10.182 risultati
1948rif. 008728New York: Printed at The Spiral Press 1948. First edition. Paperback. This original Robert Frost 1948 Christmas Card features a trifecta of virtues. This is the first published appearance of this poem which had an unusual text history detailed further below. Of 2275 copies printed for 9 different names this is one of 375 printed for the poet himself. Last but certainly not least this is not only one of Frost's copies but is inscribed and signed by him. Following the first and second printed lines on the presentation page "This new poem brings Holiday Greetings from Robert Frost December 1948" Frost wrote "the Hendersons" and signed "Robert Frost". Condition is near fine. The gray-green card wraps are clean bright and sharp cornered the binding staple firmly intact and uncorroded. We note only a tiny blemish above the title on the front cover and a trivial hint of wear to the spine heel. The contents are crisp and clean lightly age-toned but with no spotting or soiling. With the permission of Frost and his publishers in 1929 the Spiral Press began printing an annual Robert Frost Christmas Card featuring one of his poems. The tradition continued until 1962 Frost's final Christmas. Each annual Christmas poem publication was printed with varying names on the title page to accommodate their being sent by various Frost publishers artists and important friends. This copy is one of those printed for Frost himself. The 1948 Christmas poem "Closed for Good" has an unusual textual history. After it was first printed here it appeared in a number of other Frost collections including in the 1949 edition of Complete Poems and the 1954 1955 and 1963 editions of selected poems. In 1962 a revised version of Closed for Good was published as part of In the Clearing. There the poem is altered; the first stanza lines 1-6 is deleted And becomes They in line 7 and the word brush becomes spread in line 24. This is clearly how Frost wanted the poem to evolve. In the Clearing was his final new collection and in 1958 Frost told Elizabeth Shepley Sergeant that he was trying out a new version of four stanzas. Nonetheless When Edward Connery Lathems edition of The Poetry of Robert Frost was published in 1969 the poem was presented in five stanzas and the two word changes restored to original. Given both Frosts manifestly deliberative use of words and the fact that the poem is a commentary on Frosts inheritance from the past and his legacy to the future the changes do not seem incidental. By 1948 when this poem first appeared in his annual Christmas card and he inscribed this copy Robert Frost 1874-1963 had already entered the final decades of his life as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Half a decade had passed since he had won his still-to-this-day-unrivalled fourth Pulitzer Prize for Poetry. This is all the more remarkable given that he did not publish his first volume of poetry until he was nearly 40 years old. References: Crane B19; Tuten and Zubizarreta; ANB Printed at The Spiral Press paperback
1959rif. 008606New York: Henry Holt and Company 1959. First edition first printing. Hardcover. This strikingly clean jacketed copy of the first edition first printing of Robert Frosts 1959 collection of Favorite Poems for Young Readers is signed by him "Robert Frost" on the title page just above his printed name. This collection takes its title from the words repeated at the end of each stanza of this book's first poem "The Pasture" first published as the prefatory to North of Boston in 1914. Of this collection the publisher said Frost "has gathered a group of his poems to be read to and by young people. To Robert Frost a great-grandfather with a remarkable number of small friends this was a labor of love. Frost dedicated the volume to his mother Belle Moodie Frost who knew as a teacher that no poetry was good for children that wasnt equally good for their elders. Evoking Frosts famous poem Mending Wall Frosts friend Edward Hyde Cox 1914-1988 who contributes a Foreword to this volume said of Frost that he had never added a single stone to the wall that so often separates age from youth. Prevalent among the 51 poems herein is Frost's gently subversive inclination to write verse that is superficially accessible "lovely dark and deep" upon sounding. This is a handsome book bound in orange-yellow linen cloth with a vignette of a bird on a fence post stamped in black on the lower right front cover corner and spine print stamped in black with a red acorn and leaf device between at the spine's center. The contents feature wood engravings by Thomas W. Nason and are bound with endpapers of heavy light gray wove paper and red and yellow head and tail bands. The dust jacket printed on beige laid paper features a wood engraving of birches spanning the lower front face spine and extending onto the rear face. The rear face prominently features Yousuf Karsh's famous portrait photograph of Frost. Condition is truly fine in a truly fine dust jacket. The illustrated cloth binding is immaculately clean and bright with sharp corners and only the most trivial hints of shelf wear to extremities. The contents are likewise pristine with no spotting soiling toning or previous ownership marks. "FIRST EDITION" is so stated on the title page verso. The contents retain a pleasingly stiff feel The dust jacket is crisp bright clean and entirely complete with no loss or tears and retaining the original "$3.00" upper front flap price. We note only a hint of wrinkling to the spine heel and a touch of soiling to the lower rear face. The jacket is protected beneath a clear removable archival cover. Publisher's statements are often hyperbolic. In this case the dust jacket's front flap description of Robert Frost as "America's beloved poet ageless and for the ages" was and remains more accurate than advertising. Before this volume was published on 26 March 1959 Robert Frost 1874-1963 reached the age of eighty-five. His stature had risen to an apex arguably unequalled by any American poet since. Frost had long-since won all of his still-unrivaled four Pulitzer Prizes for poetry 1924 1931 1937 and 1943. He spent his final years as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. Reference: Crane A39; Tuten and Zubizarreta; ANB Henry Holt and Company hardcover
rif. 71318E-386. Very Good. Paperback. Trade PB. 8vo. Bob Riley Studios New Orleans LA. Unknown Date 1943 . 115 pgs. Illustrated. Revised Edition. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. French Quarter bohemians designed The Bachelor in New Orleans as an unauthorized guidebook before unauthorized guidebooks. Over forty marvelous block prints illustrate a remarkably jaunty text delivering a portrait of New Orleans nightlife unlike any other. The Bachelor in New Orleans discusses among other things: absinthe the Ramos Gin Fizz Cafe Brulot Bourbon Street The Sazerac Bar Court of the Two Sisters Pat O'Brien's The Monteleone Hotel Bar art Cafe Lafitte Tujague's Bar The Walnut Room Micky Finns Antoine's Galatoire's Dinkelspiel salad lonliness Mardi Gras drinking jazz and sporting houses. ; 8vo 8" - 9" tall . paperback
rif. 66656E-160. Very Good. Hardcover. Hardcover. 4to. Edwd. Orme London UK. 1813. 12 pgs. Illustrated with a set of four whaling prints originally found in Williamson's "Foreign Field Sports." Bound by Zaehnsdorf in 3/4 leather and matching cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. Previous owner's bookplate present to the front pastedown. Text is clean and free of marks. Binding tight and solid. A complete set of four fine colour aquatints depicting whaling in the early 19th century. Fine original colour. The titles of each plate : 'Whale Fishery Plate 1 A Ship's Boat Attacking a Whale' 'Whale Fishery Plate 2 Boats Approaching a Whale' ''Whale Fishery Plate 3 A Whale Brought Along-Side a Ship' 'Whale Fishery Plate 4 Shooting the Harpoon at a Whale'. EB; 8vo 8" - 9" tall . hardcover
rif. 63186E-075. Very Good. Hardcover. Hardcover. 4to. Published by Pied Oxen Printers Hopewell NJ 2002. This is copy number 73 of the Limited edition of 125 copies. Illustrated with 2 intaglio plates. Signed by Paul Muldoon on the half title page and Diarmuid Delargy on the intaglio plates and the printer David Sellers on the limitation page. Bound in original green Asahi cloth printed paper labels on spine and upper cover printed on Somerset Book Wove soft white the prints on Somerset Textured. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. 'Unapproved Road' is a masterpiece. For one so long and falsely charged with emotional evasiveness Muldoon will survive as one of our laureates of marriage and fatherhood. Paul Muldoon born 20 June 1951 is an Irish poet. He has published more than thirty collections and won a Pulitzer Prize for Poetry and the T. S. Eliot Prize. At Princeton University he is currently both the Howard G. B. Clark '21 University Professor in the Humanities and Founding Chair of the Lewis Center for the Arts. He held the post of Oxford Professor of Poetry from 1999 to 2004 and has also served as president of the Poetry Society UK and Poetry Editor at The New Yorker. EB; 8vo 8" - 9" tall . hardcover
1984rif. 298176Maple Shade NJ: The Pickering Press 1984. Soft Cover. Near Fine binding. Large 8vo.; in blue paper-covered flexible boards with a decorative paper label to the upper board; 18 pages with a wood-engraved portrait as frontispiece and example of Pickering’s work tipped in and numerous illustrations in blue and black; there is minor fade to the spine. Near Fine binding. The Pickering Press unknown
1984rif. 297104Marlborough Wilts: Paulinus Press 1984. Limited Edition. Near Fine binding. Small quarto; in morocco-backed vellum with spine lettered in gilt; housed in slipcase with portfolio in the slipcase containing a set of nineteen wood engravings by Simon Brett printed on japon and signed by the artist; the morocco spine is a bit sunned; this edition with the portfolio is limited to 25 copies; of the engravings in the portfolio this is number 18 of xxv; signed on the colophon by Michael Justin Davis and Simon Brett. Near Fine binding. Paulinus Press unknown
1984rif. 297106Marlborough Wilts England: Paulinus Press 1984. Limited Edition. Hard Cover. Fine binding. Large 8vo.; in the publisher’s pink silk bonding with a cream label to the spine lettered in gilt with slipcase; 55 pages with illustrations and a set of proofs; signed by the author Walter Shewring; the engraver Simon Brett the engraver; Christopher Skelton the printer; and Clare Skelton the binder.~~This edition limited to twenty-five special copies printed on Zerkall mould-made paper with additional pages bearing impressions of the engravings printed direct from the wood blocks; in the rear of the book is a loose set of proofs of the engravings on japon printed and signed by the artist.~~This special edition is signed by the author the engraver the printer and the binder “in recognition of its being the last book produced at Skelton’s Press under Christopher Skelton’s ownership”. Fine binding. Paulinus Press unknown
rif. 42710London: W. Nicol 1832. 8vo 2 57 1pp. title and terminal leaf dust soiled blank margins a little chipped stitched as issued 1109 lots. [London: W. Nicol], 1832 unknown
1875rif. BOOKS350130New York NY: Harper & Brothers Publishers. Good/NO DUSTJACKET. 1875. . Hardcover. Sm 4to. 155 p.p. Cracked inner hinge; shelf lean; head and tail of spine; previous owner's bookplate approximately 2 and a half inches by 1 and a half inches on front pastedown previous owner's inscription on front free-end paper; corners of cover bumped in; pages lightly warped otherwise pages clean and unmarked. . Harper & Brothers Publishers hardcover
1946rif. 50322061071J M Dent and Sons Ltd London 1946. Reprint. Hardcover. Good Condition/Good. Illustrator: wood engravings by Marie Hartley. Brown covers with white lettering on the spine lightly rubbed at spine-ends sound binding part of dust-jacket and 3 hand-taken black and white photographs pasted onto reverse of front end-paper and on half-title-page. Faint smudges on title-page clean pages. Fourth Impression. 174 pages. Previous owner's name in pencil at front. Illustrator: wood engravings by Marie Hartley. Quantity Available: 1. Shipped Weight: under 1 kg. Pictures of this item not already displayed here available upon request. Inventory No: 50322061071. All our books music and maps are sent by a tracked mail service. J M Dent and Sons Ltd hardcover
1880rif. 04411110044J Hetzel & Co Paris 1880. Edition Unstated. Hardcover. Very Good/No Dust Jacket. Illustrator: Ferat Pannemaker. Undated circa 1880. Ouvrage couronne par l'Academie francaise. Bibliotheque D'Education et de Recreation. Half leather with marbled boards small bookplate for John William Hoyland annotated by Rachel Barbara Hoyland green leather is worn with spine-label detached boards are good but paper is worn on edges binding sound pages are a little darkened but clean excellent illustrations full page map of Afrique Australe Southern Africa numbered 78 1878. Text is in French. Estimated date only. Illustrator: Ferat Pannemaker. Quantity Available: 1. Shipped Weight: under 1 kg. Pictures of this item not already displayed here available upon request. Inventory No: 04411110044. All our books music and maps are sent by a tracked mail service. J Hetzel & Co hardcover
1936rif. end2601K1936 hardback in cloth board covers 157 pages illus. three wood engravings by Julian Wehr ex library copy; heavy general wear; usual library stamps and marks; coffee splash to side text block; no dust jacket; text is clean and free of notes etc; wood engravings are all present; NB no dust jacket carefully packaged and dispatched from UK within two working days Random House hardcover
1771rif. 3835Three engravings by Paul Revere are certainly the most distinctive feature of this Boston almanac for 1772 namely: Miss Emma Leach a dwarf born in Beverley Massachusetts on front cover. The Patriotic American Farmer John Dickinson. Mrs. Catharine M'Caulay. Almanac making in colonial America was a rather unscrupulous affair at times. The notion of copyright was unknown among publishers. Indeed almanac piracy or perhaps liberal borrowing was the accepted industry practice. The present almanac offers an excellent example of heavy borrowing. The Boston Ames Almanack for 1772 was published in two versions: one by Ezekiel Russell and the other a pirated version by an unnamed printer/publisher. The text and images of the two are very similar although the cuts of the three subjects differ very slightly between the two almanacs. Paul Revere's daybook for December 1771 identifies two purchasers of plates for a 1772 Ames almanac Ezekiel Russell and Edes & Gill. Within a matter of a week it's apparent that Revere produced two sets of plates of the same subjects for competing almanacs. In an advertisement for Russell's version of the Ames almanac he "hopes that the publick with their usual impartiality will give him preference in buying of his Ames' genuine almanac before any pirated edition." Revere's contributions were in both the original and this pirated edition of the almanac. References: Evans: 11961; Drake Almanacs of the U.S.: 3205; Brigham Paul Revere's Engravings: pp. 202-203; Hamilton Early American Book Illustrators and Wood Engravers: 56; O'Neal Early American Almanacs: 115 mistakenly citing Russell as publisher. Condition: Disbound; leaves are separated with a later paper reinforcement in the gutter of two leaves. Chipping to lower corners of two leaves. Scattered mostly light staining and a few spots of foxing. Good. ICN 7815. [Printed by T. & J. Fleet and Edes & Gill. Price 2s. 8d. per dozen, and six coppers single. ]
1974rif. 000652Land's End Press 1974. Hardcover. Good/Good. Scarce edition. From dust Jacket: "Here in one volume are facsimiles of three rare and valuable works of fencing by the noted eighteenth century fencing masters Domenico and Henry Angelo." Hard back binding in publisher's original crimson cloth covers gilt title and author lettering to the spine. Landscape 6½'' x 9¼''. Contains printed pages of text with full-page monochrome etchings and engravings throughout.Very Good condition book with minor rubbing of the cloth along the spine. Good condition dust jacket with some damage. Not price clipped.Names stamped on First page. Dust wrapper supplied in archive acetate film protection. Land's End Press hardcover
1934rif. 6048381934. "Eric Gill" in black fountain pen ink Jerusalem June 13 1934. 8" x 10". 1 page recto only. Very good. To Mr. Sutcliffe: In full: "Many thanks for your letter of June 4. I shall be back home in July & will come and see you about the matter as soon as possible. . ." Probably the London book binder George Sutcliffe. unknown
1802rif. 219552London.: W. Miller. 1802. Hand-coloured engraving 34.7 x 26 cms sheet including plate-mark edge toning but in very good condition. Attractive large image prepared as Plate IV for Dalvimart's work "The Costume of Turkey". "Dalvimart's is one of the basic works on Turkish costume which has provided the prototypes for numerous other illustrative material. It is known that Dalvimart travelled in Turkey and Greece in 1797-8" Atabey. . W. Miller. unknown
1802rif. 219551London.: W. Miller. 1802. Hand-coloured engraving 34.7 x 25.8 cms sheet including plate-mark edge toning but in very good condition. Attractive large image prepared as plate 17 for Dalvimart's work "The Costume of Turkey". "Dalvimart's is one of the basic works on Turkish costume which has provided the prototypes for numerous other illustrative material. It is known that Dalvimart travelled in Turkey and Greece in 1797-8" Atabey. . W. Miller. unknown
1802rif. 219553London.: W. Miller. 1802. Hand-coloured engraving 34.7 x 25.9 cms sheet including plate-mark edge toning but in very good condition. Attractive large image of a Dervise or Dervish prepared as Plate XXX for Dalvimart's work "The Costume of Turkey". "Dalvimart's is one of the basic works on Turkish costume which has provided the prototypes for numerous other illustrative material. It is known that Dalvimart travelled in Turkey and Greece in 1797-8" Atabey. . W. Miller. unknown
1920rif. 000012714Leipzig / Wien = Vienna: Bibliographisches Institut 1920. Paperback. Near Fine. Oblong 8vo. 14 cm x 16.5 cm. Unpaginated. Brown paper wrappers printed in red and black. Illustrated with 22 black and white images of towns and landmarks from the state of Saxony. Minor wear to the extremities. Bibliographisches Institut paperback
2005rif. 33693London: Folio Society 2005 Beautiful Folio Society Edition in green pink and black illustrated cloth & light blue slipcase First Printing with new Foreword and binding design no markings a Fine unread copy in Near Fine slipcase; 8vo; 493pp illus. First Edition. Hard Cover. As New. London: Folio Society hardcover
1930rif. 20691New York: Coward-McCann Inc 1930. First Edition. Hardcover. Cloth spine. Paper pastedown on boards. Very Good. John Held Jr. A Prohibition Era paean to the bibulous lifestyle with many apercus and interspersed among these short pieces over 60 cocktail recipes and of course the inimitable woodcuts of John Held who made something of a specialty as an illustrator of cocktail literature. With a short inscription by compiler editor writer Hunt who was Librarian at Yale and who also had been a publishing executive. 8vo. 22.5 by 17 cm. xiv 2 95 1 pp. The short inscription was to a woman living on Christopher Street back when it was the backdrop for "My Sister Eileen". Cover stained. Hinge somewhat loose. Leaves fairly heavily age toned but generally clean otherwise. Coward-McCann, Inc hardcover
rif. 66428unknown
1960rif. 177507Peking.: Foreign Languages Press. 1960. Post card booklet containing 12 colour postcards of 20th century Chinese woodcuts each 15.5 x 10.5cm left edge perforated coloured pictorial wrappers. Very good condition. Artists include: Hung Chen-shan Shao Keh-ping Ku Yuan Li Huan-min Liu Kuang Cheng Shuang Chao Yen-nien Teng Ko Chao Tsung-tsao Tung Chi-chung Hsiu Chun Tu Chi and Li Ping-fan. . Foreign Languages Press. unknown
1976rif. 36978Paris: A Parole Donnee 1976. Fine. Paris: A Parole Donnée 1976. First Edition Limited to 60 copies of which this is no. 34. Small square quarto 16.5cm; contents loose as issued in original printed dust jacket housed in scarlet cloth chemise and slipcase; 16pp.; two color engravings with tissue guards both engravings signed with limitation by the artist in pencil along bottom edge. A Fine example additionally signed by the artist and poet on colophon in rear. French artist's book of poems issued as the first volume in the "A Parole Donnée" series. We find no copies in the trade or OCLC as of October 2025. A Parole Donnee unknown