cm 60x45). . . Ottimo (Fine). . Tiratura: 125 + X. .
1973Acquaforte originale a colori. Una delle prove di artista successivamente rielaborata da Baj Firmato a matita dall'Artista in basso a destra. Esemplare p.d.a.. cm 30x32,5 (Foglio 70x50). . . Molto buono (Very Good). . Tiratura 30 + 2 prove di primo stato. .
1982Acquaforte a colori Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio, Grafica Uno, Milano. Esemplare 13/70. cm 77x53 (Foglio 99x70). . . Ottimo (Fine). . Tiratura 70 + XII esemplari. .
1961Cartella di 6 litografie originali a colori firmate, datate e numerate dall'Artista: Il successo (cm 48x34), Trionfale (cm 48x68), Il sogno (cm 47x66), Progetto per il calvario (cm 40x56), Ritratto di Erode (cm 44x44), La pietra (cm 37,7x58) Stampate presso Il Torchio di Milano. Timbro a secco dello stampatore. Carta Fabriano. Esemplare 11/30. Fogli 50x70. pp.. Dedica autografa dell'autore ad un importante letterato italiano sulla cartella datata 1962 (Inscribed and signed by the Artist to an important Italian literary man, dated 1962). Molto buono (Very Good). . Prima edizione di 30 esemplari numerati. . ''Il suo dipinto è un racconto complicato, irto di interruzioni e di cautele, un campo di interazioni reciproche, ove una costruzione finisce coll'affiorare limpidamente tra una serie di contrappunti e di sostegni tematici'' (Giorgio Kaisserlian, Catalogo della mostra, Galleria De' Foscherari 1963).
1970Book is in excellent condition, with the only flaw being a shelf wear smudge at bottom outside page ends, due to pages contact with the shelf, otherwise as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows mild wear, fading at spine, no tears. Really beautiful production with covers in heavy weave, heavy, high quality paper thoughout, plates full page, with descriptions opposite. 11 ? x 9 ? in.. 181 pages, with 35 b&w and 32 color reproductions tipped-in. Work by Gauguin, Maillol, Signac, Baqque, Valadon, Bonnard, Vuillard, Rouault, Derain, Dunoyer de Segonzac, Dali, Avati, Buffet and many more.
198844 page catalogue with many color and b&w plates, a short article by J.R. Bakker, another by Feay Coleman, exhibition history, bibliography. 1" tear at lower spine, otherwise very clean with lightly bumped corners, interior/text is flawless.
1974Quindici xilografie impresse con i legni originali incisi da Adolfo De Carolis, in 250 esemplari numerati. Ogni incisione porta il timbro a secco dell'editore . Cm 50x35. . . Ottimo (Fine). Fioriture leggere alla cartella, stampe perfette. Edizione originale di 250 es. numerati. .
2005Exhibition publication, published in conjunction with a show held at the publisher's gallery. A very large compendium @ 519 pages, profusely illustrated, almost all in color save the dated photos. Each essay is dedicated to a particular region in the title and corresponds with a set of plates in the last 1/2 of the book. Four appendices: "Dada films, chronology, Artists' biographies, etc. A great deal of work not often published, by Arp, Baader, Baargeld, Hugo Ball, Breton, John Covert, Jean Crotti, Celene Arnauld, Pauld Dermee, Otto Dix, Duchamp, heo van Doesburg, Suzanne Duchamp, Paul Eluard, Ernst, Elsa von Freytag-Loringhoven, Grosz, Raoul Hausmann, John Heartfield, Emmy Hennings, Wieland Herzfelde, Hannah Hoch, Angelika Hoerle, Heinrich Hoerle, etc.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. (Small spot or two.) First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. (Light marginal finger soiling.) First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
1923Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
