1956Litografia a colori Firma e numerazione a matita. Certificato di autenticità sul retro di Bolaffio. Esemplare 55/60. Cm 50x39. . . . Macchia sull'angolo inferiore destro del foglio che non compromette la litografia (Waterstain to the wright angle of the paper not including the lithograph). Tiratura 60. .
1978Acquaforte acquatinta originale a 6 colori Firma, data e numerazione a matita. Certificato di autenticità sul retro. Esemplare 53/100. cm 62,5x43 (Foglio 70x50). . . . . Tiratura 100. .
Acquaforte originale a colori Firma e numerazione a matita. Tirata sui torchi dello stampatore Piergiorgio Spallacci. Esemplare 73/150. Cm 34,5x28 (Foglio cm 66x50). . . Ottimo (Fine). . Tiratura 150. .
Litografia originale a colori Firma e numerazione a matita. Tirata sui torchi dello stampatore Giorgio Upiglio. Esemplare p.d.a.. cm 70x50. . . Ottimo (Fine). . . .
1980Litografia a colori Firma, data e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta Magnani. Esemplare p.d.a.. cm 90x68. . . Ottimo (Fine). . Tiratura XV. .
1980Litografia a colori Firma, data e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta Magnani. Esemplare XIII/XV. cm 88x62,5. . . Ottimo (Fine). . Tiratura XV. .
19705 acqueforti originali firmate a matita di Renzo Biasion, Domenico Cantatore, Enrico Paulucci, Walter Piacesi, Orfeo Tamburi (cm 12x15 - 26,5x16,5, foglio cm 49,5x35). Presentazione di Giorgio Trentin. Senza data ma circa 1970 Esemplare n. 85/125. Cm 51x36,5. pp. n.n.. . Molto buono (Very Good). . Edizione originale di 125 es. numerati. .
196512 litografie originali a piena pagina (firmate solo su lastra) di Aldo Calò. Testo critico di Corrado Maltese in italiano e inglese . 4to. pp. 44. . Molto buono (Very Good). legatura scollata (Loose binding). Edizione originale di 250 es. numerati. .
1959Litografia originale a colori Firma a matita. Esemplare p.d.a.. cm 44,5x60. pp.. . Ottimo (Fine). . . .
2003Puntasecca dal volume ''Ouverture'' Firma a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Arches. cm 15x10,5 (Foglio 33x25). . . Ottimo (Fine). . . .
2010Superficie in rilievo su jesmonite. Multiplo originale numerato e firmato dall'artista sul retro contenuto in display in perpex. Esemplare 9/10 Display in perspex di Euromod, Roma. Confezione di Green Imballaggi, Roma. Progetto grafico by Artefatto, Roma. Cm 28x30. . . Perfetto (Mint). . Tiratura di 10 es. num. + IV p.d.a.. . La jemsonite è un composto di gesso e resina acrilica di produzione inglese che possiede eccellenti qualità di resistenza meccanica, durabilità e non tossicità. Non richiede manutenzione e può essere pulita con acqua e sapone. Questo multiplo pertanto ha la caratteristaca di opera durevole nel tempo, come se fosse realizzato in pietra o bronzo
1968Litografia originale su lastra litografica di zinco, firmata in basso a sinistra. Al retro dichiarazione di V. Agnetti Opera n. 8 del catalogo dell'opera grafica di Castellani. Cm 90 x 69. . . Ottimo (Fine). . Tiratura 90 esemplari. .
1963Acquaforte originale in nero, numerata e firmata dall'Artista, realizzata per i 10 anni della Galleria Schwarz Incisione stampata da Giorgio Upiglio (Milano). Lastra cm 11,3 x 14,8 (Foglio cm 26,5 x 19,2). . . Ottimo (Fine). . Tiratura 60 esemplari. .
1995Catalogo dell'opera grafica con 50 opere riprodotte a piena pagina e schede descrittive. Uno dei primi 30 esemplari contenente la suite ''Tre superfici' 1995" con tre opere originali di Enrico Castellani (N.45, 46 e 47 - impressioni a secco numerate, datate e firmate dall'artista, tiratura di 100 esemplari, N. 4/100. Cm 28,5 x 30,5) Le opere di Castellani su carta Sicars sono state stampate da Di Tommaso a Roma. 4to (cm 29x31). pp. 64. . Ottimo (Fine). . Edizione originale di 100 + 30 esemplari numerati e firmati (Original edition of 100 + 30 numbered and signed copies). .
200782 pages in oblong format, all color prints with text by the Director: Michael Monroe, Curator Stafano Catalani, two commentaries by Viet Thanh Nguyen & Moira Roth & an interview with the artist. Biography,checklist of the exhibition. Dust jacket shows slight scuffing.
1976135 pages, very large format (13" H x 9"W) with many large b&w photos, text is in French, with scenes from specifc productions in Polish theaters. Tear to bottom of spine. Interior is clean and unmarked. Chapters include La saison polonaise du theatre des nations, Chronique des spectacles du theatre des nations Varsovie, 1975 (from a June festival of drama from companies around the world in Warsaw) Quelques spectacles Varsoviens pendant la saison 1975 du theatre des nations, Nouvelles tendances du theatre contemporain - symposium du theatre des nations, Opinions de la presse mondiale sur le theatre des nations Varsovie 1975, (text only) & Universite de la recherche a Wroclaw.
1978Ex-library book with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and free of marking of any kind. Re-bound by the library into strong, heavy hardback covers in blue buckram. Book shows general light wear. 164 pages with a great many large color prints of painted tomb walls depicting such things as a funerary boat, negro tributaries, animals, horses, chariots, youths carrying arrows, serving maids, sailors, etc.
1989A clean, unmarked copy with a tight binding. 160 pages. Small chip on top edge of black cloth boards; barely noticeable. Clean and tight with sharp corners. Slight edge wear and fading to dust jacket. A photographic reproduction of the first edition, printed by offset lithography. Selected with an introduction by Reynolds Stone; postscript and additional selection by Simon Brett. . "Gwen Raverat (1855-1957) was one of the most distinguished printmakers of the century, an artist in whose hands the medium of wood engraving became uniquely transparent to personal vision. Her world, richly populated with the symbols of her own experience set in one of the most classic traditions of Western art, is universally accessible and capable of inspiring passionate affection in those who are drawn to it, responding to her own intense reaction to the subjects she chose." [Publisher's blurb]
1991Ex-library book with the usual stamps and markings. Interior pages clean and unmarked; tight binding. 390 pages. Lavishly illustrated with 377 color plates. Large format: 9 1/2"w x 12 1/4"h.
1983Ex-library book with the usual stamps and markings. Interior pages clean and unmarked; tight binding. 228 pages. Large format: 9 1/4"w x12 1/4"h. Artists include: James McNeill Whistler, Joseph Pennell, Albert Sterner, Margaret Lowengrund, Tatyana Grosman, June Wayne, George Bellows, Thomas Hart Benton, Rockwell Kent, and others.
1977Ex-library book with the usual stamps and markings. 108 pages. Re-bound by library in bright red buckram cloth. Oblong: 10 3/4"w x 8 1/2"h. Catalogue of 72 drawings, all full page in b&w by Pierre Alechinsky, James brooks, Jim Dine, Russell Drysdale, Helen Frankenthaler, Franco Gentilini, David Hockney, Patrick heron, Oskar Kokoschka, Willem de Kooning, Henri Michaux, Ben Nicholson, Victor Pasmore, Lloyd Rees, Bridget Riley, Jack Smith Antoni Tapies, and many others.
1978Book is as-new black fine cloth covers, sliver lettering at spine. Excellent condition in every respect with no blemishes of any kind. Previous owner's name and phone number on front endpaper. Dust jacket has very light shelf wear only, no tears or chipping. An encyclopedic reference to the subject, at 364 pages, book is divided between two roughly equal sections with different paper used in each. The first is in four sections: Early genre painting and the rise of Ukiyo-e, The primitives and the first centry of Ukiyo-e 1660 - 1765 The golden age of the color print 1765 - 1810, & Hokusai, Hiroshige and the Japanese landscape 1810 - 1880. 2nd section comprises the Illustrated dictionary of Ukiyo-e, in which illustrations go to b&w. In business for 20 years, we provide excellent customer service and ship in packing material appropriate to assure your package arrives undamaged.
1883A clean, unmarked book with a tight binding. 392 pages. Bookplate from Theosophical University Library. Previous owner's inscription in lovely penmanship. Slight wear and fading to dark green cloth cover. Library call number onspine. Beautiful engravings of medical equipment and a few ears. Tears at front hinge, but binding still tight.
1971A clean, unmarked book with a tight binding. 131 pages. 9"w x 9 1/8"h. Orange paper cover, slightly soiled.
1965Book has light fading to covers with "discard" stamps from the University of Washington Art dept. Contents/interior are in excellent condition. Binding is solid and square,, text/interior is clean and free of marking of any kind. Die cut cover in textured brown paper. More "discard" stamps on front end paper. Titles and catalog to page 52 then b&w prints on glossy paper. Glossary at back. Collection (not the book) contains over 600 prints known for its wide historcial range.
