10 988 résultats
1984SIGNED BY THE TULY BAUMAN. NUMBERED COPY 62/150. 15.5x16.5 cm. Unpaginated. Softcover. Cover slightly stained and rubbed. Else in good condition.
1848réf. 005411London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 400 x 475 mm. image is 276 x 318 mm.; mat is 19.5 x 20 inches. The lithograph was created by Edmund Walker 1813 or 1814-1882 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 2 a portrait of Dost Mohammed who had been deposed as Emir of Afghanistan. In January 1841 when Rattray was granted an audience with him in Peshawar Dost Mohammed was a prisoner on his way to exile in Calcutta. Rattray wrote that since Dost Mohammed had been "a ruler just and merciful and attentive to affairs of state" the people of Peshawur thought that he had been unjustly treated by the British. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1848réf. 005412London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 430 x 527 mm. image is 264 x 372 mm.; mat is 19.5 x 23.25 inches. The lithograph was created by Robert Carrick 1820-1905 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 14 showing two falconers from Kohistan Khudadard and Guldin with their hawks. Rattray saw them in September 1841 when they were part of the cavalry escort of his brother Captain Rattray. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1848réf. 005410London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 429 x 533 mm. image is 275 x 375 mm.; mat is 19.5 x 23 inches. The lithograph was created by Edmund Walker 1813 or 1814-1882 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 22 in regard to which Rattray wrote: "I sketched this Uzbeg at the Fort of Lughmaunee Cohistaun." The ambassador represented Mir Wali prince of the frontier town of Kulum near Kunduz. In September 1840 the British were negotiating with Wali to transfer his allegiance to Shah Shuja. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1973réf. 60871BBRottendorf, Edition Galerie am Grasholz, 1973. Quer-8°. 22 x 26 cm. 144 Seiten. Original-Leinenband mit Original-Schutzumschlag.
réf. 15215Épreuve sur beau papier filigrané. en feuille Très bon Paris 14 x 8,5 cm
réf. 15196Épreuve sur beau papier filigrané. en feuille Très bon Paris 14,5 x 10,5 cm
1959Roy. 8vo., First Edition, with many fine reproductions throughout; cloth, a very good, clean copy in the dustwrapper, the latter lightly frayed and creased at edges.
1989Roy. 8vo., First Edition thus, with frontispiece, fine reproductions throughout and pictorial endpapers; black cloth, gilt back, a near fine copy in unclipped dustwrapper. Enlarged version of the original edition of 1959.
1989A clean, unmarked copy with a tight binding. 160 pages. Small chip on top edge of black cloth boards; barely noticeable. Clean and tight with sharp corners. Slight edge wear and fading to dust jacket. A photographic reproduction of the first edition, printed by offset lithography. Selected with an introduction by Reynolds Stone; postscript and additional selection by Simon Brett. . "Gwen Raverat (1855-1957) was one of the most distinguished printmakers of the century, an artist in whose hands the medium of wood engraving became uniquely transparent to personal vision. Her world, richly populated with the symbols of her own experience set in one of the most classic traditions of Western art, is universally accessible and capable of inspiring passionate affection in those who are drawn to it, responding to her own intense reaction to the subjects she chose." [Publisher's blurb]
réf. 16419Raybaud et D'Harlingue. 38X29 cm.
1681réf. 859221681 Lithographie couleurs sur Vélin d'Arches, signée de la main de l'artiste et numérotée 168/175 en bas à droite. 56 x 76 cm. Bel état.
réf. 16420Raybaud et D'Harlingue. 38X29 cm.
1988réf. 21824Genève, La Dogana, 1988. In-8 broché de 320 pages, couverture imprimée en couleurs.
1948This is a very good hardcover copy in a gray cloth binding. No dust jacket. Title page has been slightly cut down and re-attached to it's original position. Introduction by Herbert Read. The whole book was designed by Nicholson. 203 plates in color and black & white. Bibliography. Biographical note. Summary of text in French. Large 4to, 11 1/2" high X 9" wide, 32 pages of text + plate section.
réf. SONG3319538314Used: Good unknown
Litografia originale a colori dalla cartella ''El circulo de piedra'' Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. Esemplare 15/125. cm 55x45. . . Molto buono (Very Good). . Tiratura 125 + XXV. .
33X24.5 cm. Unnumbered pages. Hardcover in dust jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1956réf. BOOKS071031IKyoto: Red Lantern Shop 1956. HC. good paper covered boards accordian fold-out hardcover. B&W and color illustrations. Published to display the art of Japanese color woodblock printing and how it is done in a progressive series of fold-out pages on one continuous sheet. Shows how each of the nine colors is added one at a time and concludes with the finished plate. Full detail on our website - ask for the link. UNCOMMON. Red Lantern Shop unknown
réf. 44717NY: Atheneum 1963. First edition; sm 4to; orange cloth covered boards hardcover; 57 pages; colored engravings by Philip Reed; lightly rubbed board edge else a very good clean tight copy in a lightly soiled dustjacket. NY: Atheneum, 1963 hardcover
1989This is a very good softcover copy with just light cover wear. Completely clean. This catalog was prepared to accompany the travelimh exhibition that opened at the Museum of Fine Arts, Boston from January 24 to April 2, 1989. Illustrated in monochrome. Index of Artists. Bibliography. 11" high X 8" wide, 302 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and shipped with tracking.
First edition, oblong 4to, 128pp., 95 illustrs., (some coloured), orig. cloth, d.w.
réf. 13402In 8 broché, 215x135mm. Couverture muette, titre, table des matières avertissement, XII, 564 pages. Non rogné. Paris chez l’auteur 1817. Rousseurs en début et fin de volume. Bon exemplaire à grandes marges. Rare. Le Comte RIGAL né en 1847 constitue une extraordinaire collection. Les tirages comptent environ 1000lots. Puis quelques guides de collection. "Scientifiquement rédigé, notices sur les artistes, descriptions détaillées de pièces ou d’états restés inconnus à BARTSCH et autres indications minutieuses des états. "
1817réf. 129724Paris, chez l’Auteur, impr. Imprimerie de Leblanc 1817 Reliure postérieur fin XIXe s., début XXe s. demi-chagrin rouge, filets dorés, dos à nerfs encadrés de fers dorés, XII-564-13 pp., 1043 numéros, liste des catalogues publiés par F.-L. Regnault-Delalande, table des matières, table des maîtres, Ex-libris PH. Ouvrage peu courant, en bon état.
1860réf. 226281860 imp. Lemercier à Paris imp. Lemercier à Paris (vers 1860) lithographie encadrée sous verre, image 52x 33 cm,tache bas de marge