Woodsworth Art PrintsBiblio.com
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1995Best.-Nr. Closet2JW44Wordsworth Editions 1995. Paperback. Very good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes Very good copy with clean pages some creasing. 4to. Wordsworth Editions paperback
1877Best.-Nr. 1409090049E. A. Seemann 1877-01-01. Hardcover. Acceptable. 0x0x0. 2 volume set. 2 Bande. Publisher's red cloth with gold lettering and black decoration. Hardcover. Spine chipped and worn with loss. Covers worn/chipped. Bindings shaken. Hinges cracked. Clean unmarked pages. Numerous illustrations. I. Halfte. Bogen 1-120. Baukunst und Bildnerei der Griechen und Romer der Aegypter und vorderasiatischen Volker des Mittelalters und der Renaissance. 2. Abdruck. 1878. II. Halfte. Bogen 121-246. Bildnerei der Renaissance Schluss. Bildnerei des 17. u.18.Jh. Kunstgewerbe u. Decoration vom 3. bis 18.Jh. Malerei des Alterthums des Decoration alters und der Neuzeit bis Ende des 18.Jh. 1879 This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US. E. A. Seemann hardcover
Best.-Nr. Q-015181905XHarcourt Brace & Co. NY. hardcover. New. New. In shrink wrap. Looks like an interesting title! Harcourt Brace & Co., NY hardcover
1976Best.-Nr. Q-0877791015G. & C. Merriam Co 1976-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! G. & C. Merriam Co hardcover
1928Best.-Nr. 1409751Reading: Golden Cockerel Press 1928. Limited Edition #285/500. Hardcover. Octavo 151 pages. In Very Good minus condition with a Very Good dust jacket. Spine red with black lettering. Bound in publisher's red fabric. Dust jacket protected with mylar covering. Top edge of text block gilt. Mild shelf wear to dust jacket small closed tears on spine. Three spots of discoloration on front dust jacket. Mild wear and rubbing front and back boards. Shelved in Case 9. Golden Cockerel Press is a curated private press started in 1920 in the Caxtonian tradition of editor-printer-publishers. 1409751. Shelved Dupont Bookstore. Golden Cockerel Press hardcover
Best.-Nr. 107718039X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1332083226.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0332304299.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1330031784.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1936Best.-Nr. B77719London: The Limited Editions Club 1936. Hardcover. Very good. Volume one of three only! Cloth backed boards tall octavo 7.75" x 12.5" 221pp. illustrated in b&w. Book has rubbing to spine edgewear to spine ends and corners toning to edges of boards binding tight text clean and unmarked. The Limited Editions Club hardcover
Best.-Nr. 1333403909.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1857Best.-Nr. 900053043First American Edition Good Original Rare 1857 Hardcover Arthurian Medieval Romance of the South of France 8vo. pp. 158 2ads. Eight plates by Gustave Doré all though the name "Dore" does not appear for American copyright reasons.Embossed Gilt Knight on Horse on cover. Blind stamped cover design. Tissues intact over illus. Much foxing on pages. But not on pictures First green colored endpaper missing else Good. Covers and spine solid. NOT a library copy. Tight binding. This is a really great Medieval troubadour tale of Arthur's Round Table from Provence. More fun in my opinion than Chretien. See our Three Geese In Flight Book Scans Wiley and Halstead hardcover
Best.-Nr. MA12F-00007The Golden Cockerel Press. Collectible - Good. London: The Golden Cockerel Press 1949. Limited edition. First thus first with these illustrations. Sm 4to Hardcover 349pp. B/W illustrations. No. 370 of 500 copies. Good Book. Corners slightly bumped. Spine rubbed. Quarter leather. Red boards with gilt spine lettering and design on front cover. Top edge gilt. In polypropylene bag. From the collection of Charles Edward Roberts owner and founder of Wonder Book & Video. With his signature on his personalized bookplate on front pastedown. middle ages historical fiction fantasy fiction allegories Inquire if you need further information. The Golden Cockerel Press hardcover
Best.-Nr. B33500-FT-WHIThe Peter Pauper Press. Collectible - Very Good. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES! Mt Vernon: Peter Pauper Press. No date given possibly 1950. Limited to 1100 copies this one un-numbered. Hardcover folio 400 pgs. B/w and red frontis and engravings. Near fine in a fair slipcase. Brown leather spine over brick cloth with cream and green leaves. Worn rear panel and rear flap of cellophane dust jacket present the rest missing. Light wear to spine heel. Light off-setting to pgs opposite plates. Contents clean and binding sound. Slipcase quite worn and seams starting to split. Inquire if you need further information. The Peter Pauper Press hardcover
1967Best.-Nr. 9403Lexington KY: Gravesend Press printed by Robert Middleton 1967. Original Wrappers. Near Fine binding. 12mo. 4 5 3 pp. frontis illus. Limited edition. As issued sewn into pastepaper wrappers with printed paper label on the front wrapper. A beautiful copy with three engravings by DePol including the final tail-piece "Finis / Gravesend / Press." The book was nearly complete already set in type at the time of Graves's unexpected death in 1960. After many years Joe's wife and partner Lucy Graves decided to complete this edition as the final Gravesend imprint complete with the prophetic tailpiece. An absolutely charming piece of Lexington history and most certainly a part of the private press movement that was burgeoning. No indication of the size of the edition. Gravesend Press | printed by Robert Middleton unknown
1810Best.-Nr. 8165Philadelphia: Johnson & Warner printed by J. Bouvier 1810. Hard Cover. near Very Good binding. 16mo 32 pp. frontis plates. Early reprint. As issued stitched into stiff paper covers with frontispiece and 5 additional inserted plates. Cover is light rubbed; some separation where the cover hinges at the stitching but the cover remains fairly stable; light foxing throughout. This is one of two 1810 imprints of this title the other Shaw & Shoemaker 19993 is self styled the "First American from the Second London Edition" and is sold by Wm. Charles and printed by W. McCullouch in 1810. While both Welch and Shaw & Shoemaker list this present edition by Johnson & Warner first it would stand to reason that the Charles edition is in fact first as this present edition has a title page dating publication at 1810 but the cover title is dated 1811. Nevertheless an early edition of this scarce title by Dorset who was "the younger daughter of Nicholas Turner and the sister of Charlotte Smith also a famous author. She wrote several books for children which were all published anonymously" Rosenbach 438. Shaw & Shoemaker 19992 & 22717. Welch 297.1; Cotsen 1813. Johnson & Warner | printed by J. Bouvier unknown
1957Best.-Nr. KOS03400069Art Publishing 1957. Soft Cover. Fine. KOS03400069 Art Publishing paperback
Best.-Nr. 1527944549.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1954Best.-Nr. TK233576Rodale Press London 1954. 1st Edition. HARDCOVER. No 102 of 1000 copies. 4to in faux vellum backed burgundy cloth covered boards gilt lettering to spine and gilt embossed portrait sketch to front cover after a design by Braby. 99 pp on thick art paper frontispiece and 5 other full page colour wood engravings by Braby. 1st printing with these illustrations __CONDITION : An extremely well preserved FINE very clean and tight unmarked copy in not far from new condition top edge of page block slightly dusty in the original plain semi-opaque tissue wrapper which is a very little edge-nicked. The book was published without a slip-case or printed dust jacket. An excellent copy. . __We always ship in PROTECTIVE CARD PARCELS Rodale Press, London hardcover
1972Best.-Nr. T1903690Collegium Graphicum Portland 1972. 1st Edition Thus. SOFTCOVER. 3 matching volumes all 8vo in patterned stiff card covers variously paginated housed in a matching card slipcase. There is some offsetting from the woodblock prints to the facing pages - presumably reproduced from the original copy used to make the facsimile __CONDITION : Spines moderately sunned else all FINE very clean and tight unmarked and unread copies all still close to new in a slightly faded but otherwise FINE slipcase. . __We always ship in PROTECTIVE CARD PARCELS Collegium Graphicum, Portland paperback
1991Best.-Nr. T1903103Pembridge Design Studio London 1991. 1st Edition Thus. HARDCOVER. Story from the author of Mary Poppins illustrated with 19th centure engravings by Bewick specially printed in a small edition by Pembridge Design Studio. 4to in brown buckram covered boards tan marbled paper end-papers matching the paper used for the dust jacket 48pp printed in brown ink on very pale tan rag-paper leaves. Pembridge Design Studio was a small private press in London c. 1980 - 1992 who typically made books in very small editions. No limitation is stated but probably fewer than 100 copies of this book were made __CONDITION : An extremely well preserved AS NEW unmarked copy merest hint of tanning to page-block edges in an AS NEW complete Dust Jacket. An excellent copy. . __We always ship in PROTECTIVE CARD PARCELS Pembridge Design Studio, London hardcover
1952Best.-Nr. 260501001Queen Anne Press 1952-01-01. hardcover. Very Good. 0x0x0. First Edition. #612 of 950 originally printed editions. Hardcover. Very Good / no dust jacket. Free of any markings and no writings inside. Minor shelf-wear. For any additional information or pictures please inquire. Queen Anne Press hardcover
Best.-Nr. 0948265906.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1808Best.-Nr. Flo539Good copy of this classic of equestrian humour Incomplete copy with nine plates of 12 in the first book and 12 of 17 in the second book An Academy for Grown Horsemen; containing the Completest Instructions for Walking Trotting Cantering Galloping Strumbling and Tumbling with Annals of Horsemanship: Containing Accounts of Accidental Experiments and Experimental Accidents both Successful and Unsuccessful Communicated by Various Correspondents. The text has been attributed to the artist Henry Bunbury and Francis Grose the antiquarian and compiler of a Classical Dictionary of the Vulgar Tongue. In the 19th century the humorous text was ascribed to Grose in Catalogue of the library of the late Sir Francis Feeling 1836 John Bohn's Catalogue of English Books 1843 Samuel Halkett's Dictionary of the Anonymous and Pseudonymous Literature of Great Britain 1882 D.C. Sapp's The Honey Jar 1898 etc. John C. Riely however in The Age of Horace Walpole in Caricature 1973 claims that Grose only contributed the introduction. Henry William Bunbury 1750-1811 "drew chiefly in pencil or black and red chalk; but although he seems to have used the needle he was never successful as an etcher and his designs were generally reproduced by engravers mostly in stipple or dot. The three works by which he is best known belong to 1787: A Long Minuet The Propagation of a Lie and the volume of equestrian misadventures called An Academy for Grown Horsemen by Geoffrey Gambado. In 1791 appeared the Annals of Horsemanship a kind of sequel to the Academy for Grown Horseman." D.N.B. His other published works include Angelica Kauffman's Angelica's Ladies Library 1794 Bunbury's Illustrations of Shakspear engraved by Bartolozzi 1796 Tales of the Devil 1801 etc. Brown quarter leather binding rubbed and scuffed spine with gilt title and decorative tooling marble boards rubbed and torn book block solid. Some fingermarks and general grubbiness throughout slight spotting to text and plates a couple of plates with neat paper repairs to rear. The copper plates mostly clean and bright one with partial handcolour by a previous owner. Still a fun trot throught the miseries of horse-riding in the late 18th century W. Baynes hardcover
1809Best.-Nr. Flo540Very good copy of this classic of equestrian humour First edition with the improved Thomas Rowlandson engravings of this popular book that went through many editions Complete copy with 29 handcoloured copperplates engraved by Rowlandson after designs by Henry Bunbury An Academy for Grown Horsemen; containing the Completest Instructions for Walking Trotting Cantering Galloping Strumbling and Tumbling with Annals of Horsemanship: Containing Accounts of Accidental Experiments and Experimental Accidents both Successful and Unsuccessful Communicated by Various Correspondents. The text has been attributed to the artist Henry Bunbury and Francis Grose the antiquarian and compiler of a Classical Dictionary of the Vulgar Tongue. In the 19th century the humorous text was ascribed to Grose in Catalogue of the library of the late Sir Francis Feeling 1836 John Bohn's Catalogue of English Books 1843 Samuel Halkett's Dictionary of the Anonymous and Pseudonymous Literature of Great Britain 1882 D.C. Sapp's The Honey Jar 1898 etc. John C. Riely however in The Age of Horace Walpole in Caricature 1973 claims that Grose only contributed the introduction. Henry William Bunbury 1750-1811 "drew chiefly in pencil or black and red chalk; but although he seems to have used the needle he was never successful as an etcher and his designs were generally reproduced by engravers mostly in stipple or dot. The three works by which he is best known belong to 1787: A Long Minuet The Propagation of a Lie and the volume of equestrian misadventures called An Academy for Grown Horsemen by Geoffrey Gambado. In 1791 appeared the Annals of Horsemanship a kind of sequel to the Academy for Grown Horseman." D.N.B. His other published works include Angelica Kauffman's Angelica's Ladies Library 1794 Bunbury's Illustrations of Shakspear engraved by Bartolozzi 1796 Tales of the Devil 1801 etc. Full red morocco leather binding by Root and Son spine with five raised bands gilt title and tooling neatly rebacked at some time with original spine relaid marble endpaper TEG book block solid. Interior very clean all plates under tissue guards copperplates with vivid hand-colour. "Capt. Grose" in ink in parentheses next to author's name Gambado on the front title page. Engraved bookplate of Cortlandt Field Bishop American pioneer aviator balloonist autoist traveller and book collector on front endpaper. Vernor, Hood and Sharpe hardcover
