1736rif. 42844Amsterdam: J. Wetstein; G. Smith 1736. First French-language edition. Hardcover. g to vg. Quarto 10 1/4 x 8". 14 lxxv 1 696pp; 4 848pp. Modern half brown calf over light green cloth with gold lettering and tooling to spines retaining the original gilt-lettered leather titles. All paper edges red. Marbled endpapers. Engraved frontispiece portrait of the author and engraved portrait of Caroline of Brandenburg-Ansbach Queen of Great Britain as the wife of King George II by George Vertue. Title vignettes. Title pages in red and black lettering. This work was originally published in London in 1619 by Paolo Sarpi 1552-1623 an Italian historian prelate scientist canon lawyer and statesman active on behalf of the Venetian Republic during the period of its successful defiance of the papal interdict 1605-1607 and its war 1615-1617 with Austria over the Uskok pirates. The author published it under the name of Pietro Soave Polano an anagram of Paolo Sarpi Veneto plus o. The book's emphasis was on the role of the Papal Curia and its slant on the Curia hostile. Sarpi's work attained such fame that the Vatican opened its archives to Cardinal Pietro Sforza Pallavicino whom it commissioned to write a three volume rebuttal entitled the "Istoria del Concilio di Trento scritta dal P. Sforza Pallavicino della Comp. di Giesù ove insieme rifiutasi con auterevoli testimonianze un Istoria falsa divolgata nello stesso argomento sotto nome di Petro Soave Polano" "The History of the Council of Trent written by P. Sforza Pallavicino of the Company of Jesus in which a false history upon the same argument put forth under the name of Petro Soave Polano is refuted by means of authoritative testimony" 1656-1657. Sporadic foxing and offsetting throughout. Bindings in overall very good interior in good to very good condition. J. Wetstein; G. Smith hardcover
1736rif. 42844Amsterdam: J. Wetstein; G. Smith 1736. First French-language edition. Hardcover. g to vg. Quarto 10 1/4 x 8". 14 lxxv 1 696pp; 4 848pp. Modern half brown calf over light green cloth with gold lettering and tooling to spines retaining the original gilt-lettered leather titles. All paper edges red. Marbled endpapers. Engraved frontispiece portrait of the author and engraved portrait of Caroline of Brandenburg-Ansbach Queen of Great Britain as the wife of King George II by George Vertue. Title vignettes. Title pages in red and black lettering. This work was originally published in London in 1619 by Paolo Sarpi 1552-1623 an Italian historian prelate scientist canon lawyer and statesman active on behalf of the Venetian Republic during the period of its successful defiance of the papal interdict 1605-1607 and its war 1615-1617 with Austria over the Uskok pirates. The author published it under the name of Pietro Soave Polano an anagram of Paolo Sarpi Veneto plus o. The book's emphasis was on the role of the Papal Curia and its slant on the Curia hostile. Sarpi's work attained such fame that the Vatican opened its archives to Cardinal Pietro Sforza Pallavicino whom it commissioned to write a three volume rebuttal entitled the "Istoria del Concilio di Trento scritta dal P. Sforza Pallavicino della Comp. di Giesù ove insieme rifiutasi con auterevoli testimonianze un Istoria falsa divolgata nello stesso argomento sotto nome di Petro Soave Polano" "The History of the Council of Trent written by P. Sforza Pallavicino of the Company of Jesus in which a false history upon the same argument put forth under the name of Petro Soave Polano is refuted by means of authoritative testimony" 1656-1657. Sporadic foxing and offsetting throughout. Bindings in overall very good interior in good to very good condition. J. Wetstein; G. Smith hardcover books
1835rif. 006330Philadelphia: John Sartrain 1835. Very Good -. 1 mezzotint engraving of Benjamin Carr 1768-1831 American composer singer music teacher and music publisher. Sheet is 30 x 24 cm.; image is 14 x 11 cm. John Sartain 1808-1897 pioneered mezzotint engraving in the United States. He engraved this portrait of Benjamin Carr from a painting by John Clarendon Darley 1808-1863. Undated but probably produced in the 1830s. Number in pencil in lower right-hand corner: 7/882. In Very Good- Condition: light soiling and foxing; a crisp mezzotint image. John Sartrain unknown
1860rif. 006727Philadelphia: William Smith 1860. Good. Sheet is 48 x 57 cm. Image is 33 x 38 cm. Hand-colored lithograph produced by Magee's Lithograph Press 48 S. 3rd St. Philadelphia. No date of publication. John L. Magee artist lithographer and engraver was located at 48 or 49 S. 3rd St. Philadelphia only in 1860. Engraved by A. Biggerman after an engraving by John Sartain. Print of deathbed scene of the Reverend John Wesley. Others shown in the image as identified by Sartain: Sarah Wesley a medical assistant the Rev. J. Bradford the Rev. P. Dickinson Mrs. Charles Wesley the Rev. T. Rankin Mrs. E.A. Rogers Miss Ritchie the Rev. J. Rogers the Rev. J. Creighton Master Rogers R.C. Brackenbury the Rev. T. Broadbent the Rev. A. Mather the Rev. J. Broadbent J. Horton the Rev. G. Whitfield Dr. Whitehead and the Rev. J. Edmonson. Scarce one copy on WorldCat. In Good Condition: some mat burn; closed tear of 2.5 cm. fromt upper edge; closed years of less than 2 cm. from lower edge; lower corner creased; image is clean and bright. William Smith unknown
1977This is a very good softcover copy with almost no wear. Completely clean inside and just lightly soiled outside. Spine not creased. Signed and inscribed by the author in 1978. Illustrated throughout in black & white. Tall 8vo, 9" high X 6" wide, 76 pages. This book will be securely packed and shipped with tracking.
1977rif. 20185Barcelone, Editorial Gustavo Gili, 1977. Grand in-8 oblong, en feuilles sous couverture rempliée, couverture en fourrure blanche, sous emboîtage en Plexiglas.
1781rif. 29805ABLeipzig, Johann Friedrich Junius, 1781-1788. 8°. XXVI, (2), 298 S.; X, (2), 327 S.; VIII, 310 S.; (4), 433 S. Mit 2 gef. Karten, 14 (davon 13 gef.) Kupfertafeln. Pappbände der Zeit mit Kleisterpapierbezug und handschr. Rückenschildern. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 29805AB|29805AB_2|29805AB_3 4 Bände. [3 Warenabbildungen]
1781rif. 29805AB4 Bände. Leipzig, Johann Friedrich Junius, 1781–1788. 8°. XXVI, (2), 298 S.; X, (2), 327 S.; VIII, 310 S.; (4), 433 S. Mit 2 gef. Karten, 14 (davon 13 gef.) Kupfertafeln. Pappbände der Zeit mit Kleisterpapierbezug und handschr. Rückenschildern.
1960rif. 1699AG1960. Aquarell auf festem Papier. Bildausschnitte: 31 x 39 cm. Blattgrösse: 33.5 x 43 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
1962rif. 1705AG1962. Aquarell auf festem Papier. Bildausschnitte: 32,5 x 40 cm. Blattgrösse: 35 x 43 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
1960rif. 1699AG1960. Aquarell auf festem Papier. Bildausschnitte: 31 x 39 cm. Blattgrösse: 33.5 x 43 cm.
1962rif. 1705AG1962. Aquarell auf festem Papier. Bildausschnitte: 32,5 x 40 cm. Blattgrösse: 35 x 43 cm.
1920rif. 9742Beau portefeuille contenant 50 eaux-fortes originales de Sylvain Sauvage. Exemplaire tiré sur papier de Hollande, signé au colophon par l'artiste. On joint une lettre autographe signée de l'artiste sur son beau papier à en-tête. en feuille. Papier filigrané. Très bon Paris Cotinaud s.d. (1920) 1 volume in-folio.
1818rif. 168473Gießen, Heyer, 1818. 1 Bl., XXXX, 602 S. Halbleder d. Zeit (beschabt, Ecken u. Kanten bestoßen). [2 Warenabbildungen]
1949rif. 4348Paris Rombaldi 1949 in-folio en feuilles Paris, Rombaldi, 1949. Coll. "Les Maîtres de l'estampe française contemporaine" (n° 8). 38,5 x 28,5 cm, in-folio, 2 ff. bl. - 7 ff. n. ch. portant 2 eaux-fortes dans le texte - 10 estampes (2 lithographies au crayon, 3 lithographies au lavis, 2 lithographie en couleurs, 3 eaux-fortes) toutes numérotées et signées par l'artiste à la mine de plomb et montées sous passe-partout - 3 ff. n. ch. - 3 ff. blancs, en feuilles sous couverture blanche rempliée et imprimée et portefeuille de l'éditeur.
1858rif. 4837CBGenève, Jules-Guillaume Fick, 1858. 8°. VI, 143 S. Mit gest. Buchschmuck, darunter eine kleine Ansicht und das Genfer Wappen. Pappband d. Zt. mit blindgepr. reich verziertem Genfer Wappen auf Deckeln, diese von roter Linie eingefasst. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4837C
1858rif. 4837CBGenève, Jules-Guillaume Fick, 1858. 8°. VI, 143 S. Mit gest. Buchschmuck, darunter eine kleine Ansicht und das Genfer Wappen. Pappband d. Zt. mit blindgepr. reich verziertem Genfer Wappen auf Deckeln, diese von roter Linie eingefasst.
1893pp. xii, 99, 13 [Price List of Tissue and Materials Used in the Production of Permanent Photographs], 19 [Abridgement of the Autotype Company's Fine Art Catalogue], (1) [Press Notices] + Autotype Frontis. Frontis worn with loss at bottom corner margin. Lacks second illustration. Title page soiled. Page xi torn without loss. Old damp staining at top margins. Fly leaves penciled scribbled. Tipped in order and telegraph directions printed in red. Top edge gold gilt. 12mo. 175 mm. Original full cloth binding, lettered and decorated in gold. Extremities rubbed with loss. Binding worn. Revised Edition. Hardbound. Very good. Autotypes were a commercial photographic process for producing excellent prints, in mostly monochrome, using a carbon pigment. W103 RtStack
1640rif. 703595Antverpiae (Antwerpen), Hieronimus Verdussen, ohne Jahr (um 1640). 12,8 x 7,5 cm. 456 Seiten, 28 nnr. Blätter (Index) und 3 gef. Karten. Ledereinband der Zeit mit goldgeprägtem Rückenschild und etwas Rückenvergoldung. Oberes und unteres Kapital beschädigt mit Fehlstellen, Vorderes Außengelenk beschädigt mit Fehlstelle. Einige Wurmgänge mit teils geringem Textverlust.
Litografia originale a colori Firma e numerazione a matita. Esemplare 46/100. Cm 48,5x67. . . Molto buono (Very Good). . Tiratura 100 (Edition of 100 copies). .
Litografia dal libro ''A mezzo della notte'' (composto da 15 litografie ad uno e due colori dell'Artista e poesie di Gianni Malabarba) Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Fabriano. Esemplare p.d.a.. cm 33x47. . . Ottimo (Fine). . Tiratura 50 + XX + 4 H.C. (A-D). .
Litografia dal libro ''A mezzo della notte'' (composto da 15 litografie ad uno e due colori dell'Artista e poesie di Gianni Malabarba) Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Fabriano. Esemplare p.d.a.. cm 33x47. . . Ottimo (Fine). . Tiratura 50 + XX + 4 H.C. (A-D). .
Litografia dal libro ''A mezzo della notte'' (composto da 15 litografie ad uno e due colori dell'Artista e poesie di Gianni Malabarba) Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Fabriano. Esemplare p.d.a.. cm 33x47. . . Ottimo (Fine). . Tiratura 50 + XX + 4 H.C. (A-D). .
1968Litografia dal libro ''A mezzo della notte'' (composto da 15 litografie ad uno e due colori dell'Artista e poesie di Gianni Malabarba) Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Fabriano. Esemplare p.d.a.. cm 33x47. . . Ottimo (Fine). . Tiratura 50 + XX + 4 H.C. (A-D). .
Litografia Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare p.d.a.. cm 51x40,5. . . Ottimo (Fine). . . .